Sadhana ji ……………. नैना बरसे रिमझिम-रिमझिम …………. !!


Sadhana - During Her Hey Days

Sadhana ji – During Her Hey Days

 

An Old & Feeble Sadhana - A Year Before Her Death

An Old & Feeble Sadhana ji – A Year Before Her Death

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 31, 2015           10.15 P.M.

 

On December 25th, 2015, when the world was celebrating Christmas, I read a news and suddenly all around me my world crumbled. I read that SADHANA ji bid adieu to this ephemeral world. My memories took me away from the metropolitan Mumbai of 2015 and ushered me into the dark, humid hall of Amarjyoti Talkies, Deoria. The year was 1965 and the film I went to watch was ” Waqt “, Yash Chopra directed 1st multi-starrer of India. Passing through the pan-strewn gate and boundary walls of Amarjyoti Talkies, I fought a valiant battle to get the ticket and entered the hall.

Film started and drama gripped the audience. As film progressed, SADHANA ji made entry and her entry was greeted with thunderous applause and whistles. In the film she lip-synced famous Asha Bhosle songs like ;

कौन आया कि निगाहों में चमक जाग उठी ……………………..

[ https://www.youtube.com/watch?v=90C7QT0cbOo ]

चेहरे पे ख़ुशी छा जाती है , आँखों में सुरूर आ जाता है ………………………

[ https://www.youtube.com/watch?v=7cQ_KiQLGNk ]

and

हम जब सिमट के आपकी बाँहों में आ गए …………………..

[ https://www.youtube.com/watch?v=ndFruvW688U ]

Her fringe hairstyle, tight Choodidar & Kurta and enchanting smile threw a spell over my adolescent mind. I still vividly remember my first screen encounter with SADHANA ji .

As Christmas 2015 night progressed, I remembered her other famous songs. Even after so many years, they are still mint fresh in my memory. They are ;

ओ सजना , बरखा बहार आयी – परख

अभी न जाओ छोड़कर , कि दिल अभी भरा नहीं – हम दोनों

याद में तेरी जाग – जाग के हम , रात भर करवटें बदलते हैं – मेरे महबूब

नैना बरसे रिमझिम-रिमझिम – वो कौन थी?

आजा आई बहार दिल है बेक़रार , ओ मेरे राजकुमार, तेरे बिन रहा न जाये – राजकुमार

अजी रूठ कर अब कहाँ जाइयेगा – आरज़ू

बेदर्दी बालमा तुझको मेरा मन याद करता है – आरज़ू

तू जहाँ जहाँ चलेगा , मेरा साया साथ होगा – मेरा साया

&

कौन आया कि निगाहों में चमक जाग उठी – वक़्त

चेहरे पे ख़ुशी छा जाती है , आँखों में सुरूर आ जाता है  – वक़्त

हम जब सिमट के आपकी बाँहों में आ गए – वक़्त

Death has snatched her away from me and my memories. But her spell will live with me forever. On the last day of 2015, as the world is busy celebrating advent of 2016, I am sitting in my study in Mumbai and writing this obituary and paying homage to one of the most beautiful actor of my time.

Sadhana Shivdasani

September 2, 1941 – December 25, 2015

Born in 1941, SADHANA ji migrated to India from Karachi during the post-partition riots. Her dad was influenced by cinema. In fact he had named his daughter Sadhana after the famous actress Sadhana Bose. [ Sadhona Bose was an Indian actress and a dancer. She acted in movies like Meenakshi, where she played the lead. A contemporary of Uday Shankar, in the 1930s she staged a number of ballets in Kolkata, including Bhookh on Bengal famine which was a pioneering work in presenting contemporary themes on stage. ]

Sadhana Shivdasani, better known mononymously as Sadhana, was one of the top actresses in the 1960s and the early-1970s. In 1955 she started her career and played a chorus girl in the song “Mud Mud Ke Na Dekh Mud Mud Ke” in Raj Kapoor‘s Shree 420.

When she was 15 years old, she was approached by some producers who had seen her act in a college play. They cast her in India’s first Sindhi language film titled Abaana (1958), where she played the role of Sheila Ramani‘s younger sister. Her remuneration was INR 1.00 , yes, One rupee only.

Sadhana - Before Her Famous Fringe Hair Style

Sadhana ji – Before Her Famous Fringe Hairstyle

A photograph of her publicizing the film appeared in a movie magazine Screen. It was then that Sashadhar Mukherjee, one of Hindi cinema’s producer, noticed her. She joined Mukherjee’s acting school along with her debutant co-star and S. Mukherjee’s son Joy Mukherjee . R. K. Nayyar, who had previously worked as assistant director on few films, directed this film. He also created her trademark look, called Sadhana cut, inspired from British actress Audrey Hepburn. The Filmalaya Production banner thus introduced Joy, Sadhana and her iconic hairstyle in their 1960 romantic film Love in Simla. The film was a hit at the box office and was listed in the top 10 films of 1960. Sadhana played the role of a simple, bespectacled girl who is transformed by her grandmother into a beautiful woman and encouraged to pursue the hero. In the film, Sadhana wins a beauty contest and is awarded a three-year film contract with Filmalaya, which was the case in real life too.

Sadhana - With Her Famous Fringe

Sadhana ji – With Her Famous Fringe

 

Sadhana - With Her Famous Fringe

Sadhana ji – With Her Famous Fringe

She, in a career spanning 39 years, appeared in 33 famous and hit films. These filma are ; Shree 420 [ 1955 ] , Abana [ 1958 ] , Love in Simla [ 1960 ] , Parakh [ 1960 ] , Hum Dono [ 1961 ] , Prem Patra [ 1962 ] , Man-Mauji [ 1962 ] ,  Ek Musafir Ek Hasina [ 1962 ] , Asli-Naqli [ 1962 ] , Mere Mehboob [ 1963 ] , Woh Kaun Thi?  [ 1964 ] , Rajkumar  [ 1964 ] , Picnic [ 1964 ] , Dulha Dulhan [ 1964 ] , Waqt [ 1965 ] , Arzoo [ 1965 ] , Mera Saaya [ 1966 ] , Gaban [ 1966 ] , Budtameez [ 1966 ] , Anita [ 1967 ] , Sachaai [ 1969 ] , Intaquam [ 1969 ] , Ek Phool Do Mali [ 1969 ] , Ishq Par Zor Nahin [ 1970 ] , Aap Aye Bahaar Ayee [ 1971 ] , Dil Daulat Duniya [ 1972 ] , Geeta Mera Naam [ 1972 ] , Hum Sab Chor Hain [ 1973 ] , Chhote Sarkar [ 1974 ] , Vandana [ 1974 ] , Amaanat [ 1977 ] , Mehfil [ 1981 ]  & Ulfat Ki Nayee Manzeelein [ 1994 ]

Picnic [ 1964 ] was not released and Mehfil [ 1981 ]  & Ulfat Ki Nayee Manzeelein [ 1994 ] got delayed releases.

In 1966, she married R K Nayyar, director of her first film Love in Simla . SADHANA ji had health issues due to her thyroid, and after the release of Anita [ 1967 ] ,  she got treated in Boston. After returning from the USA, she starred in the successful movies like ;  Sachaai [ 1969 ],  Intaquam (1969), Ek Phool Do Mali (1969), Aap Aye Bahaar Ayee (1971), Dil Daulat Duniya (1972) and Geeta Mera Naam (1974).

In Intaquam she played the role of a revengeful woman, who allures the son of her own boss who cheated her to be put behind the bars for a crime she did not commit.

In 1974 her directorial venture Geeta Mera Naam released. Produced by her husband, the film had herself playing the lead actress along with Sunil Dutt and Feroz Khan .

8

 

Waqt_1965_film_poster

9

She also became famous as Mystery Girl with her three suspense thriller films namely Woh Kaun Thi? (1964), Mera Saaya (1966) and Anita (1967), all directed by Raj Khosla.

7

10

220px-Anita_1967

Sadhana ji was nominated for the Filmfare Award for Best Actress for films Woh Kaun Thi? and Waqt in 1965 and 1966 respectively.

11

After release of  Geeta Mera Naam [ 1972 ] , her career virtually ended. Though she did 6 more films like; Hum Sab Chor Hain [ 1973 ] , Chhote Sarkar [ 1974 ] , Vandana [ 1974 ] , Amaanat [ 1977 ] , Mehfil [ 1981 ]  & Ulfat Ki Nayee Manzeelein [ 1994 ] but due to her failing health the charishma was missing.

Sadhana - Then & Before End

Sadhana ji – Young & Old

 

Sadhana - Then & Before End

Sadhana ji – Young & Old

 

During her last days, she had a beautiful relationship with 3 heroines of yesteryear. She had company of Nanda ji, Waheeda Rehman ji and Helen ji. I am a fan of all the 4 above mentioned Divas of Hindi film industry. It is sad that 2 are now gone. And the remaining 2 are old and feeble. When I saw the below posted photograph, I remembered a song of Waheeda ji’s film ” काग़ज़ के फूल ” .

वक़्त ने किया , क्या हसीं सितम , हम रहे न हम , तुम रहे न तुम ,

बेक़रार दिल इस तरह मिले , जिस तरह कभी हम जुदा न थे ,

हम भी खो गए , तुम भी खो गए , राह  पर इसी , चल के दो क़दम ,

वक़्त ने किया , क्या हसीं सितम ……………….

From Left to Right : Nanda, Waheeda Rehman, Helen & Sadhana

From Left to Right : Nanda ji, Waheeda Rehman ji, Helen ji & Sadhana ji

 

Sadhana ji - The Last Journey

Sadhana ji – The Last Journey

But this is life…………… It marches ahead………………… With our dear ones………………… and even without our dear ones…………………

It will only stop when our own journey is completed.

So let it be.

Good bye Sadhana ji ! We shall surely meet in another world. Praying for your eternal peace and salvation !!

img_8024

[ Name of films, few facts of Sadhana ji’s life and information about Sadhona Bose’s life and career has been taken from Wikipedia and is quoted in this blog. I express profound gratitude. ]

 

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On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I pay my homage to the departed soul.

 

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

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Aah Shammi Kapoor ……….” Tum Sa Nahi Dekha ” !!


Shammi Kapoor
MUMBAI – MAHARASHTRA – INDIA          NOVEMBER 16 , 2011          08.15 P.M.

When I got the news of Shammi Kapoor‘s sad demise on August 14 , 2011 at the age of 79 , flood of memories engulfed me and inundated me completely . Though , initially , I was not a huge fan of Shammi Kapoor , but later on , as I watched his films and understood his importance in Hindi films , I succumbed to his charm completely.

That golden era  of Hindi films belonged to film industry’s towering triumvirate ; Dilip Kumar , Dev Anand and Raj Kapoor . Like other youngsters of my age , I was very much enamoured by the trio . So naturally for me , Shammi Kapoor was nowhere in the picture . While in school and college , I was intrigued by the fact that whenever any new film of Shammi Kapoor used to hit the cinema halls, class – rooms wore deserted look and seeing the empty class , our irritated teachers used to say few nasty words for Shammi Kapoor because majority of the boys had no quam in bunking the class for the first day , first show of a Shammi Kapoor film . I got intrigued and decided to uncover the persona and unravel the mystique of Shammi Kapoor , the dancing star , the rebel star . I started watching his films and to my amazement , realized that Hindi Cinema doesn’t belong to the above mentioned triumvirate alone but it consists of the quartet ; Dilip Kumar , Dev Anand , Raj Kapoor and Shammi Kapoor . Without these four one cannot even think of Hindi cinema .

I took this picture when he paid a visit last ...

Dilip Kumar

With Dev Anand in His Office

With Dev Anand in His Office

In those days of my asinine childhood and carefree adolescence , Dilip Kumar symbolized romance and pain of the Nehru era , while Raj Kapoor was the face of Nehruvian socialism . Dev Anand represented urbane and educated youth of this nascent nation . Shammi Kapoor was unique because he gave face and voice to the aspirations of the emerging middle class youth . His first hit ” Tum Sa Nahin Dekha “ came in 1957 . It was the year of second general election also . First general election was held in 1952 .  So after testing democracy for five years , youth of India were bubbling with enthusiasm and ” I don’t give a damn ” kind of attitude . Their aspirations , their liking for good clothes and better life – style was palpable and Shammi Kapoor Saheb represented these feelings to the fullest . And naturally he became icon of the liberated youth of the nascent , new and emerging democratic India .It is not for nothing that he is called Rebel Star and Dancing Star of Hindi films .

So obviously , when I heard the news of his demise , an era ended for me . One more chapter of my growing years was lost completely .  I wanted to write the obituary  immediately but I thought that best moment to pay my last respect would be on the occasion of the release of his last film ” Rockstar “ . Ranbir Kapoor starrer ” Rockstar “ got released on November 11 , 2011 and it created history . It became legendary Shammi Kapoor‘s last film. It signals the end of one of the most glorious chapters of Hindi Cinema . It brings curtain down on the memories of legendary Shammi Kapoor . One more icon of my childhood left the world finally and ” Rockstar “  is the cruel reminder of that fact . The journey , which started with ” Jeevan Jyoti ” [ 1953] , ended with ” Rockstar ” [ 2011 ] . It is 58 years long , gigantic and glorious reel journey .

Shammi Kapoor in Teesri Manzil

Shammi Kapoor in Teesri Manzil

Shamsher Raj Kapoor , better known as Shammi Kapoor started his career with ” Jeeva Jyoti ”  [ 1953 ] , a film directed by Mahesh Kaul , who incidentally , years later gave break to Hema Malini inSapno Ka Saudagar ”  , who incidentally was his last romantic lead in ” Andaz ” [ 1971 ]. Chand Usmani was Shammi Kapoor’s first heroine in ” Jeevan Jyoti ” .

” Rail Ka Dibba ” [ 1953 ] , ” Laila Majnu ” [ 1953 ] , ” Shama Parwana ” [ 1954 ]  ,  ” Chor Bazar ” [ 1954 ] , ” Miss Coca Cola ” [ 1955 ] , ” Daku ” [ 1955 ] , ” Mem Sahib ” [ 1956 ] , ” Rangeen Ratein ” [ 1956 ] , ” Mirza Sahiban ” [ 1957 ] , ” Mujrim ” [ 1958 ]  and ” Char Dil Char Rahen ” [ 1959 ]  “ came in quick succession and most of them bombed miserably .

Teesri Manzil

Shammi Kapoor in Teesri Manzil

Very few hits and 18 flops later, Shammi Kapoor became a major star with ” Tumsa Nahi Dekha ” [ 1957 ] , ” Dil Deka Dekho ” [ 1958 ] and ” Ujala ” [ 1959 ] . After this there were blitzkrieg of hugely successful films like ; “College Girl ” [1960 ] , ” Singapore ” [ 1960 ] , ” Boyfriend ” [ 1960 ] , ” Junglee ” [ 1961 ] , ” Dil Tera Diwana ” [ 1962 ] , ” Professor ” [ 1962 ] , ” China Town ” [ 1962 ] , ” Bluff Master ” [ 1963 ] , ” Rajkumar ” [ 1963 ] , ” Kashmir Ki Kali ” [ 1964 ] , ” Janwar ” [ 1965 ] , ” Teesri Manzil ” [ 1966 ] , ” Budtameez ” [ 1966 ] , ” An Evening In Paris ” [ 1967 ] , ” Laat Saheb ” [ 1967 ] , ” Brahmchari ” [ 1968 ] , ” Prince ” [ 1968 ]  , ” Tum Se Accha Kaun Hai ” [ 1969 ] , ” Sachchai ” [ 1969 ] , ” Pagla Kahin Ka ” [ 1970 ] , ” Andaz ” [ 1971 ] , ” Jawan Mohabbat ” [ 1971 ] , and ” Jaane Anjane ” [ 1971 ] . After last mentioned film , he stopped playing romantic lead .

Shammi Kapoor in Kashmir Ki Kaali

Shammi Kapoor in Kashmir Ki Kaali

There after he started playing character roles and created some major milestones as well , ” Zameer ” [ 1974 ] , ” Manoranjan ” [ 1974 ] , ” Bundal Baaz ” [ 1976 ] , ” Parvarish ” [ 1977 ] , ” Shalimar “[ 1978 ] , ” Meera “[ 1989 ] , ” Rocky “[ 1981 ] , “Naseeb “[ 1981 ] , “Prem Rog “[ 1981 ] , ” Vishaata “[ 1982 ] , “Desh Premi “[ 1982 ] , “Hero “[ 1982 ] , ” Betab “[ 1983 ] and finally ” Rockstar “[ 2011 ] .


Among the above mentioned films ; ” Manoranjan ” [ 1974 ] and ” Bundal Baaz ” [ 1976 ] were his directorial ventures .

I consider myself fortunate that of the quartet of Dilip Kumar , Dev Anand , Raj Kapoor and Shammi Kapoor , I Could meet all the three barring Raj Kapoor . In early 90s I had written a serial ” Mitti Ke Diye “ and along with my director , went to Shammi Kapoor Saheb‘s Malabar Hills apartment to narrate the story to him . We reached his Blue Heaven apartment in the morning and were ushered into his room . He was working on his computer . He greeted us warmly , told us to sit down and ordered tea for us .I narrated the story in trembling voice and to my utter shock and dismay he liked the story and agreed to work in the serial immediately .

The serial was not made because of my bad luck . But I still remember his towering personality , his booming voice and benign smile . He made me feel important , though he had achieved gigantic successes and I was a struggling nonentity . After some years I again bumped into him at the marriage reception of grand – daughter of legendary singer Mukesh . After that I could not meet or see him . I followed him on twitter , though . And then came the news of his illness and the death .

I feel blessed to meet you sir . I imbibed your spirit , your love and zest for life . I got your blessings and I know that it will guide me in the slippery world of film industry . Farewell sir ! I will definitely meet you in heaven to learn cinema from you . Till then , rest in peace sir !

There shall never , ever be another Shammi Kapoor .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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