My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Vidur’s Film Diary – March 2013


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MUMBAI – MAHARASHTRA – INDIA           APRIL  04, 2013          00.20 A.M.
Month of March 2013 will be remembered for the average run of films . In the beginning of the month onlySaheb Biwi Aur Gangster Returns ” got favourable response from the critics and the public . ” Mere Dad Ki Maruti ” and ” Jolly LLB “ had slow starts but picked up miraculously with positive word of mouth . ” Himmatwala “ came towards the end of the month and bombed miserably .
The first quarter of 2013 can boast of only 7 hits and average hit films . They are : ” Jolly LLB ” , ” Special 26 ” , ” ABCD ( Any Body Can Dance ) ” , ” Kai Po Che ” , ” Mere Dad Ki Maruti ” , ” Table No. 21 ” and ” Saheb Biwi Aur Gangster Returns ” .

Tweets

Tweets of eminent trade analysts Mr. Komal Nahta , Mr. Taran Adarsh and Ms. Bhawana Somaaya , which I re-tweet , present the current and authentic trend of film industry :
  1. JOLLY LLB has some entertainment but ltd. b.o. potential.Read my review on at http://komalsreviews.wordpress.com/2013/03/15/jolly-llb-review/ …

  2. #meredadkimaruti : what an entertainer!! Entire team deserves a huge hug. Poor start but WILL pick up…

  1. #IMeAurMain had a lacklustre weekend and maintained low figures on weekdays. Collected approx Rs 7.90 cr nett in Week 1.

  2. ‘The Attacks Of 26/11’ performed slightly better in pockets of Maharashtra and South India, but remained below the mark elsewhere.

  3. #KaiPoChe [revised] collected approx Rs 16.42 cr nett in Week 2. Grand total: approx Rs 45.52 cr nett.

    Update: #SahebBiwiAurGangsterReturns has tepid start in morning shows! http://www.bollywoodhungama.com/trade/update/id/313/date/2013-03-08 …

    1. #SahebBiwiAurGangsterReturns collected approx Rs 12.75 cr nett in its opening weekend. Breakup:- Fri 3.50 cr, Sat 4.25 cr, Sun 5 cr.

    2. #KaiPoChe collected approx Rs 4.15 cr nett in Weekend 3. Grand total: approx Rs 49.67 cr nett.

    3. #SahebBiwiAurGangsterReturns, #KaiPoChe Boxoffice report! http://www.bollywoodhungama.com/trade/top5/id/946 …

      1. ‘Saheb Biwi Aur Gangster Returns’ collects Rs 18.25 cr in Week 1 – the detailed report! http://www.bollywoodhungama.com/trade/top5/id/947/date/2013-03-15 …

#JollyLLB picked up substantially in evening/night shows across the nation. Collects *early estimates* Rs 3.12 cr on Friday.

h taran adarsh taran adarsh@taran_adarsh

  1. #JollyLLB witnesses 40%-50% jump at plexes on Saturday. Collects 4.23 cr on Sat. Total: Rs 7.35 cr.

    1. ‘Jolly LLB’ 19.52 cr, ‘MDKM’ 8.09 cr, ‘3G’ 5.82 cr – the detailed report! http://www.bollywoodhungama.com/trade/top5/id/949/date/2013-03-22 …

    2. #3G collected approx Rs 5.82 cr in Week 1. Fri 1.10 cr, Sat 1.12 cr, Sun 1.40 cr, Mon 66 lacs, Tue 61 lacs, Wed 52 lacs, Thu 41 lacs.

    3. #MereDadKiMaruti collected Rs 8.09 cr in Week 1. Fri 1.03 cr, Sat 1.51 cr, Sun 2.05 cr, Mon 89 lacs, Tue 91 lacs, Wed 90 lacs, Thu 80 lacs.

    4. #JollyLLB Collected approx Rs 19.52 cr in Week 1. Fri 3.12 cr, Sat 4.23 cr, Sun 5.16 cr, Mon 1.90 cr, Tue 1.83 cr, Wed 1.76 cr, Thu 1.52 cr.

      1. #Rangrezz movie review: Impressive first half, loses focus in post-interval portions. One definitely expected more! http://www.bollywoodhungama.com/moviemicro/criticreview/id/553635#.UUvyDQd6xDg.twitter …

      2. #Aatma movie review: Stands on a weak script. Besides, there are hardly any scares here. Disappointing! http://www.bollywoodhungama.com/moviemicro/criticreview/id/553290#.UUvwMTLL2iw.twitter …

  1. Saheb Biwi Gangster Returns Day 1 collections: 3.25 CR. Weekend collection: 11.5 CR. Full week collection: 17 CR. Budget of film: only 4 CR

  2. Jolly LLB Fri collection:2.35 CR.Sat collection:3.10 CR.Wk end collection: 5.45 CRMere Dad ki Maruti Fri 2.5 CR. Sat 4.0 CR. Sun 4.8 CR nett

  1. Finally Monday ka Mantra: Aatmaa Fri 1.5 cr Sat 1.6 cr Sun 1.9 cr. Total 9cr. Rangrezz fri 1 cr Sat 1.2 cr Sun 1.3 Total 3.5 cr.

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Obituary :

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B. M. Vyas  : 

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A veteran actor of mythological films and some social films , Shri B. M. Vyas died on March 11 , 2013 at the age of 93 .

Famous for his portrayal of Ravan in several mythological films , Vyas started his career with Chetan Anand’s ” Neecha Nagar “ but was noticed with Raj Kapoor’s ” Barsaat ”  in 1949 . He acted in over 300 mythological and social films including films like ” Baiju Bawra ” , ” Do Aankhen Barah Haath “ and ” Sarawasti Chandra ” . His last big film was Shah Rukh Khan starrer ” Oh Darling Yeh Hai India ” .

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New Hindi Film Releases & Me :

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First Week – March 01

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1 – I , Me Aur Main ……………………………………………………… John Abraham

……………………………………………………………………………….. Sameer Soni

……………………………………………………………………………….. Raghav Sachar

2 – Bloody Isshq ………………………………………………………… Daisy Shah

3 – The Attacks of 26/11 ……………………………………………… X

Second Week – March 08

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1 – Saheb , Biwi Aur Gangster Returns …………………………… Jimmy Sheirgill

………………………………………………………………………………. Soha Ali Khan

2 – Saare Jahaan Se Mehnga ………………………………………… X

Third Week – March 15

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1 -3G ……………………………………………………………………. Neil Nitin Mukesh

……………………………………………………………………………. Mrinalini Sharma

2 – Jolly LLB …………………………………………………………… X

3 – Mere Dad Ki Maruti ……………………………………………… X

Fourth Week  – March 22

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1 – Rangrezz …………………………………………………………… X

2 – Aatma ……………………………………………………………… Amita Pathak

3 – Sona Spa …………………………………………………………… X

4 – Zindagi 50-50 …………………………………………………… Riya Sen

…………………………………………………………………………… Aarya Babbar

Fifth Week – March 29

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1 – Himmatwala …………………………………………………….. Sajid Khan

 

In total …………… 13 …………….. films got released in March . Out of these ………….. 13 ………… released films ……….. 07 ………… films have …………… 12 ……………. persons , who are trained by me .

Out of these ……….12 ……… persons , Daisy Shah made guest appearance in ” Bloody Isshq ” . Raghav Sachar is the music director of ” I , Me Aur Main “ , Amita Pathak is the Ex. Co-Producer of ” Aatma “ and Sajid Khan is the director of  ” Himmatwala “ .

Remaining ………. 08 ………. are actors .

 

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New Regional Films & Me :

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1 – Telugu : Sayali Bhagat  is playing main lead in ” Blade Babji “.

2 – Telugu : Sayali Bhagat is playing lead in ” Inkosaari ” .

3 – Tamil : Sayali Bhagat is playing lead in ” Newtonin Moondram Vidhi ” .

4 – Bengali : Priyanshu Chatterjee is playing an important role in ” Shunya Awnko ” .

 

My ………….. 02 ………………. student in ……….. 04 ………….. regional film .

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TV Trivia & Me :

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1 – Sonali Bendre  is judging  ” India’s Best Dramebaaz “ on Zee TV .

2 – Vivek Oberoi  is judging ” India’s Best Draembaaz “ on Zee TV .

3 – Monica Bedi is playing an important role in ” Saraswatichandra “ on Star Plus .

4 – Resshmi Ghosh is playing an important role in ” Savitri “ on Life OK .

5 – Eijaz Khan is playing an important role in ” Shubh Vivah “ on Sony TV .

6 – Apurva Agnihotri is playing an important role in ” Aasman Se Aage “ on Life OK .

7 – Manav Gohil is doing ” Buddy Project “ on Channel V .

8 – Sandesh Gour is playing an important role in ” Sarawatichandra “ on Star Plus .

9 – Smita Pawar is playing an important role in ” Tujh Sang Preet Lagayi Sajna “ on Sahara One .

My ……………. 09 ……….. students in ………… 07 ……………. shows on different channels .

 

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Theatre & Me :

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1 – Adhir Bhat is playing one of the leads in  ” Gasha ” .

2 – Bhavna Pani is playing supporting role in ” So Many Socks ” .

3 – Veebha Anand is playing lead in ” Rishto Ka Live Telecast ” .

 

 My …………… 03 ………….. students in ………….. 03 …………. plays .

It was such a satisfying month for me as an acting trainer or acting tutor [ as my detractors call me ] . My 12 students appeared in 07 films , 09 students in 07  TV serials , 02 students in 04 regional films and 03 students appeared in 03 plays also . Thus total number of students working in the month of March comes to 25 . Self-proclaimed most famous acting school of Mumbai , self-annointed most famous acting institute of India and self-appointed most famous acting academy of bollywood will fail miserably on this count .

I congratulate all my above mentioned students on behalf of all the current students and staff of my acting institute  Vidur’s Kreating Charakters . May they shine in their chosen field . May , through their endeavour , our acting institute will one day become one of the most famous acting institutes of the world .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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B. M. Vyas Is No More


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MUMBAI – MAHARASHTRA – INDIA           MARCH 15 , 2013           00.50 A.M.

A veteran actor of mythological and some social Hindi films , Shri B. M. Vyas died on March 11 , 2013 at the age of 93 in Mumbai .

B. M. Vyas in His Younger Days

B. M. Vyas in His Younger Days

Famous for his portrayal of Ravan in several mythological films , Shri B. M. Vyas started his career with Chetan Anand’s Neecha Nagar but was noticed with Raj Kapoor’s ” Barsaat ”  in 1949 . He acted in over 300 mythological and social films including films like ” Baiju Bawra ” , ” Do Aankhen Barah Haath and ” Sarawasti Chandra ” . His last big film was Shah Rukh Khan starrerOh Darling Yeh Hai India ” .

As Ravan in " Sampoorn Ramayan "

As Ravan in ” Sampoorn Ramayan “

Some Famous Films of B. M. Vyas As An Actor

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There are some other famous films of Shri B. M. Vyas , which I would like to mention for the benefit of new generation :
Movies of B.M. Vyas
Aladdin Aur Jadui Chirag (1952)
Mahipal, Meena Kumari, B.M. Vyas, S.N. Tripathi, W.M. Khan, Jillo, Babu Raje, Azim, Raja Sandow P.K., Urmila, Vasantrao Pahelwan, Amarnath, M.K. Hasan, Bismillah, Dalpat
Watch Online
Alibaba And 40 Thieves (1966)
Sanjeev Kumar, L. Vijayalakshmi, Indira, Tabassum, B.M. Vyas, David, Veena, S.N. Tripathi
Watch Online
Alibaba and Forty Thieves (1954)
Mahipal, Sharda, B.M. Vyas, S.N. Tripathi, Dalpat, Maruti Rao, Azim, Lalita Kumari, Sardar Mansur
Watch Online
Amber (1952)
Raj Kapoor, Nargis, Agha, Bipin Gupta, Ramesh Sinha, Samson, S.B. Nayampalli, B.M. Vyas, Cuckoo, Tanuja
Watch Online
Awara (1951)
Prithviraj Kapoor, Raj Kapoor, Nargis, K.N. Singh, Shashi Kapoor, B.M. Vyas, Leela Mishra, Leela Chitnis, Om Prakash Mehra, Dewan Basheswarnath Kapoor, Helen
Watch Online
Baghavat (1982)
Dharmendra, Hema Malini, Reena Roy, Amjad Khan, Urmila Bhatt, Birbal, Padma Chavan, Viju Khote, Sujit Kumar, Manmauji, B.M. Vyas, Dinesh Thakur
Watch Online
Baiju Bawra (1952)
Meena Kumari, Bharat Bhushan, Bipin Gupta, B.M. Vyas, Surendra, Kuldip Kaur, Mishra, Kesari, Radhakrishan, Tabassum, Rai Mohan
Watch Online
Barsaat (1949)
Raj Kapoor, Nargis, K.N. Singh, Prem Nath, Cuckoo, Nimmi, B.M. Vyas, Ratan Gaurang, Vishwa Mehra
Watch Online
Bhagwan Samaye Sansar Mein (1976)
Ashish Kumar, Kanan Kaushal, Abhi Bhattacharya, B.M. Vyas, Jayshree T., Mohan Choti, Jeevan, Alankar Joshi, Lalita Kumari, Hansa Lokhande, Sunder, Chand Usmani
Watch Online
Char Dervesh (1964)
Feroz Khan, Sayeeda Khan, Kumari Naaz, Ratnamala, Jeevan Kala, Paul Sharma, B.M. Vyas, Mukri, Sunder, Amarnath, W.M. Khan, Pal Sharma, Sardar Mansur, Nazir Kashmiri, Dalpat
Watch Online
Do Ankhen Barah Haath (1957)
Rajaram Vankudre Shantaram, Sandhya, Ulhas, B.M. Vyas, Paul Sharma, S.K. Singh, Shankarrao Bhosle
Watch Online
Duniya Jhukti Hai (1960)
Sunil Dutt, Shyama, B.M. Vyas, Kumkum, Agha, Wasti, W.M. Khan, Habib, Daisy Irani
Watch Online
Ek Paheli (1971)
Sanjeev Kumar, Feroz Khan, Tanuja, Rajendra Nath, Madan Puri, Jeevan, Aruna Irani, Manohar Deepak, Bipin Gupta, Uma Khosla, B.M. Vyas, Tun Tun
Watch Online
Harishchandra Taramati (1963)
Prithviraj Kapoor, Jaymala, B.M. Vyas, Helen, Ulhas, Ramayan Tiwari, Babu Raje, P. Kailash, Babloo
Watch Online
Hatim Tai (1956)
Jairaj, Shakila, Meenaxi, Naina, Krishna Kumari, Kamal, Menaka, S.N. Tripathi, B.M. Vyas, Sheikh, Dalpat
Watch Online
Hum Panchhi Ek Daal Ke (1957)
Master Romi, Satish Vyas, Daisy Irani, Jagdeep, Mohan Choti, David Abraham, Murad, Maruti Rao, B.M. Vyas, Krishnakant, Achala Sachdev
Watch Online
Jahan Sati Wahan Bhagwan (1965)
Prithviraj, Anita Guha, Sulochana Chatterjee, Mahipal, Krishna Kumari, Mohan Choti, Madhumati, B.M. Vyas, Praveen Paul, Santosh Kumar
Watch Online
Jai Santoshi Maa (1975)
Anita Guha, Bharat Bhushan, Ashish Kumar, Kanan Kaushal, Trilok Kapoor, Rajni Bala, B.M. Vyas, Leela Mishra, Rajan Haksar, Moolchand
Watch Online
Janam Janam Ke Phere: Alias Sati Anapurna (1957)
Nirupa Roy, Manher Desai, B.M. Vyas, S.N. Tripathi, Satish Vyas, Kanta Kumari, Mahipal, Krishna Kumari, Champaklala
Watch Online
Lav-Kush (1967)
Ashim Kumar, Jayshree Gadkar, Babloo, Sushil Kumar, Kanu Roy, Munna, Bela Bose, S.N. Tripathi, Chitra, Dalpat, B.M. Vyas, Hari Shukla, Chandrima Bhaduri, Bhagwan Singh, R.C. Pandey
Watch Online
Maha Pawan Tirth Yatra (1975)
Ashish Kumar, Rajni Bala, Mahipal, Jeevan, Shashi Modak, B.M. Vyas, Anita Guha
Watch Online
Mangalsutra (1981)
Rekha, Anant Nag, Prema Narayan, Madan Puri, Om Shivpuri, B.M. Vyas, Rajendra Nath, Keshto Mukherjee, Asit Sen, Jagdeep
Watch Online
Maya Machhindra (1975)
Abhi Bhattacharya, Kanan Kaushal, B.M. Vyas, Jeevan
Watch Online
Murder In Circus (1971)
Nisar Ahmad Ansari, M.B. Shetty, Sujit, Jaymala, Bela Bose, B.M. Vyas, Sapru
Watch Online
Nag Panchami (1953)
Nirupa Roy, Manohar Desai, B.M. Vyas, Durga Khote, Tiwari
Watch Online
Oh Darling Yeh Hai India (1995)
Shah Rukh Khan, Deepa Sahi, Amrish Puri, Anupam Kher, Javed Jaffrey, Tinnu Anand, Tiku Talsania, Shri Vallabh Vyas, Sadashiv Amrapurkar, Tom Alter, Kader Khan, Shri Vallabh Vyas, Raza Murad, B.M. Vyas, Anil Nagrath, Ranjana Sharma, Ranjeet, Ravi Gossain
Watch Online
Patita (1953)
Dev Anand, Usha Kiran, Agha, Shivraj, Krishnakant, C.S. Dubey, Sonny Abraham, B.M. Vyas, Lalita Pawar
Watch Online
Puja Aur Payal (1980)
Sujit Kumar, Sonali, Madhumati, Ram Mohan, B.M. Vyas, Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Johnny Walker
Watch Online
Rani Rupmati (1957)
Bharat Bhushan, Nalini Chonkar, Ulhas, B.M. Vyas, Nirupa Roy, Babu Raje, Amarnath, Rajrani
Watch Online
Razia Sultan (1983)
Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Vijayendra, Ajit, Jankidas, B.M. Vyas, Mumtaz Begum, Shribhagwan, Heena Kausar, Anu Dhawan, Veena, Sohrab Modi, Sarika, Radha Saluja, Bijoya Jena, Madhu Malini, Gopi Krishna, Shahu Modak, Aarti Chopra
Watch Online
Sampoorna Ramayana (1961)
Mahipal, Anita Guha, Sulochana Latkar, Helen, Lalita Pawar, Achala Sachdev, Krishna Kumari, Raj Kumar, Uma Dutt, B.M. Vyas, Badri Prasad, Paul Sharma
Watch Online
Samrat Prithviraj Chauhan (1959)
Anita Guha, B.M. Vyas, Chand Usmani, Jairaj, Leela Mishra, Prem Adib, Sulochana, Ulhas
Watch Online
Sant Ravidas Ki Amar Kahani (1983)
Ashish Kumar, B.M. Vyas, Mahipal, Rajendra Nath, Tun Tun, Mohan Choti, Shekhar Purohit
Watch Online
Saranga (1960)
Sudesh Kumar, Jayshree Gadkar, Nilofar, B.M. Vyas, Niranjan Sharma, Jankidas, Sadiq, Parsuram, Jaya Devi
Watch Online
Saraswatichandra (1968)
Nutan Behl, Manish, Vijaya Choudhury, Ramesh Deo, Sulochana Latkar, B.M. Vyas, Seema Deo, Jeevan Kala, S.B. Nayampalli, Sulochana Chatterjee, Shivraj
Watch Online
Sati Naari (1965)
Anita Guha, Manohar Desai, Jeevan, Sunder, B.M. Vyas, Ulhas, Ram Singh
Watch Online
Sheikh Chilli (1956)
Shyama, Mahipal, Agha, B.M. Vyas, Bhagwan
Watch Online
Shravan Kumar (1960)
Anant Kumar, Achala Sachdev, B.M. Vyas, Nalini Chonkar, Sunder, Polson
Watch Online
Shree Ram Bharat Milan (1965)
Prithviraj Kapoor, Nirupa Roy, Mahipal, Anita Guha, Sulochana, B.M. Vyas, Niranjan Sharma, Vanamala, Shekhar Purohit, Aruna Irani
Watch Online
Solah Shukrawar (1977)
Rajni Bala, Indira Bansal, Abhi Bhattacharya, Bharat Bhushan, Bela Bose, Sushil Chak, Manek Chaudhary, Ramesh Deo, Ramesh Dubey, Manher Desai, Manik Dutt, Dilip Dutt, L.M. Ganu, Anita Guha, Tarun Ghosh, Anuradha Guha, Ashish Kumar, Meenakshi, Leelavathi, Polson, Prema Narayan, B.M. Vyas
Watch Online
Tarzan Aur Jadui Chirag (1966)
Azad Shaban, Sunita, B.M. Vyas, Dalpat, Tun Tun, Kesari, Sheikh, Shakeela Bano Bhopali, Jani Babu, Kammo
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Thief of Baghdad (1969)
Dara Singh, Nishi, Helen, B.M. Vyas, Mohan Sherry, Sheikh, Savita, Rani, Moolchand, Maruti, Ram Kumar, P. Kailash
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Toofan (1975)
Vikram, Priyadarshinee, Jeevan, Jagdeep, Roopesh Kumar, P. Jairaj, Trilok Kapoor, Sajjan, B.M. Vyas, Rajan Haksar, Urmila Bhatt, Praveen Paul, Meena T.
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Tumsa Nahin Dekha (1957)
Shammi Kapoor, Ameeta, Pran, Raj Mehra, B.M. Vyas, Sheela Vaz, Ram Avtar, Anjali Devi, M.B. Shetty, S.L. Puri
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Veer Babruwahan (1950)
Shashi Kapoor, S.N. Tripathi, Jankidas, B.M. Vyas
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Yeh Raat Phir Na Aaygi (1966)
Prithviraj Kapoor, Biswajeet, Sharmila Tagore, Sailesh Kumar, Mumtaz, Helen, Madhumati, B.M. Vyas, Asit Sen, Labiby Mady
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Zabak (1961)
Mahipal, Shyama, Krishna Kumari, Sahira, B.M. Vyas, Achala Sachdev, Manher Desai, Uma Dutt, Muzaffar Adeeb, W.M. Khan, Babu Raje
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I pay respect to Shri B. M. Vyas and pray to God to give him everlasting peace and solitude .

I must admit it was difficult to gather information about Shri Vyas . I rummaged through many websites and gathered information about him and his films . I wanted to put the information about his films and the posters of his films in my blog space so that students of my acting institute , Vidur’s Kreating Charakters  should know at least a little bit about him and his histrionics .

So called best acting schools of Mumbai are silent about him . Self – proclaimed famous acting institutes of India have no time for a veteran like B. M. Vyas . Upstarts of some acting classes of Bollywood are not bothered about this chapter of our film industry . They are busy abusing me on social net – working sites and blowing their own rotten , rickety trumpets .

I pay my respect and will always remember ” Sampoorn Ramayan “ , in which he played Ravan to the hilt . I saw the film during my childhood and loved his portrayal of Ravan .

[ I have taken information and trivia about his films from a website : http://www.fridaycinemas.com/MoviesByCelebrities.aspx?Cname=B.M.%20Vyas

I express my gratitude ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Sangdil ”


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 11 , 2012           11.50 P.M.

In the list of hit films of 1952 , Sangdil stands at the 7th position . I have already written about 5 films . They are ; ” Aan ” , ” Baiju Bawra ” , ” Jaal ” , ” Daag ” andAnhonee ” . I am unable to remember anything about ” Maa ” , the 6th hit film of 1952 . So I have to skip it . ” Sangdil “ stands at 7th .

This Dilip Kumar and Madhubala starrer was way ahead of its time .

” Sangdil ”  was directed by R. C. Talwar . The film is an adaptation of the Charlotte Brontë classic Jane Eyre. The film stars Dilip Kumar, Madhubala, Dara Singh and Leela Chitnis. This film is Dara Singh’s debut film .

This film has lyrics by Rajender Krishen . It’s music is by Sajjad Hussain.

Talat Mehmood‘s ” Ye Hawa Ye Raat Ye Chandni , Teri Ik Ada Pe Nisar Hai …………….. “ is still popular among the lovers of old Hindi film songs . ” Kahan Ho Kahan Ho Mere Jeevan Sahare , Tumhen Dil Pukare ……………….. “ is another gem by Talat Mehmood . During the earlier days of Dilip Kumar and before Mohammad Rafi became his regular voice , Talat Mehmood was his voice .

” Dharti Se Door , Gore Baadlon Ke Paar , Aaja Aaja Basalen Naya Sansaar …………….. “ is another gem by Asha Bhosle and Geeta Dutt . This movie also has a Lata Mangeshkar gem ” Wo To Chale Gaye Ae Dil …………………… ” .

Sangdil (1952 film)

Sangdil (1952 film) (Photo credit: Wikipedia)

Jane Eyre (1943 film)

Jane Eyre (1943 film) (Photo credit: Wikipedia)

After ” Aan ” and ” Daag ” , this film ” Sangdil “ was 3rd consecutive hit of Dilip Kumar in 1952 and thus riding on the wave of 3 super hit films , he reached the dizzying heights of super – stardom , which lasted almost 50 years . Dev Anand followed him with 2 hits in 1952 ; ” Jaal ” and ” Aandhiyan “ and Raj Kapoor also with 2 hits ; ” Anhonee ” and ” Bewafa  . It is not for nothing that this triumvirate of Dilip Kumar , Dev Anand and Raj Kapoor ruled the Hindi film industry for uninterrupted 50 years .

 

English: I took this picture when he paid a vi...

Dilip Kumar (Photo credit: Wikipedia)

 

 

English: Press conference by Prime Minister Ma...

Press conference by Prime Minister Manmohan Singh to announce the release of Dev Anand’s autobiography Romancing with Life (Photo credit: Wikipedia)

 

 

Remembering Raj Kapoor

Raj Kapoor (Photo credit: ramesh_lalwani)

 

 

English: Indian singer Lata Mangeshkar

Lata Mangeshkar (Photo credit: Wikipedia)

 

There is one more point for the common public and connoisseurs alike . Lata Mangeshkar is the sole common factor of all the hits and super hits of 1952 . Male and female stars changed . Directors also changed the seats . Music directors and lyricists got replaced . Male singers are not there in every film . But Lata Mangeshkar gave hit after hit in every film , for every heroine and for every music director .

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In my acting institute of Mumbai , I have decided to introduce my students to this fantastic world of Hindi films . They should know about the history – making films of India . It will be now a regular feature of the curriculum of Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Anhonee ”


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 10 , 2012           11.59 P.M.

In the series of hit films of 1952 , Raj Kapoor and Nargis starrer Anhonee is ranked 5th . After ” Aan ” , ” Baiju Bawra ” , ” Jaal ” and ” Daag ” , it was the 5th highest grosser of the year .

” Anhonee “ will always be remembered in the history of Hindi cinema for the fact that it was the first film where a female protagonist played double role . Nargis played the role of two sisters with elan and finesse which has become rare today . Khwaja Ahmad Abbas was the writer , producer and director of this film .

It had music by Roshan , who is incidentally Hritik Roshan‘s grandfather . Talat Mehmood‘s song  ” Main Dil Hoon Ik Armaan Bhara …………………… “ is still favourite of the connoisseurs . Talat Mehmood’s duet with Lata Mangeshkar ” Mere Dil Ki Dhadkan Kya Bole , Kya Bole , Main Jaanu Aur Tu Jaane …………… “ is also very melodious . Lata Mangeshkar’s mujra song ” Kaha Hai Unhonne Ye Raaz – E – Muhabbat , Kisi Se Na Kehna ……………………… “ and her duet with Rajkumari ” Zindagi Badli Mohabbat Ka Maza Aane Laga …………………. “ were also chart – busters .

Apart from the fact that Nargis played double role for the first time , this film will also be remembered that Talat Mehmood gave play back for Raj Kapoor . It is very rare .

” Anhonee “ name was again used for a Sajeev Kumar and Leena Chandawarkar starrer film in 1973 . It was directed by Ravi Tandon .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai and through my blogs .

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In future I resolve to make it a regular feature in Vidur’s Kreating Charakters  , my acting school in Mumbai .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Daag ”


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 09 , 2012           09.30 P.M.

Dilip Kumar’s Daag ” , which got him his first Filmfare Best Actor Award , was the 4th biggest grosser of 1952 . After ” Aan “ , it was the second hit of Dilip Kumar in 1952 . Dilip Kumar played an alcoholic youth , who is driven by self – destruction .

Daag (1952 film)

Daag (1952 film) (Photo credit: Wikipedia)

” Daag “ is totally different from other three hits of 1952 . ” Aan “ , ” Baiju Bawra ” and ” Jaal “ are the other three hits . This Dilip Kumar , Nimmi , Lalita Pawar and Usha Kiran starrer was produced and directed by Amiya Chakrabarty , who incidentally directed Dilip Kumar’s debut film ” Jwar Bhata ” [ 1944 ] . Kanhaiyalal and  Leela Mishra played another important roles . If my memory is not failing me , Ram Mohan played Dilip Kumar’s friend and perhaps ” Daag “ is his debut film .

Shankar – Jaikishan gave music for the film and its one song ” Ae Mere Dil Kahin Aur Chal , Gham Ki Duniya Se Dil Bhar Gaya ………………………… “ is still popular and hummed by general public and connoisseurs alike . It was written by Shailendra and it has many versions . Sad and playful versions were sung by Talat Mehmood and one version was sung by Lata Mangeshkar . ” Preet Ye Kaisi Bol Ri Duniya ………………………. “ sung by Lata Mangeshkar was another smash hit .

According to my memory , 2 other movies were made after ” Daag ” , using the same name . ” Daag – A Poem Of Love “ was produced and directed by Yash Chopra in 1973 . It was the first movie of Yash Raj Films . Another movie ” Daag : The Fire “ was directed by Raj Kanwar in 1999 .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai and through my blogs .

In future I resolve to make it a regular feature in Vidur’s Kreating Charakters  , my acting school in Mumbai .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Jaal ”


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 08 , 2012           11.40 P.M.

After Aan and Baiju Bawra , the third most successful film of 1952 was Dev Anand starrer Jaal ” . It was written and directed by legendary Guru Dutt . This was Guru Dutt‘s second movie, after Dev Anand‘s production Baazi ” . After Baazi, this was the second film in which Dev Anand also came through as a confident star/actor, with a style uniquely his own.

It has some memorable melodies by music maestro Sachin Dev Burman , a Dev Anand regular . Lata Mangeshkar‘s 2 songs ” Chori Chori Meri Gali Aana Hai Bura …………………….. ” , ” Pighla Hai Sona Door Gagan Par , Phail Rahe Hain Shaam Ke Saaye ……………………….. ”  are still very popular . Kishore Kumar and Geeta Dutt’s duet ” De Bhi Chuke Ham Dil Nazrana Dil Ka ……………………… “  is my eternal favourite . But Hemant Kumar‘s ” Ye Raat Ye Chandni Phir Kahan , Sun Ja Dil Ki Daastaan ………………… “ is immortal and perennial favourite with the connoisseurs of Hindi film songs . It has several versions . Sung by Hemant Kumar and Lata Mangeshkar separately , it has a duet version also by them .

Dev Anand. Guide.

Sachin Dev Burman

Sachin Dev Burman (Photo credit: Wikipedia)

English: Indian singer Lata Mangeshkar as a yo...

Lata Mangeshkar as a young woman (Photo credit: Wikipedia)

A typical crime thriller in Dev Anand style , ” Jaal “ was a far cry from swashbuckling  costume drama ” Aan “ and rustic , tender love story ” Baiju Bawra ” .World of Dev Anand was totally different from the world of Dilip Kumar and Bharat Bhushan . As I have written in my blog about ” Aan “ , I didn’t like the film when I watched it for the first time . But suave , debonaire , sweater clad and guitar strumming Dev Anand , playing a Christian character , became my instant favourite . Moon – kissed beach of Goa , Dev Anand’s immensely likable persona , Geeta Bali‘s vergin beauty and Lata Mangeshkar and Hemant Kumar’s etherial voice in  ” Ye Raat Ye Chandni Phir Kahan , Sun Ja Dil Ki Dastan ……………………….. “ had mesmerizing effect on my mind and the charm refuses to fade away even after 6 decades . Geeta Bali , again my favourite , was in full form in ” Jaal ” . Sachin Dev Burman’s musical genius was totally opposite of Naushad’s . Mohammad Rafi was as different from Hemant Kumar as North Pole is from South Pole . So the liking for ” Jaal “ , compared to ” Aan “ was much more . It is still one of my favourite films . Lata Mangeshkar is the only common link between all the three films and she was equally superb in all of them .

Apart from Dev Anand and Geeta Bali , it has K. N. Singh and Johny Walker also in the steller roles .

As I have stated in my previous blog , as an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai .

I strive to make it a regular feature in my acting school Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

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