Vidur’s Film Diary – February 2015


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MUMBAI – MAHARASHTRA – INDIA           MARCH 03, 2015           01.30 A.M.

[ DECLARATION : In my film diary, since May 2014, I have started mentioning names of only those students, who are grateful and respect me as their teacher and accept and regard my contribution in their journey of life. All the other students, who worked this month but are not mentioned here are the ones, who refuse to acknowledge me in any way. I am bound to reciprocate their feelings of disrespect. They are free from any obligation from my side. GOD BLESS THEM ! ]

 

For the full understanding of my body of work in 2013 – 2014 / 2014 – 2015, I am posting links of the 05 videos.
1 : ” Jai Ho ” :  http://youtu.be/cZzBa4sHXMQ
2 : ” One By Two ” :  http://youtu.be/0WCMfQiPdGI
3 – ” O Teri ” & ” Main Tera Hero ” : 
4 – ” Khatron Ke Khiladi – 5 ” : 
5 – ARMAAN JAIN : 

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Obituary :

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 Amit Mehra :

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Amit Mehra, son of legendary producer-director Prakash Mehra died on February 28, 2015 in the morning after suffering a cardiac attack. He was just 40.

He, in 2013, re-made Prakash Mehra’s super hit classic cult film ” Zanjeer ” [ 1973 ] . Though Amitabh Bachchan, Pran and Jaya Bachchan starrer original ” Zanjeer “ was a super hit but the Ram Charan, Sanjay Dutt and Priyanka Chopra starrer remake was an astounding flop.

His other siblings are Sumeet and Puneet Mehra.

Ajay Wadhavkar :
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Veteran Hindi and Marathi actor Ajay Wadhavkar, who last played the role of Sushant Singh Rajput’s father in the TV show Pavitra Rishta, passed away in Pune. Ajay, who shot to fame as Ganpat Hawaldar with DD’s Nukkad, was suffering from throat cancer and diabetes and was under treatment at Nanavati hospital in Mumbai.

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New Hindi Film Releases & Me :

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First Week – February 06

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1 – Hum Tum Dushman Dushman ……………………… Sohani Paul

2 – Bachpan Ek Dhokha ………………………………………. X

3 – Jai Jawaan Jai Kisaan …………………………………….. X

4 – Shamitabh ……………………………………………………… X

 

 

Second Week – February 13

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1 – Night ………………………………………………………………. X

2 – Jee Chahta Hai ……………………………………………….. X

3 – My Best Friend ………………………………………………. X

4 – MSG – The Messenger Of God ……………………… Jay Singh Rajpoot

……………………………………………………………………………. Flora Saini

5 – Roy ……………………………………………………………….. Ranbir Kapoor

……………………………………………………………………… Jacqueline Fernandez

……………………………………………………………………… Arjun Rampal

………………………………………………………………………. Kishan Kumar

 

Third Week – Febuary 20
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1 – Koi Aae Na …………………………………………………………………… X

2 – Qissa ……………………………………………………………………………. X

3 – Monsoon ………………………………………………………………………. X

4 – Badlapur ………………………………………………………… Varun Dhawan

…………………………………………………………………………….. Divya Dutta

 

Fourth Week  – February  27
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1 – Dum Laga Ke Haisha ……………………………………………………. X

2 – Ab Tak Chhappan 2 ……………………………………………………… X

 

 

In total …………… 15 …………….. films got released in February . Out of these ………….. 15 ………… released films ……….. 04 ………… films have …………… 09 ……………. artistes , who are trained by me .

Out of these ………. 09 ……… persons , ………. 08 ……… are actors . And the remaining …………. 01 ………… Kishan Kumar is the co-producer of  ” Roy ” .

 

In February 2015 just  09 students appeared in 04 films . Thus this month becomes one of the worst  months of my career.

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I congratulate my above mentioned 09 students .

May God bless them always !

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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A Tale of Two Acting Institutes : FTII & NSD


MUMBAI – MAHARASHTRA – INDIA           OCTOBER 28 , 2012           01.15 A.M.

I start my blog with salutations to Shri Roshan Taneja , Ex Head of FTII [ Film & Television Institute of India ] and Ebrahim Alkazi , Ex Head of NSD [ National School of Drama ] .

With Shri Roshan Taneja in His Office

With Shri Roshan Taneja in His Office

Then I proceed to submit that apart from above mentioned two giants of Acting Training , I don’t like the present dispensation of these so-called premiere acting institutes of India .

Let me take their case one by one .

NATIONAL SCHOOL OF DRAMA :

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This so-called premiere school boasts of the alumni , which could be the dream of any Acting Trainer of India . This famous theatre training institute was established in 1959 in New Delhi by the Sangeet Natak Akademi . In 1975 it became an independent school .

National School of Drama

National School of Drama (Photo credit: Wikipedia)

First batch of NSD was passed out in 1961 . After this Ebrahim Alkazi took over the reigns and helmed the affair of the school from 1962 to 1977 . It was the golden period of NSD .

In 2008 , though the NSD celebrated its Golden Jubilee , but the shine  , the sheen had gone . I fail to understand the attitude of the present day students of NSD . They think that since they have done an acting course from NSD , so the whole world should invariably acknowledge their eminence . They behave as if whole universe is indebted to them because they have done two years training in NSD . Their immortal arrogance precede their mortal body . This is precisely the reason that they are not very successful in Hindi Film Industry .

FILM & TELEVISION INSTITUTE OF INDIA :

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This premier film acting institute was established in 1960 by Ministry of Information and Broadcasting , Government of India . The present campus is situated in the holy precincts of erstwhile Prabhat Film Company , Pune .

Notable alumni

I do agree that this an enviable list . Any Acting Trainer of India can die for such illustrious students . But what is the present condition ? Why this institute is unable to churn such illustrious students any more ? What happened after Shri Roshan Taneja’s departure ?

Can any one answer ? NSD and FTII were successful with enviable record during the tenure of Shri Ebrahim Alkazi and Shri Roshan Taneja respectively . After their departure mediocrity started ruling and these glorious institutions became just buildings , just structures .

Great institutions are governed by great minds , giant personalities . They can’t be run by upstarts and dwarfs . I can’t comment much about NSD but I know the root cause of the deterioration and subsequent demise of FTII . After departure of Shri Roshan Taneja , every Tom , Dick & Harry rushed to FTII and became Acting Trainers . In front of 10 / 20 captive students they proclaimed themselves as the incarnation of Constantin Stanislavski . People managing the affairs of FTII had and have no vision . They employed every wannabe , every upstart , every so-called veteran actors as Acting Coach and these frustrated Dilip Kumars and Amitabh Bachchans ruined the great FTII .

The decadence is apparent , degeneration is palpable and death is imminent . I have one student in the current batch of Vidur’s Kreating Charakters , who has completed two years acting course from FTII . She is beautiful and is definitely talented . But because of wrong training , she is struggling in my class . She is not at fault . Fault lies at the door of their trainers , who proclaim themselves as the reincarnation of Constantin Stanislavski and dish out half – baked knowledge . It never happened during the tenure of Shri Roshan Taneja .

Is there any remedy ? Will these two institutes be able to come out of ICU ? Can there be another Ebrahim Alkazi and Roshan Taneja ?

On behalf of myself and on behalf of all the students of Vidur’s Kreating Charakters and whole family of Vidur’s Kreating Charakters , I pray to the almighty for the long life of NSD and FTII ! May the future be more glorious and shining than the illustrious past !

[ List of the alumni of FTII is taken from Wikipedia . I express my gratitude . ]

VIDUR

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B. R. Ishara : Departure of An Avant – Garde Film Maker


MUMBAI – MAHARASHTRA – INDIA           JULY 27 , 2012           08.05 P.M.

Avant – Garde and Path  – breaking film – maker , a true iconoclast and a renaissance – man , Babu Ram Ishara , a.k.a. B. R. Ishara died on July 25 , 2012 at the age of  77 in Mumbai . He was suffering from tuberculosis . Last year he got paralytic stroke also .

He could be called a renaissance man of Hindi cinema , as he heralded a new wave in the world of formula laden Hindi film industry with his unconventional and critically acclaimed film  ” Chetna ” [ 1970 ] .

Chetna

Chetna (Photo credit: Wikipedia)

When the film released I was in Allahabad doing graduation at Allahabad University . I vividly remember the sensation it created . The poster of the film was really a shocker . Two naked legs of a female and a peeping Rehana Sultan from there was enough to arouse amorous feelings of youngsters in that era of conservative India . Since Rehana Sultan hailed from Allahabad , the curiosity was at its peak and palpable . Film opened with critical acclaim and was a box office hit too .

Anil Dhawan & Rehana Sultan in Chetna

Anil Dhawan & Rehana Sultan in Chetna

Before ” Chetna “ , films used to be shot in studios . B. R. Ishara shot the film in a bungalow and thus started a new trend . Today shooting a film in bungalows has become a normal affair .

Ek Nazar

Ek Nazar (Photo credit: Wikipedia)

Apart from ” Chetna ” [ 1970 ] , his three other films were also special and significant in another way . A love story ” Ek Nazar ” [ 1972 ] , will be remembered because of  the lead pair . It starred Amitabh Bachchan and Jaya Bhaduri , as she was called and was known to the world before marriage . This film came and was a super flop . It is ironical that just after one year Amitabh Bachchan came with ” Zanjeer ” , a super hit , which changed his career graph and position in the industry . ” Prem Shastra ” [ 1974 ] was again a film with big star cast . It dealt with the issue of incest and starred Dev Anand and Zeenat Aman . And ” Rahu Ketu ” [ 1978 ] was his biggest . It starred Shashi Kapoor , Rekha , Pran , Prem Nath , Kamini Kaushal , Bindu and Aruna Irani .

Apart from above mentioned four films , his other films are : Gunah Aur Kanoon ” [ 1970 ] , ” Man Tera Tan Mera ” [ 1971 ]  , ” Man Jaiye ” [ 1972 ] , ” Zaroorat ” [ 1972 ] , ” Milap ” [ 1972 ] , ” Nai Duniya Naye Log ” [ 1973 ] , ” Dil Ki Rahen ” [ 1973 ] , ” Charitra ” [ 1973 ] , ” Dawat ” [ 1974 ] , ” Kaagaz Ki Nao ” [ 1975 ] , ” Ghar Ki Laaj ” [ 1979 ] , ” Log Kya Kahenge ” [ 1982 ] .  ” Hukumnama ” [ 1996 ] was his last film .

Milap

Milap (Photo credit: Wikipedia)

Dil Ki Rahen

Dil Ki Rahen

Rahu Ketu

Rahu Ketu

Ghar Ki Laaj

Ghar Ki Laaj (Photo credit: Wikipedia)

He worked with many stalwarts of Hindi film industry . He signed Prithvi Raj Kapoor , Sanjeev Kumar & Kumkum for ” Gunah Aur Kanoon “ , Shatrughan Sinha , Anil Dhawan , Nadira & Rehana Sultan for ” Chetna “ , Amitabh Bachchan , Jaya Bhaduri & Nadira in ” Ek Nazar “ , Vijay Arora , Reena Roy & Danny Denzongpa in ” Zaroorat “ , Shatrughan Sinha , Reena Roy & Danny Denzongpa in ” Milap ” , Reena Roy , Danny Denzongpa & Nadira in ” Nai Duniya Naye Log “ , Dev Anand & Zeenat Aman in ” Prem Shastra “ , Sanjeev Kumar in ” Dawat “ , Sarika , Raj Kiran & Pradeep Kumar in  ” Kaagaz Ki Nao “ , Shashi Kapoor , Rekha , Pran , Prem Nath , Kamini Kaushal & Aruna Irani in ” Rahu Ketu “ , Sanjeev Kumar , Moushumi Chatterjee & Sohrab Modi in ” Ghar Ki Laaj “ and Shabana Aazmi , Sanjeev Kumar , Shatrughan Sinha & Navin Nischol in ” Log Kya Kahenge ” .

His discovery , his lucky muse and future wife , Rehana Sultan appeared in 4 films directed by him . They are ; ” Chetna ” , ” Man Tera Tan Mera ” , ” Man Jaiye ” and ” Dil Ki Rahen ” .

His other discovery Reena Roy worked with him in 3 films . They are ; ” Zaroorat ” , ” Milap ”  and ” Nai Duniya Naye Log ” .

Shatrughan Sinha  repeatedly worked with him in 3 films . They are : ” Chetna ” , ” Milap “ and  ” Log Kya Kahenge ” . 

Danny Denzongpa , a very choosy actor , worked with him in 3 films . They are ” Zaroorat ” , ” Milap ” and ” Nai Duniya Naye Log ” .

An actor of the caliber of Sanjeev Kumar worked with him in 4 films . They were : ” Gunah Aur Kanoon ” , ” Dawat ” , ” Ghar Ki Laaj ” and ” Log Kya Kahenge ” .

Shabana Aazmi , who does not sign films easily and left , right and centre , also worked in his film ” Log Kya Kahenge ” .

Thespians like Prithvi Raj Kapoor , Sohrab Modi , Pran , Prem Nath , Kamini Kaushal  and Pradeep Kumar also readily worked in his films .

Asit Sen , Johny Whisky , Nadira , Rakesh Pandey and Raza Murad repeatedly worked with him and were almost in every second films directed by B. R. Ishara .

It is astonishing that a man , who was not so well-educated and who used to wash dishes at Qamar Jalalabadi’s house and used to serve tea at Roop Tara Studio , made 30 films and stars of the calibre of Shabana Aazmi , Rekha , Shashi Kapoor and Sanjeev Kumar readily agreed to work with him .

He introduced Rehana Sultan , Reena Roy , Parveen Babi , Raza Murad , cricketer Salim Durrani and music director Bappi Lahiri in films .

His 2 Discoveries Anil Dhawan & Raza Murad at the Funeral

His 2 Discoveries Anil Dhawan & Raza Murad at the Funeral

It is sad that a director of the calibre of B. R. Ishara left the world in penury and was almost work less during his last years .

VIDUR

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