Dulari Ji Is Gone; Unwept, Unheard , Unsung !


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MUMBAI – MAHARASHTRA – INDIA           MAY 09 , 2013           06.45 P.M.
Dulari In Her Twilight Years

Dulari In Her Twilight Years

On Monday morning I was shocked to read the news of death of Dulari , a veteran yesteryear Hindi film actor . It is so heart-wrenching that she died in January 2013 and the news came in May 2013 , in Monday’s Times of India . If a popular actor dies and the news comes out a full four months later , it shows the callousness of our film industry . How come no one tried to contact her ? How come no one ever called her to say hi ? How come no one inquired about her health and well-being ? I must admit , our film industry is full of cussed , cruel and selfish people .
Today as I am writing this blog , I suddenly remember these lines , which was filmed on her in ” Devdas ” , a Bimal Roy classic .
साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

She left this ephemeral , painful world for her eternal journey . She joined her lover , the God , and became one with him .

A Young Dulari

A Young Dulari

Hindi cinema had many famous and powerful mother figures . Durga Khote , Lalita Pawar , Leela Chitnis , Kamini Kaushal , Achala Sachdev and Sulochna are some of the most famous mothers of Hindi cinema . In recent history Nirupa Roy became an ultimate mother figure . Dulari, though not as famous as her other illustrious peers , was also a popular mother figure of Hindi films .

Dulari - The Poorman's Mother

Dulari – The Poorman’s Mother

She started as a heroine in a couple of films . Immortal hits like  ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday “  and ” Jawaani Ki Rail Chali Jaaye Re “ , both from ” Shehnai ” [ 1947 ] were filmed on her .

Dulari

I first noticed her in Bimal Roy’s ” Devdas “ [ 1955 ] . Two songs , written by Sahir Ludhianvi and tuned by Sachin Dev Burman , were filmed on her . ” Aan Milo Aan Milo Shyam Sanware ” and ” Sajan Ki Ho Gayi Gori “ are connoisseurs delight even today .  She played a Vaishnavi Saint with Nana Palsikar as her screen companion . A young Paro , played by Baby Naaz , was sitting on a branch of a mango tree and was remembering Devdas , while Nana Palsikar sang the song and danced . Dulari was just sitting calmly and singing the female version sung by Geeta Dutt . Her calm and serene face remained in my memory . In the same film , years later , when Paro grew older [ played by etherial Suchitra Sen ] , she was again sitting and remembering Devdas . Again same Vaishnav saints came and started singing . Now the song was ” Sajan Ki Ho Gayi Gori ” . I am unable to forget these scenes , these two songs , melancholic face of Paro , played by Baby Naaz and Suchitra Sen respectively and of course Nana Palsikar and Dulari .

Then , years later I watched ” Padosan ” [ 1968 ] and ” Gopi ” [ 1973 ] . In both the films she played the maternal aunt of lead actors ; Sunil Dutt and Dilip Kumar . Memory of her earlier starrers ” Shehnai ” [ 1947 ] , and ” Devdas ” [ 1955 ] once again became fresh in my mind . It is not that I have seen only above mentioned 4 films . I have seen innumerable films of her . But these 4 remain in my memory .

Dulari as Mother Figure

Dulari as Mother Figure

A Kanyakubj Brahman from the Awadh region of Uttar Pradesh , she was born and brought up in Maharashtra . She spent her childhood in Nagpur , where she was born on 18th April 1928. Her name was Ambika but she was nick-named Rajdulari and later on only Dulari remained and the world knew her as Dulari .

Dulari ji’s first film was ‘Bombay Talkies’s’ famous movie ” Jhoola “  [ 1941 ] with Ashok Kumar . Later on she played Jairaj’s younger sister in a Bombay Talkies film Hamari Baat’ . She was also seen as the second lead in  ‘Amar Pictures’ film ‘Adaab Arz’ where her leading man was the famous singer Mukesh . Both the films were made in 1944 .
shayar

Later on she played small roles in films like ” Ghar ” [ 1945 ] , ” Kulkalank “  [ 1945 ] , ‘Ahinsa’, ‘Black Market’, ‘Namak’, ‘Pati Sewa’, ‘Rangeen Kahani’ [ all 1947 ] . But Dulari got her real due with ‘Filmistan’s super hit film ” Shehnai ” [ 1947 ] . She played Rehana’s elder sister in the movie and her leading man was Mehmood’s father Mumtaz Ali . As I mentioned earlier two immortal songs were picturized on her in this film . ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday “  and ” Jawaani Ki Rail Chali Jaaye Re “ .

After ” Shehnai “ she did films like ” Gunsundari ” , ” Mitti Ke Khilone ” , ” Naav’ ” [ all 1948 ] , ” Nanad Bhaujai ” , ” Shayar “  [ both 1949 ] , ” Apni Chhaya ” , ” Man Ka Meet “  [ both 1950 ] , ” Albela “  [ 1951 ], ” Anjaam ” , ” Bhoole Bhatke ” and ” Veer Arjun “  [ all 1952 ] .
Paapi
Dulari was seen in an important role in the movie ” Paapi ” [ 1953 ] . In this Ranjeet Movietone film Raj Kapoor played his career’s only double role. Nargis and Dulari played his two heroines .  After it she worked in Jeewan Jyoti ” [ 1953 ] , ” Devdas “  [ 1955 ] , ” Zindagi Ke Mele “  [ 1956 ] , ” Ek Gaon Ki Kahani ” , ” Johny Walker ” ,  ” Paying Guest “  [ all 1957 ] ,  ” Kavi Kalidas “  and ” Santaan ” [ 1959 ] .
Devdas (1955 film)

Devdas (1955 film) (Photo credit: Wikipedia)

JPKSHH

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Padosan

After 1959 , after two years hiatus , she started her second innings from 1961 and for the next 35 years, Dulari played many big and small roles in almost 135 films like ‘Jab Pyar Kisi Se Hota Hai’, ‘Mujhe Jeene Do’, ‘Apne Hue Paraye’, ‘Aap Aaye bahaar Aai’, ‘Aaye Din Bahaar Ke’, Anupama’, ‘Teesri Kasam’, ‘Padosan’, ‘Aradhna’, ‘Aaya Sawan Jhoom Ke’, ‘Chiraagh’, ‘Inteqaam’, ‘Aan Milo Sajna’, ‘Heer Ranjha’, ‘Johny Mera Naam’, ‘Caravan’, ‘Laal Patthar’, ‘Beimaan’, ‘Seeta Aur Geeta’, ‘Raja Rani’, ‘Ameer Gareeb’, ‘Haath Ki Safai’, ‘Deewar’, ‘Do Jasoos’, ‘Aahuti’, ‘Ganga Ki Saugandh’, ‘Biwi O Biwi’, ‘Naseeb’, ‘Prem Rog’, ‘Agar Tum Na Hote and ‘Dharmadhikari’. And then one day she quietly retired from the world of movies.

Later on she did only two films . ” Surya ” [ 1989 ] and ” Ziddi ” [ 1997 ] . Ziddi directed by Guddu Dhanoa is her last film . Thus from ” Jhoola “  [ 1941 ] to ” Ziddi ” [ 1997 ] , her career span was 56 years .

After a career spanning 56 years and after 171 hindi, 35 Gujarati, 3 Marathi and 1 Rajasthani film , she left Mumbai and went to live with her daughter in Indore . She also acted in a ‘Shri Adhikari Brothers’ serial called ‘Waqt Ki Raftaar’ .

During her final years Dulari ji was suffering from Alzheimer and was admitted to ICU in a hospital in PUNE in the last week of December ’12 where at the age of 85 she breathed her last on 18th January 2013 around 10 a.m. She was cremated on 19th January 2013 in the noon in Pune.

…………………………………………………………………………………
Few links of songs filmed on Dulari :
1 – aana meri jaan sunday ke sunday /shehnai/1947
2 – jawani ki rail chali jaaye/shehnai/1947
3 – aan milo aan milo shyam sanware/devdas/1955
4 – sajan ki ho gai gori/devdas/1955
5 – madhav bin saara brij soona/sautela bhai/1962
 …………………………………………………………………………………

I offer my condolences on behalf myself and on behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters . May God give eternal peace to Dulari Ji and strength to her daughter and other near and dear ones to bear this loss .

I can visualize a frail ,  85-year-old , lonely lady suffering from Alzheimer , sitting without a friend or companion in an old age home with blank eyes and waiting for some elusive loving one . Long windy nights of winter , dull and dusty days of summer and wet , pouring and dreary evenings of  rainy season must have come and gone  without any trace of succour . It is painful , very painful . Finally , only death could relieve her from her pain .

साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

Rest in peace Dulari ji ! A tearful farewell from an ardent fan . I am happy that you left this cruel , selfish , cussed world . May , in next life , you get everything that you have ever desired for you .

[ While writing this blog , I have taken few facts and materials from the article " Aan Milo Aan Milo Shyam Sanware’-Dulari " , written by Shri Shishir Krishna Sharma for his ‘Sahara Samay’ column ‘kya bhooloon kya yaad karoon’ . I am indebted . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Legendary ? Oh My God !!


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MUMBAI – MAHARASHTRA – INDIA           MAY 05 , 2013           07.00 P.M.

As an acting trainer [ some upstarts call me acting tutor - as if it is derogatory . They also mis-spelt tutor ] I run an acting institute in Mumbai . It is VIDUR Acting Institute known as Vidur’s Kreating Charakters . And to communicate with my acting students , friends & well-wishers around the world , I regularly write blogs , tweet quite frequently and update my activities on facebook account and facebook like page . I am also active on various other social net-working sites . But blog is my most potent tool , most favourite medium of expression .

Almost all the other acting trainers of India have their facebook pages . One gentleman has twitter account also . But no one is an active blogger . Recently some upstarts have started writing blogs .

Since writing blogs is not my sole prerogative , so any one can write blogs after creating  blog-space . But for that you have to know the language . You should know at least basics of the grammar . You should take care that your spelling is correct . But these upstarts are masters of bad English and wrong spelling . They have dearth of matter so abusing me is the only topic they know . They claim to be veterans but the fact of the matter is that they were my students once upon a time .

In one of their recent blog they used the adjective ” LEGENDARY ” for a B-Grade actor . The said actor , in one of his film , played second fiddle to an animal . As for his acting calibre , a video on YouTube can be watched . The so-called ” legendary ” [ ? ] actor was supposed to mouth few lines . He failed repeatedly and instead of being ashamed , he was laughing uproariously and was openly dishing out choicest cuss words and expletives .

So why this generosity to honour such a person with the word ” LEGENDARY ” . It is a syndrome . I call this Pakistan syndrome . Pakistan is just 66-year-old state . So she desperately needs national heroes . Since they don’t have any so they started importing names from Afghanistan . They invoke names of Ghazni and Ghori . Though Mehmood of Ghazni and Mohammad Ghori were the warlords of Afghanistan and they both invaded India to loot and plunder . But Pakistan appropriated them because she was in search of national icons . In the same manner these upstarts need icons for themselves . And they don’t have any . So in desperation they are calling this B-Grade hero ” LEGENDARY ” so that they can feel satisfied that they also have some one in their kitty .

In the process they are insulting the true legends . Only age or seniority cannot be the deciding factor in determining the legends . Ashok Kumar is a legend but Rashid Khan is not . Dilip Kumar is a legend but his contemporary Rajan Haksar is not . Amitabh Bachchan is a legend but Krishna Dhawan is not . Madhubala is a legend but Fariyal is not . Helen is a legend but Lakshmi Chhaya is not .

It is one thing to proclaim his / her acting institute as the most famous acting school of Mumbai , or the most famous acting institute of India , or the most famous acting academy of bollywood , but it is totally different to become the real one . One can blow one’s own rickety and rotten trumpet and proclaim to run the most famous acting school of the world . But this cacophony will not succeed . Time has come and dust is settling down . Soon , very soon , everything will be clear . Till then , abuse me profusely you uncouth morons . It shows your class and upbringing .

I thank God that for becoming famous or for self-glorification  VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters   is not resorting to such tactics .

God is kind . God is great .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

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www.twitter.com/VidurChaturvedi

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Phalke Award ……………….. And Pran


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MUMBAI – MAHARASHTRA – INDIA           APRIL 16 , 2013           00.10 A.M.

I was happy to read the news that Pran Saheb was awarded Dada Saheb Phalke Award 2012 . As a veteran actor , who has worked in more than 400 films , he deserved much better . He should have got the award long back . But Pran Saheb , the gentleman villain of Hindi film industry got it very late . If you count his active years in films , he stands second in the hierarchy . Dev Anand [ Hum Ek Hain - 1946 to Chargesheet - 2011 === 113 films === 65 active years ] . Pran [ Yamla Jat - 1940 to Kiska Dosh - 2003 === 400 films === 63 active years ] . Legendary Ashok Kumar comes third . From [ Jeevan Naiya - 1936 to Aankhon Me Tum Ho - 1997 === 301 films === 61 active years ] . These three are the only Indian actors who can boast of such long and illustrious innings in Hindi films . In seniority he is second and second only to Ashok Kumar . Dilip Kumar , Dev Anand and Raj Kapoor came much later .

I have seen his films and in his films invariably Pran Saheb’s name used to come at the end . He used to be billed as ……………. and Pran . It is uncanny that this happened to him this time also .

Pran

Pran (Photo credit: Kaddele)

In his prolific career , he did more than 400 films . I am fortunate that I have seen more than100 films of Pran Saheb . I am posting names of important films of his career .

1940s

  • Yamla Jat (1940)
  • Chaudhry (1941)
  • Khajanchi (1941)
  • Khandaan (1942)
  • Sahara (1943)
  • Dasi (1944)
  • Kaise Kahun (1945)
  • Ragini (1945)
  • Pardesi Balam (1945)
  • Badnami (1946)
  • Khamosh Nigahen (1946)
  • Paraye Bas Mein (1946)
  • Rehana (1946)
  • Shahi Lutera (194?)
  • Gupt Raj (194?)
  • Do Saudagar (194?)
  • Arsi (1947)
  • Mohini (1947)
  • But Tarash (1947)
  • Barsat Ki Ek Raat (1948)
  • Birhan (1948)
  • Chunaria (1948)
  • Nek Dil (1948)
  • Ziddi (1948)
  • Grahasti (1948)
  • Aparadhi (1949)
  • Badi Bahen (1949)
  • Roshani (1949)
  • Janmapatri (1949)
  • Rakhi (1949)

1950s

  • Biwi (1950)
  • Putli (1950)
  • Lajawab (1950)
  • Sangeeta (1950)
  • Sheesh Mahal (1950)
  • Afsana (1951)
  • Bahar (1951)
  • Daman (1951)
  • Sabz Baag (1951)
  • Pyar ki baaten (1951)
  • Bewafaa (1951)
  • Chham Chhama Chham (1952)
  • Sanskar (1952)
  • Sindbad The Sailor (1952)
  • Zamane Ki Hawa (1952)
  • Moti Mahal (1952)
  • Aah (1953)
  • Alif Laila (1953)
  • Ansoo (1953)
  • Baagi (1953)
  • Farmaish (1953)
  • Malkin (1953)
  • Rahbar (1953)
  • Biraj Bahu (1954)
  • Pehli Jhalak (1954)
  • Pilpili Saheb (1954)
  • Sheeshe Ki Diwar (1954)
  • Angaarey (1954)
  • Lakeeren (1954)
  • Meenar (1954)
  • Toofan (1954)
  • Aab-e-Hayat (1955)
  • Amanat (1955)
  • Azad (1955)
  • Baradari (1955)
  • Chingari (1955)
  • Bahu (1955)
  • Jashan (1955)
  • Kundan (1955)
  • Munimji (1955)
  • Devdas (1956)
  • Aan Baan (1956)
  • Chori Chori (1956)
  • Hum Sab Chor Hain (1956)
  • Hotel (1956)
  • Halaku (1956)
  • Kar Bhala (1956)
  • Inspector* (1956)
  • Naya Andaz (1956)
  • Tankhah (1956)
  • Ek Jhalak (1957)
  • Miss India (1957)
  • Asha (1957)
  • Champakali (1957)
  • Tumsa Nahin Dekha (1957)
  • Mr.X (1957)
  • Chandu (1958)
  • Adalat (1958)
  • Amar Deep (1958)
  • Daughter Of Sindbad (1958)
  • Madhumati (1958)
  • Raj Tilak (1958)
  • Chandan (1958)
  • Bedard Zamana Kya Jaane (1959)
  • Daaka (1959)
  • Do Gunde (1959)
  • Guest House (1959)
  • Madam X.Y.Z. (1959)
  • Pyar Ki Rahen (1959)
  • Jaalsaaz (1959)

1960s

1970s

1980s

  • Aap Ke Deewane (1980)
  • Bombay 405 Miles (1980)
  • Desh Drohi (1980)
  • Dhan Daulat (1980)
  • Dostana (1980)
  • Jwalamukhi (1980)
  • Jal Mahal (1980)
  • Karz (1980)
  • Patthar Se Takkar (1980)
  • Khuda Kasam (1980)
  • Zalim (1980)
  • Kaalia (1981)
  • Khoon Ka Rishta (1981)
  • Krodhi (1981)
  • Ladies’ Tailor (1981)
  • Naseeb (1981)
  • Man Gaye Ustad (1981)
  • Waqt Ki Deewar (1981)
  • Jiyo Aur Jeene Do (1982)
  • Takdir Ka Badshah (1982)
  • Partner (1982)
  • Taaqat (1982)
  • Andha Kanoon (1983)
  • Daulat Ke Dushman (1983)
  • Ek Jaan Hain Hum (1983)
  • Film Hi Film (1983)
  • Janwar (1983)
  • Laalach (1983)
  • Naukar Biwi Ka (1983)
  • Souten (1983)
  • Woh Jo Hasina (1983)
  • Nastik (1983)
  • Bade Dilwala (1984)
  • Insaaf Kaun Karega (1984)
  • Farishta (1984)
  • Haisiyat (1984)
  • Jagir (1984)
  • Laila (1984)
  • Raja Aur Rana (1984)
  • Rajtilak (1984)
  • Duniya (1984)
  • Sohni Mahiwal (1984)
  • Sharaabi (1984)
  • Inquilab (1984)
  • Durga (1985)
  • Hoshiyar (1985)
  • Bewafai (1985)
  • Karamyudh (1985)
  • Maa Kasam (1985)
  • Sarfarosh (1985)
  • Yudh (1985)
  • Paatal Bhairavi (1985)
  • Dosti Dushmani (1986)
  • Dilwala (1986)
  • Dharam Adhikari (1986)
  • Jeeva (1986)
  • Love & God (1986)
  • Ricky (1986)
  • Suhaagan (1986)
  • Dilruba Tangewali (1987)
  • Goraa (1987)
  • Insaf Kaun Karega (1987)
  • Imaandar (1987)
  • Kudrat Ka Kanoon (1987)
  • Hifazat (1986)
  • Muqaddar Ka Faisla (1987)
  • Maa Beti (1987)
  • Sitapur Ki Gita (1987)
  • Dharam Shatru (1988)
  • Paap Ki Duniya (1988)
  • Sherni (1988)
  • Aurat Teri Yahi Kahani (1988)
  • Dharma Yudh (1988)
  • Gunahon Ka Faisla (1988)
  • Kasam (1988)
  • Shahenshah (1988)
  • Mohabbat Ke Dushman (1988)
  • Ram O Rama (1988)
  • Bade Ghar Ki Beti (1989)
  • Chingari (1989)
  • Jaadugar (1989)
  • Mitti Aur Sona (1989)
  • Nigahen (1989)
  • Shukriya (1989)
  • Toofan (1989)
  • Zooni (1989)

1990s

  • Azaad Desh Ke Ghulam (1990)
  • Pyar Ka Toofan (1990)
  • Roti Ki Keemat (1990)
  • Sanam Bewafaa (1990)
  • Lakshman Rekha (1991)
  • Banjaran (1991)
  • Jigarwala (1991)
  • Mashooq (1992)
  • Meera Ka Mohan (1992)
  • Do Hanson Ka Joda (1992)
  • Bewafa Se Wafa (1992)
  • Panah (1992)
  • Isi Ka Naam Zindagi (1992)
  • Chandramukhi (1993)
  • Dosti Ki Saugandh (1993)
  • Gurudev (1993)
  • Kohra (1993)
  • Aaja Meri Jaan (1993)
  • Bhagyawaan (1993)
  • 1942: A Love Story (1994)
  • Hum Hain Bemisal (1994)
  • Saajan Ki Bahon Mein (1995)
  • Vaapsi saajan Ki (1995)
  • Lalchi (1996)
  • Dadagiri (1997)
  • Gudia (1997)
  • Lakha (1997)
  • Luv Kush (1997)
  • Kaun Rokega Mujhe (1997)
  • Mrityudaata (1997)
  • Salma Pe Dil Aa Gaya (1997)
  • Badmash (1998)
  • Tere Mere Sapne (1999)
  • Jai Hind (1999)

2000s

  • Dosh (2002)
  • Ek Hidustani (2002)
  • Mohabbat Pehli Nazar Mein (2002)
  • Suryakant (2002)
  • Tum Jiyo Hazaron Saal (2002)
  • Deewan Tere Pyar ka (2003)
  • Kiska Dosh (2003)

If my memory is not failing me , the first movie of Pran Saheb , which I watched was ” Khandan ” [ 1965 ] . It was in Vijay Talkies , Deoria and perhaps the year was 1966 . Same year I watched ” Dil Diya Dard Liya “ and my admiration for Pran Saheb , in the garb of hate , began . Next year I watched ” Ram Aur Shyam ” [ 1967 ] in Pushparaj Talkies , Allahabad and it fortified my admiration for him and since then I am a die-hard fan of this legendary actor .

I may not be running most famous acting school of Mumbai , or most famous acting institute of India or most famous acting class of bollywood or most famous acting academy of world but I think it is my duty to offer my greetings to the legend .

I congratulate Pran Saheb on behalf of all the students and staff of Vidur Acting Institute , which is known as  Vidur’s Kreating Charakters . May God give long and healthy life to the legend called Pran Krishna Sikand , a.k.a. Pran.

Dada Saheb Phalke Award was instituted in 1969 . Till date 43 luminaries have got this prestigious award . Pran Saheb is 44th .

Devika Rani got it in 1969

…………………….. and  Pran in 2012

[ List of his flms is being re-produced from Wikipedia . I express profound gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

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Vidur’s Blog Translated In Hindi Language


हिंदी फिल्मों की नई महिला पार्श्व गायक

विदुर [कमल नयन चतुर्वेदी] द्वारा 10 नवंबर, 2012 को पोस्ट
1 Votes

मुंबई – महाराष्ट्र – भारत 10 नवंबर, 2012 ००.३५ AM

जब “आलम आरा”, 1 भारतीय टॉकी, 1931 में स्क्रीन मारा, एक युग की शुरुआत है, जो आसानी से गायन सितारों का युग कहा जा सकता है. सभी अभिनेताओं स्क्रीन पर अपने गाने गाए. उस युग के प्रसिद्ध महिला सितारों कोई अपवाद नहीं थे. देविका रानी से लीला चिटनिस और कानन देवी से कम ज्ञात तारिकाओं, नाम के लायक हर नायिका अपने गाने गाए.

English: Alam Ara poster, 1931.आलम आरा पोस्टर, 1931. (फोटो क्रेडिट: विकिपीडिया)
English: Scene from the 1936 film Achhut Kanyaअशोक कुमार और देविका रानी 1936 फिल्म अछूत कन्या से एक दृश्य में (फोटो क्रेडिट: विकिपीडिया)
Kanan Deviकानन देवी (फोटो क्रेडिट: tonymitra)

तो नूर जहान और सुरैया का युग आया. दोनों बेहद लोकप्रिय सितारों और अपनी पीढ़ी के विशाल गायकों थे. उनके गाने और उनकी फिल्मों को अभी भी लोकप्रिय हैं. फिल्मों से उनकी सेवानिवृत्ति अंततः गायन सितारों के गौरवशाली युग के लिए एक अंत लाया. सलमा आगा, एक और गायन सितारा, Nikah” [1982] आया था लेकिन यह एक अपवाद था. गायन सितारों युग बहुत पहले समाप्त हो गया था.

गायन सितारों युग की समाप्ति के बाद फिल्मों में पार्श्व गायन लोकप्रिय बन गया. राजकुमारी दुबे पहली महिला पार्श्व गायिका कहा जा सकता है. वह 1940 में अपने गायन कैरियर शुरू कर दिया. “बावरे नैन ‘मुकेश के साथ उसके गाने [1950] अभी भी मशहूर हैं और वे यादगार हैं. आधुनिक दिन फिल्म दर्शक से Pakeeza” [1972] में उसे गीत के साथ परिचित हैं. यह है ….. najaria की मारी मारी अधिक सैयां …….

उस युग से एक और पार्श्व गायिका शमशाद किया गया था बेगम वह साथ “खजांची” [1941] प्रमुखता से गुलाब और “ख़ानदान” [1942] उसके कैरियर और के बाद सर्वोच्चता आगमन के साथ प्रमुख सेट वापस सामना करना पड़ा. लता मंगेशकर और आशा भोंसले . Amirbai Karnataki उस युग से एक और प्रसिद्ध पार्श्व गायक था.

फिर जो लता मंगेशकर युग के रूप में जाना जाता है एक युग शुरू किया. वह, उसके छोटे भाई आशा भोंसले के साथ साथ, लगभग 5 दशकों के लिए एक बादशाह की तरह हिंदी फिल्मों के पार्श्व दृश्य का प्रभुत्व है.

English: Indian singer Lata Mangeshkarलता मंगेशकर (फोटो क्रेडिट: विकिपीडिया)
English: Indian singer Asha Bhosleआशा भोंसले (फोटो क्रेडिट: विकिपीडिया)

कई गायकों को उनके युग के दौरान आया था और गुमनामी में चला गया गीता दत्त, सुमन कल्याणपुर, कमल बारोट, सुधा मल्होत्रा ​​, मुबारक बेगम और शारदा आया और एक निशान छोड़ बिना जल्दी ग्रहण.

70 में, जबकि लता मंगेशकर अभी भी सर्वोच्च राज कर रहा था, फिर महिला पार्श्व गायकों की एक नई फसल में उभरा. अलका याग्निक, साधना सरगम, कविता कृष्णमूर्ति और अनुराधा Paudwal आया था, कुछ यादगार हिट फिल्में दी और फ़रामोश फीका. लता मंगेशकर अभी भी शासन और यादगार दे दिया जैसी हिट, यश चोपड़ा निर्देशित “वीर – जारा” [2004].

अब पार्श्व गायकों की एक नई फसल क्षितिज पर मँडरा रहे हैं श्रेया घोषाल. लता मंगेशकर और सुनिधि चौहान की तरह नंबर वन बन लगभग आशा भोसले की जगह ले लिया है. लेकिन वहाँ अन्य महिला पार्श्व गायक भी हैं. वे दृश्य पर तेजी से उभर रहे हैं.

अदिति सिंह शर्मा: -; “Aali …. पुन चार्ट के साथ दर्द की तरह “और” …… दिल्ली, दिल्ली “में” नो वन जेसिका मारा “और” Chhoomantar ….. “में” मेरे ब्रदर की दुल्हन “, वह भविष्य में देखने के लिए एक गायक बन गए.

एलिसा मेंडोंसा : शंकर के लॉय मेंडोंसा की बेटी – अहसान – लॉय प्रसिद्धि, वह “Uff तेरी ऐडा गाया ……. Khwabon के Parindey “” कार्तिक कॉलिंग कार्तिक “और बेहद लोकप्रिय ….. “में” जिंदगी ना मिलेगी दोबारा “.

अनुष्का मनचंदा: वह एक दुर्लभ विश्वास के साथ “दम मारो दम ……” के संस्करण फिर मिश्रण गाया और हर किसी के लिए उसकी प्रतिभा का नोटिस लेने के लिए मजबूर किया.

“साथ Katiya Karoon ….. HARSHDEEP कौर रॉकस्टार “और” Jugni “” ………….. “कॉकटेल” “, वह बड़ी हिट है और निश्चित रूप से शीर्ष पर अपने रास्ते पर है.

महालक्ष्मी अय्यर: वह “ऐ अजनबी के साथ बुल की आंख मारा ……….. “”, “से दिल Sadka किया …………” में “मैं नफरत storys Luv” की तरह है और बेहद लोकप्रिय पंजाबी संख्या, “Laung दा Lashkara ……. “और” Rola पे गया …….. “” पटियाला हाउस “में.

नेहा भसीन: “कुछ खास हैं …….. फैशन “और” Dhunki Dhunki “में” ……. “” मेरे ब्रदर की दुल्हन “उसे शीर्ष पर लाया.

तरह एक हिट संख्या में: “बचना ऐ Haseenon” खुदा …………… जेन “, वह उसे लंगर SHIPLA राव पाया.

: श्रुति पाठक के साथ. “…………… Marjaawan” में “फैशन” और “Payaliya …………” में “देव डी”, वह आ गया और उसकी उपस्थिति महसूस

श्वेता पंडित [2000] वह यशराज फिल्म्स “मोहब्बतें” में अपनी शुरुआत की. “मोहब्बतें” से “मेरे ब्रदर की दुल्हन” [2011] के लिए, वह हिन्दी में कई हिट गाया था. वह नियमित रूप से एआर रहमान मंच प्रदर्शन भी पता चलता है. वह तेलुगू फिल्मों में भी बेहद लोकप्रिय गायक है.

With Shweta Pandit in My Office

श्वेता पंडित के साथ अपने कार्यालय में

एक तरह से वह मेरे छात्र है. हालांकि वह कभी नहीं लिया और मेरे अभिनय संस्थान में प्रवेश मेरे नियमित बैच के लिए नहीं आया था. लेकिन फिर भी वह अपने संस्थान के लिए आते हैं, जब भी वह स्वतंत्र है और मेरे संस्थान विदुर Kreating Charakters के आशुरचना कक्षाओं में भाग लेता है.

मैं उसके लिए बहुत खुश हूँ और उसे अधिक से अधिक सफलता की कामना करता हूं. मुझे यकीन है कि आने वाले वर्षों में वह भारत के शीर्ष पार्श्व गायक होगा.

मुझे खुशी है कि मैं पार्श्व गायन के क्षेत्र में कम से कम एक छात्र भी है.

विदुर

मुंबई – महाराष्ट्र – भारत

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प्रोफाइल www.jaibhojpuri.com / / VidurChaturvedi

 

New Female Playback Singers of Hindi Films


MUMBAI – MAHARASHTRA – INDIA           NOVEMBER 10 , 2012           00.35 A.M.

When ” Alam Ara ” , the first Indian talkie , hit the screen in 1931 , an era started , which could easily be called the era of singing stars . All the actors sang their own songs on the screen . Well known female stars of that era were no exception . From Devika Rani to Leela Chitnis and from Kanan Devi to lesser known starlets, every heroine worth the name sang their own songs .

English: Alam Ara poster, 1931.

Alam Ara poster, 1931. (Photo credit: Wikipedia)

English: Scene from the 1936 film Achhut Kanya

Ashok Kumar & Devika Rani in a Scene from the 1936 film Achhut Kanya (Photo credit: Wikipedia)

Kanan Devi

Kanan Devi (Photo credit: tonymitra)

Then came the era of Noor Jahan and Suraiya . Both were immensely popular stars and huge singers of their generation . Their songs and their films are still popular . Their retirement from the films finally brought an end to the glorious era of singing stars . Salma Agha , another singing star , came in ” Nikah ” [ 1982 ]  but it was an exception . Singing stars era had ended much earlier .

After the end of singing stars era , playback singing in films became popular . Rajkumari Dubey could be called the first female playback singer . She started her singing career in 1940 . Her songs with Mukesh in ” Bawre Nain “[ 1950 ]  are still famous and they are memorable . Modern day movie goer are familiar with her song from ” Pakeeza “[ 1972 ]  . It is ….. najaria ki mari mari more saiyan …….

Another playback singer from that era was Shamshad Begum . She rose to prominence with ” Khazanchi ” [ 1941 ] and ” Khandaan ” [ 1942 ] . Her career suffered major set back with the advent and subsequent supremacy of Lata Mangeshkar andAsha Bhosle . Amirbai Karnataki was another famous playback singer from that era .

Then began an era which is known as Lata Mangeshkar Era . She , along with her younger sibling Asha Bhosle , dominated the playback scene of Hindi films like a colossus for almost 5 decades .

English: Indian singer Lata Mangeshkar

Lata Mangeshkar (Photo credit: Wikipedia)

English: Indian singer Asha Bhosle

Asha Bhosle (Photo credit: Wikipedia)

During their era many singers came and went into oblivion . Geeta Dutt , Suman Kalyanpur , Kamal Barot ,  Sudha Malhotra , Mubarak Begum and Sharda came and eclipsed quickly without leaving a mark .

In 70s , while Lata Mangeshkar was still reigning supreme , again a new crop of female playback singers emerged . Alka Yagnik , Sadhana Sargam , Kavita Krishnamurty andAnuradha Paudwal came , gave some memorable hits and faded into oblivion . Lata Mangeshkar still ruled and gave memorable hits like ; Yash Chopra directed  ” Veer – Zaara ” [ 2004 ] .

Now a new crop of playback singers are hovering on the horizon . Shreya Ghoshal has become numero Uno like Lata Mangeshkar and Sunidhi Chauhan has almost taken Asha Bhosle’s place . But there are other female playback singers  also . They are fast emerging on the scene .

ADITI SINGH SHARMA : With chart – busters like ; ” Aali Re …. ” & ” Dilli , Dilli …… ” in ” No One Killed Jessica “ and ” Chhoomantar ….. ” in Mere Brother Ki Dulhan , she became a singer to watch in future .

ALYSSA MENDONSA : Daughter of Loy Mendonsa of Shankar – Ahsan – Loy fame , she sang ” Uff Teri Ada ……. ” in ” Karthik Calling Karthik “ and immensely popular ” Khwabon Ke Parindey ….. ” in Zindagi Na Milegi Dobara .

ANUSHKA MANCHANDA : She sang re-mix version of ” Dum Maro Dum …… ” with a rare conviction and forced everyone to take notice of her talent .

HARSHDEEP KAUR : With ” Katiya Karoon ….. ” of  ” Rockstar “ and ” Jugni ………….. ” of ” Cocktail “ , she hit big and is surely on her way to the top .

MAHALAXMI IYER : She hit the bull’s-eye with ” Ae Ajnabee ……….. ” in ” Dil Se ” , ” Sadka Kiya ………… ” in ” I Hate Luv Storys “ and hugely popular Punjabi numbers like ; ” Laung Da Lashkara ……. ” & ” Rola Pe Gaya …….. ” in ” Patiala House ” .

NEHA BHASIN : ” Kuchh Khas Hai …….. ” in ” Fashion “ and ” Dhunki Dhunki ……. ” in ” Mere Brother Ki Dulhan “ brought her on the top .

SHIPLA RAO : In a hit number like : ” Khuda Jane …………… ” of ” Bachna Ae Haseenon “ , she found her moorings .

SHRUTI PATHAK : With ” Marjaawan …………… ” in ” Fashion “ and ” Payaliya ………… ” in ” Dev D “ , she arrived and made her presence felt .

SHWETA PANDIT : She made her debut in Yash Raj Films ” Mohabbatein ” [ 2000 ] . From ” Mohabbatein “ to ” Mere Brother Ki Dulhan ” [ 2011 ]  , she had sung several hits in Hindi . She regularly performs with A. R. Rehman‘s stage shows also . She is extremely popular singer in Telugu films also .

With Shweta Pandit in My Office

With Shweta Pandit in My Office

In a way she is my student . Though she never took admission in my Acting Institute and didn’t come to my regular batch . But still she come to my institute whenever she is free and participates in the improvisation classes of my institute Vidur’s Kreating Charakters .

I am happy for her and wish her greater success . I am sure in years to come she will be top playback singer of India .

I am happy that I have at least one student in playback singing field also .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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70 Years of Mr. Amitabh Bachchan


MUMBAI – MAHARASHTRA – INDIA           OCTOBER 14 , 2012           00.45 A.M.

Amitabh Bachchan turned 70 on October 11 , 2012 . I am following the news since 2 / 3 days and it seems to be a never-ending saga . On that day almost all the luminaries attended his birthday bash at Film City , Mumbai . It became a national , rather international news .

English: Amitabh Bachchan

Amitabh Bachchan (Photo credit: Wikipedia)

As I have stated in my earlier blog , which I wrote when he completed 40 years in the Hindi Film Industry , I was not his fan initially. But gradually when I grew and when I started understanding cinema , I started appreciating his work more .

I must admit here that I am yet to watch ” Saat Hindustani ” [ 1969 ] , his first film . His first film , which I watched was ” Anand ” [ 1971 ] . A Dilip Kumar fan , who was getting used to Rajesh Khanna , any liking for Amitabh Bachchan was not possible . Though I must admit here that he was very good in that film . Then I watched ” Reshma Aur Shera ” [ 1971 ] . He was definitely very good in that film also . But the era belonged to Rajesh Khanna .

Then I watched ” Ek Nazar ” [ 1972 ] . Sitting in a cinema hall of Allahabad , Uttar Pradesh , I was not impressed or mesmerized by his persona on the screen . I vividly remember some adverse or inimical comments made by public . I was startled because I was watching the film in Allahabad and it being his home town , I was expecting some favourable cheering . But he was being booed . ” Bansi Birju ” [ 1972 ] was another debacle . ” Raste Ka Patthar ” [ 1972 ] , ” Bombay To Goa ” [ 1972 ] and ” Bandhe Haath ” [ 1973 ] couldn’t make matter easier for Mr. Bachchan .

Though things started getting changed in 1973 . ” Zanjeer ” [ 1973 ] got released and things changed for Mr. Bachchan . ” Namak Haraam ” [ 1973 ] fortified his position . From 1973 onwards Rajesh Khanna’s historical debacle started and stupendous ascendency of Mr. Amitabh Bachchan began . ” Deewar ” [1975 ] and ” Sholay ” [ 1975 ] came in quick succession and juggernaut of Amitabh Bachchan became unstoppable . So from ” Zanjeer ” [1973 ] to ” Paa ” [ 2009 ] and ” Department ” [ 2012 ] , it was and it is Amitabh Bachchan tsunami .

After ” Khuda Gawah ” [ 1992 ] he took sabbatical . It was self – imposed semi retirement . He did few film after 5 years but old spark was missing . He again got his lost empire back with ” Mohabbatein ” [ 2000 ] and from 2000 to 2012 he is again numero uno .

2000 is very important year for him because apart from ” Mohabbatein “ , he decided to host ” Kaun Banega Crorepati “ on television . And after that he never looked back till today.

I have tried to chronicle his journey as an actor because he almost forced me to like and appreciate him . I am a self-confessed Dilip Kumar fan . Later on I started liking Ashok Kumar , Dev Anand and Shammi Kapoor . My liking and appreciation for Amitabh Bachchan was slow . But now it is complete . Ashok Kumar , Dev Anand and Shammi Kapoor are gone . Dilip Kumar doesn’t work anymore . ” Qila ” [ 1998 ] was his last appearance on screen . So naturally Amitabh Bachchan is the only icon , only actor of relevance available .

As Acting Trainer of Mumbai , I need to give example to my students and films of Amitabh Bachchan are my reference point . Almost all the Acting Trainers of India give reference from his films . All the Acting Schools of Mumbai or Bollywood Acting Schools have his photos prominently placed in their premises .

I am lucky that I have chance to bump into him several times . I first saw him at the music release function of  K. C. Bokadia’s film ” Pyar Zindagi Hai ” [ 2001 ] . It starred my students Vikas Kalantri and Ashima Bhalla . This film is also noted because it was K. C. Bokadia’s 50th film . Mr. Bachchan came for the music release function at The Club and I got chance to see him .

I admire him as a man , as an actor and as a public figure . I have got inspired by him and started dabbling in internet . He also inspired me to write blog . So in a way , this blog is my tribute to him .

Wish you a very long life Mr. Bachchan !

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Farewell Hangal Sahab : Itna Sannata Kyon Hai Bhai ?


MUMBAI – MAHARASHTRA – INDIA           AUGUST 28, 2012           01.00 A.M.

Death of  Shri A. K. Hangal on August 26, 2012 at the age of 97 was almost expected . He was aged , frail and was suffering from multiple diseases . On August 13 , 2012 he fell in the bathroom of his flat and fractured his right femur bone . On August 16 he was admitted in Asha Parekh Hospital , Santacruz and after 10 days finally succumbed to his injury and other age related complications .

I wrote a blog about him when Hangal Sahab was alive . He hit the headlines for his poor health and penury . Industry people rushed to his succour . But his communist comrades , who are now shedding copious tears after his demise , kept distance and maintained stoic silence .

My Other Blog About Hangal Sahab : A. K. Hangal & His Communist Comrades wp.me/ptyXI-Rn via @VidurChaturvedi

Avtaar Veenit Kishan Hangal a.k.a. A. K. Hangal was an iconic father figure of Hindi cinema . He was first noticed in films like ; Shagird ” [ 1966 ] and ” Teesari Kasam ” [ 1966 ] . I first saw him in ” Shagird “ , a Joy Mukherjee and Saira Banu starrer .

Shagird

Cover of Shagird (Photo credit: Wikipedia)

Born in Sialkot , Pakistan , Hangal Sahab spent his childhood in Peshawar . He moved to Karachi before partition of India and was a tailor by profession . He joined theatre very early in his life . In 1949 he moved to India after spending 3 years in jail in Pakistan . In Mumbai he , along with Balraj Sahni and Kaifi Azmi , joined IPTA [ Indian People's Theatre Association ] and then in 1966 joined Hindi films at the age of 50 .

As stated earlier he started his film journey with ” Shagird ” [ 1966 ] and ” Teesari Kasam ” [ 1966 ] . Later on he worked in films like ;Saat Hindustani ” [ 1969 ] , ” Guddi ” [ 1971 ] , ” Bawarchi ” [ 1972 ] , ” Abhimaan ” [ 1973 ] , ” Namak Haraam ” [ 1973 ] , ” Kora Kagaz ” [ 1974 ] , ” Sholay ” [ 1975 ] , ” Balika Badhu ” [ 1976 ] , ” Aina ” [ 1977 ] , ” Satyam Shivam Sundaram ” [ 1978 ] , ” Basera ‘ [ 1981 ] , ” Kalyug ” [ 1981 ] , ” Kudrat ” [ 1981 ] , ” Naram Garam ” [ 1981 ] , ” Shaukeen ” [ 1982 ] , ” Avtaar ” [ 1983 ] , ” Sharaabi ” [ 1984 ] , ” Arjun ” [ 1985 ] , ” Bewafai ” [ 1985 ] , ” Meri Jung ” [ 1985 ] , ” Ram Teri Ganga Maili ” [ 1985 ] , ” Khoon Bhari Maang ” [ 1988 ] , ” Khalnayak ” [ 1993 ] and  ” Lagaan ” [ 2001 ] .

Rahim Chacha of Sholay

Rahim Chacha of Sholay

In Shaukeen with Ashok Kumar & Utpal Dutt

In Shaukeen with Ashok Kumar & Utpal Dutt

Lagaan - His Last Film

Lagaan – His Last Film

So from 1966 to his last film in 2001 , it was a 35 year-long and very successful film journey . He acted in almost 200 films .

During his last years , on February 08 , 2011 , he graced the ramp on a wheelchair for fashion designer Riyaz Ganji for his summer line .

Show Stopper for Riyaz Ganji

Show Stopper for Riyaz Ganji

His last appearance was a TV serial ” Madhubala – Ek Ishq Ek Junoon ” [ 2012 ] . He gave his voice for Maharaja Ugrasen in animation film ” Krishna Aur Kans ” [ 2012 ] . So in a way his career span is 46 years .

The government of India awarded him the Padma Bhushan in 2006 .

He lived an eventful life and must have left this world with a sense of satisfaction and fulfillment .

Al-vidaah Rahim Chacha ! Your voice will always reverberate in my ears , ” Itna sannata kyon hai bhai ? “

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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100 Years of Sa’adat Hasan Manto


 

 

MUMBAI – MAHARASHTRA – INDIA           August 02 , 2012           00.40 A.M.

This year is the Anniversary Year of so many historical and literary figures and luminaries of our generation . Anniversaries of various historical events are also being celebrated this year . These anniversary celebrations , as I remember , took momentum from 2010 . Or may be , since I was not into blogging , I never realized or became aware of their existence .

In 2010 we celebrated 2 anniversaries . They were ; 100 YEARS OF HISTORIC JUMP OF VEER SAVARKAR , and 150 YEARS OF TAGORE .

In 2011 there were 6 anniversaries . They were as varied as ; 40 YEARS OF VIJAY DIWAS & BIRTH OF BANGLADESH , 50 YEARS OF THE LIBERATION OF GOA , DAMAN & DIU , 100 YEARS OF OUR NATIONAL ANTHEM , 100 YEARS OF NEW DELHI , 150 YEARS OF MAHAMANA MALVIYA and 250YEARS OF THE 3RD BATTLE OF PANIPAT .

This year only half of 2012 is over and we have already celebrated 4 anniversaries . They are ; 60 YEARS OF CORONATION OF QUEEN ELIZABETH II , 150 YEARS OF THE 1ST CHRISTIAN SAINT OF INDIA , 150 YEARS OF SWAMI VIVEKANANDA and 200 YEARS OF CHARLES DICKENS .

Now I am writing about the 5th , 100 YEARS OF SA’ADAT HASAN MANTO .

8 more anniversaries are tempting me to write a blog on them . It comes to total 13 anniversaries in 2012 .

Quite early in my life , I was slowly introduced to Indian literature , then English literature and finally Russian and world literature . In Indian literature my first brush was with Bengali literature . Hindi literature came later and then came Urdu literature . Other Indian literature , translated in Hindi , came much later in my life .

Indian Books 3

Indian Books (Photo credit: Celeste33)

When I talk about Urdu literature , I must make a note that my first introduction was through the poetry . Shairi , as Urdu poetry is known , was my early fascination . HIND POCKET BOOKS came out with Hindi transliteration [ not translation ] of various works of Shairs or poets of Urdu . I bought them and became familiar with Urdu poetry and grew into a life long fan . I still remember many Urdu couplets or Sher by heart .

The phrase Zaban-e Urdu-e Mualla (

The phrase Zaban-e Urdu-e Mualla (“The language of the exalted camp”) written in Nasta’liq script. (Photo credit: Wikipedia)

Urdu prose came much later in my life . Kishan Chandar was the first Urdu novelist , whose works I read and admired . I have heard about Sa’adat Hasan Manto and his works during those days but I didn’t read him as he was despised by large number of people including my teachers and was vehemently criticized by the critics and intelligentsia .

English: manto in his middle age.

Sa’adat Hasan Manto in his middle age. (Photo credit: Wikipedia)

So naturally I avoided reading him . In my mind he was akin to novelists like Kushwaha Kant and Ibn – e – Shafi B.A. Though hugely popular , these two authors are not considered as men of letters . Now I am very much ashamed that once upon a time I thought so low of Manto and degraded him .

My impression about him changed when I read his memoirs about the famous personalities of Hindi film industry . I was impressed with his style of prose writing and lucidity of  language .

Sa’adat Hassan Manto (May 11, 1912 – January 18, 1955)  is best known for his short stories, “Bu” , “Khol Do” , “Thanda Gosht” , and his magnum opus, “Toba Tek Singh“.

Manto was also a film and radio scriptwriter and a journalist . In his short life , he published twenty-two collections of short stories , one novel , five collections of radio plays , three collections of essays , and two collections of personal sketches.

Manto was tried for obscenity six times, thrice before 1947 and thrice after 1947 in Pakistan , but never convicted . Some of his works have been translated in other languages .

Saadat Hasan Manto is often compared with D. H. Lawrence , and like Lawrence he also wrote about the topics considered social taboos in Indo-Pakistani Society . His concerns on the sociopolitical issues , from local to global level are revealed in his series , Letters to Uncle Sam , and those to Pandit Nehru . On his writing he often commented , “If you find my stories dirty , the society you are living in is dirty . With my stories, I only expose the truth .”

After 1936 , he moved to Bombay  [ now Mumbai ] where he stayed for the next 5 years editing Musawwir , a monthly film magazine . He also started writing scripts and dialogues for Hindi films , including ” Kishan Kanhaiya ” [ 1936 ]  and ” Apni Nagariya ” [ 1939 ] . He continued writing for films until he left for Delhi in January 1941 .

Manto accepted the job of writing for Urdu Service of All India Radio in 1941. This proved to be his most productive period as in the next eighteen months he published over four collections of radio plays , Aao , Manto ke Drame , Janaze , and Teen Auraten . He continued to write short stories and his next short story collection Dhuan was soon out followed by Manto ke Afsane and his first collection of topical essays , Manto ke Mazamin . This period culminated with the publication of his mixed collection Afsane aur Drame in 1943 . Meanwhile , due to a quarrel with then director of the All India Radio , poet N. M. Rashid , he left his job and returned to Bombay in July 1942 and again started working with film industry . He entered his best phase in screenwriting giving films like ” Aatth Din ” , ” Chal Chal Re Naujawanand ” Mirza Ghalib ” , which was finally released in 1954 .

Some of his best short stories also came from this phase including  “Kaali Shalwar” ,  “Dhuan”  (1943) and “Bu”, which was published in Qaumi Jang (Bombay) in February 1945 . Another highlight of his second phase in Bombay was the publication of an important collection of his stories , Chugad . He stayed in Bombay until he moved to Pakistan in January 1948 after the partition of India in 1947.

During those days in Pakistan , Manto tried his hand at newspaper column writing . He started off with writing under the title Chashm-e-Rozan for daily Maghribi Pakistan on the insistence of his friends of Bombay days , Ehsan Ba and Murtaza Jillani, who were editing that paper . After a few columns, the space appeared blank under the column saying that due to his indisposition Manto couldn’t write the column. Actually, the owner was not favourably disposed to some of the content .

The only paper that published Manto’s articles regularly for quite some time was Daily Afaq , for which he wrote some of his well-known sketches . These sketches were later collected in his book Ganjay Farishtay . The sketches include those of famous actors and actresses like Ashok Kumar, Shyam, Nargis, Noor Jehan and Naseem (mother of Saira Banu) . He also wrote about some literary figures like Meera Ji , Hashar Kashmiri and Ismat Chughtai . Manto’s sketch of Muhammad Ali Jinnah was also first published in Afaq under the title Mera Sahib.

He , during his later years in Pakistan , embarked on a journey of self-destruction . The substandard alcohol that he consumed destroyed his liver and in the winter of 1955 he fell victim to liver cirrhosis . He was 42 years old at the time of his death. He was survived by his wife Safiyah and three daughters . Born in 1912 in Samrala , Ludhiana district of Indian Punjab , he died in 1955 in Lahore , Pakistani Punjab .

This year in 2012 India and Pakistan , both the countries , are celebrating his anniversary .

Manto collection (Books)

  • Atishparay (Nuggets Of Fire) – 1936
  • Chugaad
  • Manto Ke Afsanay (Stories of Manto) – 1940
  • Dhuan (Smoke) – 1941
  • Afsane Aur Dramay (Fiction and Drama) – 1943
  • Lazzat-e-Sang-1948 (The Taste Of Rock)
  • Siyah Hashiye-1948 (Black Borders)
  • Badshahat Ka Khatimah (The End of Kingship) – 1950
  • Khali Botlein (Empty Bottles) – 1950
  • Loud Speaker
  • Nimrud Ki Khudai (Nimrod The God) – 1950
  • Thanda Gosht (Cold Meat) – 1950
  • Yazid – 1951
  • Pardey Ke Peechhey (Behind The Curtains) – 1953
  • Sarak Ke Kinarey (By the Roadside) – 1953
  • Baghair Unwan Ke (Without a Title) – 1954
  • Baghair Ijazit (Without Permission) – 1955
  • Burquey – 1955
  • Phunduney (Tassles) – 1955
  • Sarkandon Ke Peechhey (Behind The Reeds) -1955
  • Shaiytan (Satan) – 1955
  • Shikari Auratein (Women Of Prey) – 1955
  • Ratti, Masha, Tolah-1956
  • Kaali Shalwar (Black Pants) – 1961
  • Manto Ki Behtareen Kahanian (Best Stories of Manto) – 1963
  • Tahira Se Tahir (From Tahira to Tahir) – 1971

I was re – introduced to him and his literary world , when I started training Dino Morea recently . We read several stories written by Manto and discussed them and thus a new vision about Manto was opened in front of my eyes . I deeply regret that once upon a time I degraded him in my mind and didn’t read his books earlier .

[ List of the works of Manto and some dates and facts of his life is taken from Wikipedia . I express my gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

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In Memoriam Rajesh Khanna : Zindagi Kaisi Hai Paheli , Hai!


MUMBAI – MAHARASHTRA – INDIA           JULY 24 , 2012           01.15 A.M.

Dara Singh died on July 12 , 2012 . Within a week another luminary of the Hindi film industry bid adieu to this world . Rajesh Khanna died on July 18 , 2012 .

In Glass Casket

In Glass Casket

Akshay Kumar with the Dead Body In Glass Casket

Akshay Kumar with the Dead Body In Glass Casket

Let me state honestly . I am not his fan . In fact I was never ever a fan or admirer of Rajesh Khanna , the actor or the man . Though I have watched many of his films . I do admire some of his cult films . I definitely remember and hummed many of his iconic songs . I am very much aware of his stupendous super stardom , which , once upon a time , engulfed the film industry like a hurricane or tornado or tsunami . I am witness to those years when every star  was dwarfed in front of him . I am well aware of  those momentous days when everyone or everything became insignificant in his presence . His blitzkrieg darkened all the other objects . His tumultuous rise momentarily eclipsed all the other stars and consigned some of the mightiest stars into the trash bin of history . I am witness to those days . I was living in that era . I am privy to those happenings . In 1972 I was here in Bombay [ now Mumbai ] . I have seen the crowd in front of his bungalow Aashirwaad . I have witnessed the fan adulation . But still , I was not his fan or admirer .

But I was saddened beyond words when I heard the news of his demise . My wife , again not his fan , cried profusely when she watched his funeral procession . So the question arises , what happened to us ? Why we felt for Rajesh Khanna so deeply ? Is it not enigmatic ? Is it not ironical ? No , it is not . Just watch these pictures posted below and notice the horrific changes in his personality down the years and you will fully understand the reason of our empathy .

Image - 1

Image – 1

Image - 2

Image – 2

Image - 3

Image – 3

Image - 4

Image – 4

Image - 5

Image – 5

Image - 6

Image – 6

Image - 7

Image – 7

From a dashing , charming young superstar to a pale shadow of his own self , these photos tell us a very tragic and pathetic story . For present day generation of movie – goers , his popularity during his heydays is unknown and unimaginable . I am presenting some of the milestones of his life’s journey one by one .

Aakhri Khat

Aakhri Khat (Photo credit: Wikipedia)

1966 : Made debut with ” Aakhri Khat ” .

1967 : Made his mark with ” Raaz ” .

1969 : Attained Super stardom with ” Aaradhana “

1969 : ” Bandhan “

1969 : ” Do Raste “

1969 : ” Doli “

1969 : ” Khamoshi “

1969 : ” Ittefaq “

[ 6 super hits in 1969 ]

1970 : ” Aan Milo Sajna

1970 : ” Safar “

1970 : ” Kati Patang “

1970 : ” The Train “

1970 : ” Sachcha Jhootha “

[ 5 super hits in 1970 ]

1971 : ” Anand “

1971 : ” Haathi Mere Saathi

1971 : ” Dushman “

1971 : ” Mehboob Ki Mehndi

[ 4 super hits in 1971 ]

1972 : ” Amar Prem “

1972 : ” Apna Desh “

[ 2 super hits in 1972 ]

Within 3 years of making his debut , he attained unimaginable , unheard of and unprecedented super stardom in 1969 with ” Aradhana “ and gave 15 consecutive super hits till 1972 , a record still unbroken . ” Daag ” [ 1973 ] and  ” Namak Haraam ” [ 1973 ] were also big hits . But 1973 was a watershed moment in his career . He was eclipsed by Amitabh Bachchan in ” Namak Haraam “ . Amitabh Bachchan’s career defining film ” Zanjeer “ also came in 1973 . And thus began the well – known downward slide of mighty Super Star Rajesh Khanna .

Alarmed by his waning popularity , he married much younger Dimple Kapadia and made headlines temporarily.

Though in 1974 he gave 2 super hits like ;Aap Ki Kasamand ” Roti “ but the slide was visible and evident . The era now clearly belonged to Amitabh Bachchan , who once played second fiddle to him in super hit , iconic cult films like ; ” Anand ” and ” Namak Haraam ” .

Poster of Anand

Poster of Anand

Poster of Namak Haraam

Poster of Namak Haraam

Poster of these two films can give you Amitabh Bachchan’s position in the industry in those days vis-a-vis Rajesh Khanna . But alas , the cruel hands of fate had started writing some unknown and inglorious chapters of his life with indelible ink .

In 1975 Amitabh Bachchan gave ” Deewar ” and ” Sholay ” . Rajesh Khanna’s mentor and lucky mascot Shakti Samanta made ” Mehbooba ” [ 1975 ] . ” Deewar ” and ” Sholay “ were super hits and became ageless cult classics . While ” Mehbooba “ was a resounding flop and sealed Rajesh Khanna’s fate finally. After 8 years gap and some insignificant films in between , in 1983 , he again came with 2 mega hits like ; ” Avatar ” and ” Soutan “ but the magic was missing . Even these massive hits could not salvage his lost position in the industry . His turbulent career affected his personal life also . In 1984 came the tragic separation from Dimple Kapadia .

From 1983 [ his last hits ] to 2012 [ his death ] ,  29 years of his eventless , colourless career and lonely personal life proved fatal for him . It is regrettable and cruel irony that a c-grade movie ” Wafaa ” [ 2010 ] is his last film .

In between he dabbled in TV also . In total he worked in 4 TV serials . ” Apne Paraye [ B4U TV - 2001 ] , ” Ittefaq ” [ Zee TV - 2002 ] , ” Bhabhima ” [ 2008 ] andRaghukul Reet Sada Chali Aayi ” [ DD 1 - 2008 ] . But none could touch the popularity of Amitabh Bachchan’s ” Kaun Banega Crorepati ” [ Star Plus - 2000] .

It is a well-known secret that the title superstar was coined for him by his publicists ; Devyani Chaubal and K. Razdan . But the mass hysteria which he generated in those days and that too without the help of internet , twitter and facebook , is unimaginable , unfathomable and still unattainable . It is regrettable that his stardom or superstardom lasted just for 4 years . 15 successive super hits in a row and then 7 consecutive super flops in a row defines Rajesh Khanna’s strange film career . Compare his 4 year tenure with other stars :

DEV ANAND : 65 Years [ 1946 Hum Ek Hain - 2011 Chargesheet ]

ASHOK KUMAR : 61 Years [ 1936 Jeevan Naiya - 1997 Aankhon Me Tum Ho ]

DILIP KUMAR : 54 Years [ 1944 Jwar Bhata - 1998 Qila ]

AMITABH BACHCHAN : 40 Years [ 1973 Zanjeer - 2012 Bol Bachchan ]

Stars of this generation SHAH RUKH KHAN , SALMAN KHAN and AAMIR KHAN are reigning kings even after almost 20 years . HRITIK ROSHAN has 12 years of stardom behind him . Even DARA SINGH survived for 45 years [ 1962 King Kong - 2007 Jab We Met ] . But alas ! Rajesh Khanna vanished from the stardom and was banished from the film industry just after 4 years . Though he did 165 films and played solo lead in 107 films but was forgotten by the masses and ignored by the friends and the same film industry , which once said , ” Upar aaqa ; neeche Kaka .”

It is sad . It is heart – wrenching . People say many things about him . I , myself know many stories about him , which are said to be the cause of his downfall . But I don’t want to write those stories after his death . After all he was human and to err is human . Just re – think about some facts of his life . He debuted when he was 24 . He attained superstardom when he was 27 and lost his empire when he was just 31 . After that , till his death , it was 38 year – long wait for regaining his lost empire . It was 38 year – long wait for The Knock at his door by any producer or director . It was 38 year – long wait for the crowd to assemble again at his doorstep . It was 38 year – long wait for the same mass – hysteria , same mass adulation which was once his right and he thought it was his birth right  .

Mass hysteria , mass adulation did happen again but alas , it happened only after his death . See these pictures of his funeral procession and then watch the  crowd in front of his bungalow Aashirwaad and you will be able to feel the irony of fate . I wish , this attention should have happened a year before ……….. or a week before ……… or even a day before ………… he would have died a happy and contented man . But strange are the ways of destiny.

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

I agree , he did make some mistakes . He did err like a human and for that mistake , for that error destiny punished him with all its might , with all its ferocity , with all its lethal cruelty . He , for his mistakes , never got same benevolence by destiny , which others easily got for their sins . Fate was condescending to others , not to him .

He was like quintessential Greek tragic hero . You can only feel sorry for him . You can empathise with him . And you could hum his memorable song …. zindagi kaisi hai paheli , hai ; kabhi ye hasaye , kabhi ye rulaye ……. Ek din sapno ka rahi , chala jaye sapno se aage kahan ………..

Phenomenon , known as Rajesh Khanna , regained some of his glory once again but alas , only after his death . He had gone forever and had gone even beyond his dreams .

As I finish my blog , I feel , I must express my admiration and gratitude to his son in  law Akshay Kumar and his long – time friend Anju Mahendru , who took every care to give him comfort during his last days . Though it seems futile , but still , it was because of them that a befitting funeral could be arranged for this forgotten phenomenon , fallen Super Star and a lonely icon , who once ruled supreme . Thank you Mr. Akshay Kumar , thank you Madam Anju Mahendru , I bow my head in gratitude ! May God bless you two !

My heart also goes for Rinke Khanna , my student , who was very close and was very much attached to her father .

If I could feel so much without being his fan or admirer , then you can imagine the pain and pathos of his fans and near and dear ones .

Rest In Peace Sir ! Destiny was cruel to you . Better luck in next life .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

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Remembering Dara Singh : Hindi Cinema’s 1st He Man


Dara Singh - A Young Wrestler

Dara Singh – A Young Wrestler

Dara Singh - An Old Father Figure

Dara Singh – An Old Father Figure

Dara Singh - An Era Ends

Dara Singh – An Era Ends

MUMBAI – MAHARASHTRA – INDIA           JULY 19 , 2012           01.35 A.M.

Hindi cinema‘s 1st he man , Hindi cinema’s 1st action hero , Hindi cinema’s 1st super hero and Hindi cinema’s 1st actor to appear on-screen without shirt , [ it happened much before Dharmendra and Salman Khan wrestler turned actor Dara Singh a.k.a. Deedar Singh Randhawa died on July 12 , 2012 in Mumbai . He was 83 years old at the time of his death .

Much before he entered Hindi film world as an actor , he was a world-famous wrestler . From a small village Dharmuchak near Amritsar , Punjab to the world arena of free – style wrestling , he bestrode it like a colossus . He went to Singapore and became Champion Of Malaysia in 1947 . After that he never looked back and never got defeated till the very end of his career . In 1983 in his last tournament in Delhi , he himself announced his retirement . An invincible inning thus ended . Winning titles like ; RUSTAM – E – PUNJAB [ 1966 ] , RUSTAM – E – HIND [ 1978 ] and RUSTAM – E – ZAMAN during his long , illustrious and always victorious career , enhanced his prestige and his popularity soared to new heights in India and he became an idiom for the whole generation of Indians .

I still remember watching his posters and other publicity materials during my childhood and teenage years with curiosity and with wide eyes . His wrestling events , which were highly popular and known as free – style wrestling , were talk of the nation during those days .

I could never watch his wrestling in akhada . Though I have heard his name during my school – college days . Me and my classmates were his huge fans .

Old Poster of Dara Singh's Wrestling Event

Old Poster of Dara Singh’s Wrestling Event

In Wrestling Arena

In Wrestling Arena

I only knew him through his films . When I heard about his death , I was deeply saddened as one more icon of my childhood days , one more film hero of my growing years is gone forever . In those days his films were considered and were categorized as B – Great movies . But I have no shame to admit that I was his huge fan and used to watch his black & white flicks in the cinema halls of my home town Deoria . I still remember several noon and afternoon shows in Amarjyoti Talkies and Vijay Talkies of Deoria , when I sneaked into the dark interiors of these cinema halls to watch his films and used to wait for his arrival on-screen . His first appearance on-screen was always greeted with deafening uproar , whistles and claps of the audience including me . I still remember his action scenes and deeply miss them . His action scenes were raw , rustic and had their own charm . They were not mechanically choreographed like present day action scenes .

His first Hindi film wasSangdil ” [ 1952 ] . It coincides with my birth year . His first commercial hit was ” King Kong ” [ 1962 ] . His first Hindi film , which I watched , was “Faulad ” [ 1963 ] . This film , along with Dara Singh , had Mumtaz , her sister Minoo Mumtaz , who incidentally married Dara Singh’s younger brother Randhawa and Kamran , whose son Sajid Khan and daughter Farah Khan are well-known to the present generation of film – goers .

Later on I watched his other hits like ; ” Sikandar – E – Azam ” [ 1965 ] , ” Daku Mangal Singh ” [ 1966 ] , ” Balram Shri Krishna ” [ 1968 ] , ” Toofan ” [ 1969 ] , ” Nanak Dukhiya Sab Sansar ” [ 1970 ] , ” Mera Naam Joker ” [ 1970 ] , ” Sultana Daku ” [ 1972 ] , ” Lalkar ” [ 1972 ] , ” Mera Desh Mera Dharam ” [ 1973 ] , ” Har Har Mahadev ” [ 1974 ] , ” Warrant ” [ 1975 ] , ” Dharam Karam ” [ 1975 ] , ” Jai Bajrang Bali ” [ 1976 ] , ” Mard ” [ 1985 ] , ” Kal Ho Na Ho ” [ 2003 ] and ” Jab We Met ” [ 2007 ] .

He also appeared in some popular serials like ; ” Ramayan ” [ 1986 ] , ” Mahabharat ” [ 1988 ] , ” Uttar Ramayan ” [ 1989 ] and ” Kya Hoga Nimmo Ka ” [ 2006 ] .

Young Wrestling Hero - 1

Young Wrestling Hero – 1

Young Wrestling Hero - 2

Young Wrestling Hero – 2

Young Wrestling Hero - 3

Young Wrestling Hero – 3

Young Wrestling Hero - 4

Young Wrestling Hero – 4

Young Wrestling Hero - 5

Young Wrestling Hero – 5

Young Wrestling Hero - 6

Young Wrestling Hero – 6

Young Wrestling Hero - 7

Young Wrestling Hero – 7

Young Wrestling Hero - 8

Young Wrestling Hero – 8

Young Wrestling Hero - 9 With Mumtaz

Young Wrestling Hero – 9 With Mumtaz

Young Wrestling Hero - 10 With Helen

Young Wrestling Hero – 10 With Helen

Young Wrestling Hero - 11  With Mumtaz

Young Wrestling Hero – 11 With Mumtaz

Young Wrestling Hero - 12

Young Wrestling Hero – 12

Young Wrestling Hero - 13

Young Wrestling Hero – 13

Young Wrestling Hero - 14

Young Wrestling Hero – 14

Young Wrestling Hero - 15 With Mumtaz

Young Wrestling Hero – 15 With Mumtaz

Young Wrestling Hero - 16

Young Wrestling Hero – 16

Young Wrestling Hero - 17 in Colour Era

Young Wrestling Hero – 17 in Colour Era

Young Wrestling Hero - 18 in Colour Era

Young Wrestling Hero – 18 in Colour Era

Dara Singh's Film Poster - 1

Dara Singh’s Film Poster – 1

Dara Singh's Film Poster - 2

Dara Singh’s Film Poster – 2

Dara Singh's Film Poster - 3

Dara Singh’s Film Poster – 3

Dara Singh's Film Poster - 4

Dara Singh’s Film Poster – 4

Dara Singh's Film Poster - 5

Dara Singh’s Film Poster – 5

Dara Singh's Film Poster - 6

Dara Singh’s Film Poster – 6

Dara Singh's Film Poster - 7

Dara Singh’s Film Poster – 7

Dara Singh's Film Poster - 8

Dara Singh’s Film Poster – 8

Dara Singh's Film Poster - 9

Dara Singh’s Film Poster – 9

Dara Singh's Film Poster - 10

Dara Singh’s Film Poster – 10

Dara Singh's Film Poster - 11

Dara Singh’s Film Poster – 11

Mera Naam Joker

Mera Naam Joker (Photo credit: Wikipedia)

Dharam Karam

Dharam Karam (Photo credit: Wikipedia)

Alternative film poster

Film Poster (Photo credit: Wikipedia)

Jab We Met

Jab We Met - The Last Film of The Legend

Jab We Met – The Last Film of The Legend

In Ramanand Sagar‘s Ramayan he played Bhagwan Hanuman and this portryal made him immortal .

Ramayan (TV series)

Ramayan (TV series) (Photo credit: Wikipedia)

As Hanuman in " Ramayan " Serial

As Hanuman in ” Ramayan ” Serial

His record in films , apart from wrestling arena , were also enviable . He directed 7 Punjabi films and 2 Hindi films . Apart from these , he produced 8 films and wrote story for 7 films . As an actor he appeared in 121 Hindi films and 21 Punjabi films . Out of these total 144 films , he played main lead in 58 films . Out of these 58 films , he worked with Mumtaz in 16 films and out of those 16 films 10 were super hits .

He was the first sportsman to be nominated to Rajya Sabha by Bharatiya Janata Party . He served as an MP from 2003 to 2009 .

With Ashok Kumar

With Ashok Kumar

With Indira Gandhi, Rajiv Gandhi, Sanjay Gandhi & Amitabh Bachchan

With Indira Gandhi, Rajiv Gandhi, Sanjay Gandhi & Amitabh Bachchan

Shri Dara Singh inaugurating Harakh Chand Naha...

Shri Dara Singh inaugurating Harakh Chand Nahata Marg (Photo credit: Wikipedia)

All India Jat Mahasabha Centenary Celebration 2007

All India Jat Mahasabha Centenary Celebration 2007 (Photo credit: Wikipedia)

Two Shades of The Legend

Two Shades of The Legend

Collage of The legend

Collage of The legend

Life is ephemeral . One day one has to go for one’s celestial journey . It is heart – breaking that one by one all the icons of my growing years are leaving this world .

Farewell Dara Singh ji ! You were pride of our generation . I know there would be no one like you .

Rest in Peace sir !

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

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