My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt



MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.


My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT


In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.


Vidur Acting Institute Logo


On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!





Lal Krishna Advani & Dilip Kumar


MUMBAI – MAHARASHTRA – INDIA           SEPTEMBER 19 , 2013           11 . 10 P.M.

I wanted to write this blog a week back , when Shri Narendra Modi was anointed as the Prime Ministerial candidate of Bharatiya Janata Party . But I was busy writing an article on Mahamana Madan Mohan Malaviya for a Kenyan magazine , which is published from Nairobi , capital of Kenya . Yesterday I mailed that article to Shri Ram Chandra Pandey , Pracharak of Hindu Swayamsevak Sangh , Kenya . Today , as I am relatively free , I am sitting in my study and writing this blog .

I am a fan of Dilip Kumar . My veneration for him knows no limit . In his career spanning 54 years [ when he was working and was active ] , he has done only 59 films [ including Guest appearances ] . Out of his 59 released films , I have seen 45 . I have seen many of his films several times . Ironically I have not seen his first film Jwaar Bhata ” [ 1944 ] and his last film ” Quila ” [ 1998 ] .

Let us have a look on his career and achievements . He was nominated 18 times for the Filmfare Awards , and won it 8  times . He was awarded Padma Bhushan in 1991 , Dadasaheb Phalke Award in 1994 and was a nominated member of Rajya Sabha also for one term . In 1998 he got Nishan – E – Imtiaz from the government of Pakistan .

His towering and gigantic personality hovered over my horizon from Ganga Jumna ” [ 1961 ] , which I watched in 1967 , till today , when he is recuperating in the ICU of Lilavati hospital .

Thus from 1967 to 2013 , it is a 46 – year – long association full of reverence , veneration and respect . It refuses to ebb .

English: I took this picture when he paid a vi...

Dilip Kumar in office in 2006 (Photo credit: Wikipedia)

But Dilip Kumar’s benign and all-pervading shadow on my life was disturbed and somewhat eclipsed with the advent of Amitabh Bachchan in 1969 . From Saat Hindustani ” [ 1969 ] to ” Satyagraha ” [ 2013 ] , he has acted in 186 films [ including Guest appearances & Voice overs ] . And out of 186 , I have watched 120 films . ” Anand ” [ 1971 ] was the first film of Amitabh Bachchan , which I watched . Ironically I have not watched his first film ” Saat Hindustani ” [ 1969 ]  and his latest ” Satyagraha ” [ 2013 ] . An uncanny coincidence of my life , which happened in the case of Dilip Kumar also .

The Amitabh Bachchan juggernaut , in real sense of the term , started with ” Zanjeer ” [ 1973 ] . One year later Dilip Kumar came with a critically acclaimed but flop ” Sagina ” [ 1974 ] .

Two years after ” Zanjeer ” [ 1973 ] , Amitabh Bachchan gave two iconic super hits , ” Deewar ” and ” Sholay ” [ 1975 ] . Again one year later Dilip Kumar came with triple role in a much – delayed and moderate hit  ” Bairaag ” [ 1976 ] .

After hiatus of 5 years , Dilip Kumar started his second innings with hugely successful ” Kranti ” [ 1981 ] . But same year Amitabh Bachchan gave 3 super – hits ” Lawaaris ” , ” Yaraana ” and ” Kaalia ” [ 1981 ] and hugely likable ” Silsila ” [ 1981 ] .

They both , a year later , came together in critically acclaimed , highly likable but a box office dud ” Shakti ” [ 1982 ] .

Dilip Kumar last came in ” Quila ” [ 1998 ] and 2 years later Amitabh Bachchan started his second innings  with hugely successful ” Mohabbatein ” [ 2000 ] . And the juggernaut , which started with ” Zanjeer ” [ 1973 ] still continues unabated in 2013 also .

Thus from  ” Anand ” [ 1971 ] to ” Satyagraha ” [ 2013 ] , it is a 42 – year – long association of me with Amitabh Bachchan also .

Let us have a peek in the other achievements of Amitabh Bachchan . He briefly dabbled in politics and was member of the 8th Lok Sabha . He got Padma Shri in 1984 and Padma Bhushan in 2001. His achievements in the film world are no less spectacular compared to Dilip Kumar . He has got 3 National Awards and unbelievable 39 Filmfare nominations in several categories , though Dilip Kumar holds the record of winning 8 Filmfare trophies .

But I must admit with all honesty that despite his unprecedented and unbelievable accomplishments , acceptance of Amitabh Bachchan was not easy for me . Though I watched his films with much admiration and appreciation , and as stated earlier , I have watched 120 films of Amitabh Bachchan but my hero , my idol was always Dilip Kumar .

Amitabh Bachchan

Amitabh Bachchan at IFFA Award 2006 (Photo credit: Wikipedia)

And I think being a fan and admirer of Dilip Kumar does not mean that I don’t accept Amitabh Bachchan’s persona or demean it . They both hovered on my horizon . They both influenced me immensely . I am a fan of both of them but it is also a fact that Dilip Kumar reigns supreme and stands few notches higher .

Coincidently photographs of Dilip Kumar and Amitabh Bachchan , which I have posted here , were clicked in 2006 .

English: cropped photograph of L K Advani with...

L K Advani outside his residence. (Photo credit: Wikipedia)

Same is the case with Shri Lal Krishna Advani . I first heard of him in 1967 when I was in High School . 1967 is the same year when I came to know about Dilip Kumar through his film , a golden jubilee hit ” Ganga Jumna ” . So in an uncanny way my association with Dilip Kumar and Advani ji started in the same year , 1967 .

Advani ji became my political hero during my school , college and university days . I came to know Dilip Kumar when Amitabh Bachchan was yet to make his debut . In the same way when I started admiring Lal Krishna Advani , Shri Narendra Modi was yet to make his debut in politics .

Shri Narendra Modi , just like Amitabh Bachchan , has spectacular achievements to his credit . Shri Narendra Modi , just like Amitabh Bachchan , is hugely popular . Shri Narendra Modi , just like Amitabh Bachchan , is continuing with his unstoppable juggernaut . Shri Narendra Modi , just like Amitabh Bachchan , is the current idol and is liked by the cadre immensely .

English: Narendra Modi in Press Conference

Narendra Modi in Press Conference (Photo credit: Wikipedia)

But as I have said earlier , in my heart Dilip Kumar still reigns supreme . And being a fan of Dilip Kumar is in no way an insult to Amitabh Bachchan . Admiring Dilip Kumar is in no way derogatory to Amitabh Bachchan . In the same way my political hero is Shri Lal Krishna Advani . And being a Lal Krishna Advani admirer is in no way an insult to Shri Narendra Modi .

It is just a question of whom you grow with . Your hero of growing years is going to be your hero till your last breath .

Shri Narendra Modi , just like Amitabh Bachchan , is the current favourite . But it doesn’t mean that Dilip Kumar and Lal Krishna Advani have no relevance or have no achievements to their credit . I like Shri Narendra Modi and Amitabh Bachchan for their achievements , but I idolize Dilip Kumar and Lal Krishna Advani for their glorious innings and immense contribution in their respective fields .

I again assert that being an admirer of Advani ji does not make me an automatic hater of Modi ji . Persons like me who have admired Advani ji all their life , can’t accept a new icon in one night . It is going to be a slow and difficult process . This was the case with Amitabh Bachchan also . But gradually Amitabh Bachchan’s all-pervading shadow inundated me completely . Slowly and eventually same will definitely happen with Modi ji also . But till then Advani ji is my political hero as Dilip Kumar is my screen idol .



I told this story to all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  . Today I am expressing it for the followers of my blog and general public , who visit my blog space .



80 Years of ” Natir Pooja ” , A Rabindranath Tagore Film


MUMBAI – MAHARASHTRA – INDIA           DECEMBER 15 , 2012           11.58 P.M.

” Natir Pooja ” . Does this name ring any familiar bell ?

I know the answer . It will be emphatic NO .

” Natir Pooja “ is a Bengali film . Does it make matter easier now ?

I know the answer even this time . It will again be a NO .

” Natir Pooja “ was produced by B. N. Sircar of New Theatres . What ?

Answer will be unanimous . The film evokes no familiarity .

” Natir Pooja “ was filmed at floor number 1 of NT Studio , Kolkata ? Now !

Even a student of cinema will now scratch his head .

” Natir Pooja “ was released in Chitra Talkies , Kolkata on March 14 , 1932 .

Now even the connoisseurs will look the other way .

Well , now let me untangle the mystery .


” Natir Pooja “ completed 80th year on March 14 , 2012 . It was released on March 14 , 1932 and it is the only feature film directed by legendary Rabindranath Tagore in 1931 . It was based on a dramatised version of Rabindranath Tagore’s long poem Poojarini . It is 2500 year old story of  a Nati [ danseuse ] , who sacrificed herself because of her devotion of Buddha .

Tagore wrote this all – woman play at the behest of his daughter – in – law . It was first performed in Uttarayan , Shantiniketan on the occasion of Tagore’s 70th birthday . Later on a ticketed performance was staged in New Empire of Kolkata for the aid of Vishwa Bharati . B. N. Sircar of New Theatres saw it there and requested Tagore to make it into a film .

English: Rabindranath Tagore Русский: Тагор, Р...

Rabindranath Tagore (Photo credit: Wikipedia)

Tagore , apart from directing the film , also played role of Upala .

Rabindranath Tagore as an Actor in Natir Pooja

Rabindranath Tagore as an Actor in Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Synopsis of Natir Pooja

Synopsis of Natir Pooja

Nitin Bose was the cinematographer of the film . In his later years same Nitin Bose migrated to Mumbai and made many path – breaking films including Dilip Kumar‘s Technicolor ” Ganga Jumna ” .

It is unfortunate and sad that the prints of the film , the only one ever directed by Rabindranath Tagore , were destroyed in a fire that engulfed New Theatres .

I happened to see an article about ” Natir Pooja “ in Screen and was tempted to share it with the students of my acting academy .

It is well-known that Rabindranath Tagore was India’s first Nobel Laureate and the first Asian to get Nobel Prize for literature . It is in common knowledge that he was a poet , story – writer , song – writer , novelist , dramatist , musician , painter and educationist . But it is not in common knowledge that he directed a feature film in Bengali and also acted in it .

I , on behalf of all the students and staff of Vidur’s Kreating Charakters , remember the 8oth anniversary of the film ” Natir Pooja ” , a directorial venture of Rabindranath Tagore .




60 Years of Screen : A News Paper of Indian Cinema

MUMBAI – MAHARASHTRA – INDIA           January  01 , 2012           01.20 A.M.

Screen weekly completed 60 years in 2011 . I share my birth year with this film weekly . In fact ” Screen “ is few months senior .

Hindi film industry fascinates and lures numerous people from every walk of life . The pull and attraction are so strong that you have to be the Indian or Indian diaspora to believe this .

This syndrome was not different for me also . I was attracted to the film world since my early childhood . I still remember my fascination and that too very vividly .


Location of Deoria district in Uttar Pradesh

Location of Deoria in Uttar Pradesh

I started watching films regularly after completing High School . It was in 1967 . Deoria , my home town in Uttar Pradesh had 2 cinema halls ; Amarjyoti and Vijay . After examination , I watched ” Ganga Jumna “ , a Dilip Kumar Film , in the Amarjyoti Talkies and I was hooked . Before that I had watched some films but that was a sporadic , spur of the moment kind of behaviour . I had watched Dev Anand‘s ” Dushman “ , Ashok Kumar’s ” Bahu Beti “ and Rajendra Kumar‘s ” Sasural “ . V. Shantaram‘s ” Mausi “ was also a favourite . In those days of my infancy , every film was my favourite and I became curious and wanted to know more and more about the stars .

I started subscribing various film magazines and one day , while I was searching for a magazine at the news paper stand of Deoria Railway Station , I saw ” Screen “ . It was broad – sheet paper and had several photographs . Its price was 4 annas [ 25 Paise ] . It was published from Bombay [ now Mumbai ] . Though it was in black & white still photographs mesmerized me . I bought the paper , brought it home and read it at one go from top to bottom and from first page to the last page . And thus began a life long association , which still continues . Ali’s Notes , column of Mr. Ali Peter John , was my favourite .

During all these long years ” Screen “ had changed its format several times . From 25 paise in 1967 to INR 10.00 in 2011 , it is now a bit costly . Later on it became partly coloured along with black & white avatar . Then it became fully coloured . From broad – sheet to tabloid , then back to broad – sheet and now again in the form of tabloid , coloured ” Screen “ also changed many times . Style and font of mast – head ” Screen “ also changed couple of times . Though Hindi ” Screen ” was also started , but it was a non – starter from day one .

I think now it has taken final shape in its tabloid avatar .

I used to love its front page photos . Front page photo in ” Screen “ was like a barometer of popularity of a star . They used to feel as if they have arrived if they appeared on the cover of the latest ” Screen ” . It is still the same .The euphoria of being on the cover page of ” Screen “ is undiminished even after 60 long years .

As I have stated that I used to read ” Screen “ when it was a broad – sheet paper and used to be black & white . I know its reputation , which is untarnished even today . Naturally I was very happy when a small news came in ” Screen “ about me . It was about myself and Katrina Kaif , whom I was training at that time  . I am giving the link :

! – First article about me in ” Screen ”  was published in the May 21 , 2010 issue :

2 – Second article about me in ” Screen “ was published in the  December 02 – 08 , 2011 issue .–Laboratory/875287/

[ This link is about the article in Indian Express . Same was re – printed in Screen .  Screen and Indian Express are sister publications .]


The Indian Express

Indian Express

I was so happy that finally , when I am 60 and ” Screen “ is also 60 , a big article about me was published this year . It’s like a culmination of my 44 year-long association with the paper , which started in 1967 .




Bhojpuri Cinema Down the Years

Ashok Kumar & Devika Rani : Achhut Kanya

As is known, ” Raja Harishchandra ” , the first Indian film was made in 1913. ” Alam Ara ” , the first Indian talkie was made in 1931. Films in other major Indian languages followed soon. But Bhojpuri, though a major dialect of Hindi belt of India , waited till 1961, almost 48 long years after the first Indian film. This in spite of the fact that almost all the major hits of early Indian Cinema had rural north Indian theme . Ashok Kumar and Devika Rani’s ” Achhut Kanya” is the most glaring example of this fact. It was released in 1936. Dilip Kumar‘s ” Ganga Jumna ” was made in Awadhi , a major dialect of Uttar Pradesh . It was released in 1960. Bhojpuri  Cinema had to wait for one more year, in spite of the fact that ” Ganga Jumna ” was a golden jubilee hit of its time. In the above mentioned films Ashok Kumar and Dilip Kumar played rural , rustic characters of Uttar Pradesh. Both the films were major hits. Ashok Kumar and Dilip Kumar were gigantic stars of their times , but in spite of this fact, there were no breakthrough in Bhojpuri films.

Dilip Kumar & Vyjayanti Mala :in First Awadhi Film - Ganga Jumna

Screen image from Alam Ara 1931, the first Ind...

Image via Wikipedia - First Indian Talkie _ Alam Ara - 1931

”] ”]

First Assamiya Talkie - Joymati - 1935

Bhojpuri cinema history begins in 1961 with the well-received film ” Ganga Maiyya Tohe Piyari Chadhaibo ” , which was directed by Kundan Kumar.Asim Kumar and Kumkum were the stars of this super hit film. Its music was  provided by Chitragupt, was extremely popular. Lyrics were written by Shailendra and songs were sung by Lata Mangeshkar, Mohammad Rafi and Asha Bhonsale. Its hit music is remembered even today. Throughout the following decades, films were produced only in fits and starts. Films such as  ” Laagi Nahi Chhute Ram “, ” Bidesiya ” (1963, directed by S. N. Tripathi) , ” Loha Singh ” and ” Ganga  ” (1965, directed by Kundan Kumar) were profitable and popular, but in general Bhojpuri films were not commonly produced in the 1960s and 1970s. 

In the 1980s, enough Bhojpuri films were produced to tentatively make up an industry. Films such as ” Mai ” (1989, directed by Rajkumar Sharma) and ” Hamar Bhauji ” (1983, directed by Kalpataru) continued to have at least sporadic success at the box office. ” Nadiya Ke Paar ” is a 1982 Hindi-Bhojpuri blockbuster directed by Govind Moonis and starring Sachin, Sadhana Singh, Inder Thakur, Leela Mishra and Soni Rathod.The film ran houseful for years in a movie theatre in Allahabad. However, this trend faded out by the end of the decade, and by 1990, the nascent industry seemed to be completely finished 

Ravi Kissan

The industry took off again in 2001 with the “Silver Jubilee” hit ” Saiyyan Hamar ” ( directed by Mohan Prasad), which shot the hero of that film, Ravi Kissan, to superstardom.This success was quickly followed by several other remarkably successful films, including ” Panditji Batai Na Biyah Kab Hoi ” (2005, directed by Mohan Prasad) and ” Sasura Bada Paisa Wala ” (2005). In a measure of the Bhojpuri film industry‘s rise, both of these did much better business in the states of Uttar Pradesh and Bihar than mainstream Bollywood hits at the time, and both films, made on extremely tight budgets, earned back more than ten times their production costs. ” Sasura Bada Paisa Wala ” also introduced Manoj Tiwari, formerly a well-loved folk singer, to the wider audiences of Bhojpuri cinema. In 2010, he and Ravi Kissan are still the leading actors of Bhojpuri films, along with Nirahua and Pawan Singh.  The extremely rapid success of their films has led to dramatic increases in Bhojpuri cinema’s visibility, and the industry now supports an awards show and a trade magazine,  ” Bhojpuri City ” ,which chronicles the production and release of what are now over one hundred films per year. Many of the major stars of mainstream Bollywood cinema, including Amitabh Bachchan, have also recently worked in Bhojpuri films. Mithun Chakraborty’s Bhojpuri debut ” Bhole Shankar ” , released in 2008, is considered as the biggest Bhojpuri hit of all time.Also in 2008, a 21-minute diploma film Bhojpuri film by Siddharth Sinha, ” Udedh Bun ” was selected for world premiere at the Berlin International Film Festival,later it won the National Film Award for Best Short fiction Film.

Once upon a time writer-filmmaker Kamal Anand dubbed Namak Halal into Bhojpuri , after sitting on its copyright for eight years, as there was no market for films in that dialect. “But today the situation has changed.The new version is called ” Babua Khiladi Dadua Anadi ” with Amitabh as ‘Babua’. The film’s memorable songs such as Jawani Jaaneman, Raat Baki Baat Baki and Pag Ghungaroo Baandh Meera Nachi Thi have been peppered in Bhojpuri.The new cinema has attracted producers like Subhash Ghai, Rajshri, Nitin Manmohan and Tinu Verma. Actors Govinda, Juhi Chawla and Nagma are already taking lessons in the language. Even Columbia Tristar briefly toyed with the idea of getting one of its films dubbed.

Indian state of Uttar Pradesh

Image via Wikipedia

“It makes good business sense as these films sell in Bihar, UP, and parts of Punjab and Maharashtra,”says producer-director Ranjan Kumar Singh. Trade analyst Taran Adarsh agrees. “Most Bhojpuri films are made in small budgets, usually Rs 20-30 lakh, and they fetch Rs 1-2 crore.”Several of these films are grossing 10 times their production costs. A good film can even make a profit of Rs 10-12 crore.

Regions of Uttar Pradesh

Image via Wikipedia

A few years ago, this wasn’t the case. While Gujarati, Marathi and Punjabi films got their due at the box office, Bhojpuri films didn’t really recapture the supersuccess of the 1982 blockbuster ” Nadiya Ke Paar” , which starred Sachin and Sadhna Singh, and was made under the respectable banner of Rajshri Productions.

Twenty two years hence, the tide finally turned. In 2005, Manoj, a struggling singer, debuted in sex comedy ” Sasura Bada Paisewala.”  The film ran for more than 50 weeks in Varanasi and Kanpur in UP and for 25 weeks elsewhere. ” Sasura Bada Paisa Wala ” made with a modest budget of Rs 30 lakh, grossed a stupendous Rs 15 crore. Manoj’s other films such as ” Daroga Babu I Love You ” then went on to do a business of Rs 4 crore and ” Bandhan Tutey Na ” has already made Rs 3 crore..

The Bhojpuri Industry has learned to talk in crores and has budgeted Rs 1-1.25 crore for an action film ” Dharti Putra ” , also starring who else but Manoj. Industry sources say that Manoj has made the most of the prosperity. He was paid Rs 2 lakh earlier. Now he charges Rs 50 lakh a film. He admits that his films are raking in big money in UP and Bihar. ” Sasura Bada Paisa Wala ”   played to full houses in Bihar and had surpassed Hindi films in the region, except for Gadar, for now. Even Hindi heavyweights like ” Mangal Pandey, The Rising “, are said to have fallen behind ” Sasura Bada Paisa Wala ”  in Bihar and MP . Manoj is very busy these days.  ” Pyar Ke Bandhan ” , ” Dharti Kahey Pukar Ke ” with Ajay Devgan followed by a film with Jackie Shroff. ” Damadji ” ,  followed by Tinu Varma’s Dharti Putra.”Meanwhile Hindi filmsinger Udit Narayan, a Bihari, has debuted as a producer with ” Kab Hui Gauna Hamar.”  The film ran to packed theatres for two months in Punjab and Delhi and its success had encouraged Narayan to produce another film, to be shot in London. The film goes back 150 years and depicts the plight of Biharis in Mauritius..  

Distributors attribute the success to cleaner content. “Gone are double-meaning dialogues, lack of a coherent storyline and poor technical quality. The films are slicker, “says Manoj. Bhojpuri films are also heading to countries which have a Bhojpuri-speaking population such as Mauritius, Fiji, Surinam and Nepal.  We started selling ” Daroga Babu I Love You ” overseas and then  looked at possibilities for ” Sasura Bada Paisa Wala. The returns have taken film shootings out of grimy studios to exotic locations. ” Babul Pyare ” with Raj Babbar, Arun Govil, Ravi Kishan and Hrishita Bhatt completed a shooting spell in London . Kishan, who also starred in ” Saiyan Hamar” , says that Bhojpuri films have saved single-screen cinema halls in Bihar and UP, which would have otherwise been converted into malls.

New moral standards are guarding Bhojpuri films. In ” Firangi Dulhania ” , a story about a village boy from Bihar who goes to study in London and returns with a foreign bride, director Ranjan Kumar Singh, has got the exciting services of an Ukrainian actress, Tanya (what else..)


Diwakar PandeySujeet KumarManoj TiwariRavi KishanNazir HussainRakesh PandeyJai TilakDinesh Lal YadavBhushan Tiwari, Kunal, Ram Singh, Anand RaiJ.MohanVinod TiwariAsim KumarHari shuklaBrij KishoreVijai KhareKewal KrishnaLaliteshDinesh KaushikManoj VermaDevendra PodwalKiran Kumar, and JeevanSushil Singh,Vinod,Vinay, Brijesh Tripathi Laxman ChaturvediRajendra Karn, Mukesh Kumar Barnwal, Mrityunjay Sharma, Pawan singh, parbesh lal yadav, amit kumar yadav, Saagara Nageena Tripathy, Trinath


NaazShweta Tiwari parul yadav


Bihar Films and Devi Padmavati FilmsKamasar Films


Nazir Hussain, Ranjeet singh , Kundan KumarRajkumar SharmaPrakash JhaSiddharth SinhaAbhishek ChhadhaAshok JainLalji Gupta, and Kalpataru.Ram Nath Rai,[Udaisenapati][Aslam Sheque][Raj Kumar]

Music directors

Vinay Bihari, Rajesh Rajneesh [Madhuker Anand]

Famous films

Main article: List of Bhojpuri Film

Ganga Maiyya Tohe Piyari Chadhaibo (1962)  • Laagi Nahi Chhute Ram (1963)  • Ganga (1965)  • Bidesiya (1963)  • Bhouji (1965)  • Loha Singh (1966)  • Dher Chalaki Jinkara (1971)  • Daku Rani Ganga (1976/II)  • Amar Suhagin (1978)  • Balam Pardesia(1979)  • Chanwa Ke Take Chakor (1981)  • Saiyan Magan Pahelwani Mein (1981)  • Saiyan Tore Karan (1981)  • Hamar Bhauji (1983)  • Chukti Bhar Senur (1983)  • Dulha Ganga Paar Ke (1986)  •  ;’Jug Jug Jiya More LalRoos Gailen Saiyen Hamaar(1988)  • • Ganga (2006)

Ganges River, Varanasi, Uttar Pradesh, India.

Image via Wikipedia

Bhojpuri cinema is also watched in many parts of the world, where Indian diasporahas settled, including BrazilFijiGuyanaMauritiusSouth AfricaSuriname, and Trinidad and Tobago. During the late 19th and early 20th centuries, many colonizers faced labor shortages due to the abolition of slavery; thus, they imported many Indians, many from Bhojpuri-speaking regions. Today, some 200 million people in the West IndiesOceania, and South America speak Bhojpuri as a native or second language[1] and they also watch Bhojpuri films.




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