My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

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MUMBAI – MAHARASHTRA – INDIA

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25 Years Without Raj Kapoor


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MUMBAI – MAHARASHTRA – INDIA           SEPTEMBER 29 , 2013           08.40 P.M.

I started writing this blog last month . But I was unable to complete it because of several other pressing matters . It seems so uncanny that I am completing and posting it one day after the birthday of Raj Kapoor’s grandson Ranbir Kapoor .

Last month all the members of Raj Kapoor‘s family assembled to remember him on his 25th Death Anniversary . Even general public and his fans remembered him fondly on that occasion . It is heartening to know that even after 25 years of his demise , mortal Raj Kapoor’s  immortal memory refuses to fade away from public memory .

Raj Kapoor died on June 02 , 1988 . I still remember the day . I was sitting in my house in Deoria , Uttar Pradesh , my native place . In those days when the penetration of television was not much , one had to wait for the daily news papers in the morning . In those days I used to subscribe The Times of India , an English daily and  Janasatta , a Hindi daily . Both the papers carried front page news of his demise with banner headlines .

Remembering Raj Kapoor

Remembering Raj Kapoor (Photo credit: ramesh_lalwani)

Raj Kapoor needs no introduction even today . A Show-Man producer to the hilt , an avant garde director of international repute and a stylized actor of large fan following , Raj Kapoor created history in Indian cinema . He is part of the famous triumvirate of Hindi film industry . Dilip Kumar and Dev Anand being the other members of the famous triumvirate , which ruled the Hindi film world for the longest time .

Raj Kapoor birth place at Dhaki Munawar Shah, ...

Raj Kapoor birth place at Dhaki Munawar Shah, Peshawar, Pakistan (Photo credit: Wikipedia)

Main gate of Raj Kapoor's birth place at Dhaki...

Main gate of Raj Kapoor’s birth place at Dhaki Munawar Shah, Peshawar, Pakistan (Photo credit: Wikipedia)

He , at the age of 24 , became the youngest producer & director with his very first film ” Aag ” [ 1948 ] . Later on he produced 18 films and directed 11 under his own banner R. K. Films .

” Aag ” [ 1948 ] , ” Barsaat ” [ 1949 ] , ” Awaara ” [ 1951 ] , ” Aah ” [ 1953 ] , ” Boot Polish ” [ 1954 ] , ” Shree 420 ” [ 1955 ] , ” Jagte Raho ” [ 1956 ] , ” Ab Dilli Dur Nahin ” [ 1957 ] , ” Jis Desh Men Ganga Behti Hai ” [ 1960 ] , ” Sangam ” [ 1964 ] , “Mera Naam Joker ” [ 1970 ] , ” Kal Aaj Aur Kal ” [ 1971 ] , “Bobby ” [ 1973 ] , ” Dharam Karam ” [ 1975 ] , ” Satyam Shivam Sundaram ” [ 1978 ] , ” Biwi O Biwi ” [ 1981 ] , ” Prem Rog ” [ 1982 ] andRam Teri Ganga Maili ” [ 1985 ] .

I am fortunate that I have seen all the 18 films produced by him . Needless to say that I have also watched all the 11 films , which he directed .

When he died in 1988 , I was in Deoria . One year later , in 1989 , I came to Mumbai . In 1990 I started my career as an acting trainer . Today , as I am writing this blog , I can proudly say that in a way , I am also associated with him . I am very fortunate that I have trained 4 grandchildren of legendary and immortal Raj Kapoor .

In 1999 I started training Kareena Kapoor for Hritik Roshan’s debut film ” Kaho Na … Pyaar Hai ” [ 2000 ] . It is another story that she couldn’t do the film and eventually debuted with Abhishek Bachchan in ” Refugee ” [ 2000 ] . She is daughter of Randhir Kapoor , eldest son of Raj Kapoor .

After Kareena Kapoor , I was called by Neetu Kapoor ji in 2004 to train Ranbir Kapoor , who was about to make his debut with ” Saawariya ” [ 2007 ] . Coincidently I am writing this blog one day after his birthday . He is son of Rishi Kapoor , 2nd son of Raj Kapoor .

In 2012 Raj Kapoor’s youngest daughter Rima Jain ji called me to train her elder son Armaan Jain .  Armaan Jain will make his debut in 2014 with a film being produced by Saif Ali Khan , another student of mine . This untitled film is being directed by Imtiaz Ali’s brother Arif Ali .

Currently , Rima ji’s younger son Aadar Jain is also getting trained by me .

Thus I can say it with great sense of satisfaction that I am fortunate enough to have trained 4 grandchildren of legendary Raj Kapoor .

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On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my homage to Raj Kapoor , the greatest showman of Hindi cinema .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to offer tributes to the legendary film – maker on his 25th death anniversary .

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80 Years of ” Natir Pooja ” , A Rabindranath Tagore Film


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 15 , 2012           11.58 P.M.

” Natir Pooja ” . Does this name ring any familiar bell ?

I know the answer . It will be emphatic NO .

” Natir Pooja “ is a Bengali film . Does it make matter easier now ?

I know the answer even this time . It will again be a NO .

” Natir Pooja “ was produced by B. N. Sircar of New Theatres . What ?

Answer will be unanimous . The film evokes no familiarity .

” Natir Pooja “ was filmed at floor number 1 of NT Studio , Kolkata ? Now !

Even a student of cinema will now scratch his head .

” Natir Pooja “ was released in Chitra Talkies , Kolkata on March 14 , 1932 .

Now even the connoisseurs will look the other way .

Well , now let me untangle the mystery .

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” Natir Pooja “ completed 80th year on March 14 , 2012 . It was released on March 14 , 1932 and it is the only feature film directed by legendary Rabindranath Tagore in 1931 . It was based on a dramatised version of Rabindranath Tagore’s long poem Poojarini . It is 2500 year old story of  a Nati [ danseuse ] , who sacrificed herself because of her devotion of Buddha .

Tagore wrote this all – woman play at the behest of his daughter – in – law . It was first performed in Uttarayan , Shantiniketan on the occasion of Tagore’s 70th birthday . Later on a ticketed performance was staged in New Empire of Kolkata for the aid of Vishwa Bharati . B. N. Sircar of New Theatres saw it there and requested Tagore to make it into a film .

English: Rabindranath Tagore Русский: Тагор, Р...

Rabindranath Tagore (Photo credit: Wikipedia)

Tagore , apart from directing the film , also played role of Upala .

Rabindranath Tagore as an Actor in Natir Pooja

Rabindranath Tagore as an Actor in Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Synopsis of Natir Pooja

Synopsis of Natir Pooja

Nitin Bose was the cinematographer of the film . In his later years same Nitin Bose migrated to Mumbai and made many path – breaking films including Dilip Kumar‘s Technicolor ” Ganga Jumna ” .

It is unfortunate and sad that the prints of the film , the only one ever directed by Rabindranath Tagore , were destroyed in a fire that engulfed New Theatres .

I happened to see an article about ” Natir Pooja “ in Screen and was tempted to share it with the students of my acting academy .

It is well-known that Rabindranath Tagore was India’s first Nobel Laureate and the first Asian to get Nobel Prize for literature . It is in common knowledge that he was a poet , story – writer , song – writer , novelist , dramatist , musician , painter and educationist . But it is not in common knowledge that he directed a feature film in Bengali and also acted in it .

I , on behalf of all the students and staff of Vidur’s Kreating Charakters , remember the 8oth anniversary of the film ” Natir Pooja ” , a directorial venture of Rabindranath Tagore .

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60 Years of Film ” Aandhiyan “


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 12 , 2012           11.58 P.M.

Dev Anand‘s film ” Aandhiyan “ stands at the 10th position in the list of hit Hindi films of 1952 . I have written about 6 films of 1952 in a row . This , my 7th blog , is about ” Aandhiyan ” . I am unable to write about remaining 3 films ; ” Maa ” , ” Nagina ” and ” Bewafa “ as I have not watched them and there are almost no information available about those films on internet .

Dev Anand stablished his banner Navketan in 1950 with a film called ” Afsar ” , starring himself and Suraiya . Guru Dutt directed ” Baazi “ in 1951 was the second Navketan film and then came ” Aandhiyan “ in 1952 . This film was directed by Chetan Anand and it starred Dev Anand , his future wife Kalpana Kartik , Nimmi , K. N. Singh , Johny Walker , Durga Khote and Leela Mishra . Film’s story was written by Dev Anand himself .

Narendra Sharma’s lyrics were tuned by Ustad Ali Akbar Khan . Hemant Kumar and Asha Bhosle‘s duet ” Wo Chand Nahin Hai Dil Hai Kisi Deewane Ka ………….. “ was the most popular song of ” Aandhiyan ” . Asha Bhosle’s ” Dard Bant Raha Hai Kise Dard Chahiye …………………… “ is another hit . Lata Mangeshkar‘s ” Hai Kahin Pe Shadmani …………………….. “ was also very popular .

Indian classical musician and master of sarod ...

Indian classical musician and master of sarod Ali Akbar Khan,(Photo credit: Wikipedia)

English: Indian singer Lata Mangeshkar as a yo...

Lata Mangeshkar as a young woman (Photo credit: Wikipedia)

After massive hit ” Jaal ” , this was Dev Anand’s second hit of 1952 and thus he could consolidate his position at the box office as a formidable star and fortified position of his banner in Hindi film industry .

English: Dev Anand, Asha Parekh, at the ABN Am...

English: Dev Anand,at the ABN Amro Solitaire Design Awards (Photo credit: Wikipedia)

Another ” Andhiyan “ was made by David Dhawan in 1990 and it starred Shatrughan Sinha with Mumtaz . This was the come back film of Mumtaz and it bombed at the box office .

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In my acting institute of Mumbai , I have decided to introduce my students to this fantastic world of Hindi films . They should know about the history – making films of India . It will be now a regular feature of the curriculum of Vidur’s Kreating Charakters .

With this blog about ” Aandhiyan ” , I am ending my ” Down The Memory Lane ” category blogs . In the last month of 2013 , I will again return with the hit films of 1953 .

VIDUR

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60 Years of Film ” Sangdil ”


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 11 , 2012           11.50 P.M.

In the list of hit films of 1952 , Sangdil stands at the 7th position . I have already written about 5 films . They are ; ” Aan ” , ” Baiju Bawra ” , ” Jaal ” , ” Daag ” andAnhonee ” . I am unable to remember anything about ” Maa ” , the 6th hit film of 1952 . So I have to skip it . ” Sangdil “ stands at 7th .

This Dilip Kumar and Madhubala starrer was way ahead of its time .

” Sangdil ”  was directed by R. C. Talwar . The film is an adaptation of the Charlotte Brontë classic Jane Eyre. The film stars Dilip Kumar, Madhubala, Dara Singh and Leela Chitnis. This film is Dara Singh’s debut film .

This film has lyrics by Rajender Krishen . It’s music is by Sajjad Hussain.

Talat Mehmood‘s ” Ye Hawa Ye Raat Ye Chandni , Teri Ik Ada Pe Nisar Hai …………….. “ is still popular among the lovers of old Hindi film songs . ” Kahan Ho Kahan Ho Mere Jeevan Sahare , Tumhen Dil Pukare ……………….. “ is another gem by Talat Mehmood . During the earlier days of Dilip Kumar and before Mohammad Rafi became his regular voice , Talat Mehmood was his voice .

” Dharti Se Door , Gore Baadlon Ke Paar , Aaja Aaja Basalen Naya Sansaar …………….. “ is another gem by Asha Bhosle and Geeta Dutt . This movie also has a Lata Mangeshkar gem ” Wo To Chale Gaye Ae Dil …………………… ” .

Sangdil (1952 film)

Sangdil (1952 film) (Photo credit: Wikipedia)

Jane Eyre (1943 film)

Jane Eyre (1943 film) (Photo credit: Wikipedia)

After ” Aan ” and ” Daag ” , this film ” Sangdil “ was 3rd consecutive hit of Dilip Kumar in 1952 and thus riding on the wave of 3 super hit films , he reached the dizzying heights of super – stardom , which lasted almost 50 years . Dev Anand followed him with 2 hits in 1952 ; ” Jaal ” and ” Aandhiyan “ and Raj Kapoor also with 2 hits ; ” Anhonee ” and ” Bewafa  . It is not for nothing that this triumvirate of Dilip Kumar , Dev Anand and Raj Kapoor ruled the Hindi film industry for uninterrupted 50 years .

 

English: I took this picture when he paid a vi...

Dilip Kumar (Photo credit: Wikipedia)

 

 

English: Press conference by Prime Minister Ma...

Press conference by Prime Minister Manmohan Singh to announce the release of Dev Anand’s autobiography Romancing with Life (Photo credit: Wikipedia)

 

 

Remembering Raj Kapoor

Raj Kapoor (Photo credit: ramesh_lalwani)

 

 

English: Indian singer Lata Mangeshkar

Lata Mangeshkar (Photo credit: Wikipedia)

 

There is one more point for the common public and connoisseurs alike . Lata Mangeshkar is the sole common factor of all the hits and super hits of 1952 . Male and female stars changed . Directors also changed the seats . Music directors and lyricists got replaced . Male singers are not there in every film . But Lata Mangeshkar gave hit after hit in every film , for every heroine and for every music director .

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In my acting institute of Mumbai , I have decided to introduce my students to this fantastic world of Hindi films . They should know about the history – making films of India . It will be now a regular feature of the curriculum of Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

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60 Years of Film ” Anhonee ”


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 10 , 2012           11.59 P.M.

In the series of hit films of 1952 , Raj Kapoor and Nargis starrer Anhonee is ranked 5th . After ” Aan ” , ” Baiju Bawra ” , ” Jaal ” and ” Daag ” , it was the 5th highest grosser of the year .

” Anhonee “ will always be remembered in the history of Hindi cinema for the fact that it was the first film where a female protagonist played double role . Nargis played the role of two sisters with elan and finesse which has become rare today . Khwaja Ahmad Abbas was the writer , producer and director of this film .

It had music by Roshan , who is incidentally Hritik Roshan‘s grandfather . Talat Mehmood‘s song  ” Main Dil Hoon Ik Armaan Bhara …………………… “ is still favourite of the connoisseurs . Talat Mehmood’s duet with Lata Mangeshkar ” Mere Dil Ki Dhadkan Kya Bole , Kya Bole , Main Jaanu Aur Tu Jaane …………… “ is also very melodious . Lata Mangeshkar’s mujra song ” Kaha Hai Unhonne Ye Raaz – E – Muhabbat , Kisi Se Na Kehna ……………………… “ and her duet with Rajkumari ” Zindagi Badli Mohabbat Ka Maza Aane Laga …………………. “ were also chart – busters .

Apart from the fact that Nargis played double role for the first time , this film will also be remembered that Talat Mehmood gave play back for Raj Kapoor . It is very rare .

” Anhonee “ name was again used for a Sajeev Kumar and Leena Chandawarkar starrer film in 1973 . It was directed by Ravi Tandon .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai and through my blogs .

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In future I resolve to make it a regular feature in Vidur’s Kreating Charakters  , my acting school in Mumbai .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

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60 Years of Film ” Daag ”


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 09 , 2012           09.30 P.M.

Dilip Kumar’s Daag ” , which got him his first Filmfare Best Actor Award , was the 4th biggest grosser of 1952 . After ” Aan “ , it was the second hit of Dilip Kumar in 1952 . Dilip Kumar played an alcoholic youth , who is driven by self – destruction .

Daag (1952 film)

Daag (1952 film) (Photo credit: Wikipedia)

” Daag “ is totally different from other three hits of 1952 . ” Aan “ , ” Baiju Bawra ” and ” Jaal “ are the other three hits . This Dilip Kumar , Nimmi , Lalita Pawar and Usha Kiran starrer was produced and directed by Amiya Chakrabarty , who incidentally directed Dilip Kumar’s debut film ” Jwar Bhata ” [ 1944 ] . Kanhaiyalal and  Leela Mishra played another important roles . If my memory is not failing me , Ram Mohan played Dilip Kumar’s friend and perhaps ” Daag “ is his debut film .

Shankar – Jaikishan gave music for the film and its one song ” Ae Mere Dil Kahin Aur Chal , Gham Ki Duniya Se Dil Bhar Gaya ………………………… “ is still popular and hummed by general public and connoisseurs alike . It was written by Shailendra and it has many versions . Sad and playful versions were sung by Talat Mehmood and one version was sung by Lata Mangeshkar . ” Preet Ye Kaisi Bol Ri Duniya ………………………. “ sung by Lata Mangeshkar was another smash hit .

According to my memory , 2 other movies were made after ” Daag ” , using the same name . ” Daag – A Poem Of Love “ was produced and directed by Yash Chopra in 1973 . It was the first movie of Yash Raj Films . Another movie ” Daag : The Fire “ was directed by Raj Kanwar in 1999 .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai and through my blogs .

In future I resolve to make it a regular feature in Vidur’s Kreating Charakters  , my acting school in Mumbai .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

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www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Jaal ”


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 08 , 2012           11.40 P.M.

After Aan and Baiju Bawra , the third most successful film of 1952 was Dev Anand starrer Jaal ” . It was written and directed by legendary Guru Dutt . This was Guru Dutt‘s second movie, after Dev Anand‘s production Baazi ” . After Baazi, this was the second film in which Dev Anand also came through as a confident star/actor, with a style uniquely his own.

It has some memorable melodies by music maestro Sachin Dev Burman , a Dev Anand regular . Lata Mangeshkar‘s 2 songs ” Chori Chori Meri Gali Aana Hai Bura …………………….. ” , ” Pighla Hai Sona Door Gagan Par , Phail Rahe Hain Shaam Ke Saaye ……………………….. ”  are still very popular . Kishore Kumar and Geeta Dutt’s duet ” De Bhi Chuke Ham Dil Nazrana Dil Ka ……………………… “  is my eternal favourite . But Hemant Kumar‘s ” Ye Raat Ye Chandni Phir Kahan , Sun Ja Dil Ki Daastaan ………………… “ is immortal and perennial favourite with the connoisseurs of Hindi film songs . It has several versions . Sung by Hemant Kumar and Lata Mangeshkar separately , it has a duet version also by them .

Dev Anand. Guide.

Sachin Dev Burman

Sachin Dev Burman (Photo credit: Wikipedia)

English: Indian singer Lata Mangeshkar as a yo...

Lata Mangeshkar as a young woman (Photo credit: Wikipedia)

A typical crime thriller in Dev Anand style , ” Jaal “ was a far cry from swashbuckling  costume drama ” Aan “ and rustic , tender love story ” Baiju Bawra ” .World of Dev Anand was totally different from the world of Dilip Kumar and Bharat Bhushan . As I have written in my blog about ” Aan “ , I didn’t like the film when I watched it for the first time . But suave , debonaire , sweater clad and guitar strumming Dev Anand , playing a Christian character , became my instant favourite . Moon – kissed beach of Goa , Dev Anand’s immensely likable persona , Geeta Bali‘s vergin beauty and Lata Mangeshkar and Hemant Kumar’s etherial voice in  ” Ye Raat Ye Chandni Phir Kahan , Sun Ja Dil Ki Dastan ……………………….. “ had mesmerizing effect on my mind and the charm refuses to fade away even after 6 decades . Geeta Bali , again my favourite , was in full form in ” Jaal ” . Sachin Dev Burman’s musical genius was totally opposite of Naushad’s . Mohammad Rafi was as different from Hemant Kumar as North Pole is from South Pole . So the liking for ” Jaal “ , compared to ” Aan “ was much more . It is still one of my favourite films . Lata Mangeshkar is the only common link between all the three films and she was equally superb in all of them .

Apart from Dev Anand and Geeta Bali , it has K. N. Singh and Johny Walker also in the steller roles .

As I have stated in my previous blog , as an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai .

I strive to make it a regular feature in my acting school Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Aan ”


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 07 , 2012           11.40 P.M.

Yesterday after posting my blog about Baiju Bawra , I started thinking about the other memorable films of 1952 . I suddenly remembered aboutAan ” , the most successful film of 1952 . In terms of box office returns ” Baiju Bawra “ was second to “Aan “ . Therefore I thought that I should introduce a new category named ” Down The Memory Lane ” under the parent category ” Film ” and start writing about the other films of 1952 .

” Aan “ was produced and directed by legendary Mehboob Khan and it starred Dilip Kumar , Prem Nath , Nimmi and Nadira , who made her debut with this film . This lavishly mounted costume – drama was music director Naushad’s another hit in 1952 apart from ” Baiju Bawra ” .

” Aan ”  is India’s first Technicolor film and was the highest grosser of 1952 . Just like ” Baiju Bawra “ , I watched it in Allahabad during my Government Inter College days . Frankly speaking I didn’t like “Aan “ , when I watched it for the first time . I liked the songs of the film and the swashbuckling hero Dilip Kumar , but not the film . I couldn’t fathom death of Nimmi and the story line , where Dilip Kumar ignored her and went for Nadira , who was playing the princess .

Later on after repeated viewing and after knowing the fact that the story – line of “Aan “ was based on Shakespeare’s ” Taming of The Shrew ” , I came to realize that this swashbuckling hero is bound to go for the princess and not for the village damsel Nimmi , I was able to appreciate the story – line and finally the film .

“Aan “ has several memorable songs . Lyrics of Shakeel Badayuni were set to tune by Naushad . My eternal favourite even today is a Lata Mangeshkar gem ” Tujhe Kho Diya Humne Paane Ke Baad , Teri Yaad Aayi Tere Jaane Ke Baad ………………. ” . It has several other Mohammad Rafi gems like ; ” Maan Mera Ehsaan …………. ” , ” Dil Men Chhupa Ke Pyaar Ka Toofaan Le Chale ……………. ” , ” Mohabbat Choome Jinke Haath ……………. ” and ” Takra Gaya Tumse Dil Hi To Hai ………….. ” . But “Aan “ will always be remembered for its lavishly mounted Holi song picturization . The song ” Khelo Rang Hamare Sang Aaj Din Rang Rangeela Aaya ……….. “ is still popular and was lavishly picturized with hundreds of junior artistes . It has some of the hits of Shamshad Begum also . Most famous is ” Aag Lagi Tan Man Men Dil Ko Pada Thamna …………….. ” .

Incidentally ” Daag ” and ” Sangdil “ were other Dilip Kumar hits of 1952 . But I will write about them later .

As I have stated in my previous blog , as an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai .

I strive to make it a regular feature in my acting school Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

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