Vidur’s Open Letter – 8 : To Armaan Jain


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MUMBAI – MAHARASHTRA – INDIA           JULY 17, 2014           00.15 A.M.

Hi Armaan,

It is nice to get in touch with you at the time when you have made your debut and your first film has been released. As I am writing this blog, I am remembering all the Sundays which I spent at your South Mumbai residence when I used to come for the classes. It was years ago but it seems as if it happened just yesterday. I particularly remember your illustrious parents; reticent Manoj Ji and larger than life and exuberant Rima Ji. Rima Ji was always nice and kind to me. Whenever I talked to her, I felt, as if I am talking to legendary and immortal Raj Kapoor.

With Armaan Jain's Proud Parents at their Home

With Armaan Jain’s Proud Parents at their Home

 

I do remember my first day with you. It was a hesitant but confident start. I am unable to forget your child-like innocence even after so many years. Your “Rishi Kapoor of Bobby” kind of look is still fresh in my memory.

After many months, classes got a break when you started assisting Karan Johar in his film  “Student Of The Year”.

 

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I started with you once again before commencement of shooting of  your debut film “Lekar Hum Deewana Dil”. It was a sweet surprise to watch a more confident and mature avatar of yours.

With Armaan Jain & His Mother Rima Jain

With Armaan Jain & His Mother Rima Jain

Because of this long association, I was very excited and was eagerly waiting for your debut film “Lekar Hum Deewana Dil”. And finally it got released on July 04, 2014.

I am yet to see the film. But I am getting the news that it is not doing well at the box office. As per trade circles it is not going to make its producers happy. Though it is not a good or encouraging news for a newcomer, such things do happen. And in this industry it even happened to some of our greats, rather the greatest.

Armaan, I must make you aware that the first film of RK Films “Aag”, made by your illustrious maternal grandfather Late Raj Kapoor, was also a disastrous flop. “Jwaar Bhata”, the first film of legendary Dilip Kumar , was a dud at the box office. Your cousin Kareena Kapoor’s first film “Refugee” got lukewarm response. Your other cousin Ranbir Kapoor‘s debut film “Saawariya” was also a resounding flop.  So you seem to be in an august company.

 

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Armaan, a film’s box office run is not the only criteria of success. Though the first milestone of a long  journey is important but ultimately what matters is the completion of the journey. And your remarkable journey did not start in 2014. It started in 1929 with the release of  “Cinema Girl” and got prominence in 1931 with the first Indian talkie “Alam Ara”. Shri Prithvi Raj Kapoor starred in both the films. It happened 85 years ago. You are the latest torch-bearer of an illustrious legacy, a shinning 85-year-old saga. Just one smeared milestone is not going to tarnish the unparalleled and never seen before cinematic journey. The 85-year-old saga has found a new mascot in you and you have to be ready for that responsibility.

I have made a video celebrating the saga of 85 years of Kapoors. For me this saga is not going to be diminished by just one film. Do watch the video and let me know your reaction :

Vidur Club News Video -5 [ ARMAAN JAIN ] :

Armaan, I am happy that I wrote my first open letter to your cousin Ranbir Kapoor on November 29, 2009. Exactly after 5 years I am writing my latest open letter to you.

 

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I congratulate you on the occasion of the release of your first film. On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish you all the success and stardom never attained before by anyone and unseen even by the mightiest.

Waiting for your next film and promise to meet you on the eve of release of your next film.

Yours ,

VIDUR

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New Female Playback Singers of Hindi Films


MUMBAI – MAHARASHTRA – INDIA           NOVEMBER 10 , 2012           00.35 A.M.

When ” Alam Ara ” , the first Indian talkie , hit the screen in 1931 , an era started , which could easily be called the era of singing stars . All the actors sang their own songs on the screen . Well known female stars of that era were no exception . From Devika Rani to Leela Chitnis and from Kanan Devi to lesser known starlets, every heroine worth the name sang their own songs .

English: Alam Ara poster, 1931.

Alam Ara poster, 1931. (Photo credit: Wikipedia)

English: Scene from the 1936 film Achhut Kanya

Ashok Kumar & Devika Rani in a Scene from the 1936 film Achhut Kanya (Photo credit: Wikipedia)

Kanan Devi

Kanan Devi (Photo credit: tonymitra)

Then came the era of Noor Jahan and Suraiya . Both were immensely popular stars and huge singers of their generation . Their songs and their films are still popular . Their retirement from the films finally brought an end to the glorious era of singing stars . Salma Agha , another singing star , came in ” Nikah ” [ 1982 ]  but it was an exception . Singing stars era had ended much earlier .

After the end of singing stars era , playback singing in films became popular . Rajkumari Dubey could be called the first female playback singer . She started her singing career in 1940 . Her songs with Mukesh in ” Bawre Nain “[ 1950 ]  are still famous and they are memorable . Modern day movie goer are familiar with her song from ” Pakeeza “[ 1972 ]  . It is ….. najaria ki mari mari more saiyan …….

Another playback singer from that era was Shamshad Begum . She rose to prominence with ” Khazanchi ” [ 1941 ] and ” Khandaan ” [ 1942 ] . Her career suffered major set back with the advent and subsequent supremacy of Lata Mangeshkar andAsha Bhosle . Amirbai Karnataki was another famous playback singer from that era .

Then began an era which is known as Lata Mangeshkar Era . She , along with her younger sibling Asha Bhosle , dominated the playback scene of Hindi films like a colossus for almost 5 decades .

English: Indian singer Lata Mangeshkar

Lata Mangeshkar (Photo credit: Wikipedia)

English: Indian singer Asha Bhosle

Asha Bhosle (Photo credit: Wikipedia)

During their era many singers came and went into oblivion . Geeta Dutt , Suman Kalyanpur , Kamal Barot ,  Sudha Malhotra , Mubarak Begum and Sharda came and eclipsed quickly without leaving a mark .

In 70s , while Lata Mangeshkar was still reigning supreme , again a new crop of female playback singers emerged . Alka Yagnik , Sadhana Sargam , Kavita Krishnamurty andAnuradha Paudwal came , gave some memorable hits and faded into oblivion . Lata Mangeshkar still ruled and gave memorable hits like ; Yash Chopra directed  ” Veer – Zaara ” [ 2004 ] .

Now a new crop of playback singers are hovering on the horizon . Shreya Ghoshal has become numero Uno like Lata Mangeshkar and Sunidhi Chauhan has almost taken Asha Bhosle’s place . But there are other female playback singers  also . They are fast emerging on the scene .

ADITI SINGH SHARMA : With chart – busters like ; ” Aali Re …. ” & ” Dilli , Dilli …… ” in ” No One Killed Jessica “ and ” Chhoomantar ….. ” in Mere Brother Ki Dulhan , she became a singer to watch in future .

ALYSSA MENDONSA : Daughter of Loy Mendonsa of Shankar – Ahsan – Loy fame , she sang ” Uff Teri Ada ……. ” in ” Karthik Calling Karthik “ and immensely popular ” Khwabon Ke Parindey ….. ” in Zindagi Na Milegi Dobara .

ANUSHKA MANCHANDA : She sang re-mix version of ” Dum Maro Dum …… ” with a rare conviction and forced everyone to take notice of her talent .

HARSHDEEP KAUR : With ” Katiya Karoon ….. ” of  ” Rockstar “ and ” Jugni ………….. ” of ” Cocktail “ , she hit big and is surely on her way to the top .

MAHALAXMI IYER : She hit the bull’s-eye with ” Ae Ajnabee ……….. ” in ” Dil Se ” , ” Sadka Kiya ………… ” in ” I Hate Luv Storys “ and hugely popular Punjabi numbers like ; ” Laung Da Lashkara ……. ” & ” Rola Pe Gaya …….. ” in ” Patiala House ” .

NEHA BHASIN : ” Kuchh Khas Hai …….. ” in ” Fashion “ and ” Dhunki Dhunki ……. ” in ” Mere Brother Ki Dulhan “ brought her on the top .

SHIPLA RAO : In a hit number like : ” Khuda Jane …………… ” of ” Bachna Ae Haseenon “ , she found her moorings .

SHRUTI PATHAK : With ” Marjaawan …………… ” in ” Fashion “ and ” Payaliya ………… ” in ” Dev D “ , she arrived and made her presence felt .

SHWETA PANDIT : She made her debut in Yash Raj Films ” Mohabbatein ” [ 2000 ] . From ” Mohabbatein “ to ” Mere Brother Ki Dulhan ” [ 2011 ]  , she had sung several hits in Hindi . She regularly performs with A. R. Rehman‘s stage shows also . She is extremely popular singer in Telugu films also .

With Shweta Pandit in My Office

With Shweta Pandit in My Office

In a way she is my student . Though she never took admission in my Acting Institute and didn’t come to my regular batch . But still she come to my institute whenever she is free and participates in the improvisation classes of my institute Vidur’s Kreating Charakters .

I am happy for her and wish her greater success . I am sure in years to come she will be top playback singer of India .

I am happy that I have at least one student in playback singing field also .

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80 – Year – Old ” New Theatres “


EVENING…………………………..6.00

Yesterday when I was writing about 80 years of  ” ALAM ARA “ , first Hindi talkie , rather Indian talkie , I came across an article in Screen which states that B. N. Sircar’s legendary film production company ” New Theatres “ also completed 80 years on February 10 , 1931 . It was one month and four days before the epoch making ” ALAM ARA “ , that this legendary production company was launched . ” New Theatres ,   Calcutta [ now Kolkata ] was founded by producer B. N. Sircar a.k.a. Birendranath Sircar, the recipient of Dadasaheb Phalke Award of 1970.

Logo of New Theatres , Calcutta

Logo of New Theatres , Calcutta

The logo of ” New Theatres ” has an elephant in a circle with a quote from  Upnishads . It was like the famous logo of Hollywood’s production company MGM where a lion used to roar in the same kind of circle . Moto of New Theatres was – Jivatang Jyotiretu Chhayam means [ Light infusing shadows with life ]

Like Ardeshir Irani’s Imperial Movietone , New Theatres of Calautta [ now Kolkata ] produced ” Dena Paona,  the first Bengali talkie. It was released in 1931,  and was directed by Premankur Atarthi . Famous musician Raichand Boral composed music for this movie.

Scene from Dena Paona, 1931 - first Bengali Talkie

Scene from Dena Paona, 1931 - first Bengali Talkie

After first Bangla talkie, ” Dena Paona “ , ” New Theatres ” produced another path breaking film ” Devdas “ in 1935.  P.C. Barua directed and acted in ” Devdas , based on Saratchandra Chatterjee‘s novel ” Devdas and this film became phenomenally successful in the industry.

Pramathesh Barua and Jamuna Barua in Debdas, 1935

Pramathesh Barua and Jamuna Barua in Debdas, 1935

Pramathesh Barua and Jamuna Barua in Debdas, 1935.

Pramathesh Barua and Jamuna Barua in Debdas, 1935.

In 1935, playback singing was first used in India in the New Theartes production Bengali film ” Bhagya Chakraby Nitin Bose. The singers were K C Dey, Parul Ghosh and Suprabha Sarkar. ” Dhoop Chhaon Hindi remake of this film, was the first Hindi film to use playback singing. It was another feather in New Theaters’ cap .

Kanan Devi was the first popular star actress, who appeared in many films produced by ”  New Theatres “ . Also there was a group of talented actors with New Theatres like K.L. Saigal, K. C. Dey, Prithviraj Kapoor, Chhabi Biswas, Bikash Roy, Pahari Sanyal, Basanta Choudhury.

Top directors like Premankur Atarthi, P.C. Barua, Debaki Bose and Nitin Bose worked in New Theatres films. The Famous musicians who worked there include R. C. Boral, Pankaj Mullick and Timir Baran.

New Theatres used to make commendable films till 1955. From 1931 to 1955 , it was a 24 year long and illustrious journey . During this period New Theatres produced 150 path breaking films. Many of them are considered classics today . Name of some of the films , which are considered milestone , are given below :

Of the above mentioned films , I have seen two classics ; Pramathesh Barua directed ” Mukti “ [ 1937 ] and ” Devdas” .  Bimal Roy directed ” Udayer Pathe “ [ 1944 ] was later made in Hindi as ” Naya Zamana  ” starring Dharmendra and Hema Malini. I have seen the Hindi version.

Among all the illustrious directors , who worked in ” New Theatres ” , I was fortunate enough to meet Phani Majumdar and was able to take his blessings. Phani da made his debut with ” Street Singer “ , a Kundan Lal Sehgal starrer. It had famous Sehgal song – BABUL MORA NAIHAR CHHUTO HI JAY .  Later on he directed successful films like ” Aarti “ [ first film of Rajshri banner ] , ” Akashdeep ” and ” Oonche Log ” . I was fortunate enough to meet his actress wife Monice Desai also. Phani da died in 1994, when I was starting my acting training career.

After 55 years ” New Theatres ” , the legendary banner , is again producing a new film.

Ami Aadu (Upcoming Film, 2011) – Directed by Somnath Gupta

[I have taken some portions of this blog from the internet sites like Wikipedia and reproduced it here . Some facts are taken from Screen weekly. I express my gratitude .]

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80 Years of ” Alam Ara ” : India’s First Talkie


NIGHT……………………………….11.00

On March 14 , 1931 Indian cinema created history . First Hindi talkie ” ALAM ARA “ made by Ardeshir Irani was released on this very day in the Majestic cinema of Bombay [ now Mumbai ] Though , ” RAJA HARISCHANDRA ” , first ever full – length silent feature film of India was made by Dada Saheb Phalke , the pioneer of Indian cinema , in 1913.

scanned from personal collection Removed from ...

Dada Saheb Phalke - Father of Indian Cinema

A scene from indian movie

A scene from Indian movie Raja Harishchandra

A still of a scene from the first full-length ...

A scene from Indian movie Raja Harishchandra

It took almost 18 years to produce a talkie film and Ardeshir Irani became the pioneer. ” ALAM ARA ” made under the banner of Imperial Movietone had Master Vithal and Zubeida as the leading stars of the film and the movie had 7 memorable songs including DE DE KHUDA KE NAAM PAR sung by Wazir Mohammad Khan , who also played a faqir in the film . In those early years of talkie era there were no system of recording the song , Ardeshir Irani recorded it live with harmonium and tabla . This particular song is considered as the first ever song of not only Hindi films but Indian films as well. Music of ” ALAM ARA “ was given by Ferozshah M. Mistri and B. Irani .When released in the Majestic cinema hall of Bombay [ now Mumbai ] it created history . Public frenzy was to be seen to be believed , and finally police had to be summoned to control the crowd .

Director, Ardeshir Irani recording, Alam Ara f...

Ardeshir Irani recording a Song of Alam Ara

Alam Ara poster, 1931.

Alam Ara poster, 1931.

The film is a love story between a prince and a gypsy girl, based on a Parsi play written by Joseph David. David later served as a writer at Irani’s film company. The story centers on an imaginary, historical royal family in the kingdom of Kumarpur. The main characters are the king and his two warring wives Dilbahar and Navbahar. Their rivalry escalates when a fakir predicts that Navbahar will bear the king’s heir. Dilbahar, in revenge, attempts to have an affair with the kingdom’s chief minister Adil. The affair goes sour and a vengeful Dilbahar imprisons him and exiles his daughter, Alam Ara (Zubeida). In exile, Alam Ara is brought up by Gypsies. Upon returning to the palace at Kumarpur, Alam Ara meets and falls in love with the charming young prince (Master Vithal). In the end, Adil is released, Dilbahar is punished and the lovers marry.

A rare still from Ardeshir Irani's Alam Ara, t...

A rare still from Ardeshir Irani's Alam Ara

Description: Low-resolution reproduction of pu...

A Scene fron Alam Ara

After the fire at National Film Archive of India, Pune, in 2003, which destroyed the last surviving prints of several classics such as Raja Harishchandra and Achhut Kanya, this film is no longer available in its original format.

Master Vithal and Zubeida in Alam Ara, 1931.

Master Vithal and Zubeida in Alam Ara, 1931.

Newpaper advertisement for first Indian talkie...

Newspaper advertisement for Alam Ara

The name of the actors , who played major role in ” ALAM ARA ” , is worthy of notice for the today’s film connoisseurs. Apart from Master Vithal and Zubeida Begum Dhanrajgir [ known as Zubeida ] , it had singer Wazir Mohammad Khan as a faqir. Three prominent actors , who were part of the cast of ” ALAM ARA ” and who played major role in the talkie era and are known to today’s generation also , were Prithvi Raj Kapoor , Jillo Bai and L. V. Prasad .

Prithvi Raj Kapoor went on to play major roles in many films , won many awards and created an empire. His legacy was carried forward by his sons ; Raj Kapoor, Shammi Kapoor and Shashi Kpoor. Later on legacy was carried forward by his grandsons ; Randhir Kapoor, Rishi Kapoor and Rajeev Kapoor. Now fourth generation of Prithvi Raj Kapoor’s family is working in films. They are Kareena Kapoor and Ranbir Kapoor. Shashi Kapoor’s daughter manages Prithvi Theatre , made to commemorate  Prithvi Raj Kapoor’s memory.

Jillo Bai was seen as Madhubala’s mother in ” Mughal – E – Azam “ and as mother – in law of Nargis in ” Mother India “ .

Case of L. V. Prasad is more curious. He worked as an actor in first Hindi talkie ” ALAM ARA ” , first Tamil talkie ” KALIDAS ” and first Telugu talkie ” BHAKT PRAHLAD ” , all released in 1931. Later on he stablished a major production company named as Prasad Productions and made hits like ; ” SHARDA ” , ” CHHOTI BAHAN ” , ” BETI BETE ” , ” DADI MAA ” , ” MILAN ” , ” JEENE KI RAH ” , ” RAJA AUR RANK ” ,  ” KHILONA ” and ” EK DUJE KE LIYE ” .

It is sad that no print of the epic movie ” ALAM ARA “ is available today. This part of our history is lost for ever and no one is bothered . Ardeshir Irani’s path-breaking film is lost forever.

Ardeshir Irani, (1886 - 1969)

Ardeshir Irani, (1886 - 1969)

Ardeshir Irani died in 1969 , when I was studying in intermediate and Zubeida Begum Dhanrajgir a.k.a. Zubeida died in 1988, one year before I came to Mumbai to make a career in films.

Zubeida, a silent era actress in Indian Cinema...

Zubeida, a silent era actress

[ Synopsis of ” ALAM ARA “ is taken from Wikipedia. I have not seen the film , so for the story I have to rely on Wikipedia. I express my gratitude . ]

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Bhojpuri Cinema Down the Years


Ashok Kumar & Devika Rani : Achhut Kanya

As is known, ” Raja Harishchandra ” , the first Indian film was made in 1913. ” Alam Ara ” , the first Indian talkie was made in 1931. Films in other major Indian languages followed soon. But Bhojpuri, though a major dialect of Hindi belt of India , waited till 1961, almost 48 long years after the first Indian film. This in spite of the fact that almost all the major hits of early Indian Cinema had rural north Indian theme . Ashok Kumar and Devika Rani’s ” Achhut Kanya” is the most glaring example of this fact. It was released in 1936. Dilip Kumar‘s ” Ganga Jumna ” was made in Awadhi , a major dialect of Uttar Pradesh . It was released in 1960. Bhojpuri  Cinema had to wait for one more year, in spite of the fact that ” Ganga Jumna ” was a golden jubilee hit of its time. In the above mentioned films Ashok Kumar and Dilip Kumar played rural , rustic characters of Uttar Pradesh. Both the films were major hits. Ashok Kumar and Dilip Kumar were gigantic stars of their times , but in spite of this fact, there were no breakthrough in Bhojpuri films.

Dilip Kumar & Vyjayanti Mala :in First Awadhi Film - Ganga Jumna

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Screen image from Alam Ara 1931, the first Ind...

Image via Wikipedia - First Indian Talkie _ Alam Ara - 1931

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First Assamiya Talkie - Joymati - 1935

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Bhojpuri cinema history begins in 1961 with the well-received film ” Ganga Maiyya Tohe Piyari Chadhaibo ” , which was directed by Kundan Kumar.Asim Kumar and Kumkum were the stars of this super hit film. Its music was  provided by Chitragupt, was extremely popular. Lyrics were written by Shailendra and songs were sung by Lata Mangeshkar, Mohammad Rafi and Asha Bhonsale. Its hit music is remembered even today. Throughout the following decades, films were produced only in fits and starts. Films such as  ” Laagi Nahi Chhute Ram “, ” Bidesiya ” (1963, directed by S. N. Tripathi) , ” Loha Singh ” and ” Ganga  ” (1965, directed by Kundan Kumar) were profitable and popular, but in general Bhojpuri films were not commonly produced in the 1960s and 1970s. 

In the 1980s, enough Bhojpuri films were produced to tentatively make up an industry. Films such as ” Mai ” (1989, directed by Rajkumar Sharma) and ” Hamar Bhauji ” (1983, directed by Kalpataru) continued to have at least sporadic success at the box office. ” Nadiya Ke Paar ” is a 1982 Hindi-Bhojpuri blockbuster directed by Govind Moonis and starring Sachin, Sadhana Singh, Inder Thakur, Leela Mishra and Soni Rathod.The film ran houseful for years in a movie theatre in Allahabad. However, this trend faded out by the end of the decade, and by 1990, the nascent industry seemed to be completely finished 

Ravi Kissan

The industry took off again in 2001 with the “Silver Jubilee” hit ” Saiyyan Hamar ” ( directed by Mohan Prasad), which shot the hero of that film, Ravi Kissan, to superstardom.This success was quickly followed by several other remarkably successful films, including ” Panditji Batai Na Biyah Kab Hoi ” (2005, directed by Mohan Prasad) and ” Sasura Bada Paisa Wala ” (2005). In a measure of the Bhojpuri film industry‘s rise, both of these did much better business in the states of Uttar Pradesh and Bihar than mainstream Bollywood hits at the time, and both films, made on extremely tight budgets, earned back more than ten times their production costs. ” Sasura Bada Paisa Wala ” also introduced Manoj Tiwari, formerly a well-loved folk singer, to the wider audiences of Bhojpuri cinema. In 2010, he and Ravi Kissan are still the leading actors of Bhojpuri films, along with Nirahua and Pawan Singh.  The extremely rapid success of their films has led to dramatic increases in Bhojpuri cinema’s visibility, and the industry now supports an awards show and a trade magazine,  ” Bhojpuri City ” ,which chronicles the production and release of what are now over one hundred films per year. Many of the major stars of mainstream Bollywood cinema, including Amitabh Bachchan, have also recently worked in Bhojpuri films. Mithun Chakraborty’s Bhojpuri debut ” Bhole Shankar ” , released in 2008, is considered as the biggest Bhojpuri hit of all time.Also in 2008, a 21-minute diploma film Bhojpuri film by Siddharth Sinha, ” Udedh Bun ” was selected for world premiere at the Berlin International Film Festival,later it won the National Film Award for Best Short fiction Film.

Once upon a time writer-filmmaker Kamal Anand dubbed Namak Halal into Bhojpuri , after sitting on its copyright for eight years, as there was no market for films in that dialect. “But today the situation has changed.The new version is called ” Babua Khiladi Dadua Anadi ” with Amitabh as ‘Babua’. The film’s memorable songs such as Jawani Jaaneman, Raat Baki Baat Baki and Pag Ghungaroo Baandh Meera Nachi Thi have been peppered in Bhojpuri.The new cinema has attracted producers like Subhash Ghai, Rajshri, Nitin Manmohan and Tinu Verma. Actors Govinda, Juhi Chawla and Nagma are already taking lessons in the language. Even Columbia Tristar briefly toyed with the idea of getting one of its films dubbed.

Indian state of Uttar Pradesh

Image via Wikipedia

“It makes good business sense as these films sell in Bihar, UP, and parts of Punjab and Maharashtra,”says producer-director Ranjan Kumar Singh. Trade analyst Taran Adarsh agrees. “Most Bhojpuri films are made in small budgets, usually Rs 20-30 lakh, and they fetch Rs 1-2 crore.”Several of these films are grossing 10 times their production costs. A good film can even make a profit of Rs 10-12 crore.

Regions of Uttar Pradesh

Image via Wikipedia

A few years ago, this wasn’t the case. While Gujarati, Marathi and Punjabi films got their due at the box office, Bhojpuri films didn’t really recapture the supersuccess of the 1982 blockbuster ” Nadiya Ke Paar” , which starred Sachin and Sadhna Singh, and was made under the respectable banner of Rajshri Productions.

Twenty two years hence, the tide finally turned. In 2005, Manoj, a struggling singer, debuted in sex comedy ” Sasura Bada Paisewala.”  The film ran for more than 50 weeks in Varanasi and Kanpur in UP and for 25 weeks elsewhere. ” Sasura Bada Paisa Wala ” made with a modest budget of Rs 30 lakh, grossed a stupendous Rs 15 crore. Manoj’s other films such as ” Daroga Babu I Love You ” then went on to do a business of Rs 4 crore and ” Bandhan Tutey Na ” has already made Rs 3 crore..

The Bhojpuri Industry has learned to talk in crores and has budgeted Rs 1-1.25 crore for an action film ” Dharti Putra ” , also starring who else but Manoj. Industry sources say that Manoj has made the most of the prosperity. He was paid Rs 2 lakh earlier. Now he charges Rs 50 lakh a film. He admits that his films are raking in big money in UP and Bihar. ” Sasura Bada Paisa Wala ”   played to full houses in Bihar and had surpassed Hindi films in the region, except for Gadar, for now. Even Hindi heavyweights like ” Mangal Pandey, The Rising “, are said to have fallen behind ” Sasura Bada Paisa Wala ”  in Bihar and MP . Manoj is very busy these days.  ” Pyar Ke Bandhan ” , ” Dharti Kahey Pukar Ke ” with Ajay Devgan followed by a film with Jackie Shroff. ” Damadji ” ,  followed by Tinu Varma’s Dharti Putra.”Meanwhile Hindi filmsinger Udit Narayan, a Bihari, has debuted as a producer with ” Kab Hui Gauna Hamar.”  The film ran to packed theatres for two months in Punjab and Delhi and its success had encouraged Narayan to produce another film, to be shot in London. The film goes back 150 years and depicts the plight of Biharis in Mauritius..  

Distributors attribute the success to cleaner content. “Gone are double-meaning dialogues, lack of a coherent storyline and poor technical quality. The films are slicker, “says Manoj. Bhojpuri films are also heading to countries which have a Bhojpuri-speaking population such as Mauritius, Fiji, Surinam and Nepal.  We started selling ” Daroga Babu I Love You ” overseas and then  looked at possibilities for ” Sasura Bada Paisa Wala. The returns have taken film shootings out of grimy studios to exotic locations. ” Babul Pyare ” with Raj Babbar, Arun Govil, Ravi Kishan and Hrishita Bhatt completed a shooting spell in London . Kishan, who also starred in ” Saiyan Hamar” , says that Bhojpuri films have saved single-screen cinema halls in Bihar and UP, which would have otherwise been converted into malls.

New moral standards are guarding Bhojpuri films. In ” Firangi Dulhania ” , a story about a village boy from Bihar who goes to study in London and returns with a foreign bride, director Ranjan Kumar Singh, has got the exciting services of an Ukrainian actress, Tanya (what else..)

Actors

Diwakar PandeySujeet KumarManoj TiwariRavi KishanNazir HussainRakesh PandeyJai TilakDinesh Lal YadavBhushan Tiwari, Kunal, Ram Singh, Anand RaiJ.MohanVinod TiwariAsim KumarHari shuklaBrij KishoreVijai KhareKewal KrishnaLaliteshDinesh KaushikManoj VermaDevendra PodwalKiran Kumar, and JeevanSushil Singh,Vinod,Vinay, Brijesh Tripathi Laxman ChaturvediRajendra Karn, Mukesh Kumar Barnwal, Mrityunjay Sharma, Pawan singh, parbesh lal yadav, amit kumar yadav, Saagara Nageena Tripathy, Trinath

Actresses

NaazShweta Tiwari parul yadav

Producers

Bihar Films and Devi Padmavati FilmsKamasar Films

Directors

Nazir Hussain, Ranjeet singh , Kundan KumarRajkumar SharmaPrakash JhaSiddharth SinhaAbhishek ChhadhaAshok JainLalji Gupta, and Kalpataru.Ram Nath Rai,[Udaisenapati][Aslam Sheque][Raj Kumar]

Music directors

Vinay Bihari, Rajesh Rajneesh [Madhuker Anand]

Famous films

Main article: List of Bhojpuri Film

Ganga Maiyya Tohe Piyari Chadhaibo (1962)  • Laagi Nahi Chhute Ram (1963)  • Ganga (1965)  • Bidesiya (1963)  • Bhouji (1965)  • Loha Singh (1966)  • Dher Chalaki Jinkara (1971)  • Daku Rani Ganga (1976/II)  • Amar Suhagin (1978)  • Balam Pardesia(1979)  • Chanwa Ke Take Chakor (1981)  • Saiyan Magan Pahelwani Mein (1981)  • Saiyan Tore Karan (1981)  • Hamar Bhauji (1983)  • Chukti Bhar Senur (1983)  • Dulha Ganga Paar Ke (1986)  •  ;’Jug Jug Jiya More LalRoos Gailen Saiyen Hamaar(1988)  • • Ganga (2006)

Ganges River, Varanasi, Uttar Pradesh, India.

Image via Wikipedia

Bhojpuri cinema is also watched in many parts of the world, where Indian diasporahas settled, including BrazilFijiGuyanaMauritiusSouth AfricaSuriname, and Trinidad and Tobago. During the late 19th and early 20th centuries, many colonizers faced labor shortages due to the abolition of slavery; thus, they imported many Indians, many from Bhojpuri-speaking regions. Today, some 200 million people in the West IndiesOceania, and South America speak Bhojpuri as a native or second language[1] and they also watch Bhojpuri films.

 


 



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