An Open Letter To FTII Alumna / Alumnus


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MUMBAI – MAHARASHTRA – INDIA           JUNE 18, 2015           00.30 A.M.

Dear Alumna / Alumnus of FTII, Pune !

I have already written 2 blogs about the FTII [ Film & Television Institute of India ] , Pune. 1st blog was written on March 28, 2010. It was about the declining and deteriorating standards of FTII. The 2nd one was written on October 28, 2012. It was about hubris and high-handed behaviour of students of FTII. Today I am forced to write 3rd blog about FTII.

I am reading in newspapers that alumnus of this so-called premier institute are agitated against Shri Gajendra Chauhan, the newly appointed FTII Chief. Nearly 150 students boycotted classes today and continued their protest for the 5th day.

According to Harishankar Nachimuthu, the President of Student’s Union of FTII, Gajendra Chauhan’s appointment is a conspiracy to saffronise this prestigious ( ? ) institute. He states that he is not going to accept Shri Gajendra Chauhan as Chief of FTII. May I demand to know, who is seeking his acceptance or concurrence?

I came to know that several past students [ who are jobless since time immemorial ] are holding meeting in Mumbai and threatening central government that they will fight against Shri Gajendra Chauhan, “a Narendra Modi stooge” till the end. According to them he lacks stature and administrative experience. May I demand to know, who the hell are they to decide, whether Shri Chauhan has the required stature or not?

In the past Mr. Shyam Benegal, Mr. Mrinal Sen, Mr. Adoor Gopalakrishnan, Mr. Mahesh Bhatt, Mr. Girish Karnad, Mr. Vinod Khanna, Prof. U.R. Ananthamurthy and Mr. Saeed Mirza have served as Chairman of the Governing Council of FTII.  They were appointed by the government of the day. Shri Gajendra Chauhan is also appointed by present central government.

I fail to understand, how can students demand to have a say in the appointment of Chief of FTII. Moreover, what stake do past students have in the affairs of their Alma Mater? Why are they agitated? Why are they threatening to “fight till the end”?

Students and alumnus of this so-called prestigious institute should realize that their job is to get trained and not to decide about the governing council chief or other administrative matters of the institute. They must realize that the golden days of Shri Roshan Taneja are over. Their activism fails to produce a single actor of the calibre of ASHOK KUMAR, MOTI LAL, DILIP KUMAR, BALRAJ SAHNI, SANJEEV KUMAR, AMITABH BACHCHAN, SHAHRUKH KHAN, AMIR KHAN, HRITIK ROSHAN or RANBIR KAPOOR. None of the above mentioned actors are the alumnus of FTII. I also fail to find among your alumna, any actress of the stature of NARGIS, MEENA KUMARI, MADHUBALA, GEETA BALI, VYJAYANTIMALA, WAHEEDA REHMAN, REKHA or KAJOL. And you people are talking about the calibre of Gajendra Chauhan.

I appeal to the alumnus of FTII to first become a world-class actor and then try to be an activist. The most important FTII alumnus and your biggest inspiration NASEERUDDIN SHAH is busy doing “world-class” ( ? ) films like “Sona Spa” and ” Jackpot” and you people are pontificating on the calibre of Shri Gajendra Chauhan and threatening Shri Narendra Modi.

And now a word for failed ex students of FTII. You have no business to meddle in the affairs of your alma mater if you are still struggling to make a mark. No one needs your activism. You roam around in the alleys of Mumbai with stinking body, wilting faces, faded attires and dead and gloomy eyes. I pity your rancid existence and failed journey of life. The government of the day doesn’t need or seek your approval. Leave your hubris. You are not doing any favour to us or humanity if you are an ex students of FTII.

Let me make it clear that your agitation is politically motivated. All the right thinking people know it. If it is not so, why people like Anand Patwardhan and other known left-liberals are joining your band wagon? Why students of JNU [ Jawahar Lal Nehru University ] , a breeding ground of leftist and pseudo seculars, are joining your protest? What stake have they in the FTII?

Instead of protesting against Gajendra Chauhan, try to check the deterioration in the quality of the institute. May I demand to know why “for a 3 year programme, there have been students floating around the campus since 2008? May be they will graduate only when their creative juices start flowing.[ verbatim quote from Hindustan Times – Dated June 17, 2015 – Page 11 / also read the editorial ” The World’s not a stage at the FTII – Page 12]

You resist every change and want to run the institute as per your whims and fancies. When UPA appointed committee suggested running the institute on public-private partnership, you people protested. When UPA tried to make the syllabus more contemporary, you started indefinite strike. UPA government headed by Congress was not saffronising the institute. So it is clear that protests and strikes are in your DNA.

Dear alumnus, if you feel or suspect that the appointment of Shri Gajendra Chauhan is a conspiracy to saffronise FTII, I suggest that you should learn to live with it as soon as possible. It will be better for your future, your health and your well-being.

We have seen enough of your hubris. We have tolerated enough of your pseudo intellectual hypocrisy. It is time to say, ” ENOUGH IS ENOUGH “.

 

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On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I denounce you for your hypocrisy, needless hubris and uncalled for activism.

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Vidur’s Film Diary – July 2014


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 01, 2014           08.15 P.M.

[ DECLARATION : After May, 2014, I have started mentioning names of only those students in my diary, who respect me and accept my humble contribution in their journey of cinema. All the other students, who, though, worked this month but deny my contribution and refuse to even acknowledge me, are not mentioned. They are free from any obligation from my side. GOD BLESS THEM! ]

After a dull May 2014 and June 2014, July 2014 brought happy news on my career front and it became a month of celebration. A new, significant and important film  ” Lekar Hum Deewana Dil “ was released on July 04. Armaan Jain, grandson of legendary Raj Kapoor, made his debut in the said film. He is my student.

I am posting links of the 05 videos. You can watch them for the full understanding of my body of work in 2013 – 2014 till July.
1 : ” Jai Ho ” :  http://youtu.be/cZzBa4sHXMQ
2 : ” One By Two ” :  http://youtu.be/0WCMfQiPdGI
3 – ” O Teri ” & ” Main Tera Hero ” : 
4 – ” Khatron Ke Khiladi – 5 ” : 
5 – ARMAAN JAIN : 

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Obituary :

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Zohra Sehgal  : 

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The grand old lady of Indian film and theatre world died in New Delhi on July 10, 2014 at the age of 102. From Prithvi Raj Kapoor to Ranbir Kapoor, she worked with 4 generation of Kapoors. An incredible feat indeed.

To commemorate her remarkable journey, I am re-posting the blog, which I wrote when she turned 100 years young in 2012.

Wrote this on 100th BD of Zohra Sahgal. Posting it again after her death. Zohra Sahgal : A Glorious Century of Life

 

Sona :

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A starlet of Hindi films, a look-alike of Madhubala, who did several insignificant films and then married Haji Mastan and faded away from public memory, died on July 19, 2014 at the age of 65.

 

Arun Dutt

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Son of legendary actor-producer-director Guru Dutt and playback singer Geeta Dutt, Arun Dutt passed away on July 26, 2014 at the age of 58 due to multiple organ failure.

As a producer he made an action film ” Khule Aam ” [ 1992 ] .


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New Hindi Film Releases & Me :

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First Week – July 04

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1 – Lekar Hum Deewana Dil …………………………. Armaan Jain

………………………………………………………………. Saif Ali Khan

………………………………………………………………. Shweta Pandit

2 – Bobby Jasoos ………………………………………. X

3 – The Dirty Dances ………………………………….. X

 

 

Second Week – July 11

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1 – Humpty Sharma Ki Dulhania ……………………. Varun Dhawan

……………………………………………………………….. Alia Bhatt

2 – Bollywood Villa …………………………………….. X

3 Munna Mange Memsaab …………………………… X

 

Third Week – July 18

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1 – Amit Sahni Ki List …………………………………. X

2 – Hate Story 2 ………………………………………… X

3 – Pizza ………………………………………………….. Akshay Oberoi

4 – Bazar-E-Husn ……………………………………… Reshmi Ghosh

5 – Riyasat ………………………………………………. Aryeman Ramsay

6 – Aaj Ka Fashion Trend …………………………… Atishri Sarkar

 

Fourth Week  – July 25
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1 – Kick …………………………………………………. Jacqueline Fernandez

……………………………………………………………. Alvira Agnihotri

 

 

In total …………… 13 …………….. films got released in July . Out of these ………….. 13 ………… released films ……….. 07 ………… films have …………… 11 ……………. artistes , who are trained by me .

Out of these ………. 11 ……… persons , ………. 08 ……… are actors . Among the rest …………. 03 ………… Saif Ali Khan is the co-producer of “Lekar Hum Deewana Dil”. Shweta Pandit is the singer and she sang a song in the above mentioned film. And Alvira Agnihotri is the costume designer of “Kick” .

 

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New Regional Films & Me :

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1 – Bhojpuri : Anjani Kumar Chaturvedi  is doing lead role in  ” Benam Badshah “.


My ………….. 01 ……………. student in ……….. 01 ………….. regional film .

 

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TV Trivia & Me :

======================

 

1 – Sonali Bendre  is judging ” Cine Stars Ki Khoj “ on Zee TV .

2 – Ankur Nayyar is playing an important role in ” Bharat Ka Veer Putra – Maharana Pratap “ on Sony TV.

 

 


My ……………. 02 ……….. students in ………… 02 ……………. shows on TV .

 

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Theatre & Me :

======================

1 – Kalki Koechlin  is playing lead in the play  ” Hamlet The Clown Prince “.


My …………. 01 ………….. student in ………… 01 …………. play .

 

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Commercials & Me :

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1 – Ranbir Kapoor  is the  Brand Ambassador of  ” Hero Scooters ” .

2Ranbir Kapoor is the face of ” Ask Me ” .

3 – Pulkit Samrat is the face of  ” Snapdeal.com ” .

4 – Imran Khan is the Brand Ambassador of  ” Purer’r Shot ” .

5 – Sonam Kapoor is the Brand Ambassador of ” Colgate Visible White”.

6 -Sonam Kapoor is the Brand Ambassador of ” L’OREAL “.

7- Arjun Kapoor is the Brand Ambassador of ” Philips Pro Skin Trimmers “.

8 – Shazahn Padamsee is the Brand Ambassador of  ” Ketomac “.

9 – Alia Bhatt is the Brand Ambassador of ” Hero Motocorp ” .

10 – Saif Ali Khan is the Brand Ambasador of ” Denver Deo “.

11 – Katrina Kaif is the face of ” Lux ” .

12 – Katrina Kaif is the Brand Ambassador of ” Panasonic “.

13 – Priyanka Chopra is the Brand Ambassador of ” Rajnigandha Elaichi “.

14 – Kareena Kapoor is the Brand Ambassador of ” Slide “.

15 – Kareena Kapoor is the Brand Ambassador of ” Lakme “.

16 – Arjun Rampal is the Brand Ambassador of ” Nivea Men “.

 


My ………….. 12 …………… students in …………… 16 …………… commercial campaigns .

 

As an acting trainer / acting tutor , July 2014 was a remarkable month for me.  My student Armaan Jain made his debut as a lead actor. My 11 students appeared in 07 films , 02 students in 02 TV serials , 01 student in 01 regional film , 01 student in 01 play and 12 students appeared in 16 Ads also . Thus total number of students working in the month of July comes to 27 . And as I have stated earlier, I have mentioned names of only those students, who respect me and accept my contribution in their journey of cinema.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I congratulate my above mentioned 27 students .

May God bless them and they shine in their chosen field .

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Legendary ? Oh My God !!


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MUMBAI – MAHARASHTRA – INDIA           MAY 05 , 2013           07.00 P.M.

As an acting trainer [ some upstarts call me acting tutor – as if it is derogatory . They also mis-spelt tutor ] I run an acting institute in Mumbai . It is VIDUR Acting Institute known as Vidur’s Kreating Charakters . And to communicate with my acting students , friends & well-wishers around the world , I regularly write blogs , tweet quite frequently and update my activities on facebook account and facebook like page . I am also active on various other social net-working sites . But blog is my most potent tool , most favourite medium of expression .

Almost all the other acting trainers of India have their facebook pages . One gentleman has twitter account also . But no one is an active blogger . Recently some upstarts have started writing blogs .

Since writing blogs is not my sole prerogative , so any one can write blogs after creating  blog-space . But for that you have to know the language . You should know at least basics of the grammar . You should take care that your spelling is correct . But these upstarts are masters of bad English and wrong spelling . They have dearth of matter so abusing me is the only topic they know . They claim to be veterans but the fact of the matter is that they were my students once upon a time .

In one of their recent blog they used the adjective ” LEGENDARY ” for a B-Grade actor . The said actor , in one of his film , played second fiddle to an animal . As for his acting calibre , a video on YouTube can be watched . The so-called ” legendary ” [ ? ] actor was supposed to mouth few lines . He failed repeatedly and instead of being ashamed , he was laughing uproariously and was openly dishing out choicest cuss words and expletives .

So why this generosity to honour such a person with the word ” LEGENDARY ” . It is a syndrome . I call this Pakistan syndrome . Pakistan is just 66-year-old state . So she desperately needs national heroes . Since they don’t have any so they started importing names from Afghanistan . They invoke names of Ghazni and Ghori . Though Mehmood of Ghazni and Mohammad Ghori were the warlords of Afghanistan and they both invaded India to loot and plunder . But Pakistan appropriated them because she was in search of national icons . In the same manner these upstarts need icons for themselves . And they don’t have any . So in desperation they are calling this B-Grade hero ” LEGENDARY ” so that they can feel satisfied that they also have some one in their kitty .

In the process they are insulting the true legends . Only age or seniority cannot be the deciding factor in determining the legends . Ashok Kumar is a legend but Rashid Khan is not . Dilip Kumar is a legend but his contemporary Rajan Haksar is not . Amitabh Bachchan is a legend but Krishna Dhawan is not . Madhubala is a legend but Fariyal is not . Helen is a legend but Lakshmi Chhaya is not .

It is one thing to proclaim his / her acting institute as the most famous acting school of Mumbai , or the most famous acting institute of India , or the most famous acting academy of bollywood , but it is totally different to become the real one . One can blow one’s own rickety and rotten trumpet and proclaim to run the most famous acting school of the world . But this cacophony will not succeed . Time has come and dust is settling down . Soon , very soon , everything will be clear . Till then , abuse me profusely you uncouth morons . It shows your class and upbringing .

I thank God that for becoming famous or for self-glorification  VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters   is not resorting to such tactics .

God is kind . God is great .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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60 Years of Film ” Sangdil ”


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 11 , 2012           11.50 P.M.

In the list of hit films of 1952 , Sangdil stands at the 7th position . I have already written about 5 films . They are ; ” Aan ” , ” Baiju Bawra ” , ” Jaal ” , ” Daag ” andAnhonee ” . I am unable to remember anything about ” Maa ” , the 6th hit film of 1952 . So I have to skip it . ” Sangdil “ stands at 7th .

This Dilip Kumar and Madhubala starrer was way ahead of its time .

” Sangdil ”  was directed by R. C. Talwar . The film is an adaptation of the Charlotte Brontë classic Jane Eyre. The film stars Dilip Kumar, Madhubala, Dara Singh and Leela Chitnis. This film is Dara Singh’s debut film .

This film has lyrics by Rajender Krishen . It’s music is by Sajjad Hussain.

Talat Mehmood‘s ” Ye Hawa Ye Raat Ye Chandni , Teri Ik Ada Pe Nisar Hai …………….. “ is still popular among the lovers of old Hindi film songs . ” Kahan Ho Kahan Ho Mere Jeevan Sahare , Tumhen Dil Pukare ……………….. “ is another gem by Talat Mehmood . During the earlier days of Dilip Kumar and before Mohammad Rafi became his regular voice , Talat Mehmood was his voice .

” Dharti Se Door , Gore Baadlon Ke Paar , Aaja Aaja Basalen Naya Sansaar …………….. “ is another gem by Asha Bhosle and Geeta Dutt . This movie also has a Lata Mangeshkar gem ” Wo To Chale Gaye Ae Dil …………………… ” .

Sangdil (1952 film)

Sangdil (1952 film) (Photo credit: Wikipedia)

Jane Eyre (1943 film)

Jane Eyre (1943 film) (Photo credit: Wikipedia)

After ” Aan ” and ” Daag ” , this film ” Sangdil “ was 3rd consecutive hit of Dilip Kumar in 1952 and thus riding on the wave of 3 super hit films , he reached the dizzying heights of super – stardom , which lasted almost 50 years . Dev Anand followed him with 2 hits in 1952 ; ” Jaal ” and ” Aandhiyan “ and Raj Kapoor also with 2 hits ; ” Anhonee ” and ” Bewafa  . It is not for nothing that this triumvirate of Dilip Kumar , Dev Anand and Raj Kapoor ruled the Hindi film industry for uninterrupted 50 years .

 

English: I took this picture when he paid a vi...

Dilip Kumar (Photo credit: Wikipedia)

 

 

English: Press conference by Prime Minister Ma...

Press conference by Prime Minister Manmohan Singh to announce the release of Dev Anand’s autobiography Romancing with Life (Photo credit: Wikipedia)

 

 

Remembering Raj Kapoor

Raj Kapoor (Photo credit: ramesh_lalwani)

 

 

English: Indian singer Lata Mangeshkar

Lata Mangeshkar (Photo credit: Wikipedia)

 

There is one more point for the common public and connoisseurs alike . Lata Mangeshkar is the sole common factor of all the hits and super hits of 1952 . Male and female stars changed . Directors also changed the seats . Music directors and lyricists got replaced . Male singers are not there in every film . But Lata Mangeshkar gave hit after hit in every film , for every heroine and for every music director .

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In my acting institute of Mumbai , I have decided to introduce my students to this fantastic world of Hindi films . They should know about the history – making films of India . It will be now a regular feature of the curriculum of Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

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