Lal Krishna Advani & Dilip Kumar


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MUMBAI – MAHARASHTRA – INDIA           SEPTEMBER 19 , 2013           11 . 10 P.M.

I wanted to write this blog a week back , when Shri Narendra Modi was anointed as the Prime Ministerial candidate of Bharatiya Janata Party . But I was busy writing an article on Mahamana Madan Mohan Malaviya for a Kenyan magazine , which is published from Nairobi , capital of Kenya . Yesterday I mailed that article to Shri Ram Chandra Pandey , Pracharak of Hindu Swayamsevak Sangh , Kenya . Today , as I am relatively free , I am sitting in my study and writing this blog .

I am a fan of Dilip Kumar . My veneration for him knows no limit . In his career spanning 54 years [ when he was working and was active ] , he has done only 59 films [ including Guest appearances ] . Out of his 59 released films , I have seen 45 . I have seen many of his films several times . Ironically I have not seen his first film Jwaar Bhata ” [ 1944 ] and his last film ” Quila ” [ 1998 ] .

Let us have a look on his career and achievements . He was nominated 18 times for the Filmfare Awards , and won it 8  times . He was awarded Padma Bhushan in 1991 , Dadasaheb Phalke Award in 1994 and was a nominated member of Rajya Sabha also for one term . In 1998 he got Nishan – E – Imtiaz from the government of Pakistan .

His towering and gigantic personality hovered over my horizon from Ganga Jumna ” [ 1961 ] , which I watched in 1967 , till today , when he is recuperating in the ICU of Lilavati hospital .

Thus from 1967 to 2013 , it is a 46 – year – long association full of reverence , veneration and respect . It refuses to ebb .

English: I took this picture when he paid a vi...

Dilip Kumar in MouthShut.com office in 2006 (Photo credit: Wikipedia)

But Dilip Kumar’s benign and all-pervading shadow on my life was disturbed and somewhat eclipsed with the advent of Amitabh Bachchan in 1969 . From Saat Hindustani ” [ 1969 ] to ” Satyagraha ” [ 2013 ] , he has acted in 186 films [ including Guest appearances & Voice overs ] . And out of 186 , I have watched 120 films . ” Anand ” [ 1971 ] was the first film of Amitabh Bachchan , which I watched . Ironically I have not watched his first film ” Saat Hindustani ” [ 1969 ]  and his latest ” Satyagraha ” [ 2013 ] . An uncanny coincidence of my life , which happened in the case of Dilip Kumar also .

The Amitabh Bachchan juggernaut , in real sense of the term , started with ” Zanjeer ” [ 1973 ] . One year later Dilip Kumar came with a critically acclaimed but flop ” Sagina ” [ 1974 ] .

Two years after ” Zanjeer ” [ 1973 ] , Amitabh Bachchan gave two iconic super hits , ” Deewar ” and ” Sholay ” [ 1975 ] . Again one year later Dilip Kumar came with triple role in a much – delayed and moderate hit  ” Bairaag ” [ 1976 ] .

After hiatus of 5 years , Dilip Kumar started his second innings with hugely successful ” Kranti ” [ 1981 ] . But same year Amitabh Bachchan gave 3 super – hits ” Lawaaris ” , ” Yaraana ” and ” Kaalia ” [ 1981 ] and hugely likable ” Silsila ” [ 1981 ] .

They both , a year later , came together in critically acclaimed , highly likable but a box office dud ” Shakti ” [ 1982 ] .

Dilip Kumar last came in ” Quila ” [ 1998 ] and 2 years later Amitabh Bachchan started his second innings  with hugely successful ” Mohabbatein ” [ 2000 ] . And the juggernaut , which started with ” Zanjeer ” [ 1973 ] still continues unabated in 2013 also .

Thus from  ” Anand ” [ 1971 ] to ” Satyagraha ” [ 2013 ] , it is a 42 – year – long association of me with Amitabh Bachchan also .

Let us have a peek in the other achievements of Amitabh Bachchan . He briefly dabbled in politics and was member of the 8th Lok Sabha . He got Padma Shri in 1984 and Padma Bhushan in 2001. His achievements in the film world are no less spectacular compared to Dilip Kumar . He has got 3 National Awards and unbelievable 39 Filmfare nominations in several categories , though Dilip Kumar holds the record of winning 8 Filmfare trophies .

But I must admit with all honesty that despite his unprecedented and unbelievable accomplishments , acceptance of Amitabh Bachchan was not easy for me . Though I watched his films with much admiration and appreciation , and as stated earlier , I have watched 120 films of Amitabh Bachchan but my hero , my idol was always Dilip Kumar .

Amitabh Bachchan

Amitabh Bachchan at IFFA Award 2006 (Photo credit: Wikipedia)

And I think being a fan and admirer of Dilip Kumar does not mean that I don’t accept Amitabh Bachchan’s persona or demean it . They both hovered on my horizon . They both influenced me immensely . I am a fan of both of them but it is also a fact that Dilip Kumar reigns supreme and stands few notches higher .

Coincidently photographs of Dilip Kumar and Amitabh Bachchan , which I have posted here , were clicked in 2006 .

English: cropped photograph of L K Advani with...

L K Advani outside his residence. (Photo credit: Wikipedia)

Same is the case with Shri Lal Krishna Advani . I first heard of him in 1967 when I was in High School . 1967 is the same year when I came to know about Dilip Kumar through his film , a golden jubilee hit ” Ganga Jumna ” . So in an uncanny way my association with Dilip Kumar and Advani ji started in the same year , 1967 .

Advani ji became my political hero during my school , college and university days . I came to know Dilip Kumar when Amitabh Bachchan was yet to make his debut . In the same way when I started admiring Lal Krishna Advani , Shri Narendra Modi was yet to make his debut in politics .

Shri Narendra Modi , just like Amitabh Bachchan , has spectacular achievements to his credit . Shri Narendra Modi , just like Amitabh Bachchan , is hugely popular . Shri Narendra Modi , just like Amitabh Bachchan , is continuing with his unstoppable juggernaut . Shri Narendra Modi , just like Amitabh Bachchan , is the current idol and is liked by the cadre immensely .

English: Narendra Modi in Press Conference

Narendra Modi in Press Conference (Photo credit: Wikipedia)

But as I have said earlier , in my heart Dilip Kumar still reigns supreme . And being a fan of Dilip Kumar is in no way an insult to Amitabh Bachchan . Admiring Dilip Kumar is in no way derogatory to Amitabh Bachchan . In the same way my political hero is Shri Lal Krishna Advani . And being a Lal Krishna Advani admirer is in no way an insult to Shri Narendra Modi .

It is just a question of whom you grow with . Your hero of growing years is going to be your hero till your last breath .

Shri Narendra Modi , just like Amitabh Bachchan , is the current favourite . But it doesn’t mean that Dilip Kumar and Lal Krishna Advani have no relevance or have no achievements to their credit . I like Shri Narendra Modi and Amitabh Bachchan for their achievements , but I idolize Dilip Kumar and Lal Krishna Advani for their glorious innings and immense contribution in their respective fields .

I again assert that being an admirer of Advani ji does not make me an automatic hater of Modi ji . Persons like me who have admired Advani ji all their life , can’t accept a new icon in one night . It is going to be a slow and difficult process . This was the case with Amitabh Bachchan also . But gradually Amitabh Bachchan’s all-pervading shadow inundated me completely . Slowly and eventually same will definitely happen with Modi ji also . But till then Advani ji is my political hero as Dilip Kumar is my screen idol .

FULL EDITNG STUDIO

NEWS LETTER

I told this story to all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  . Today I am expressing it for the followers of my blog and general public , who visit my blog space .

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Jagdish Raj ; Final Transfer of The Cop


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 13 , 2013           09.10 P.M.

 

Jagdish Raj - The Quintessential Cop

Jagdish Raj – The Quintessential Cop

Jagdish Raj Khurana

1928 – 28 July 2013

Jagdish Raj , the permanent and quintessential cop of Hindi films , passed away on July 28, 2013 at his Juhu residence following respiratory ailment. He was 85.

He was born in 1928 in the town of Sargodha, now in Pakistan. His daughter Anita Raj was also a Bollywood actress.

Jagdish Raj - World's Most Typecast Actor

Jagdish Raj – World’s Most Typecast Actor

Jagdish Raj - The Quintessential Cop & Occasional Bad Man

Jagdish Raj – The Quintessential Cop & Occasional Bad Man

Jagdish Raj - The Quintessential Cop & Occasional Good Man

Jagdish Raj – The Quintessential Cop & Occasional Good Man

Though Jagdish Raj occasionally played a villain and a couple of times essayed the role of a judge, he was best known for being cast a record 144 times as a police officer.

He holds a Guinness World Record record for being the most type-cast actor. He played  police inspector in 144 films.

Filmography :

=================

Funtoosh  (1954 ) , Kala Bazaar  (1960)  , Hum Dono  (1961)  , Nanak Naam Jahaz Hai  (1969) , Johny Mera Naam  (1970) , Gambler  (1971) , Do Chor  (1972) , Ek Mahal Ho Sapno Ka  (1975) , Deewar  (1975) , Aaina  (1977) , Immaan Dharam  (1977) , Paapi  (1977) , Dream Girl  (1977) , Ram Kasam  (1978) , Besharam  (1978) , Magroor  (1979) , Suhaag  (1979) , Silsila  (1981) , Deedar-E-Yaar (1982) , Sawaal  (1982) , Gopichand Jasoos  (1982) , Dil-E-Nadan (1982) , Agnee Pareeksha  (1982) , Dulha Bikta Hai  (1982) , Mazdoor (1983) , Hum Se Na Jeeta Koi  (1983) , Jeene Nahin Doonga  (1984) , Raj Tilak  (1984) , Mehak  (1985) , Ram Tere Kitne Naam  (1985) , Salma  (1985) , Zulm Ka Badla  (1985) , Ram teri ganga maili  (1985) , Mera Karam Mera Dharam  (1987) , Aag Hi Aag  (1988) , Paap Ka Anth  (1989) , Aasman Se Ooncha  (1989) , Khule Aam  (1992) , Apradhi  (1992) and Deedar  (1992)

Young Jagdish Raj

Young Jagdish Raj

I have seen many films of Jagdish Raj . But I first noticed him in a commercial campaign . It was for CHARMINAR Cigarette . He was playing a press photographer in that campaign and his tag line is still ringing in my mind – ” MEHNAT JAB KARTA HOON , TO TASALLI POORI CHAHTA HOON . ”

I can still describe the scene of his ad for a discerning connoisseur of films . With a camera on his shoulder and sweat on his face , he was running on the roads of Bombay [ now Mumbai ] and clicking photos . He stops at a signal , lights a cigarette and says , ” MEHNAT JAB KARTA HOON , TO TASALLI POORI CHAHTA HOON . ” His sweat-filled face is still fresh in my memory .

I , later on , came to know that he is Jagdish Raj . Gradually I saw many of his films and became acquainted with his body of work .

It sad that he is gone . Though he played his innings well and completed his journey satisfactorily but departure of a known figure of our films is sad .

FULL EDITNG STUDIO

NEWS LETTER

On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my condolences to the bereaved family . My heart goes to Anita Raj .

Anita Raj

Anita Raj

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre also join in expressing profound grief .

May his soul rest in peace !

[ I have taken list of his films from Wikipedia . I express my gratitude . ]

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Dulari Ji Is Gone; Unwept, Unheard , Unsung !


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MUMBAI – MAHARASHTRA – INDIA           MAY 09 , 2013           06.45 P.M.
Dulari In Her Twilight Years

Dulari In Her Twilight Years

On Monday morning I was shocked to read the news of death of Dulari , a veteran yesteryear Hindi film actor . It is so heart-wrenching that she died in January 2013 and the news came in May 2013 , in Monday’s Times of India . If a popular actor dies and the news comes out a full four months later , it shows the callousness of our film industry . How come no one tried to contact her ? How come no one ever called her to say hi ? How come no one inquired about her health and well-being ? I must admit , our film industry is full of cussed , cruel and selfish people .
Today as I am writing this blog , I suddenly remember these lines , which was filmed on her in ” Devdas ” , a Bimal Roy classic .
साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

She left this ephemeral , painful world for her eternal journey . She joined her lover , the God , and became one with him .

A Young Dulari

A Young Dulari

Hindi cinema had many famous and powerful mother figures . Durga Khote , Lalita Pawar , Leela Chitnis , Kamini Kaushal , Achala Sachdev and Sulochna are some of the most famous mothers of Hindi cinema . In recent history Nirupa Roy became an ultimate mother figure . Dulari, though not as famous as her other illustrious peers , was also a popular mother figure of Hindi films .

Dulari - The Poorman's Mother

Dulari – The Poorman’s Mother

She started as a heroine in a couple of films . Immortal hits like  ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ , both from ” Shehnai ” [ 1947 ] were filmed on her .

Dulari

I first noticed her in Bimal Roy’s ” Devdas “ [ 1955 ] . Two songs , written by Sahir Ludhianvi and tuned by Sachin Dev Burman , were filmed on her . ” Aan Milo Aan Milo Shyam Sanware ” and ” Sajan Ki Ho Gayi Gori “ are connoisseurs delight even today .  She played a Vaishnavi Saint with Nana Palsikar as her screen companion . A young Paro , played by Baby Naaz , was sitting on a branch of a mango tree and was remembering Devdas , while Nana Palsikar sang the song and danced . Dulari was just sitting calmly and singing the female version sung by Geeta Dutt . Her calm and serene face remained in my memory . In the same film , years later , when Paro grew older [ played by etherial Suchitra Sen ] , she was again sitting and remembering Devdas . Again same Vaishnav saints came and started singing . Now the song was ” Sajan Ki Ho Gayi Gori ” . I am unable to forget these scenes , these two songs , melancholic face of Paro , played by Baby Naaz and Suchitra Sen respectively and of course Nana Palsikar and Dulari .

Then , years later I watched ” Padosan ” [ 1968 ] and ” Gopi ” [ 1973 ] . In both the films she played the maternal aunt of lead actors ; Sunil Dutt and Dilip Kumar . Memory of her earlier starrers ” Shehnai ” [ 1947 ] , and ” Devdas ” [ 1955 ] once again became fresh in my mind . It is not that I have seen only above mentioned 4 films . I have seen innumerable films of her . But these 4 remain in my memory .

Dulari as Mother Figure

Dulari as Mother Figure

A Kanyakubj Brahman from the Awadh region of Uttar Pradesh , she was born and brought up in Maharashtra . She spent her childhood in Nagpur , where she was born on 18th April 1928. Her name was Ambika but she was nick-named Rajdulari and later on only Dulari remained and the world knew her as Dulari .

Dulari ji’s first film was ‘Bombay Talkies’s’ famous movie ” Jhoola ”  [ 1941 ] with Ashok Kumar . Later on she played Jairaj’s younger sister in a Bombay Talkies film Hamari Baat’ . She was also seen as the second lead in  ‘Amar Pictures’ film ‘Adaab Arz’ where her leading man was the famous singer Mukesh . Both the films were made in 1944 .
shayar

Later on she played small roles in films like ” Ghar ” [ 1945 ] , ” Kulkalank ”  [ 1945 ] , ‘Ahinsa’, ‘Black Market’, ‘Namak’, ‘Pati Sewa’, ‘Rangeen Kahani’ [ all 1947 ] . But Dulari got her real due with ‘Filmistan’s super hit film ” Shehnai ” [ 1947 ] . She played Rehana’s elder sister in the movie and her leading man was Mehmood’s father Mumtaz Ali . As I mentioned earlier two immortal songs were picturized on her in this film . ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ .

After ” Shehnai “ she did films like ” Gunsundari ” , ” Mitti Ke Khilone ” , ” Naav’ ” [ all 1948 ] , ” Nanad Bhaujai ” , ” Shayar ”  [ both 1949 ] , ” Apni Chhaya ” , ” Man Ka Meet ”  [ both 1950 ] , ” Albela ”  [ 1951 ], ” Anjaam ” , ” Bhoole Bhatke ” and ” Veer Arjun ”  [ all 1952 ] .
Paapi
Dulari was seen in an important role in the movie ” Paapi ” [ 1953 ] . In this Ranjeet Movietone film Raj Kapoor played his career’s only double role. Nargis and Dulari played his two heroines .  After it she worked in Jeewan Jyoti ” [ 1953 ] , ” Devdas ”  [ 1955 ] , ” Zindagi Ke Mele ”  [ 1956 ] , ” Ek Gaon Ki Kahani ” , ” Johny Walker ” ,  ” Paying Guest ”  [ all 1957 ] ,  ” Kavi Kalidas ”  and ” Santaan ” [ 1959 ] .
Devdas (1955 film)

Devdas (1955 film) (Photo credit: Wikipedia)

JPKSHH

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Padosan

After 1959 , after two years hiatus , she started her second innings from 1961 and for the next 35 years, Dulari played many big and small roles in almost 135 films like ‘Jab Pyar Kisi Se Hota Hai’, ‘Mujhe Jeene Do’, ‘Apne Hue Paraye’, ‘Aap Aaye bahaar Aai’, ‘Aaye Din Bahaar Ke’, Anupama’, ‘Teesri Kasam’, ‘Padosan’, ‘Aradhna’, ‘Aaya Sawan Jhoom Ke’, ‘Chiraagh’, ‘Inteqaam’, ‘Aan Milo Sajna’, ‘Heer Ranjha’, ‘Johny Mera Naam’, ‘Caravan’, ‘Laal Patthar’, ‘Beimaan’, ‘Seeta Aur Geeta’, ‘Raja Rani’, ‘Ameer Gareeb’, ‘Haath Ki Safai’, ‘Deewar’, ‘Do Jasoos’, ‘Aahuti’, ‘Ganga Ki Saugandh’, ‘Biwi O Biwi’, ‘Naseeb’, ‘Prem Rog’, ‘Agar Tum Na Hote and ‘Dharmadhikari’. And then one day she quietly retired from the world of movies.

Later on she did only two films . ” Surya ” [ 1989 ] and ” Ziddi ” [ 1997 ] . Ziddi directed by Guddu Dhanoa is her last film . Thus from ” Jhoola ”  [ 1941 ] to ” Ziddi ” [ 1997 ] , her career span was 56 years .

After a career spanning 56 years and after 171 hindi, 35 Gujarati, 3 Marathi and 1 Rajasthani film , she left Mumbai and went to live with her daughter in Indore . She also acted in a ‘Shri Adhikari Brothers’ serial called ‘Waqt Ki Raftaar’ .

During her final years Dulari ji was suffering from Alzheimer and was admitted to ICU in a hospital in PUNE in the last week of December ’12 where at the age of 85 she breathed her last on 18th January 2013 around 10 a.m. She was cremated on 19th January 2013 in the noon in Pune.

…………………………………………………………………………………
Few links of songs filmed on Dulari :
1 – aana meri jaan sunday ke sunday /shehnai/1947
2 – jawani ki rail chali jaaye/shehnai/1947
3 – aan milo aan milo shyam sanware/devdas/1955
4 – sajan ki ho gai gori/devdas/1955
5 – madhav bin saara brij soona/sautela bhai/1962
 …………………………………………………………………………………

I offer my condolences on behalf myself and on behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters . May God give eternal peace to Dulari Ji and strength to her daughter and other near and dear ones to bear this loss .

I can visualize a frail ,  85-year-old , lonely lady suffering from Alzheimer , sitting without a friend or companion in an old age home with blank eyes and waiting for some elusive loving one . Long windy nights of winter , dull and dusty days of summer and wet , pouring and dreary evenings of  rainy season must have come and gone  without any trace of succour . It is painful , very painful . Finally , only death could relieve her from her pain .

साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

Rest in peace Dulari ji ! A tearful farewell from an ardent fan . I am happy that you left this cruel , selfish , cussed world . May , in next life , you get everything that you have ever desired for you .

[ While writing this blog , I have taken few facts and materials from the article ” Aan Milo Aan Milo Shyam Sanware’-Dulari ” , written by Shri Shishir Krishna Sharma for his ‘Sahara Samay’ column ‘kya bhooloon kya yaad karoon’ . I am indebted . ]

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Yash Chopra : ” Waqt ” Stopped ; ” Silsila ” Snapped


English: Yash Chopra at Suzanne Roshan's The C...

Yash Chopra at Suzanne Roshan’s The Charcoal Project Launch (Photo credit: Wikipedia)

MUMBAI – MAHARASHTRA – INDIA           OCTOBER 23, 2012           11.59 P.M.

Yash Chopra , the eternal romantic died on October 21 , 2012 . He was 80 years young at the time of his death .

On Sunday night , I was sitting in my study and was writing blog about Karan Johar’s  film ” Student Of The Year “ , I suddenly checked my twitter handle and was shocked beyond words . There were spate of tweets about the demise of legendary film maker Yash Raj Chopra .

Within moments several posters of his films , many scenes of his all – time classics rushed to the firmament of my memory lane . Though unaware of his greatness then , first Yash Chopra film , which I watched was ” Waqt ” [ 1965 ] . I watched it in Amarjyoti Talkies , Deoria . During my years in Allahabad , I watched many of his films and became aware of his greatness . This ” Silsila ” [ 1981 ] continued till Veer Zaara ” [ 2004 ] .

Waqt (1965 film)

Waqt (1965 film) (Photo credit: Wikipedia)

Kaala Patthar

Kaala Patthar (Photo credit: Wikipedia)

Silsila (film)

Silsila (film) (Photo credit: Wikipedia)

Dil To Pagal Hai

Dil To Pagal Hai (Photo credit: Wikipedia)

Cover of

Cover via Amazon

I have nothing new to say about Yash Chopra . Everything is there in news papers . What I would like to say is , I had honour and privilege to meet Yash ji , as he is fondly called, several times .

Mohabbatein

Mohabbatein (Photo credit: Wikipedia)

I was called by Aditya Chopra to train 6 new – comers of  ” Mohabbatein ” [ 2000 ] . One day when I finished class with Jimmy Sheirgill , Uday Chopra , Jugal Hansraj , Shamita Shetty , Preeti Jhangiani and Kim Sharma and came out of the room , I saw Yash ji sitting there in the outer room . I rushed to greet him . He fondly shook hand with me and said , ” I am hearing great things about you .” I was overwhelmed . ” Mohabbatein “ was my first big film . And Yash Raj Films was my first big banner , I was sure that after the release of this film I would be able to come out of my obscurity . And here was a legend complimenting me about my training , I felt ecstatic .

It was not a compliment by some wannabe . It was from The Legend himself . To understand my feelings and elated state after Yash ji’s compliment just look at his credentials .

FILMS AS DIRECTOR :

” Dhool Ka Phool ” [ 1959 ] , ” Dharmputra ” [ 1961 ] , ” Waqt ” [ 1965 ] , ” Aadmi Aur Insaan ” [ 1969 ] , ” Ittefaq ” [ 1969 ] , ” Daag ” [ 1973 ] , ” Joshila ” [ 1973 ] , ” Deewar ” [ 1975 ] , ” Kabhi Kabhie ” [ 1976 ] , ” Trishul ” [ 1978 ] , ” Kaala Patthar ” [ 1989 ] , ” Silsila “[ 1981 ] , ” Mashaal ” [ 1984 ] , ” Faasle ” [ 1985 ] , ” Vijay ” [ 1988 ] , ” Chandni ” [ 1989 ] , ” Lamhe ” [ 1991 ] , ” Parampara ” [ 1992 ] , ” Darr ” [ 1993 ] , ” Dil To Pagal Hai ” [ 1997 ] , ” Veer – Zaara ” [ 2004 ] and ” Jab Tak Hai Jaan ” [ 2012 ] .

FILMFARE AWARDS :

1965 , Filmfare Best Director Award , ” Waqt “

1969 , Filmfare Best Director Award , ” Ittefaq “

1973 , Filmfare Best Director Award , ” Daag “

1975 , Filmfare Best Director Award , ” Deewar “

1991 , Filmfare Best Movie Award , ” Lamhe “

1975 , Filmfare Best Movie Award , ” Dilwale Dulhania Le Jayenge “

1997 , Filmfare Best Movie Award , ” Dil To Pagal Hai “

2004 , Filmfare Best Movie Award , ” Veer – Zaara “

2006 , Filmfare Power Award

2007 , Filmfare Power Award

2008 , Filmfare Power Award

NATIONAL FILM AWARDS :

1998 , Best Popular Film Providing Wholesome Entertainment , ” Dil To Pagal Hai “

2005 , Best Popular Film Providing Wholesome Entertainment , ” Veer – Zaara “

AWARDS & HONOURS :

2001 , Dadasaheb Phalke Award

2005 , Padma Bhushan

2008 , Officier de la Legion d’Honneur

FILMS AS PRODUCER :

When I was working with Uday Chopra as his private tutor , I used to go to Yash ji’s iconic bungalow in Juhu . I bumped into him several times . He was always gracious , always kind . Though he was a legend and I was not even a spec in the scheme of universe .

Once , years later , I went to meet Uday Chopra at Yash Raj Studio . I came out of his office after meeting him and approached the lift . Yash ji was standing there . Door of lift opened . Yash ji went in . I hesitated to enter and was standing still in front of the door . To my utter surprise Yash ji told me to come in . I went in and was almost numb that I am standing so close to him . I am sharing the space with him . Any other person of his stature would have ignored a non – entity like me . But Yash ji , in spite of being a legend , was kind enough to gesture me to come in . I will never forget that moment .

I am honoured that I got an opportunity to work with his banner . It was an experience to remember . Today as I am writing this blog , I remember several fond memories of the legend , who was so kind , ever smiling and always benevolent .

Apart from Mr. Dev Anand , Mr. Yash Raj Chopra is the most important factor in my life . He , along with Aditya Chopra and Uday Chopra , helped an obscure Acting Trainer and thus made me what I am today .Vidur’s Kreating Charakters ,  as an Acting Institute and Acting Trainer Vidur , as a person owe their existence to Yash ji and his Yash Raj Films .

Thank you sir ! I will always be grateful to you because you never made me feel small in your presence . I always got love from you , though I deserved none . You were always condescending , though I was not worthy of anything . You were always kind , though I was just a pigmy in front of a titan like you .

Rest in peace sir !

[ List of his films have been taken from Wikipedia . I express my gratitude . ]

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70 Years of Mr. Amitabh Bachchan


MUMBAI – MAHARASHTRA – INDIA           OCTOBER 14 , 2012           00.45 A.M.

Amitabh Bachchan turned 70 on October 11 , 2012 . I am following the news since 2 / 3 days and it seems to be a never-ending saga . On that day almost all the luminaries attended his birthday bash at Film City , Mumbai . It became a national , rather international news .

English: Amitabh Bachchan

Amitabh Bachchan (Photo credit: Wikipedia)

As I have stated in my earlier blog , which I wrote when he completed 40 years in the Hindi Film Industry , I was not his fan initially. But gradually when I grew and when I started understanding cinema , I started appreciating his work more .

I must admit here that I am yet to watch ” Saat Hindustani ” [ 1969 ] , his first film . His first film , which I watched was ” Anand ” [ 1971 ] . A Dilip Kumar fan , who was getting used to Rajesh Khanna , any liking for Amitabh Bachchan was not possible . Though I must admit here that he was very good in that film . Then I watched ” Reshma Aur Shera ” [ 1971 ] . He was definitely very good in that film also . But the era belonged to Rajesh Khanna .

Then I watched ” Ek Nazar ” [ 1972 ] . Sitting in a cinema hall of Allahabad , Uttar Pradesh , I was not impressed or mesmerized by his persona on the screen . I vividly remember some adverse or inimical comments made by public . I was startled because I was watching the film in Allahabad and it being his home town , I was expecting some favourable cheering . But he was being booed . ” Bansi Birju ” [ 1972 ] was another debacle . ” Raste Ka Patthar ” [ 1972 ] , ” Bombay To Goa ” [ 1972 ] and ” Bandhe Haath ” [ 1973 ] couldn’t make matter easier for Mr. Bachchan .

Though things started getting changed in 1973 . ” Zanjeer ” [ 1973 ] got released and things changed for Mr. Bachchan . ” Namak Haraam ” [ 1973 ] fortified his position . From 1973 onwards Rajesh Khanna’s historical debacle started and stupendous ascendency of Mr. Amitabh Bachchan began . ” Deewar ” [1975 ] and ” Sholay ” [ 1975 ] came in quick succession and juggernaut of Amitabh Bachchan became unstoppable . So from ” Zanjeer ” [1973 ] to ” Paa ” [ 2009 ] and ” Department ” [ 2012 ] , it was and it is Amitabh Bachchan tsunami .

After ” Khuda Gawah ” [ 1992 ] he took sabbatical . It was self – imposed semi retirement . He did few film after 5 years but old spark was missing . He again got his lost empire back with ” Mohabbatein ” [ 2000 ] and from 2000 to 2012 he is again numero uno .

2000 is very important year for him because apart from ” Mohabbatein “ , he decided to host ” Kaun Banega Crorepati “ on television . And after that he never looked back till today.

I have tried to chronicle his journey as an actor because he almost forced me to like and appreciate him . I am a self-confessed Dilip Kumar fan . Later on I started liking Ashok Kumar , Dev Anand and Shammi Kapoor . My liking and appreciation for Amitabh Bachchan was slow . But now it is complete . Ashok Kumar , Dev Anand and Shammi Kapoor are gone . Dilip Kumar doesn’t work anymore . ” Qila ” [ 1998 ] was his last appearance on screen . So naturally Amitabh Bachchan is the only icon , only actor of relevance available .

As Acting Trainer of Mumbai , I need to give example to my students and films of Amitabh Bachchan are my reference point . Almost all the Acting Trainers of India give reference from his films . All the Acting Schools of Mumbai or Bollywood Acting Schools have his photos prominently placed in their premises .

I am lucky that I have chance to bump into him several times . I first saw him at the music release function of  K. C. Bokadia’s film ” Pyar Zindagi Hai ” [ 2001 ] . It starred my students Vikas Kalantri and Ashima Bhalla . This film is also noted because it was K. C. Bokadia’s 50th film . Mr. Bachchan came for the music release function at The Club and I got chance to see him .

I admire him as a man , as an actor and as a public figure . I have got inspired by him and started dabbling in internet . He also inspired me to write blog . So in a way , this blog is my tribute to him .

Wish you a very long life Mr. Bachchan !

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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In Memoriam Rajesh Khanna : Zindagi Kaisi Hai Paheli , Hai!


MUMBAI – MAHARASHTRA – INDIA           JULY 24 , 2012           01.15 A.M.

Dara Singh died on July 12 , 2012 . Within a week another luminary of the Hindi film industry bid adieu to this world . Rajesh Khanna died on July 18 , 2012 .

In Glass Casket

In Glass Casket

Akshay Kumar with the Dead Body In Glass Casket

Akshay Kumar with the Dead Body In Glass Casket

Let me state honestly . I am not his fan . In fact I was never ever a fan or admirer of Rajesh Khanna , the actor or the man . Though I have watched many of his films . I do admire some of his cult films . I definitely remember and hummed many of his iconic songs . I am very much aware of his stupendous super stardom , which , once upon a time , engulfed the film industry like a hurricane or tornado or tsunami . I am witness to those years when every star  was dwarfed in front of him . I am well aware of  those momentous days when everyone or everything became insignificant in his presence . His blitzkrieg darkened all the other objects . His tumultuous rise momentarily eclipsed all the other stars and consigned some of the mightiest stars into the trash bin of history . I am witness to those days . I was living in that era . I am privy to those happenings . In 1972 I was here in Bombay [ now Mumbai ] . I have seen the crowd in front of his bungalow Aashirwaad . I have witnessed the fan adulation . But still , I was not his fan or admirer .

But I was saddened beyond words when I heard the news of his demise . My wife , again not his fan , cried profusely when she watched his funeral procession . So the question arises , what happened to us ? Why we felt for Rajesh Khanna so deeply ? Is it not enigmatic ? Is it not ironical ? No , it is not . Just watch these pictures posted below and notice the horrific changes in his personality down the years and you will fully understand the reason of our empathy .

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From a dashing , charming young superstar to a pale shadow of his own self , these photos tell us a very tragic and pathetic story . For present day generation of movie – goers , his popularity during his heydays is unknown and unimaginable . I am presenting some of the milestones of his life’s journey one by one .

Aakhri Khat

Aakhri Khat (Photo credit: Wikipedia)

1966 : Made debut with ” Aakhri Khat ” .

1967 : Made his mark with ” Raaz ” .

1969 : Attained Super stardom with ” Aaradhana ”

1969 : ” Bandhan ”

1969 : ” Do Raste ”

1969 : ” Doli ”

1969 : ” Khamoshi ”

1969 : ” Ittefaq ”

[ 6 super hits in 1969 ]

1970 : ” Aan Milo Sajna

1970 : ” Safar ”

1970 : ” Kati Patang ”

1970 : ” The Train ”

1970 : ” Sachcha Jhootha ”

[ 5 super hits in 1970 ]

1971 : ” Anand ”

1971 : ” Haathi Mere Saathi

1971 : ” Dushman ”

1971 : ” Mehboob Ki Mehndi

[ 4 super hits in 1971 ]

1972 : ” Amar Prem ”

1972 : ” Apna Desh ”

[ 2 super hits in 1972 ]

Within 3 years of making his debut , he attained unimaginable , unheard of and unprecedented super stardom in 1969 with ” Aradhana “ and gave 15 consecutive super hits till 1972 , a record still unbroken . ” Daag ” [ 1973 ] and  ” Namak Haraam ” [ 1973 ] were also big hits . But 1973 was a watershed moment in his career . He was eclipsed by Amitabh Bachchan in ” Namak Haraam “ . Amitabh Bachchan’s career defining film ” Zanjeer “ also came in 1973 . And thus began the well – known downward slide of mighty Super Star Rajesh Khanna .

Alarmed by his waning popularity , he married much younger Dimple Kapadia and made headlines temporarily.

Though in 1974 he gave 2 super hits like ;Aap Ki Kasamand ” Roti “ but the slide was visible and evident . The era now clearly belonged to Amitabh Bachchan , who once played second fiddle to him in super hit , iconic cult films like ; ” Anand ” and ” Namak Haraam ” .

Poster of Anand

Poster of Anand

Poster of Namak Haraam

Poster of Namak Haraam

Poster of these two films can give you Amitabh Bachchan’s position in the industry in those days vis-a-vis Rajesh Khanna . But alas , the cruel hands of fate had started writing some unknown and inglorious chapters of his life with indelible ink .

In 1975 Amitabh Bachchan gave ” Deewar ” and ” Sholay ” . Rajesh Khanna’s mentor and lucky mascot Shakti Samanta made ” Mehbooba ” [ 1975 ] . ” Deewar ” and ” Sholay “ were super hits and became ageless cult classics . While ” Mehbooba “ was a resounding flop and sealed Rajesh Khanna’s fate finally. After 8 years gap and some insignificant films in between , in 1983 , he again came with 2 mega hits like ; ” Avatar ” and ” Soutan “ but the magic was missing . Even these massive hits could not salvage his lost position in the industry . His turbulent career affected his personal life also . In 1984 came the tragic separation from Dimple Kapadia .

From 1983 [ his last hits ] to 2012 [ his death ] ,  29 years of his eventless , colourless career and lonely personal life proved fatal for him . It is regrettable and cruel irony that a c-grade movie ” Wafaa ” [ 2010 ] is his last film .

In between he dabbled in TV also . In total he worked in 4 TV serials . ” Apne Paraye [ B4U TV – 2001 ] , ” Ittefaq ” [ Zee TV – 2002 ] , ” Bhabhima ” [ 2008 ] andRaghukul Reet Sada Chali Aayi ” [ DD 1 – 2008 ] . But none could touch the popularity of Amitabh Bachchan’s ” Kaun Banega Crorepati ” [ Star Plus – 2000] .

It is a well-known secret that the title superstar was coined for him by his publicists ; Devyani Chaubal and K. Razdan . But the mass hysteria which he generated in those days and that too without the help of internet , twitter and facebook , is unimaginable , unfathomable and still unattainable . It is regrettable that his stardom or superstardom lasted just for 4 years . 15 successive super hits in a row and then 7 consecutive super flops in a row defines Rajesh Khanna’s strange film career . Compare his 4 year tenure with other stars :

DEV ANAND : 65 Years [ 1946 Hum Ek Hain – 2011 Chargesheet ]

ASHOK KUMAR : 61 Years [ 1936 Jeevan Naiya – 1997 Aankhon Me Tum Ho ]

DILIP KUMAR : 54 Years [ 1944 Jwar Bhata – 1998 Qila ]

AMITABH BACHCHAN : 40 Years [ 1973 Zanjeer – 2012 Bol Bachchan ]

Stars of this generation SHAH RUKH KHAN , SALMAN KHAN and AAMIR KHAN are reigning kings even after almost 20 years . HRITIK ROSHAN has 12 years of stardom behind him . Even DARA SINGH survived for 45 years [ 1962 King Kong – 2007 Jab We Met ] . But alas ! Rajesh Khanna vanished from the stardom and was banished from the film industry just after 4 years . Though he did 165 films and played solo lead in 107 films but was forgotten by the masses and ignored by the friends and the same film industry , which once said , ” Upar aaqa ; neeche Kaka .”

It is sad . It is heart – wrenching . People say many things about him . I , myself know many stories about him , which are said to be the cause of his downfall . But I don’t want to write those stories after his death . After all he was human and to err is human . Just re – think about some facts of his life . He debuted when he was 24 . He attained superstardom when he was 27 and lost his empire when he was just 31 . After that , till his death , it was 38 year – long wait for regaining his lost empire . It was 38 year – long wait for The Knock at his door by any producer or director . It was 38 year – long wait for the crowd to assemble again at his doorstep . It was 38 year – long wait for the same mass – hysteria , same mass adulation which was once his right and he thought it was his birth right  .

Mass hysteria , mass adulation did happen again but alas , it happened only after his death . See these pictures of his funeral procession and then watch the  crowd in front of his bungalow Aashirwaad and you will be able to feel the irony of fate . I wish , this attention should have happened a year before ……….. or a week before ……… or even a day before ………… he would have died a happy and contented man . But strange are the ways of destiny.

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

I agree , he did make some mistakes . He did err like a human and for that mistake , for that error destiny punished him with all its might , with all its ferocity , with all its lethal cruelty . He , for his mistakes , never got same benevolence by destiny , which others easily got for their sins . Fate was condescending to others , not to him .

He was like quintessential Greek tragic hero . You can only feel sorry for him . You can empathise with him . And you could hum his memorable song …. zindagi kaisi hai paheli , hai ; kabhi ye hasaye , kabhi ye rulaye ……. Ek din sapno ka rahi , chala jaye sapno se aage kahan ………..

Phenomenon , known as Rajesh Khanna , regained some of his glory once again but alas , only after his death . He had gone forever and had gone even beyond his dreams .

As I finish my blog , I feel , I must express my admiration and gratitude to his son in  law Akshay Kumar and his long – time friend Anju Mahendru , who took every care to give him comfort during his last days . Though it seems futile , but still , it was because of them that a befitting funeral could be arranged for this forgotten phenomenon , fallen Super Star and a lonely icon , who once ruled supreme . Thank you Mr. Akshay Kumar , thank you Madam Anju Mahendru , I bow my head in gratitude ! May God bless you two !

My heart also goes for Rinke Khanna , my student , who was very close and was very much attached to her father .

If I could feel so much without being his fan or admirer , then you can imagine the pain and pathos of his fans and near and dear ones .

Rest In Peace Sir ! Destiny was cruel to you . Better luck in next life .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

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