An Open Letter To FTII Alumna / Alumnus


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MUMBAI – MAHARASHTRA – INDIA           JUNE 18, 2015           00.30 A.M.

Dear Alumna / Alumnus of FTII, Pune !

I have already written 2 blogs about the FTII [ Film & Television Institute of India ] , Pune. 1st blog was written on March 28, 2010. It was about the declining and deteriorating standards of FTII. The 2nd one was written on October 28, 2012. It was about hubris and high-handed behaviour of students of FTII. Today I am forced to write 3rd blog about FTII.

I am reading in newspapers that alumnus of this so-called premier institute are agitated against Shri Gajendra Chauhan, the newly appointed FTII Chief. Nearly 150 students boycotted classes today and continued their protest for the 5th day.

According to Harishankar Nachimuthu, the President of Student’s Union of FTII, Gajendra Chauhan’s appointment is a conspiracy to saffronise this prestigious ( ? ) institute. He states that he is not going to accept Shri Gajendra Chauhan as Chief of FTII. May I demand to know, who is seeking his acceptance or concurrence?

I came to know that several past students [ who are jobless since time immemorial ] are holding meeting in Mumbai and threatening central government that they will fight against Shri Gajendra Chauhan, “a Narendra Modi stooge” till the end. According to them he lacks stature and administrative experience. May I demand to know, who the hell are they to decide, whether Shri Chauhan has the required stature or not?

In the past Mr. Shyam Benegal, Mr. Mrinal Sen, Mr. Adoor Gopalakrishnan, Mr. Mahesh Bhatt, Mr. Girish Karnad, Mr. Vinod Khanna, Prof. U.R. Ananthamurthy and Mr. Saeed Mirza have served as Chairman of the Governing Council of FTII.  They were appointed by the government of the day. Shri Gajendra Chauhan is also appointed by present central government.

I fail to understand, how can students demand to have a say in the appointment of Chief of FTII. Moreover, what stake do past students have in the affairs of their Alma Mater? Why are they agitated? Why are they threatening to “fight till the end”?

Students and alumnus of this so-called prestigious institute should realize that their job is to get trained and not to decide about the governing council chief or other administrative matters of the institute. They must realize that the golden days of Shri Roshan Taneja are over. Their activism fails to produce a single actor of the calibre of ASHOK KUMAR, MOTI LAL, DILIP KUMAR, BALRAJ SAHNI, SANJEEV KUMAR, AMITABH BACHCHAN, SHAHRUKH KHAN, AMIR KHAN, HRITIK ROSHAN or RANBIR KAPOOR. None of the above mentioned actors are the alumnus of FTII. I also fail to find among your alumna, any actress of the stature of NARGIS, MEENA KUMARI, MADHUBALA, GEETA BALI, VYJAYANTIMALA, WAHEEDA REHMAN, REKHA or KAJOL. And you people are talking about the calibre of Gajendra Chauhan.

I appeal to the alumnus of FTII to first become a world-class actor and then try to be an activist. The most important FTII alumnus and your biggest inspiration NASEERUDDIN SHAH is busy doing “world-class” ( ? ) films like “Sona Spa” and ” Jackpot” and you people are pontificating on the calibre of Shri Gajendra Chauhan and threatening Shri Narendra Modi.

And now a word for failed ex students of FTII. You have no business to meddle in the affairs of your alma mater if you are still struggling to make a mark. No one needs your activism. You roam around in the alleys of Mumbai with stinking body, wilting faces, faded attires and dead and gloomy eyes. I pity your rancid existence and failed journey of life. The government of the day doesn’t need or seek your approval. Leave your hubris. You are not doing any favour to us or humanity if you are an ex students of FTII.

Let me make it clear that your agitation is politically motivated. All the right thinking people know it. If it is not so, why people like Anand Patwardhan and other known left-liberals are joining your band wagon? Why students of JNU [ Jawahar Lal Nehru University ] , a breeding ground of leftist and pseudo seculars, are joining your protest? What stake have they in the FTII?

Instead of protesting against Gajendra Chauhan, try to check the deterioration in the quality of the institute. May I demand to know why “for a 3 year programme, there have been students floating around the campus since 2008? May be they will graduate only when their creative juices start flowing.[ verbatim quote from Hindustan Times – Dated June 17, 2015 – Page 11 / also read the editorial ” The World’s not a stage at the FTII – Page 12]

You resist every change and want to run the institute as per your whims and fancies. When UPA appointed committee suggested running the institute on public-private partnership, you people protested. When UPA tried to make the syllabus more contemporary, you started indefinite strike. UPA government headed by Congress was not saffronising the institute. So it is clear that protests and strikes are in your DNA.

Dear alumnus, if you feel or suspect that the appointment of Shri Gajendra Chauhan is a conspiracy to saffronise FTII, I suggest that you should learn to live with it as soon as possible. It will be better for your future, your health and your well-being.

We have seen enough of your hubris. We have tolerated enough of your pseudo intellectual hypocrisy. It is time to say, ” ENOUGH IS ENOUGH “.

 

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On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I denounce you for your hypocrisy, needless hubris and uncalled for activism.

 

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My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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P. B. Sreenivas : The Golden Voice Is No More


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MUMBAI – MAHARASHTRA – INDIA           APRIL 18, 2013           00.50 A.M.

Legendary playback singer P. B. Sreenivas a.k.a. PBS died on April 14, 2013 in Chennai at the age of 82 .

P. B. Sreenivas

P. B. Sreenivas

He made his début in 1952 in Gemini’s Hindi film “ Mr Sampat ”, where his song “Aji hum Bharat ki naari”, a duet with Geeta Dutt, became popular. I still remember ” Mr. Sampat “ because of the sterling performance of Late Moti Lal , who played the lead in the film . He played a con man and played it with such aplomb , that his sherwani clad persona with swagger in his walk is still etched in my memory and his histrionics is still fresh . Though I had forgotten the above mentioned song .

Mr. Sampat

PBS sang his most popular duet in Hindi “ Chanda Se Hoga Wo Pyaara , Phoolon Se Hoga Wo Nyara ; Naachega Aangan Men Chham Chham , Nanha Sa Munna Hamara ” with Lata Mangeshkar in the film Main Bhi Ladki Hoon in 1964 . Music director of this song was Chitragupta and lyrics were written by Rajendra Krishan . It is sad that till recently I was under impression that the male voice in this song is of Hemant Kumar . It is only after the death of PBS that I got to know through the newspaper articles that the male singer in this song is P. B. Sreenivas and not Hemant Kumar .

Main Bhi Ladki Hoon

This film was made by A.V.M. studio Chennai and it had Meena Kumari and Dharmendra in stellar role . Balraj Sahni , Om Prakash , Manorama and Bhagwan Dada also starred in the film . Meena Kumari’s enchanting persona and this melodious song is still remembered by the connoisseurs of Hindi cinema . ” Main Bhi Ladki Hoon “ is unforgettable even today .

English: Indian singer Lata Mangeshkar as a yo...

Lata Mangeshkar as a young woman (Photo credit: Wikipedia)

Meena Kumari

Meena Kumari (Photo credit: Wikipedia)

Dharmendra

Dharmendra (Photo credit: Kaddele)

Though PBS had hit numbers in all the languages that he sang, it was in the Kannada Film Industry that he sang the highest number of songs and delivered the highest number of hits. P. B. Sreenivas ruled the Kannada Industry for over three decades and was the voice for Super Star Dr. Rajkumar . His first song for Rajkumar was in 1956 film ” Ohileshwara “ . He , later on , sang almost 300 hit songs for the Kannada Super Star .

In the Tamil industry, his maximum number of songs are for Gemini Ganesan. The most memorable hit of this duo was ‘Nilave ennidam nerungathe’.

 

Gemini Ganesan in the 1947 Tamil film Miss Malini

Gemini Ganesan in the 1947 Tamil film Miss Malini (Photo credit: Wikipedia)

 

 

Gemini Ganesan & PBS

Gemini Ganesan & PBS

He had sung for other actors as well but incidentally, he had sung very few songs for M. G. Ramachandran and Sivaji Ganesan .

English: Legend of Kannada cinema industry, Dr...

Legend of Kannada cinema industry, Dr. Rajkumar. This was clicked in his residence on Oct 1993. (Photo credit: Wikipedia)

With Dr. Rajkumar

With Dr. Rajkumar

Almost all his Kannada songs became famous and though he sang in many languages , he is considered a Kannadiga playback singer .

Most famous acting school of Mumbai , or most famous acting institute of India , or most famous acting academy of bollywood will not recognise him . They are oblivious of his contribution . God bless them !

P. B. Sreenivas

On behalf of all the students and staff of  VIDUR Acting Institute , which is known as  Vidur’s Kreating Charakters  , I offer my heartfelt condolences .

May eternal peace be bestowed on him !

VIDUR

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B. M. Vyas Is No More


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MUMBAI – MAHARASHTRA – INDIA           MARCH 15 , 2013           00.50 A.M.

A veteran actor of mythological and some social Hindi films , Shri B. M. Vyas died on March 11 , 2013 at the age of 93 in Mumbai .

B. M. Vyas in His Younger Days

B. M. Vyas in His Younger Days

Famous for his portrayal of Ravan in several mythological films , Shri B. M. Vyas started his career with Chetan Anand’s Neecha Nagar but was noticed with Raj Kapoor’s ” Barsaat ”  in 1949 . He acted in over 300 mythological and social films including films like ” Baiju Bawra ” , ” Do Aankhen Barah Haath and ” Sarawasti Chandra ” . His last big film was Shah Rukh Khan starrerOh Darling Yeh Hai India ” .

As Ravan in " Sampoorn Ramayan "

As Ravan in ” Sampoorn Ramayan “

Some Famous Films of B. M. Vyas As An Actor

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There are some other famous films of Shri B. M. Vyas , which I would like to mention for the benefit of new generation :
Movies of B.M. Vyas
Aladdin Aur Jadui Chirag (1952)
Mahipal, Meena Kumari, B.M. Vyas, S.N. Tripathi, W.M. Khan, Jillo, Babu Raje, Azim, Raja Sandow P.K., Urmila, Vasantrao Pahelwan, Amarnath, M.K. Hasan, Bismillah, Dalpat
Watch Online
Alibaba And 40 Thieves (1966)
Sanjeev Kumar, L. Vijayalakshmi, Indira, Tabassum, B.M. Vyas, David, Veena, S.N. Tripathi
Watch Online
Alibaba and Forty Thieves (1954)
Mahipal, Sharda, B.M. Vyas, S.N. Tripathi, Dalpat, Maruti Rao, Azim, Lalita Kumari, Sardar Mansur
Watch Online
Amber (1952)
Raj Kapoor, Nargis, Agha, Bipin Gupta, Ramesh Sinha, Samson, S.B. Nayampalli, B.M. Vyas, Cuckoo, Tanuja
Watch Online
Awara (1951)
Prithviraj Kapoor, Raj Kapoor, Nargis, K.N. Singh, Shashi Kapoor, B.M. Vyas, Leela Mishra, Leela Chitnis, Om Prakash Mehra, Dewan Basheswarnath Kapoor, Helen
Watch Online
Baghavat (1982)
Dharmendra, Hema Malini, Reena Roy, Amjad Khan, Urmila Bhatt, Birbal, Padma Chavan, Viju Khote, Sujit Kumar, Manmauji, B.M. Vyas, Dinesh Thakur
Watch Online
Baiju Bawra (1952)
Meena Kumari, Bharat Bhushan, Bipin Gupta, B.M. Vyas, Surendra, Kuldip Kaur, Mishra, Kesari, Radhakrishan, Tabassum, Rai Mohan
Watch Online
Barsaat (1949)
Raj Kapoor, Nargis, K.N. Singh, Prem Nath, Cuckoo, Nimmi, B.M. Vyas, Ratan Gaurang, Vishwa Mehra
Watch Online
Bhagwan Samaye Sansar Mein (1976)
Ashish Kumar, Kanan Kaushal, Abhi Bhattacharya, B.M. Vyas, Jayshree T., Mohan Choti, Jeevan, Alankar Joshi, Lalita Kumari, Hansa Lokhande, Sunder, Chand Usmani
Watch Online
Char Dervesh (1964)
Feroz Khan, Sayeeda Khan, Kumari Naaz, Ratnamala, Jeevan Kala, Paul Sharma, B.M. Vyas, Mukri, Sunder, Amarnath, W.M. Khan, Pal Sharma, Sardar Mansur, Nazir Kashmiri, Dalpat
Watch Online
Do Ankhen Barah Haath (1957)
Rajaram Vankudre Shantaram, Sandhya, Ulhas, B.M. Vyas, Paul Sharma, S.K. Singh, Shankarrao Bhosle
Watch Online
Duniya Jhukti Hai (1960)
Sunil Dutt, Shyama, B.M. Vyas, Kumkum, Agha, Wasti, W.M. Khan, Habib, Daisy Irani
Watch Online
Ek Paheli (1971)
Sanjeev Kumar, Feroz Khan, Tanuja, Rajendra Nath, Madan Puri, Jeevan, Aruna Irani, Manohar Deepak, Bipin Gupta, Uma Khosla, B.M. Vyas, Tun Tun
Watch Online
Harishchandra Taramati (1963)
Prithviraj Kapoor, Jaymala, B.M. Vyas, Helen, Ulhas, Ramayan Tiwari, Babu Raje, P. Kailash, Babloo
Watch Online
Hatim Tai (1956)
Jairaj, Shakila, Meenaxi, Naina, Krishna Kumari, Kamal, Menaka, S.N. Tripathi, B.M. Vyas, Sheikh, Dalpat
Watch Online
Hum Panchhi Ek Daal Ke (1957)
Master Romi, Satish Vyas, Daisy Irani, Jagdeep, Mohan Choti, David Abraham, Murad, Maruti Rao, B.M. Vyas, Krishnakant, Achala Sachdev
Watch Online
Jahan Sati Wahan Bhagwan (1965)
Prithviraj, Anita Guha, Sulochana Chatterjee, Mahipal, Krishna Kumari, Mohan Choti, Madhumati, B.M. Vyas, Praveen Paul, Santosh Kumar
Watch Online
Jai Santoshi Maa (1975)
Anita Guha, Bharat Bhushan, Ashish Kumar, Kanan Kaushal, Trilok Kapoor, Rajni Bala, B.M. Vyas, Leela Mishra, Rajan Haksar, Moolchand
Watch Online
Janam Janam Ke Phere: Alias Sati Anapurna (1957)
Nirupa Roy, Manher Desai, B.M. Vyas, S.N. Tripathi, Satish Vyas, Kanta Kumari, Mahipal, Krishna Kumari, Champaklala
Watch Online
Lav-Kush (1967)
Ashim Kumar, Jayshree Gadkar, Babloo, Sushil Kumar, Kanu Roy, Munna, Bela Bose, S.N. Tripathi, Chitra, Dalpat, B.M. Vyas, Hari Shukla, Chandrima Bhaduri, Bhagwan Singh, R.C. Pandey
Watch Online
Maha Pawan Tirth Yatra (1975)
Ashish Kumar, Rajni Bala, Mahipal, Jeevan, Shashi Modak, B.M. Vyas, Anita Guha
Watch Online
Mangalsutra (1981)
Rekha, Anant Nag, Prema Narayan, Madan Puri, Om Shivpuri, B.M. Vyas, Rajendra Nath, Keshto Mukherjee, Asit Sen, Jagdeep
Watch Online
Maya Machhindra (1975)
Abhi Bhattacharya, Kanan Kaushal, B.M. Vyas, Jeevan
Watch Online
Murder In Circus (1971)
Nisar Ahmad Ansari, M.B. Shetty, Sujit, Jaymala, Bela Bose, B.M. Vyas, Sapru
Watch Online
Nag Panchami (1953)
Nirupa Roy, Manohar Desai, B.M. Vyas, Durga Khote, Tiwari
Watch Online
Oh Darling Yeh Hai India (1995)
Shah Rukh Khan, Deepa Sahi, Amrish Puri, Anupam Kher, Javed Jaffrey, Tinnu Anand, Tiku Talsania, Shri Vallabh Vyas, Sadashiv Amrapurkar, Tom Alter, Kader Khan, Shri Vallabh Vyas, Raza Murad, B.M. Vyas, Anil Nagrath, Ranjana Sharma, Ranjeet, Ravi Gossain
Watch Online
Patita (1953)
Dev Anand, Usha Kiran, Agha, Shivraj, Krishnakant, C.S. Dubey, Sonny Abraham, B.M. Vyas, Lalita Pawar
Watch Online
Puja Aur Payal (1980)
Sujit Kumar, Sonali, Madhumati, Ram Mohan, B.M. Vyas, Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Johnny Walker
Watch Online
Rani Rupmati (1957)
Bharat Bhushan, Nalini Chonkar, Ulhas, B.M. Vyas, Nirupa Roy, Babu Raje, Amarnath, Rajrani
Watch Online
Razia Sultan (1983)
Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Vijayendra, Ajit, Jankidas, B.M. Vyas, Mumtaz Begum, Shribhagwan, Heena Kausar, Anu Dhawan, Veena, Sohrab Modi, Sarika, Radha Saluja, Bijoya Jena, Madhu Malini, Gopi Krishna, Shahu Modak, Aarti Chopra
Watch Online
Sampoorna Ramayana (1961)
Mahipal, Anita Guha, Sulochana Latkar, Helen, Lalita Pawar, Achala Sachdev, Krishna Kumari, Raj Kumar, Uma Dutt, B.M. Vyas, Badri Prasad, Paul Sharma
Watch Online
Samrat Prithviraj Chauhan (1959)
Anita Guha, B.M. Vyas, Chand Usmani, Jairaj, Leela Mishra, Prem Adib, Sulochana, Ulhas
Watch Online
Sant Ravidas Ki Amar Kahani (1983)
Ashish Kumar, B.M. Vyas, Mahipal, Rajendra Nath, Tun Tun, Mohan Choti, Shekhar Purohit
Watch Online
Saranga (1960)
Sudesh Kumar, Jayshree Gadkar, Nilofar, B.M. Vyas, Niranjan Sharma, Jankidas, Sadiq, Parsuram, Jaya Devi
Watch Online
Saraswatichandra (1968)
Nutan Behl, Manish, Vijaya Choudhury, Ramesh Deo, Sulochana Latkar, B.M. Vyas, Seema Deo, Jeevan Kala, S.B. Nayampalli, Sulochana Chatterjee, Shivraj
Watch Online
Sati Naari (1965)
Anita Guha, Manohar Desai, Jeevan, Sunder, B.M. Vyas, Ulhas, Ram Singh
Watch Online
Sheikh Chilli (1956)
Shyama, Mahipal, Agha, B.M. Vyas, Bhagwan
Watch Online
Shravan Kumar (1960)
Anant Kumar, Achala Sachdev, B.M. Vyas, Nalini Chonkar, Sunder, Polson
Watch Online
Shree Ram Bharat Milan (1965)
Prithviraj Kapoor, Nirupa Roy, Mahipal, Anita Guha, Sulochana, B.M. Vyas, Niranjan Sharma, Vanamala, Shekhar Purohit, Aruna Irani
Watch Online
Solah Shukrawar (1977)
Rajni Bala, Indira Bansal, Abhi Bhattacharya, Bharat Bhushan, Bela Bose, Sushil Chak, Manek Chaudhary, Ramesh Deo, Ramesh Dubey, Manher Desai, Manik Dutt, Dilip Dutt, L.M. Ganu, Anita Guha, Tarun Ghosh, Anuradha Guha, Ashish Kumar, Meenakshi, Leelavathi, Polson, Prema Narayan, B.M. Vyas
Watch Online
Tarzan Aur Jadui Chirag (1966)
Azad Shaban, Sunita, B.M. Vyas, Dalpat, Tun Tun, Kesari, Sheikh, Shakeela Bano Bhopali, Jani Babu, Kammo
Watch Online
Thief of Baghdad (1969)
Dara Singh, Nishi, Helen, B.M. Vyas, Mohan Sherry, Sheikh, Savita, Rani, Moolchand, Maruti, Ram Kumar, P. Kailash
Watch Online
Toofan (1975)
Vikram, Priyadarshinee, Jeevan, Jagdeep, Roopesh Kumar, P. Jairaj, Trilok Kapoor, Sajjan, B.M. Vyas, Rajan Haksar, Urmila Bhatt, Praveen Paul, Meena T.
Watch Online
Tumsa Nahin Dekha (1957)
Shammi Kapoor, Ameeta, Pran, Raj Mehra, B.M. Vyas, Sheela Vaz, Ram Avtar, Anjali Devi, M.B. Shetty, S.L. Puri
Watch Online
Veer Babruwahan (1950)
Shashi Kapoor, S.N. Tripathi, Jankidas, B.M. Vyas
Watch Online
Yeh Raat Phir Na Aaygi (1966)
Prithviraj Kapoor, Biswajeet, Sharmila Tagore, Sailesh Kumar, Mumtaz, Helen, Madhumati, B.M. Vyas, Asit Sen, Labiby Mady
Watch Online
Zabak (1961)
Mahipal, Shyama, Krishna Kumari, Sahira, B.M. Vyas, Achala Sachdev, Manher Desai, Uma Dutt, Muzaffar Adeeb, W.M. Khan, Babu Raje
Watch Online

I pay respect to Shri B. M. Vyas and pray to God to give him everlasting peace and solitude .

I must admit it was difficult to gather information about Shri Vyas . I rummaged through many websites and gathered information about him and his films . I wanted to put the information about his films and the posters of his films in my blog space so that students of my acting institute , Vidur’s Kreating Charakters  should know at least a little bit about him and his histrionics .

So called best acting schools of Mumbai are silent about him . Self – proclaimed famous acting institutes of India have no time for a veteran like B. M. Vyas . Upstarts of some acting classes of Bollywood are not bothered about this chapter of our film industry . They are busy abusing me on social net – working sites and blowing their own rotten , rickety trumpets .

I pay my respect and will always remember ” Sampoorn Ramayan “ , in which he played Ravan to the hilt . I saw the film during my childhood and loved his portrayal of Ravan .

[ I have taken information and trivia about his films from a website : http://www.fridaycinemas.com/MoviesByCelebrities.aspx?Cname=B.M.%20Vyas

I express my gratitude ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

60 Years of Film ” Baiju Bawra “


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 06 , 2012           11.30 P.M.

Today sitting in the office of my acting institute in Mumbai , I was going through some old issues of Screen . Suddenly I saw an article and came to know that the iconic filmBaiju Bawra is now 60 years old . It was released in 1952 . It is the same year when I was born .

Baiju Bawra (1952 film)

Baiju Bawra (1952 film) (Photo credit: Wikipedia)

 

When I started following Hindi film songs in 1967 , I heard some of the songs of the film ” Baiju Bawra ” . In 1967 during my High School days , I didn’t know either Meena Kumari or Bharat Bhushan , the protagonists of ” Baiju Bawra ” . I was not even aware of Naushad or Shakeel Badayuni also , who gave music and wrote lyrics of the film respectively . I simply knew Lata Mangeshkar and Mohammad Rafi , the singers of the film .

After passing High School from the Government Inter College , Deoria , I went to Government Inter College , Allahabad for intermediate in July 1967 . It was in Allahabad that I started following films religiously . There I watched ” Baiju Bawra “ and became aware of Meena Kumari and Bharat Bhushan . I became aware of the legendary status of Naushad and about the good work of lyricist Shakeel Badayuni .

Earlier I had heard the songs of ” Baiju Bawra “ but after watching the film , I started appreciating them in a more positive way . Mohammad Rafi’s ” O Duniya Ke Rakhwale ……… ” and ” Man Tadpat Hari Darshan Ko Aaj ……….. “ were my favourites and they still have same sway over me . They are my perennial favourites . ” Tu Ganga Ki Mauj , Main Jamuna Ka Dhara ……….. “ is hugely popular even today .

 

Meena Kumari

Meena Kumari (Photo credit: Wikipedia)

 

Meena Kumari and Bharat Bhushan were not stars when this film was made with them . Naushad , Lata Mangeshkar and Mohammad Rafi were the only known names and they were the only stars of this non – star cast film . Music of the film was hit and is still remembered by all the connoisseurs of Hindi films .

English: Indian musician Naushad

Musician Naushad (Photo credit: Wikipedia)

English: Indian singer Lata Mangeshkar as a yo...

Lata Mangeshkar as a young woman (Photo credit: Wikipedia)

Mohammed Rafi

Mohammed Rafi (Photo credit: Wikipedia)

 

All lyrics written by Shakeel Badayuni, music composed by Naushad.

No. Title Singer(s) Length
1. “Tu Ganga Ki Mauj” (Raga Bhairavi) Mohammad Rafi, Lata Mangeshkar
2. “Aaj Gawat Man Mero Jhoomke” (Raga Desi) Ustad Amir Khan, D. V. Paluskar
3. “O Duniya Ke Rakhwale” (Raga Darbari) Mohammad Rafi
4. “Door Koi Gaye” (Raga Des) Lata Mangeshkar, Shamshad Begum and chorus
5. “Mohe Bhool Gaye Sanwariya” (Raga Bhairav with traces of Raga Kalingda) Lata Mangeshkar
6. “Jhoole Mein Pawan Ki Aai Bahar” (Raga Pilu) Mohammad Rafi, Lata Mangeshkar
7. “Man Tarpat Hari Darsan Ko Aaj” (Raga Malkauns) Mohammad Rafi
8. “Bachpan Ki Muhabbat” (Based on Maand) Lata Mangeshkar
9. “Insaan Bano” (Raga Todi) Mohammad Rafi
10. “Tori Jai Jai Kartar” (Raga Puriya Dhanashree) Ustad Amir Khan
11. “Langar Kankariya Ji Na Maro” (Raga Todi) Ustad Amir Khan, D. V. Paluskar
12. “Ghanana Ghanana Ghana Garjo Re” (Raga Megh) Ustad Amir Khan
13. “Sargam” (Raga Darbari) Ustad Amir Khan

This Vijay Bhatt directed film ran for 100 weeks and created history . It is so heartening to note that ” Baiju Bawra “ is now 60 years old and for a film connoisseur like me its magic refuses to fade away even after so many years .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai .

I , on behalf of all the students and staff of my acting school Vidur’s Kreating Charakters , express my happiness on this historic day .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

Ravi : Unsung Music Maestro


Music Director Ravi

Music Director Ravi

MUMBAI – MAHARASHTRA – INDIA           MARCH 14 , 2012           02.30 A.M.

I do know and would like to affirm that common people and connoisseurs , both remember all the following songs of Hindi films :

Darshan Do Ghanshyam Nath Mori Ankhiyan Pyasi Re ……………….

Chaudhvin Ka Chand Ho Ya Aaftab Ho …………………………

Husnwale Tera Jawab Nahin ……………………………………..

Baazi Kisi Ne Pyar Ki Jeeti Ya Har Di …………………………..

Bar Bar Dekho Hazar Bar Dekho Ki Dekhne Ki Cheez Hai Hamara Dilruba …..

Itni Haseen Itni Jawan Rat Kya Karen ………………………………..

Chalo Ik Bar Phir Se Ajnabi Ban Jayen Hum Dono ……………………..

Tora Man Darpan Kahlaye …………………………………

Chhoo Lene Do Nazuk Hoton Ko Kuchh Aur Nahin Hai Jam Hai Ye …………….

Tumhin Meri Manzil Tumhin Meri Pooja Tumhin Devta Ho ………………

Badi Der Bhai Nandlala Teri Rah Take Brijbala ………………………..

O Meri Zohra Jabin Tujhe Maloom Nahin ………………………….

Bhari Duniya Men Akhir Dil Ko Samjhane Kahan Jayen ………………..

Raha Gardishon Me Hardam Mere Ishq Ka Sitara ……………………….

Gharibon Ki Suno Wo Tumhari Sunega Tum Ek Paisa Doge Wo Dus Lakh Dega .

Neele Gagan Ke Tale Dharti Ka Pyar Pale …………………………….

Tujhko Rakhe Ram Tujhko Alla Rakhe ………………………………….

Milti Hai Zindagi Men Muhabbat Kabhi Kabhi ……………………….

Bachche Man Ke Sachche …………………………….

Babul Ki Duayen Leti Ja Ja Tujhko Sukhi Sansar Mile …………………….

Tujhe Sooraj Kahoon Ya Chanda Tujhe Deep Kahoon Ya Tara ……………….

Sansar Ki Har Shai Ka Itna HI Fasana Hai ……………………………

Aaj Mere Yaar Ki Shadi Hai ………………………………

Dil Ke Arman Aansuon Men Bah Gaye ………………………….

Dil Ki Ye Arzoo Thi Koi Dilruba Mile ………………………

These are some of the songs , which are still famous . These are some of the songs , which need no introduction . These are some of the songs , which any one can easily hum because their tunes are still echoing  in everyone’s mind . May be names of the films are not remembered . May be names of the star – cast is forgotten . May be name of the music director is also not known to the younger generation . But songs endure . Melody survives and is still fresh  .

Creator of these immortal songs is a music maestro known as Ravi . Originally named as Ravi Shankar Sharma , Ravi was born in Delhi and wanted to become a play back singer . He was , ironically , not trained in Indian classical music . He moved to Mumbai in 1950 and started his journey in Hindi films .

Anand Math

Poster of Anand Math

He became Hemant Kumar’s assistant for Anand Math and sang in the chorus also in the Vande Mataram song . He , then , was signed by Devendra Goel , a top – notch director of his time , for a film called ” Vachan ” [ 1955 ] and after the success of that film , Ravi never looked back .

Then followed many hit films and numerous super – hit songs , which are still popular . ” Vachan ” [ 1955 ] , ” Dilli Ka Thug ” [ 1958 ] , ” Chirag Kahan Roshni Kahan ” [ 1959 ] , ” Chaudhvin Ka Chand ” [ 1960 ] , ” Ghunghat ” [ 1960 ] , ” Gharana ” [ 1961 ] , ” Nazrana ” [ 1961 ] , ” China Town ” [ 1962 ] , ” Gehra Daag ” [ 1963 ] , ” Gumrah ” [ 1963 ] , ” Ustadon Ke Ustaad ” [ 1963 ] , ” Yeh Raaste Hain Pyaar Ke ” [ 1963 ] , ” Bharosa ” [ 1963 ] , ” Door Ki Awaaz ” [ 1964 ] , ” Kaajal ” [ 1965 ] , ” Khandaan ” [ 1965 ] , ” Waqt ” [ 1965 ] , ” Do Badan ” [ 1966 ] , ” Dus Lakh ”  [ 1966 ] , ” Phool Aur Patthar ” [ 1966 ] , ” Humraaz ” [  1967 ] , ” Meharban ” [ 1967 ] , ” Aankhen ” [ 1968 ] , ” Do Kaliyaan ” [ 1968 ] , ” Neel Kamal ” [ 1968 ] , ” Aadami Aur Insaan ” [ 1969 ] , ” Ek Phool Do Maali ” [ 1969 ] , ” Dhund ” [ 1973 ] , ” Aadmi Sadak Ka ” [ 1977 ] and ” Nikah ” [ 1982 ] .

Chirag Kahan Roshni Kahan

Poster of Chirag Kahan Roshni Kahan

Chaudhvin Ka Chand

Phool Aur Patthar

Poster of Phool Aur Patthar

Aadmi Sadak Ka

Poster of Aadmi Sadak Ka

incidentally ” Nikah ” [ 1982 ] was his last Hindi hit . In 80s he started giving music in Malayalam films as Bombay Ravi . He gave several hit songs in Malayalam also .

His two songs ; Babul Ki Duayen Leti Ja from ” Neel Kamal ” [ 1968 ] and Aaj Mere Yaar KI Shadi Hai from ” Aadmi Sadak Ka ” [ 1977 ] are still popular . In all the marriages in the North India these two songs are must . No marriage procession in North India even today ever starts without Aaj Mere Yaar Ki Shadi Hai . And no girl  ever leaves her parental home even today without Babul Ki Duayen leti Ja Ja Tujhko Sukhi Sansar Mile  being played in the background . This is genius of Ravi Sahab .

This genius music director left this world on March 07 , 2012 in Mumbai at the age of 86 .

It is sad that he never got his due from the industry . Though he repeatedly worked for B. R. Chopra , Ramanand Sagar , Gemini Productions , AVM Productions , Guru Dutt Films , but was never considered A Grade music director . He gave music for Raj Kapoor starrer , Meena Kumari Starrer , Rajendra Kumar Starrer , Shammi Kapoor Starrer but still was not included in the A list . He gave music for the first production of Sunil Dutt and first super – hit of Dharmendra but was always neglected .

His last days were painful as he was allegedly tormented by his estranged son and daughter – in – law Varsha Usgaonkar .

I am saddened by his sad demise . At this moment I am remembering his song from ” Dhund ” ] 1973 ]  ; Sansar Ki Har Shai Ka Itna Hi Fasana Hai ; Ik Dhund Se Aana Hai Ik Dhund Men Jana Hai ………..

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

My Column ” Kal Aur Aaj ” in Bhojpuri City – [ 6 ]


 

MUMBAI – MAHARASHTRA – INDIA            SEPTEMBER 10, 2011                 11 . 55 P. M.

This is the 6th article of my Hindi column ” Kal Aur Aaj ” . It comes in Bhojpuri City , a fortnightly Bhojpuri film trade magazine published from Mumbai .

Though I intend to write one article for my column every fortnight but this time there was a gap of almost two and half months. My last , 5th article was published in the May 1st issue of Bhojpuri City and now this 6th article comes in the September 1st issue. This , regretfully , happened because of my incessant travels and recent illness of my wife.

This article is about the pitiable and woefully pathetic condition of the various famous and legendary film studios of Mumbai.

I am reproducing here the cover page of the current issue of Bhojpuri City and 3 pages of the article. This is my longest article till date .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

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