60 Years of Film ” Aan ”


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 07 , 2012           11.40 P.M.

Yesterday after posting my blog about Baiju Bawra , I started thinking about the other memorable films of 1952 . I suddenly remembered aboutAan ” , the most successful film of 1952 . In terms of box office returns ” Baiju Bawra “ was second to “Aan “ . Therefore I thought that I should introduce a new category named ” Down The Memory Lane ” under the parent category ” Film ” and start writing about the other films of 1952 .

” Aan “ was produced and directed by legendary Mehboob Khan and it starred Dilip Kumar , Prem Nath , Nimmi and Nadira , who made her debut with this film . This lavishly mounted costume – drama was music director Naushad’s another hit in 1952 apart from ” Baiju Bawra ” .

” Aan ”  is India’s first Technicolor film and was the highest grosser of 1952 . Just like ” Baiju Bawra “ , I watched it in Allahabad during my Government Inter College days . Frankly speaking I didn’t like “Aan “ , when I watched it for the first time . I liked the songs of the film and the swashbuckling hero Dilip Kumar , but not the film . I couldn’t fathom death of Nimmi and the story line , where Dilip Kumar ignored her and went for Nadira , who was playing the princess .

Later on after repeated viewing and after knowing the fact that the story – line of “Aan “ was based on Shakespeare’s ” Taming of The Shrew ” , I came to realize that this swashbuckling hero is bound to go for the princess and not for the village damsel Nimmi , I was able to appreciate the story – line and finally the film .

“Aan “ has several memorable songs . Lyrics of Shakeel Badayuni were set to tune by Naushad . My eternal favourite even today is a Lata Mangeshkar gem ” Tujhe Kho Diya Humne Paane Ke Baad , Teri Yaad Aayi Tere Jaane Ke Baad ………………. ” . It has several other Mohammad Rafi gems like ; ” Maan Mera Ehsaan …………. ” , ” Dil Men Chhupa Ke Pyaar Ka Toofaan Le Chale ……………. ” , ” Mohabbat Choome Jinke Haath ……………. ” and ” Takra Gaya Tumse Dil Hi To Hai ………….. ” . But “Aan “ will always be remembered for its lavishly mounted Holi song picturization . The song ” Khelo Rang Hamare Sang Aaj Din Rang Rangeela Aaya ……….. “ is still popular and was lavishly picturized with hundreds of junior artistes . It has some of the hits of Shamshad Begum also . Most famous is ” Aag Lagi Tan Man Men Dil Ko Pada Thamna …………….. ” .

Incidentally ” Daag ” and ” Sangdil “ were other Dilip Kumar hits of 1952 . But I will write about them later .

As I have stated in my previous blog , as an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai .

I strive to make it a regular feature in my acting school Vidur’s Kreating Charakters .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

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B. R. Ishara : Departure of An Avant – Garde Film Maker


MUMBAI – MAHARASHTRA – INDIA           JULY 27 , 2012           08.05 P.M.

Avant – Garde and Path  – breaking film – maker , a true iconoclast and a renaissance – man , Babu Ram Ishara , a.k.a. B. R. Ishara died on July 25 , 2012 at the age of  77 in Mumbai . He was suffering from tuberculosis . Last year he got paralytic stroke also .

He could be called a renaissance man of Hindi cinema , as he heralded a new wave in the world of formula laden Hindi film industry with his unconventional and critically acclaimed film  ” Chetna ” [ 1970 ] .

Chetna

Chetna (Photo credit: Wikipedia)

When the film released I was in Allahabad doing graduation at Allahabad University . I vividly remember the sensation it created . The poster of the film was really a shocker . Two naked legs of a female and a peeping Rehana Sultan from there was enough to arouse amorous feelings of youngsters in that era of conservative India . Since Rehana Sultan hailed from Allahabad , the curiosity was at its peak and palpable . Film opened with critical acclaim and was a box office hit too .

Anil Dhawan & Rehana Sultan in Chetna

Anil Dhawan & Rehana Sultan in Chetna

Before ” Chetna “ , films used to be shot in studios . B. R. Ishara shot the film in a bungalow and thus started a new trend . Today shooting a film in bungalows has become a normal affair .

Ek Nazar

Ek Nazar (Photo credit: Wikipedia)

Apart from ” Chetna ” [ 1970 ] , his three other films were also special and significant in another way . A love story ” Ek Nazar ” [ 1972 ] , will be remembered because of  the lead pair . It starred Amitabh Bachchan and Jaya Bhaduri , as she was called and was known to the world before marriage . This film came and was a super flop . It is ironical that just after one year Amitabh Bachchan came with ” Zanjeer ” , a super hit , which changed his career graph and position in the industry . ” Prem Shastra ” [ 1974 ] was again a film with big star cast . It dealt with the issue of incest and starred Dev Anand and Zeenat Aman . And ” Rahu Ketu ” [ 1978 ] was his biggest . It starred Shashi Kapoor , Rekha , Pran , Prem Nath , Kamini Kaushal , Bindu and Aruna Irani .

Apart from above mentioned four films , his other films are : Gunah Aur Kanoon ” [ 1970 ] , ” Man Tera Tan Mera ” [ 1971 ]  , ” Man Jaiye ” [ 1972 ] , ” Zaroorat ” [ 1972 ] , ” Milap ” [ 1972 ] , ” Nai Duniya Naye Log ” [ 1973 ] , ” Dil Ki Rahen ” [ 1973 ] , ” Charitra ” [ 1973 ] , ” Dawat ” [ 1974 ] , ” Kaagaz Ki Nao ” [ 1975 ] , ” Ghar Ki Laaj ” [ 1979 ] , ” Log Kya Kahenge ” [ 1982 ] .  ” Hukumnama ” [ 1996 ] was his last film .

Milap

Milap (Photo credit: Wikipedia)

Dil Ki Rahen

Dil Ki Rahen

Rahu Ketu

Rahu Ketu

Ghar Ki Laaj

Ghar Ki Laaj (Photo credit: Wikipedia)

He worked with many stalwarts of Hindi film industry . He signed Prithvi Raj Kapoor , Sanjeev Kumar & Kumkum for ” Gunah Aur Kanoon “ , Shatrughan Sinha , Anil Dhawan , Nadira & Rehana Sultan for ” Chetna “ , Amitabh Bachchan , Jaya Bhaduri & Nadira in ” Ek Nazar “ , Vijay Arora , Reena Roy & Danny Denzongpa in ” Zaroorat “ , Shatrughan Sinha , Reena Roy & Danny Denzongpa in ” Milap ” , Reena Roy , Danny Denzongpa & Nadira in ” Nai Duniya Naye Log “ , Dev Anand & Zeenat Aman in ” Prem Shastra “ , Sanjeev Kumar in ” Dawat “ , Sarika , Raj Kiran & Pradeep Kumar in  ” Kaagaz Ki Nao “ , Shashi Kapoor , Rekha , Pran , Prem Nath , Kamini Kaushal & Aruna Irani in ” Rahu Ketu “ , Sanjeev Kumar , Moushumi Chatterjee & Sohrab Modi in ” Ghar Ki Laaj “ and Shabana Aazmi , Sanjeev Kumar , Shatrughan Sinha & Navin Nischol in ” Log Kya Kahenge ” .

His discovery , his lucky muse and future wife , Rehana Sultan appeared in 4 films directed by him . They are ; ” Chetna ” , ” Man Tera Tan Mera ” , ” Man Jaiye ” and ” Dil Ki Rahen ” .

His other discovery Reena Roy worked with him in 3 films . They are ; ” Zaroorat ” , ” Milap ”  and ” Nai Duniya Naye Log ” .

Shatrughan Sinha  repeatedly worked with him in 3 films . They are : ” Chetna ” , ” Milap “ and  ” Log Kya Kahenge ” . 

Danny Denzongpa , a very choosy actor , worked with him in 3 films . They are ” Zaroorat ” , ” Milap ” and ” Nai Duniya Naye Log ” .

An actor of the caliber of Sanjeev Kumar worked with him in 4 films . They were : ” Gunah Aur Kanoon ” , ” Dawat ” , ” Ghar Ki Laaj ” and ” Log Kya Kahenge ” .

Shabana Aazmi , who does not sign films easily and left , right and centre , also worked in his film ” Log Kya Kahenge ” .

Thespians like Prithvi Raj Kapoor , Sohrab Modi , Pran , Prem Nath , Kamini Kaushal  and Pradeep Kumar also readily worked in his films .

Asit Sen , Johny Whisky , Nadira , Rakesh Pandey and Raza Murad repeatedly worked with him and were almost in every second films directed by B. R. Ishara .

It is astonishing that a man , who was not so well-educated and who used to wash dishes at Qamar Jalalabadi’s house and used to serve tea at Roop Tara Studio , made 30 films and stars of the calibre of Shabana Aazmi , Rekha , Shashi Kapoor and Sanjeev Kumar readily agreed to work with him .

He introduced Rehana Sultan , Reena Roy , Parveen Babi , Raza Murad , cricketer Salim Durrani and music director Bappi Lahiri in films .

His 2 Discoveries Anil Dhawan & Raza Murad at the Funeral

His 2 Discoveries Anil Dhawan & Raza Murad at the Funeral

It is sad that a director of the calibre of B. R. Ishara left the world in penury and was almost work less during his last years .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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