Shamshad Begum : छोड़ बाबुल का घर, आज पी के नगर, मोहे जाना पड़ा


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MUMBAI – MAHARASHTRA – INDIA           APRIL 30 , 2013           07.00 P.M.

Shamshad Begum

April 14, 1919 – April 23, 2013

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Shamshad Begum was one of the first playback singers in the Hindi film industry. She had sung over 6000 songs in Hindi , Bengali, Marathi, Gujarati, Tamil and Punjabi languages. Her songs from the 1940s to the early 1970s remain popular and continue to be remixed.

Young Shamshad Begum

Young Shamshad Begum

Shamshad Begum died this month on April 23 , 2013 at the age of 94 and I am forced to write 7th obituary in continuation in the month of April . Shamshad Begum , along with Noor Jahan and Amirbai Karnataki , dominated the pre-Lata Mangeshkar era in Indian playback singing .

Among female playback singers , She was blessed with a distinct voice with slight nasal twang and any lover of Hindi film music can immediately recognize her voice .

Since I was born and brought up in the Lata Mangeshkar era , I was not a fan of Shamshad Begum’s voice initially. But slowly , as my understanding grew , I started appreciating her voice .

The first song of hers , which caught my fancy , was ” Pee Ke Ghar Aaj Pyari Dulhaniya Chali ” . ThisMother India ” [ 1957 ] song was immensely popular . Other songs of the same film ; ” Holi Ayee Re Kanhayi Rang Chhalke Suna De Zara Bansuri ” and ” Gadiwale Gadi Dheere Haank Re “ are also hit even today . Then I watched Mughal – E – Azam ” [ 1960] and its immortal qawwali is still fresh in my mind . ” Teri Mehfil Me Qismat Azma Ke Hum Bhi Dekhenge “ is a connoisseur’s delight . Then I watched ” Aan ” [ 1952 ] and I was permanently hooked to Shamshad Begum’s voice . All her popular songs , like ; ” Aag Lagi Tan Man Me Dil Ko Pada Thamna , Ram Jaane Kab Hoga Saiyyan Ji Ka Samna ” and ” Khelo Rang Hamare Sang Aaj Din Rang Rangeela Aaya “ are still my favourites . But ” C. I. D. ” [ 1956 ] was another revelation . ” Le Ke Pehla Pehla Pyaar , Bhar Ke Aankhon Me Khumar ” and ” Kahin Pe Nigahen Kahin Pe Nishana , Jeene Do Zalim Banao Na Deewana “ are just immortal . It is surprising that I heard her most popular song very late in my life . ” Mere Piya Gaye Rangoon Kiya Hai Wahan Se Telefoon , Tumhari Yaad Satati Hai “ . This song from ” Patanga ” [ 1949 ] is unforgettable and its several re-mixed versions are still extremely popular . ” Naya Daur ” [ 1957 ] film’s ” Reshmi Salwar Kurta Jaali Ka “ was a craze of its time . Her last hit  ” Kajra Mohabbatwala Ankhiyon Me Aisa Dala “  from ” Kismat ” [ 1969 ] is one of the songs which was re-mixed again & again .

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Shamshad Begum’s career was somewhat eclipsed with the advent of Lata Mangeshkar . She sang her first duet ” Dar Na Mohabbat Kar Le “ with Lata Mangeshkar in ” Andaz ” [ 1949 ] and her last duet with Lata Mangeshkar was ” Teri Mehfil Me Qismat Azma Kar Hum Bhi Dekhenge “ from ” Mughal – E – Azam ” [ 1960 ] . Within these 13 years Shamshad Begum’s career went downhill and after giving her last hit ” Kajra Mohabbatwala “ in 1969 , she bid adieu to playback singing .

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Some Famous Songs of Shamshad Begum :

  • Leke pehla pehla pyar, (CID 1956), (music: O.P. Nayyar)
  • Milte hi aankhen dil hua, (Duet with Talat Mehmood), (Babul), (music: Naushad)
  • Chali chali kaisi yeh hawa yeh, (Duet with Usha Mangeshkar), (Bluffmaster 1965), (music: Kalyanji Anandji)
  • Kabhi aar kabhi paar lagathi re nazar, (Aar Paar), (music: O.P. Nayyar)
  • O Gadiwale Dheere – Mother India – Naushad
  • Kahin pe nigahen kahin pe nishana – CID (1956) – music O.P. Nayyar
  • Boojh Mera Kya Naam Re – (1956) – music O.P.Nayyar
  • Mere piya gaye Rangoon – Patanga – music C.Ramchandra
  • Ek Tera Sahara – Shama – music Master Ghulam Haider
  • Holi aayee re KanhaaiMother India (1957) – Lyrics: Shakeel Badayuni, Music: Naushad
  • Naina Bhar aye neer – Humayun – music Master Ghulam Haider
  • Nazar Phero Na Humse -(Duet with G M Durani) – Deedar (1951) – music Naushad
  • Chod Babul Ka Ghar – Babul – music Naushad
  • Kajra Mohabbatwala Ankhiyon mein Aisa dala (Duet with Asha Bhosle) – Kismat (1968) – Music: O.P. Nayyar
  • Meri neendon main tum, meri khwabon mein tum (Duet with Kishore Kumar) – Naya Andaz – Music: O.P.Nayyar
  • Teri Mehfil Mein Qismat (Duet with Lata Mangeshkar) – Mughal-E-Azam
  • Saiyan Dil mein aana re – Bahar
  • Reshmi salwar kurta jaali da – Naya Daur
  • Milte Hai Ankhen Dil Deewana Hua Kisika – Babul – with Talat Mahmood
  • Kisike Dil Mein Rehna Tha – Babul – with Lata
  • Dharti Ko Aakash Pukare – Mela – with Mukesh
  • do teen aaja mausam hai rangeen – Awara

Shamshad Begum’s fans often allege that her career suffered because of the monopolistic politics of Lata Mangeshkar . I beg to differ . Shamshad Begum played her innings and retired gracefully . Her career suffered because of the changing times and changing taste of film-goers . Talat Memood’s career went downhill with the advent of Mohammad Rafi . Even mighty Mohammed Rafi , towards the end of his career , was confined in his home for many years without recording a single song and Kishore Kumar ruled that era . In the field of art such things happen .

Her distinct style , her nasal twang and her strong voice , which was her forte in the earlier years of her career , became her nemesis towards the end . It is not for nothing that towards the fag-end of her career , her voice was used for vamps and her last hit ” Kajra Mohabbatwala “ in ” Kismat ” [ 1969 ] was filmed on Vishwajeet , who was masquerading as woman in the said film .

On behalf of all the students and staff of VIDUR Acting Institute , which is known as  Vidur’s Kreating Charakters  , I offer my condolences to the family of the iconic singer . Self-proclaimed most famous acting school of Mumbai , self-anointed most famous acting institute of India and self-appointed most famous acting academy of bollywood has no time for such courtesy .

Shamshad Begum

Shamshad Begum

May her soul rest in peace ! Her ephemeral body is gone but her perennial voice , the temple bell , will live on forever .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Vidur’s Film Diary – August 2010


Its August and like much-needed rains, it brought some cheers in the industry also. Dry spell of the first half of the year is broken. Last month saw some genuine hits and these hits came as a much-needed respite. ” I Hate Luv Storys “, ” Udaan “, ” Tere Bin Laden “ and ” Once Upon A Time In Mumbai “ became sleeper hits. August starts with the promising note as ” Aisha “ releases too much critical and commercial acclaim. Then Peepli [Live] “ changed the whole scenario.

Though all is not well because compared to Hindi films, Hollywood’s latest flick ” Inception “ garnered better share at the box office.

To emphasise my points and to show latest trends in the industry, I am quoting few relevant tweets of eminent trade analyst Mr. Taran Adarsh :

taran_adarsh

Inception has grossed Rs. 22.30 cr. in 17 days in India [English, Hindi, Tamil, Telugu]. Better than most Hindi films. Wake up Bollywood

taran_adarsh

July has seen an upswing in business. IHLS, Tere Bin Laden, Udaan & OUATIM have infused blood in the veins of an ailing industry

taran_adarsh

Biggest hit of the year so far is ‘Raajneeti’. Films that ‘hit’ the industry badly are ‘Kites’ and ‘Raavan’.

taran_adarsh

Overseas, the biggest hit of 2010 is ‘MNIK’. ‘3 Idiots’ was the biggest hit of 2009 in India and Overseas.

taran_adarsh

http://bit.ly/bbkhW4 OUATIM has excellent Week 1, collects Rs. 34.20 cr. nett. Distributors’ share: approx. Rs. 18 cr. Excellent.

taran_adarsh

http://bit.ly/aQZHc9 ‘Aisha’ starts well at high-end multiplexes, dull at smaller centres/single screens

taran_adarsh

Compiling weekend figures of ‘Aisha’. High-end multiplexes are terrific. Sunday showed a big jump in business.

taran_adarsh

‘Aisha’ Fri 3.65 cr, Sat 4.48 cr, Sun 5.29 cr. Total Rs. 13.43 cr nett. Best at plexes of Delhi-NCR, Mumbai and South.

taran_adarsh

http://bit.ly/bbkhW4 ‘Aisha’ has Rs. 17.4 cr. nett Week 1

taran_adarsh

‘Once Upon A Time In Mumbai’ 2nd wknd: Rs. 9 cr. Total [10 days] Rs. 43.20 cr. nett. Excellent.

taran_adarsh

Peepli Live cost of prod 6 cr [excl P&A]. Recovered: Satellite 8 cr, Music 2 cr. Money from India theatrical + Oseas + Home Video is bonus.

taran_adarsh

‘Peepli Live’: Night shows packed at many places in advance/block bookings. Opening wknd is expected to be extra-ordinary. Reports v good.

taran_adarsh

http://bit.ly/aQZHc9 ‘Peepli Live’ is a profitable venture even without theatrical revenue

taran_adarsh

‘Peepli Live’ USA Update I: Fri US$ 112,000, Sat US$ 150,000. Higher than many star cast films.

taran_adarsh

‘Peepli Live’ USA Update II: Fri & Sat numbers are higher than Aamir’s ‘Taare Zameen Par’ & ‘Jaane Tu Ya Jaane Na’.

taran_adarsh

‘Peepli Live’ Gulf Update: Thu US$ 64,690 & Fri US $ 71,820. Excellent, despite limited release & also audience during Ramzan is limited.

taran_adarsh

‘Peepli Live’ India Update: Friday was Rs 4 cr. + nett and Saturday looks like Rs 5 cr. + nett. Superb.

taran_adarsh

http://bit.ly/bbkhW4 ‘Peepli Live’ has Rs. 16 cr. nett weekend. Excellent. Monday is rock-steady as well.

taran_adarsh

http://bit.ly/WyXIx Top 5: ‘Peepli Live’ has Rs. 22 cr. Week 1, extra-ordinary!

taran_adarsh

http://bit.ly/CjxWd ‘Lafangey Parindey’ opens decent at plexes, dull at places

taran_adarsh

B.O. Update: ‘Lafangey Parindey’ dips in some circuits on Saturday. Lower than Friday.

taran_adarsh

‘Lafangey Parindey’ Update II: Silver lining is its moderate costing. Cost of prod is Rs. 13 cr. and with P&A, it works out to Rs. 18 cr.

taran_adarsh

‘Lafangey Parindey’ Update III: YRF has recovered Rs 10 cr from Satellite & balance [Rs 8 cr] will be recovered from India and Overseas.

taran_adarsh

‘Lafangey Parindey’ IV: Returns from India theatrical [Week 2 onwards], Overseas, Music Rights & Home Video will contribute to YRF profits.

taran_adarsh

‘Lafangey Parindey’ III: Cost of prod Rs 18 cr [incl P&A]. Recovered: Satellite Rights Rs 10 cr + India theatrical Wk 1 share Rs 9 cr.

taran_adarsh

http://bit.ly/aQZHc9 New releases open to poor houses, but ‘Avatar’ leads

taran_adarsh

Multiplexes, Satellite TV rights, followed by Overseas, Music & Home Video Rights – the recoveries are possible from these avenues.

Obituary
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SURAJ PRAKASH :

He died on July 28 at the age of 79. His obituary should have been in the Vidur’s Film Diary – July 2010. But I was not aware of his death, as national media ignored it completely and it was reported only in IMPPA Bulletin, Film Information and Screen. It is sad state of affair for a man , who gave ” Jab Jab Phool Khile ” (1965 ) to the industry. He made his debut with Rajendra Kumar, Mala Sinha starrer ” Patang “. His second film ” Mehndi Lagi Mere Haath ” starring Shashi Kapoor and Nanda was the first solo hit of lyricist Anand Bkshi. His third film ” Jab Jab Phool Khile ” changed the career graph of Shashi Kapoor, Nanda, Anand Bakshi and Kalyanji Anandji. It was a block-buster of its time. After that he made several films like ” Aamne Saamne ” and ” Juari ” . He ghost-directed ” Bewafa Sanam” , officially a Gulshan Kumar directed film. His last film ” Mere Jeevan Sathi ” ( 2006 ) starring Akshay Kumar, Karishma Kapoor and Amisha Patel was as a producer. It is sad that he went unsung.

KAMAL KAPOOR :

Veteran actor Kamal Kapoor died on August 02 in Mumbai. He was 90 years old. Today’s generation might not recognize him but once upon a time Kamal Kapoor was a very successful villain in Hindi films.

I saw him in ” Johar Mehmood In Goa ” for the first time. He played a Portuguese officer in the film. His menacing look and fierce demeanour is still fresh in my memory. One particular scene , where he puts his hand in the aquarium and lifts a fish from the water while torturing the freedom fighter, is still fresh in my memory. Fish was fighting for its life in his hands and freedom fighter was being tortured in front of him. He was so brilliant in the film and he performed so well in this particular scene, that no connoisseur of film will ever forget it.His face and his eyes were his assets and he used them for maximum effect. After Johar Mehmood In Goa I watched him in several films and he was always brilliant even in mediocre films.

He is survived by his children and grandchildren, producer Srishti Behl Arya and producer – director Goldie Behl. Incidentally my student Sonali Bendre is married to Goldie Behl.

New releases & Me :

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First Week – August 06

1 – Aisha……………………………….Sonam Kapoor
……………………………………………Sameer Malhotra

Second Week – August 13

1 – Peepli Live………………………..x

2 – Help…………………………………x

Third Week – August 20

1 – Lafangey Parindey………………Neil Nitin Mukesh
……………………………………………..Ashish Singh ( Executive Producer )

2 – Kis Hudh Tak………………………x

Fourth Week – August 27

1 – Aashayein…………………………..John Abraham

2 – Antardwand…………………………x

3 – Gumshuda…………………………..Priyanshu Chatterjee

4 – Hello Darling…………………………Divya Dutta

5 – Madholal Keep Walking………….x

6 – Soch Lo………………………………..x

In total ..11… films got released this month. Out of these…11…films my …….7….students were there in….3….films. Out of these ..7….students …6… are actors,and .1…Ashish Singh is the executive producer .

News This month :
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1 – yrfmovies

http://bit.ly/cDO4yL – Dil Bole Hadippa Wins “Best Film of 2009 Readers’ Choice Award”

Trivia
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1 – ” India’s Got Talent – Khoj 2 ” has three anchors – Kirron Kher , Sajid Khan and Sonali Bendre. Out of these three, two are my students. They are : Sajid Khan and Sonali Bendre.

2 – Khatron Ke Khiladi – Season – 3 ” , which will start soon will have 5 students of mine. Anchor Priyanka Chopra and four participants, Abhishek Kapoor, Dino Morea,Rahul Dev and Angad Bedi, all are my students .

Vidur

Mumbai

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