Alvida ……… Kader Khan Saheb !!


 

MUMBAI – MAHARASHTRA – INDIA           JANUARY 05 , 2019           05.45 P.M. 

 

Kader Khan

[ 22 October 1937 – 31 December 2018 ]

 

Kader Khan Saheb was an Afghan-born Indian film actor and screenwriter,.

As an actor, he appeared in over 300 films.

His debut film was Daag [ 1973 ] starring Rajesh Khanna .

He was also a prolific screenwriter for Bollywood films in the period 1970s to 1999 and wrote dialogues for over 200 films.

Before entering the film industry in the early 1970s, he taught at M. H. Saboo Siddik College of EngineeringMumbai as a professor of Civil Engineering.

I first noticed him in a Hindi movie called ” BAIRAAG ” [ 1976 ] . It was a Dilip Kumar starrer film . He played Superintendent of police in the film . At that time it never occurred to me that one day I will get a chance to meet him in person .

I can proudly say that I have met him 3/4 times in his Mumbai office at Hasnabad Lane , Santacruz – West .

Years ago , I trained his sons ; Sarfaraz and Shahnawaz . I use to go to Shahnawaz’s house at Hasnabad Lane , Santacruz . One day Shahnawaz ushered me into Kader Khan Saheb’s office . I was a bit apprehensive . He was a legend and I was simply a non entity . I entered into the room . And there he was , sitting behind a huge table. He welcomed me with a benign smile , offered me a chair and immediately put me at ease . I talked to him for some time and then took his permission and left the room .

I have so many nice and fond memories of these meetings.

 

Kader Khan Saheb with his sons : Sarfaraz & Shahnawaz

His two sons ; Sarfaraz Khan and Shahnawaz Khan , like their father , are so nice , gentle and down to earth. I have a photo of me with Sarfaraz . But I don’t have one with Shahnawaz. I am posting my photo with Sarfaraz.

 

With Kader Khan Saheb’s elder son Sarfaraz Khan

Kader Khan Saheb’s demise is a huge loss. The void will never be filled. I know his sons are brave and they will overcome this.

For an ordinary person like me it will always be a treasure that I was able to meet him and was fortunate enough to talk to him .

Thank you  Kader Khan Saheb , you never let me feel uncomfortable in your presence and never ever made me feel small in your company.

Rest in peace sir !! They don’t make people like you anymore .

 

 

————————————————————————————–

 

 

—————————————————————————————————

 

On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I offer my heartfelt condolences to Kader Khan Saheb’s family and his near and dear ones.

[ Basic information about Kader Khan saheb has been taken from Wikipedia . His photo , posted here , is from Google,  I express gratitude .]

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/vidur.chaturvedi

www.twitter.com/VidurChaturvedi

www.youtube.com/ividur

www.vidurfilms.com

google.com/+VidurChaturvedi

Mrinal Sen – The Last of the Triumvirate


Mrinal Sen

MUMBAI – MAHARASHTRA – INDIA           January 03, 2019           06.30 P.M. 

Mrinal Sen

[ 14 May 1923 – 30 December 2018 ]

Mrinal Sen was a Bengali filmmaker based in Kolkata. Along with his contemporaries Satyajit Ray and Ritwik Ghatak, he was often considered to be one of the greatest ambassadors of Bengali parallel cinema on the global stage. Like the works of Satyajit Ray and Ritwik Ghatak, his cinema was known for its artistic depiction of social reality. The three directors were ardent admirers of each other’s work, and in so doing, they charted the independent trajectory of parallel cinema, as a counterpoint to the mainstream fare of Hindi cinema in India.

Minal Sen first feature film, Raat Bhore  [ 1955 ] featured Uttam Kumar who was not yet the Major star of Bengali cinema that he became. The movie was a let-down. His next film, Neel Akasher Neechey  [ 1958) ] earned him local recognition, while his third film, Baishey Shravan [ 1960 ] was the first film that gave him international exposure.

After making five more films, he made a film with a shoestring budget provided by the Government of India. This film, Bhuvan Shome  [ 1969 ] finally launched him as a major filmmaker, both nationally and internationally. Bhuvan Shome also initiated the “New Cinema” film movement in India.

Mrinal Sen had been suffering from age related ailments for many years. He died on 30 December 2018 at the age of 95 at his home in Bhawanipore, Kolkata.

 

Funeral Procession of Mrinal Sen

I came to know about him when his film Bhuvan Shome [ 1969 ] was released. It was the year when I just finished intermediate from Government Inter College , Allahabad [ now PRAYAGRAJ ] and took admission in Allahabad University. I was curious about the film but I could not watch it. I became aware of Mrinal Sen because of the buzz around the film.

Poster of BHUVAN SHOME

After  Bhuvan Shome , other gems like Interview [ 1971 ] , Ek Adhuri Kahani  [ 1971 ] , Calcutta 71  [ 1972 ] , Padatik [ 1973 ] , Chorus [ 1974 ] and Mrigayaa [ 1976 ] were released in quick succession.

 

Poster of MRIGAYAA

Mrigayaa [ 1976 ] became talk of the town . It introduced a naxalite as the protagonist. His name was Mithun Chakraborty. He got national award for the best actor for the film and soon became a sensation and later on came to be known as poor man’s Amitabh Bachchan.

Mrinal Sen was an ardent follower of Marxist philosophy. This is precisely the reason , I avoided watching his films. Till date I have watched none of his films . Neither Bhuvan Shome nor even Mrigayaa .

After his demise , I am thinking of watching all his films. List of awards , which his films won , tell us about his craft and his greatness.

 

National awards

National Film Award for Best Feature Film

National Film Award for Best Feature Film in Bengali

National Film Award for Best Direction

International awards 

Moscow International Film Festival – Silver Prize
1975 Chorus[13]
1979 Parashuram[14]
Karlovy Vary International Film Festival – Special Jury Prize
1977 Oka Oori Katha
Berlin International Film Festival
Interfilm Award
1979 Parashuram
1981 Akaler Sandhane
Grand Jury Prize[15]
1981 Akaler Sandhane
Cannes Film Festival – Jury Prize
1983 Kharij
Valladolid International Film Festival – Golden Spike
1983 Kharij
Chicago International Film Festival – Gold Hugo
1984 Khandhar
Montreal World Film Festival – Special Prize of the Jury
1984 Khandhar
Venice Film Festival – OCIC Award – Honorable Mention
1989 Ek Din Achanak
Cairo International Film Festival – Silver Pyramid for Best Director
2002 Aamar Bhuban

 

—————————————————————————–

 

 

 

—————————————————————————————————

 

On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I offer my condolences and tribute. It is sad that because of the aversion of Marxism , I refrained from watching his films .

[ Basic information about Mrinal Sen has been taken from Wikipedia . His photo posted here is from Google,  I express gratitude .]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/vidur.chaturvedi

www.twitter.com/VidurChaturvedi

www.youtube.com/ividur

www.vidurfilms.com

google.com/+VidurChaturvedi

Peter O’Toole : An Icon Passes Away


 

English: Cropped screenshot of Peter O'Toole f...

Peter O’Toole in the film Lawrence of Arabia (Photo credit: Wikipedia)

Peter James O’Toole

 2 August 1932 – 14 December 2013

 

MUMBAI – MAHARASHTRA – INDIA           December 08, 2018           03.30 P.M. 

 

Peter James O’Tool aka Peter O’Tool was a British stage and film actor of Irish and Scottish descent. He attended the Royal Academy of Dramatic Art and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company before making his film debut in 1959.

He achieved international recognition playing T. E. Lawrence in Lawrence of Arabia (1962) for which he received his first nomination for the Academy Award for Best Actor. He was nominated for this award another seven times – for Becket (1964), The Lion in Winter (1968), Goodbye, Mr. Chips (1969), The Ruling Class (1972), The Stunt Man(1980), My Favorite Year (1982), and Venus (2006) – and holds the record for the most Academy Award nominations for acting without a win. In 2002, O’Toole was awarded the Academy Honorary Award for his career achievements. He was additionally the recipient of four Golden Globe Awards, one British Academy Film Award and one Primetime Emmy Award.

Peter O’Tool with Richard Burton in ” BECKET “

I came to know about him in 1973. I was studying in Prayagraj [ then known as Allahabad ] , Uttar Pradesh. A Hindi film ” NAMAK HARAM ” was released in 1973 in Vishwambhar cinema hall. I, along with my friends, went to swatch it. It was huge hit and everyone was praising Amitabh Bachchan and Rajesh Khanna’s acting. One day I read an article about ” NAMAK HARAM ” in Northern India Patrika, a popular daily of those days. It was written that this film is based on the iconic Hollywood film ” BECKET ” and how Richard Burton and Peter O’Tool were so brilliant. Richard Burton’s role was played by Rajesh Khanna and Peter O’Tool’s role was essayed by Amitabh Bachchan.

Soon ”  Becket ” was re-released in cinema halls and I saw the film. I had already watched many films of Richard Burton but this was my first brush with Peter O’Tool. I was awe-struck. Later on I watched his first film ”  Lawrence of Arabia “. My admiration for his craft grew manifold.

After completing my studies I left Prayagraj [ then named as Allahabad ] , and after spending 15 years in my native town Deoria, I settled in Mumbai [ then know as Bombay ] . Here in 1990 I watched his film ” THE LAST EMPEROR ” ( 1987 ) . One day while roaming around Hutatma Chowk, [ earlier known as Flora Fountain ] , I got his biography in a road side bookstore. After reading it , I became a life-long admirer.

So when I read about his death, I felt a vacuum in my life. Life is cruel. I got to know about Peter O’Tool in 1973. And in December 2013, I was reading his obituary. A relationship of 40 years came to a sudden end.

Movie business will go on. Many stars will come and fade away. But stars like Peter O’Tool are rare. As is the saying, they don’t make people like him any more.

Peter O’Tool in his sunset years

Peter O’Toole will never return to enthrall us by his histrionics in cinema. There will be many great actors but there will never be another Peter O’Tool.

[ Some personal information and nuggets about his career is taken from Wikipedia. I express my gratitude. ]

—————————————————————————————————

Vidur Acting Institute Logo

silver-jubilee

—————————————————————————————————

On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I offer my deep condolences.

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

google.com/+VidurChaturvedi

Remembering Alyque Padamsee


 

Alyque Padamsee

MUMBAI – MAHARASHTRA – INDIA           November 27, 2018           01.45 P.M. 

 

I’m posting this blog after 1 year and 3 months gap. My last blog was posted on August 30, 2017.

Reasons are many.  One is writer’s block. I never ever thought that one day I could also be a victim of this dreaded writer’s block. But it struck me with all ferocity.  Anyhow I fought a valiant battle and overcame that. So now I am ready with this much delayed blog.

Other reason is that during this period I was inundated with work. In this one year, apart from regular batches, I did workshop for 3 serials ; ” PORUS ” , ” RADHA KRISHNA ” & ” TANTRA “. I also did workshop for films ; ” KAABIL ” , ” STUDENT OF THE YEAR 2 ” , ” HUM CHAAR ” and 2 upcoming films of DHARMA PRODUCTIONS.

So it was 16 hour workdays for 15 long months. All the work took its toll on my time and body. I was left with no time. Hence this inordinate delay.

Last week when I heard about sudden death of Mr. Alyque Padamsee, I decided to leave my inertia and write something about him.

It was a cold November evening of 2009. I got a call. The person on the other side spoke in broken Hindi, ” Hi ! This is Alyque Padamsee. Am I talking to Mr. Vidur ? ” I was stunned. Am I really talking to the legend?

But yes. The person on the other side of phone was The legend himself. He wanted me to train his daughter Shazahn Padamsee.

I started training Shazahn for her debut film ” ROCKET SINGH : SALESMAN OF THE YEAR ” .

 

 

With Shazahn Padamsee in my office

 

And one day there I met the legend whom the world knew as Alyque Padamsee. He was so unassuming and soft spoken. I was taken aback. He talked to me for some time and then left.

It is almost 9 years but the memory refuses to fade.

He was Chief Executive of Lintas for 14 long years and created much acclaimed campaigns like ; Lalita ji for Surf, Cherry Charlie for Cherry Blossom, MRF Muscle Man , the Liril Girl in the waterfall and Hamara Bajaj.

I also liked him as Mohammad Ali Jinnah in Richard Attenborough’s much acclaimed film ” GANDHI ” .

I still possess his signed autobiography , A Double Life : My Exciting Years In Theatres and Advertising.

Rest in peace sir ! There won’t be anyone like you.

 

 

—————————————————————————————————

Vidur Acting Institute Logo

silver-jubilee

—————————————————————————————————

On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I express my condolences . My sympathies are with Shazahn Padamsee. May God give her strength to bear this loss.

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

google.com/+VidurChaturvedi

Jayalalithaa ; Gone Too Soon !!


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 08, 2016           02.30 A.M.

रहने को सदा दहर में आता नहीं कोई
तुम जैसे गए ऐसे भी जाता नहीं कोई

डरता हूँ कहीं ख़ुश्क न हो जाये समंदर
राख अपनी कभी आप बहाता नहीं कोई

इक बार तो खुद मौत भी घबरा गयी होगी
यूँ मौत को सीने से लगाता नहीं कोई

माना कि उजालों ने तुम्हे दाग़ दिए थे
बे-रात ढले शम्अ बुझाता नहीं कोई

अहबाब ने ये कह के संवारी हैं चिताएँ
आराम कहीं और तो पाता नहीं कोई

साक़ी से गिला था तुम्हे मैख़ाने से शिकवा
अब ज़हर से भी प्यास बुझाता नहीं कोई

हर सुबह हिला देता था ज़ंजीर ज़माना
क्योँ आज दीवाने को जगाता नहीं कोई

अरथी तो उठा लेते हैं सब अश्क बहा के
नाज़-ए-दिल-ए-बेताब उठाता नहीं कोई

-कैफ़ी आज़मी

Above mentioned ghazal was written by Kaifi Azmi in memory of Guru Dutt. I am re-producing it in memory of Jayalalithaa.

I am not writing this blog about Jayalalithaa, the AMMA or Puratchi Thalaivi (revolutionary leader) because much has been written about her political journey and her feisty struggle after demise of her mentor MGR. There is nothing new for me to write.

I am writing about Jayalalithaa, the actor or Kalai Selvi ( artistic or work of art) of Tamil cinema.

As I watched the news of her death and her funeral procession, my thoughts went 48 years back. The year was 1968 and the place was Allahabad in Uttar Pradesh. Fresh after my High School results, I went to Allahabad to pursue my academic career at the age of 15.

One day I saw the posters of a Hindi film Izzat and went to watch the movie in Pushparaj talkies. It had Dharmendra in leading role along with Jayalalithaa. Produced by A. K. Nadiadwala of Pushpa Pictures [ grandfather of now famous Sajid Nadiadwala ] and directed by T. Prakash Rao, Izzat has Lakshmikant Pyarelal as music director.

It was the movie in which Jayalalitha made her debut in Hindi films. She played a spunky Adivasi belle, Jhumki, in love with Dharmendra, who is far above her socially.

I knew Jayalalithaa’s name and reputation in Tamil film industry but was not a fan of her. When the film ended and I came out, I was a life-long fan. I became an ardent admirer of her dancing and acting talent. Just watch the famous dance scene of Izzat and you would be a fan too. My God ! what a fabulous dancer ! Posting the link.

1 – Jagi Badan Me Jwala, Saiyan Tune Kya Kar Dala ………..

The following 2 links showcase her naughty and lighter avatar, though in real life she was reticent and introvert.

2 – Ruk Ja Zara, Kidhar Ko Chala, Main Sadqe Tere Pe ………….

3 – Sar Pe Lamba Top Le Ke Aayega …….

It is sad that in her later years, she could barely move. It was heart-wrenching for me to see a feisty and fabulous dancer like Jayalalithaa in that condition. She was a woman any man could like , love and admire. She was vibrant. She was radiant. She was full of life. But during 2016 election campaign, she looked pale and lifeless. She could barely walk. I felt bad because she was only 4 years older than me. I thought that she will fight this battle too. But alas! that was not to be. She fell ill soon after her glorious political victory in elections and lost her battle of life after 75 days of struggle.

I am a fan but many Hindi film connoisseurs are not aware of her stupendous achievements in the field of cinema. For them she was Chief Minister of Tamil Nadu, who was loved and feared alike.

For them I am placing some other facts of her career as a leading actress.

1 – Her acting career spanned 19 years. [ 1961 to 1980 ]

2 – She appeared in 140 films , primarily in the Tamil, Telugu and Kannada film industry.

3 – She also acted in 1 Malayalam , 1 Hindi & 1 English film.

4 – As a child artiste, Jayalalithaa acted in the Kannada-language film Sri Shaila Mahathme (1961), which had Rajkumar and Krishna Kumari in lead roles.

5 – Jayalalithaa starred in English film Epistle ( 1961) .

6 – As a child artiste, she played Krishna in a three-minute dance sequence held on stage in the Hindi film Manmauji (1962)

7 – She made her debut as the lead actress in Kannada film Chinnada Gombe (1964) at the age of 15, while still in school.

8 – Jayalalithaa starred in 28 box-office hit Tamil films with M.G. Ramachandran between 1965 and 1973. The first with MGR was B.R. Panthalu’s Aayirathil Oruvan in 1965 and their last film together was Pattikaattu Ponnaiya in 1973.

9 – Jayalalitha was paired opposite Sivaji Ganesan in 17 Tamil films.

10 – Jayalalithaa acted in 10 Tamil hit films with Ravichandran .

11 – Jayalalitha had 6 Tamil films with R. Muthuraman .

12 – Jayalalitha acted in 12 Telugu films as heroine opposite N. T. Rama Rao .

13 – Jayalalitha acted in 7 Telugu films with Akkineni Nageswara Rao .

14 – Jayalalithaa’s other Telugu films included 2 films with Krishna and 1 each with Sobhan Babu, Jaggaiah, Ramakrishna and Haranath.

15 – She made her debut in Malayalam films with Jesus (1973) and the film was huge hit.

16 – Her 100th film was Thirumangalyam (1974)  directed by A.Vincent.

17 – Her last film in Tamil was  Nadhiyai Thedi Vandha Kadal (1980) .

18 – The last film she worked on, in which she played the lead heroine, was a Telugu film Nayakudu Vinayakudu (1980) . It became the highest grosser of the year in Telugu.

19 – Jayalalithaa holds the record for having been the Tamil actress with maximum silver jubilee hits in her career – 85 hits of 92 Tamil films as main female lead heroine.

20 – she also has all 28 films in Telugu as silver jubilee hits.

21 – She had 119 box office hits of the total 125 films she did in various languages as the main female lead between 1961 and 1980 .

22 – She was the highest paid Indian actress from 1965–1980.

23 – She made guest appearances in 9 films and 6 of her films were dubbed into Hindi.

24 – She did double roles in eight films.

25 – Jayalalithaa wrote columns in the magazines like Bommai . She also wrote a column -Ennanga Selar in magazine Tughlaq in 1970s.

Need I say anything else for her accomplishments?

It is 2 days since she is gone. I am still numb. I am deeply saddened.

Farewell Kalai Selvi ! There will be no one like you ever.

img_8024

 

Vidur Acting Institute Logo

silver-jubilee

 

On behalf of all the students & staff of VIDUR Acting Institute , I pay my tributes to Kalai Selvi (work of art) of cinema and to Puratchi Thalaivi (revolutionary leader) of political arena.

[ List of films, dates and other information about Jayalalithaa have been taken from Wikipedia .

I am indebted and I express gratitude. ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

google.com/+VidurChaturvedi

100 Years of Lalita Pawar – Hindi Cinema’s Unforgettable Doyenne


img_8024

 

MUMBAI – MAHARASHTRA – INDIA           MAY 15, 2016           08.00 P.M.

 

LALITA PAWAR [ 18 April 1916 - 24 February 1998 ]

LALITA PAWAR [ 18 April 1916 – 24 February 1998 ]

On April 18, 2016, Lalita Pawar would have been 100 years old, had she been alive. There were not much coverage in the media. I read just one article in DNA. That’s it.

6

Present day media Mughals don’t know her importance. In a career spanning 68 years, she did 700 plus films. She was the only one in Indian film industry, who could play a scheming mother-in-law and a golden-hearted matriarch with equal finesse. She was always portrayed prominently in the posters of her films, though she was not playing the lead. Apart from Lalita Pawar, Ashok Kumar was the only other character artiste, who used to appear prominently in the poster of his films.

With Dilip Kumar in DAAG

With Dilip Kumar in DAAG

 

Poster of Anari

With Raj Kapoor & Nutan in Anari

Apart from her, there were only 3 other Hindi film actors, who worked more than 6 decades. They, apart from Lalita Pawar, are Dev Anand, Pran and evergreen Ashok Kumar. Only these 4 Hindi Film Artists worked till the last breath of their lives.

Lalita Pawar with Ashok Kumar

Lalita Pawar with Ashok Kumar

Lalita Pawar with Pran

Lalita Pawar with Pran

Lalita Pawar with Dev Anand

Lalita Pawar with Dev Anand

===============================================================

LALITA PAWAR : 68 Working Years – 700 Films

” Raja Harishchandra “ [ 1928 ] to ” Bhai ” [ 1997 ]

DEV ANAND : 65 Working Years – 113 Films

Hum Ek Hain “ [ 1946 ] to ” Chargesheet ” [ 2011 ]

PRAN : 63 Working Years – 350 Films

” Yamla Jat “ [ 1940 ] to ” Kiska Dosh “ [ 2003 ]

ASHOK KUMAR : 61 Working Years – 301 films .

” Jeevan Naiya ” [ 1936 ] to ” Aankhon Me Tum Ho ” [ 1997 ]

===============================================================

Among all the 4 history making stars, Lalita Pawar was the senior most. Pran was junior to her by 12 years. And the indomitable Dev Anand was her junior by 18 years. Even grand old man of Hindi cinema, the evergreen Ashok Kumar, was her junior by 8 years. Coincidently their last films came in the same year, 1997. Lalita Pawar’s ” Bhai ” [ 1997 ] & Ashok Kumar’s ” Aankhon Me Tum Ho ” [ 1997 ] were their last film. Two immortal legends ended their glorious film journey in the same year.

My first association with her started somewhere in mid 60s. I don’t remember the film correctly, but either it was ” Sampoorna Ramayan ” or ” Jis Desh Me Ganga Bahti Hai “. Later on I saw several films of her and became an ardent admirer.

I am giving list of some of her unforgettable films, which I have seen and fail to forget even today.

===============================================================

Ram Shastri [ 1944 ] , Dahej  [ 1950 ] , Daag  [ 1952 ] , Parchhain  [ 1952 ] , Shri 420 [ 1955 ] , Mr & Mrs 55  [ 1955 ] , Nau Do Gyarah  [ 1957 ] , Anari  [ 1959 ] , Sujata  [ 1959 ] , Hum Dono  [ 1961 ] , Sampoorna Ramayana  [ 1961 ] , Professor  [ 1962 ] , Sehra  [ 1963 ] , Grahasti  [ 1963 ] , Ghar Basake Dekho  [ 1963 ] , Khandan  [ 1966 ] , Boond Jo Ban Gayee Moti  [ 1967 ] , Aabroo  [ 1968 ] , Anand  [ 1970 ] , Pushpanjali  [ 1970 ] , Gopi  [ 1970 ] ,  Doosri Sita  [ 1974 ] , Tapasya  [ 1976 ] , Aaina  [ 1977 ] , Yaarana  [ 1080 ] , Kali Ghata  [ 1980 ] , Phir Wohi Raat  [ 1980 ] , Sau Din Saas Ke  [ 1980 ] , Naseeb  [ 1981 ] , Bhai  [ 1997 ] .

================================================================

It is pertinent to note that apart from Ram Shastri [ 1944 ] , where she played heroine, she played character roles in all above mentioned films. But no film connoisseur can ever forget her. Who can forget GANGAMAI of  Shri 420 [ 1955 ] or Mrs. D’Sa of  Anari  [ 1959 ] , both with Raj Kapoor?

Amba Laxman Rao Shagun from Yeola, Nashik made her debut in 1929 with ” Raja Harishchandra “. At the age of 16, she co-produced and acted in a silent film ” Kailash ” [ 1932 ]. She played a triple role in that film. A triple role in a silent film !! It was 44 years before DILIP KUMAR’s ” Bairaag ” [ 1976 ] & 51 years before AMITABH BACHCHAN’s ” Mahaan ” [ 1983 ]. Both these legends played triple role much later in their respective careers and when they were very mature. DILIP KUMAR made debut in 1944 and played triple role in 1976. That is 32 years after his debut. AMITABH BACHCHAN made debut in 1969 and played triple role in 1983. That is 19 years after his debut. But LALITA PAWAR played triple role in the beginning of her career. 3 years after her debut and that too in a silent film.

Poster of Silent Film "The Lord of the Jungle"

Poster of Silent Film “The Lord of the Jungle”

Poster of "Himmat-e-Marda" [ 1935 ]

Poster of “Himmat-e-Marda” [ 1935 ]

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film of 1940

Lalita Pawar in a Silent Film of 1940

1942 was an epoch-making year in Lalita Pawar’s career. As a part of the scene in a film ” Jung-E-Azadi ” , Bhagwan Dada of ” Albela ” fame was to slap her. Being a new-comer, he accidentally slapped her hard. It resulted in facial paralysis and a vein of her left eye got burst. This incident left her with a defective left eye. But the treatment took 3 years. She lost many lead roles and after her treatment was over, she switched to character roles. The defective left eye, which ended her acting career in lead roles, helped her play cruel, wicked and cussed characters with aplomb.

3

Lalita Pawar & Bhagwan Dada

Lalita Pawar & Bhagwan Dada

Lalita Pawar has left us. She no longer exist. But she is still present in the form of her films where she played several unforgettable characters. I offer my tribute and regards to the unforgettable doyenne of Hindi cinema.

 

Vidur Acting Institute Logo

[ List of Lalita Pawar’s released films,  dates and other information is taken from Wikipedia. I , on behalf of VIDUR Acting Institute ,  express gratitude. ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

google.com/+VidurChaturvedi

Sainthood in Death? – A Kashmiri Pandit remembers Mufti Mohammad Sayeed


img_8024

MUMBAI – MAHARASHTRA – INDIA           JANUARY 10, 2016           07.45 P.M.

Two time Chief Minister of Jammu & Kashmir and first Muslim Home Minister of India, Mufti Mohammad Sayeed died on January 07, 2016 in New Delhi of multiple organ failure. He was 79 years old at the time of his death. He was buried in his native village Bijbehara of Anantnaag district.

With due respect to the departed soul, his political journey could be termed as colourful and sheer opportunistic. From Congress to Jan Morcha, and then again to the Congress, it was without any stated principles. Finally he, along with his daughter Mehbooba Mufti, formed PDP and remained there till his death.

His two terms as Chief Minister of Jammu & Kashmir could also be termed as maverick and opportunistic.

2002 = Though he had resigned from the Indian National Congress but without any qualm took their support to become Chief Minister. He had only 16 MLAs in the house of 87.

2008 = His PDP won 21 seats. But this time he prefered to sit in the opposition. It again defies logic. With 16 MLAs, he chose to become Chief Minister. But with 21 MLAs, he prefered to sit in the opposition.

2014 = He formed an alliance with Bharatiya Janata Party and became Chief Minister for the second time.  This time he had 28 MLAs, up 7 from the 21 last election.

From Congress to BJP, many people can frown but for him it was a smooth journey.

Here is the list of the milestones of his political journey.

Indian National Congress = 1972 to 1987

Jan Morcha = 1987 to 1990

Indian National Congress = 1990 to 1999

People’s Democratic Party = 1999 to 2016

Leader Congress Legislative Party = 1975

Union Minister of Tourism = 1986

Home Minister of India = Dec. 1989 – Nov. 1990

Chief Minister of Jammu & Kashmir = Nov. 2002 – Nov. 2005

Chief Minister of Jammu & Kashmir = March 2015 – Jan. 2016

It is in our culture to give respect to the departed soul. One is not supposed to be disparaging about the person after the he is gone. But in my opinion history is supposed to be unbiased. History should be loyal to the truth only. History is and should be cruel.

Therefore I thought to reproduce an article written by Anupama Handoo , a Kashmiri Pandit, which presents a totally different picture of Mufti Mohammad Sayeed. —————————————————————————————————-

On 7 January 2016, Jammu & Kashmir Chief Minister, Mufti Mohammad Sayeed took his last breath. News feeds since then are full of eulogies for the supposed saint, nationalist and statesman.

Every paean takes me back to that fateful month of December in 1989 when Mufti’s youngest daughter Rubaiya Sayeed was kidnapped by (Yasin Malik’s) Jammu Kashmir Liberation Front. The nation was held to ransom for the daughter of the Union Home Minister who had taken oath just a few days ago. Bypassing the elected state government led by Farooq Abdullah, Mufti misused his power and influence to engineer the release of five dreaded terrorists. Local population in the valley and friends were confident that Rubaiya was at home or at least in a safe house where she was safe and well taken care of, all the time. This drama of hostage rescue is the watershed event in Kashmir terrorism. Encouraged by weakness of the state and central administration, terrorism took hold in the valley. General population started to believe that ‘Azadi from India’ and ‘Pakistan with Pandit women and without the men’ is just around the corner. December 1989 and January 1990 was when lakhs of Kashmiri Hindus had to leave their homes to become refugees in their own country. For me and lakhs of Kashmiri Hindus that was the last time we saw home and for that we have Mufti to thank for.

1989 was not the first time when the ugly head of communal militancy reared its head in Kashmir Valley. Political experts maintain that Mufti orchestrated the infamous 1986 Anantnaag riots in which hysterical Muslim mobs took out violent processions, desecrated and destroyed more than 40 temples, and killed and looted the helpless Hindu population. In Mufti’s constituency Brijbehara alone, two temples were looted, ancient idols stolen and broken. Kashmiri Hindus should have anticipated what was to come.

One word that comes closest to describing Kashmiri politicians in general and Mufti Mohammed Sayeed in particular, is chameleon. No, it’s not a kind word. I don’t intend to be kind – the pain is still raw. I call him a chameleon because he switched loyalties like clothes, seizing opportunities to promote himself and his daughter Mehbooba Mufti. With subsequent stints in Democratic National Conference, Congress, and Jan Morcha and later on by launching his own People’s Democratic Party he bargained for more power and more influence with each stepping stone.

He first became Chief Minister in 2002, backed by Congress on a meagre strength of 16 in an 87 member strong State Assembly. In 2008 elections, he chose to stay in the opposition even with 21 seats and in 2015 he chose to form alliance with BJP on a strength of 28. Ambition is not a bad thing, manipulating masses for one’s own end is objectionable. While in opposition he engineered coups; in 1977, twice in 1986, in 1990 and in 2008; ushering the Governors’ rule every time. This marginalised the democratically elected parties and sowed seeds of discord in the electorate. He founded the People’s Democratic Party (PDP) in 1999 for which he used the electoral symbol of ‘green flag and pen-inkpot’ of the Muslim United Front (MUF) the Jamaat-e-Islami-led conglomerate of anti-India parties.

He kept everyone happy … happily in the dark. To the central government he played the role of a ‘Nationalist’ who was trying to bring ‘healing touch’ to the battered communities through peace and dignity. But the modus operandi of this healing touch was far from nationalist. He was a firm believer in Kashmiris’ right to ‘self-rule’. Ceasefire on the Pakistan border, disbanding of instruments like Special Task Force and Special Operation Group of Police, scrapping of The Prevention of Terrorism Act, 2002 (POTA) and release of political prisoners was all part of his arsenal. He facilitated bringing the separatists leaders (read Jammu Kashmir Liberation Front) to a tripartite political dialogue with India and Pakistan. He recommended free trade and travel between Srinagar and Muzaffarabad in Pakistan Occupied J&K. His latest preposterous proposal was that the people of Kashmir should be allowed to transact their business in the Indian as well as the Pakistani currency. Looking at these steps in totality – these were ploys to weaken the State influence in Law and Order issues and dilute the army control on borders. Making borders with Pakistan porous, Mufti’s strategy was to pave the way for uninterrupted smuggling of currency, arms and drugs as well as infiltration of terrorists.

Kind obituaries are flooding in about the greatness of the man now dead. People are calling him a statesman and a visionary. He surrounded himself with wise people and those wise people (often Kashmiri Pandits) must undoubtedly believe in his secular and nationalist credentials. As a common person who never broke bread with him, I am entitled to judge his greatness by his impact and legacy. I will remember the man as someone who stepped on corpses for his political ambition. For this I cannot wish him peace in afterlife.

Cse Khoda rut karun, Mufti Mohammed Sayeed, magar kari na zaahn.

[ May the almighty look after you Mufti Mohammad Sayeed but I seriously doubt He will. ]

– See more at: https://www.myind.net/sainthood-death-kashmiri-pandit-remembers-mufti-sayeed#.VpFMysSkQaw.gmail

—————————————————————————————————-

As stated above, I have taken this article from http://www.myind.net . They have printed this disclaimer towards the end of the article. I fail to understand the logic. Everyone has freedom of expression. And if a Kashmiri Pandit feels this way, she has every right to express her opinion.

WHY THIS DISCLAIMER ?

“Disclaimer: The opinions expressed within this article are the personal opinions of the author. MyIndMakers is not responsible for the accuracy, completeness, suitability, or validity of any information on this article. All information is provided on an as-is basis. The information, facts or opinions appearing in the article do not reflect the views of MyindMakers and it does not assume any responsibility or liability for the same.”

—————————————————————————————————-

[ I express my gratitude to http://www.myind.net & the writer Anupama Handoo for this article. ]

 

Vidur Acting Institute Logo

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

google.com/+VidurChaturvedi

ErikaBeyk

This WordPress.com site is about Health and Wellbeing

Arun Shanbhag

Life is Beautiful, Live it the fullest

WordPress.com

WordPress.com is the best place for your personal blog or business site.

The WordPress.com Blog

The latest news on WordPress.com and the WordPress community.

%d bloggers like this: