An Open Letter To FTII Alumna / Alumnus


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MUMBAI – MAHARASHTRA – INDIA           JUNE 18, 2015           00.30 A.M.

Dear Alumna / Alumnus of FTII, Pune !

I have already written 2 blogs about the FTII [ Film & Television Institute of India ] , Pune. 1st blog was written on March 28, 2010. It was about the declining and deteriorating standards of FTII. The 2nd one was written on October 28, 2012. It was about hubris and high-handed behaviour of students of FTII. Today I am forced to write 3rd blog about FTII.

I am reading in newspapers that alumnus of this so-called premier institute are agitated against Shri Gajendra Chauhan, the newly appointed FTII Chief. Nearly 150 students boycotted classes today and continued their protest for the 5th day.

According to Harishankar Nachimuthu, the President of Student’s Union of FTII, Gajendra Chauhan’s appointment is a conspiracy to saffronise this prestigious ( ? ) institute. He states that he is not going to accept Shri Gajendra Chauhan as Chief of FTII. May I demand to know, who is seeking his acceptance or concurrence?

I came to know that several past students [ who are jobless since time immemorial ] are holding meeting in Mumbai and threatening central government that they will fight against Shri Gajendra Chauhan, “a Narendra Modi stooge” till the end. According to them he lacks stature and administrative experience. May I demand to know, who the hell are they to decide, whether Shri Chauhan has the required stature or not?

In the past Mr. Shyam Benegal, Mr. Mrinal Sen, Mr. Adoor Gopalakrishnan, Mr. Mahesh Bhatt, Mr. Girish Karnad, Mr. Vinod Khanna, Prof. U.R. Ananthamurthy and Mr. Saeed Mirza have served as Chairman of the Governing Council of FTII.  They were appointed by the government of the day. Shri Gajendra Chauhan is also appointed by present central government.

I fail to understand, how can students demand to have a say in the appointment of Chief of FTII. Moreover, what stake do past students have in the affairs of their Alma Mater? Why are they agitated? Why are they threatening to “fight till the end”?

Students and alumnus of this so-called prestigious institute should realize that their job is to get trained and not to decide about the governing council chief or other administrative matters of the institute. They must realize that the golden days of Shri Roshan Taneja are over. Their activism fails to produce a single actor of the calibre of ASHOK KUMAR, MOTI LAL, DILIP KUMAR, BALRAJ SAHNI, SANJEEV KUMAR, AMITABH BACHCHAN, SHAHRUKH KHAN, AMIR KHAN, HRITIK ROSHAN or RANBIR KAPOOR. None of the above mentioned actors are the alumnus of FTII. I also fail to find among your alumna, any actress of the stature of NARGIS, MEENA KUMARI, MADHUBALA, GEETA BALI, VYJAYANTIMALA, WAHEEDA REHMAN, REKHA or KAJOL. And you people are talking about the calibre of Gajendra Chauhan.

I appeal to the alumnus of FTII to first become a world-class actor and then try to be an activist. The most important FTII alumnus and your biggest inspiration NASEERUDDIN SHAH is busy doing “world-class” ( ? ) films like “Sona Spa” and ” Jackpot” and you people are pontificating on the calibre of Shri Gajendra Chauhan and threatening Shri Narendra Modi.

And now a word for failed ex students of FTII. You have no business to meddle in the affairs of your alma mater if you are still struggling to make a mark. No one needs your activism. You roam around in the alleys of Mumbai with stinking body, wilting faces, faded attires and dead and gloomy eyes. I pity your rancid existence and failed journey of life. The government of the day doesn’t need or seek your approval. Leave your hubris. You are not doing any favour to us or humanity if you are an ex students of FTII.

Let me make it clear that your agitation is politically motivated. All the right thinking people know it. If it is not so, why people like Anand Patwardhan and other known left-liberals are joining your band wagon? Why students of JNU [ Jawahar Lal Nehru University ] , a breeding ground of leftist and pseudo seculars, are joining your protest? What stake have they in the FTII?

Instead of protesting against Gajendra Chauhan, try to check the deterioration in the quality of the institute. May I demand to know why “for a 3 year programme, there have been students floating around the campus since 2008? May be they will graduate only when their creative juices start flowing.[ verbatim quote from Hindustan Times – Dated June 17, 2015 – Page 11 / also read the editorial ” The World’s not a stage at the FTII – Page 12]

You resist every change and want to run the institute as per your whims and fancies. When UPA appointed committee suggested running the institute on public-private partnership, you people protested. When UPA tried to make the syllabus more contemporary, you started indefinite strike. UPA government headed by Congress was not saffronising the institute. So it is clear that protests and strikes are in your DNA.

Dear alumnus, if you feel or suspect that the appointment of Shri Gajendra Chauhan is a conspiracy to saffronise FTII, I suggest that you should learn to live with it as soon as possible. It will be better for your future, your health and your well-being.

We have seen enough of your hubris. We have tolerated enough of your pseudo intellectual hypocrisy. It is time to say, ” ENOUGH IS ENOUGH “.

 

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On behalf of all the students & staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I denounce you for your hypocrisy, needless hubris and uncalled for activism.

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

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Dulari Ji Is Gone; Unwept, Unheard , Unsung !


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MUMBAI – MAHARASHTRA – INDIA           MAY 09 , 2013           06.45 P.M.
Dulari In Her Twilight Years

Dulari In Her Twilight Years

On Monday morning I was shocked to read the news of death of Dulari , a veteran yesteryear Hindi film actor . It is so heart-wrenching that she died in January 2013 and the news came in May 2013 , in Monday’s Times of India . If a popular actor dies and the news comes out a full four months later , it shows the callousness of our film industry . How come no one tried to contact her ? How come no one ever called her to say hi ? How come no one inquired about her health and well-being ? I must admit , our film industry is full of cussed , cruel and selfish people .
Today as I am writing this blog , I suddenly remember these lines , which was filmed on her in ” Devdas ” , a Bimal Roy classic .
साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

She left this ephemeral , painful world for her eternal journey . She joined her lover , the God , and became one with him .

A Young Dulari

A Young Dulari

Hindi cinema had many famous and powerful mother figures . Durga Khote , Lalita Pawar , Leela Chitnis , Kamini Kaushal , Achala Sachdev and Sulochna are some of the most famous mothers of Hindi cinema . In recent history Nirupa Roy became an ultimate mother figure . Dulari, though not as famous as her other illustrious peers , was also a popular mother figure of Hindi films .

Dulari - The Poorman's Mother

Dulari – The Poorman’s Mother

She started as a heroine in a couple of films . Immortal hits like  ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ , both from ” Shehnai ” [ 1947 ] were filmed on her .

Dulari

I first noticed her in Bimal Roy’s ” Devdas “ [ 1955 ] . Two songs , written by Sahir Ludhianvi and tuned by Sachin Dev Burman , were filmed on her . ” Aan Milo Aan Milo Shyam Sanware ” and ” Sajan Ki Ho Gayi Gori “ are connoisseurs delight even today .  She played a Vaishnavi Saint with Nana Palsikar as her screen companion . A young Paro , played by Baby Naaz , was sitting on a branch of a mango tree and was remembering Devdas , while Nana Palsikar sang the song and danced . Dulari was just sitting calmly and singing the female version sung by Geeta Dutt . Her calm and serene face remained in my memory . In the same film , years later , when Paro grew older [ played by etherial Suchitra Sen ] , she was again sitting and remembering Devdas . Again same Vaishnav saints came and started singing . Now the song was ” Sajan Ki Ho Gayi Gori ” . I am unable to forget these scenes , these two songs , melancholic face of Paro , played by Baby Naaz and Suchitra Sen respectively and of course Nana Palsikar and Dulari .

Then , years later I watched ” Padosan ” [ 1968 ] and ” Gopi ” [ 1973 ] . In both the films she played the maternal aunt of lead actors ; Sunil Dutt and Dilip Kumar . Memory of her earlier starrers ” Shehnai ” [ 1947 ] , and ” Devdas ” [ 1955 ] once again became fresh in my mind . It is not that I have seen only above mentioned 4 films . I have seen innumerable films of her . But these 4 remain in my memory .

Dulari as Mother Figure

Dulari as Mother Figure

A Kanyakubj Brahman from the Awadh region of Uttar Pradesh , she was born and brought up in Maharashtra . She spent her childhood in Nagpur , where she was born on 18th April 1928. Her name was Ambika but she was nick-named Rajdulari and later on only Dulari remained and the world knew her as Dulari .

Dulari ji’s first film was ‘Bombay Talkies’s’ famous movie ” Jhoola ”  [ 1941 ] with Ashok Kumar . Later on she played Jairaj’s younger sister in a Bombay Talkies film Hamari Baat’ . She was also seen as the second lead in  ‘Amar Pictures’ film ‘Adaab Arz’ where her leading man was the famous singer Mukesh . Both the films were made in 1944 .
shayar

Later on she played small roles in films like ” Ghar ” [ 1945 ] , ” Kulkalank ”  [ 1945 ] , ‘Ahinsa’, ‘Black Market’, ‘Namak’, ‘Pati Sewa’, ‘Rangeen Kahani’ [ all 1947 ] . But Dulari got her real due with ‘Filmistan’s super hit film ” Shehnai ” [ 1947 ] . She played Rehana’s elder sister in the movie and her leading man was Mehmood’s father Mumtaz Ali . As I mentioned earlier two immortal songs were picturized on her in this film . ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ .

After ” Shehnai “ she did films like ” Gunsundari ” , ” Mitti Ke Khilone ” , ” Naav’ ” [ all 1948 ] , ” Nanad Bhaujai ” , ” Shayar ”  [ both 1949 ] , ” Apni Chhaya ” , ” Man Ka Meet ”  [ both 1950 ] , ” Albela ”  [ 1951 ], ” Anjaam ” , ” Bhoole Bhatke ” and ” Veer Arjun ”  [ all 1952 ] .
Paapi
Dulari was seen in an important role in the movie ” Paapi ” [ 1953 ] . In this Ranjeet Movietone film Raj Kapoor played his career’s only double role. Nargis and Dulari played his two heroines .  After it she worked in Jeewan Jyoti ” [ 1953 ] , ” Devdas ”  [ 1955 ] , ” Zindagi Ke Mele ”  [ 1956 ] , ” Ek Gaon Ki Kahani ” , ” Johny Walker ” ,  ” Paying Guest ”  [ all 1957 ] ,  ” Kavi Kalidas ”  and ” Santaan ” [ 1959 ] .
Devdas (1955 film)

Devdas (1955 film) (Photo credit: Wikipedia)

JPKSHH

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Padosan

After 1959 , after two years hiatus , she started her second innings from 1961 and for the next 35 years, Dulari played many big and small roles in almost 135 films like ‘Jab Pyar Kisi Se Hota Hai’, ‘Mujhe Jeene Do’, ‘Apne Hue Paraye’, ‘Aap Aaye bahaar Aai’, ‘Aaye Din Bahaar Ke’, Anupama’, ‘Teesri Kasam’, ‘Padosan’, ‘Aradhna’, ‘Aaya Sawan Jhoom Ke’, ‘Chiraagh’, ‘Inteqaam’, ‘Aan Milo Sajna’, ‘Heer Ranjha’, ‘Johny Mera Naam’, ‘Caravan’, ‘Laal Patthar’, ‘Beimaan’, ‘Seeta Aur Geeta’, ‘Raja Rani’, ‘Ameer Gareeb’, ‘Haath Ki Safai’, ‘Deewar’, ‘Do Jasoos’, ‘Aahuti’, ‘Ganga Ki Saugandh’, ‘Biwi O Biwi’, ‘Naseeb’, ‘Prem Rog’, ‘Agar Tum Na Hote and ‘Dharmadhikari’. And then one day she quietly retired from the world of movies.

Later on she did only two films . ” Surya ” [ 1989 ] and ” Ziddi ” [ 1997 ] . Ziddi directed by Guddu Dhanoa is her last film . Thus from ” Jhoola ”  [ 1941 ] to ” Ziddi ” [ 1997 ] , her career span was 56 years .

After a career spanning 56 years and after 171 hindi, 35 Gujarati, 3 Marathi and 1 Rajasthani film , she left Mumbai and went to live with her daughter in Indore . She also acted in a ‘Shri Adhikari Brothers’ serial called ‘Waqt Ki Raftaar’ .

During her final years Dulari ji was suffering from Alzheimer and was admitted to ICU in a hospital in PUNE in the last week of December ’12 where at the age of 85 she breathed her last on 18th January 2013 around 10 a.m. She was cremated on 19th January 2013 in the noon in Pune.

…………………………………………………………………………………
Few links of songs filmed on Dulari :
1 – aana meri jaan sunday ke sunday /shehnai/1947
2 – jawani ki rail chali jaaye/shehnai/1947
3 – aan milo aan milo shyam sanware/devdas/1955
4 – sajan ki ho gai gori/devdas/1955
5 – madhav bin saara brij soona/sautela bhai/1962
 …………………………………………………………………………………

I offer my condolences on behalf myself and on behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters . May God give eternal peace to Dulari Ji and strength to her daughter and other near and dear ones to bear this loss .

I can visualize a frail ,  85-year-old , lonely lady suffering from Alzheimer , sitting without a friend or companion in an old age home with blank eyes and waiting for some elusive loving one . Long windy nights of winter , dull and dusty days of summer and wet , pouring and dreary evenings of  rainy season must have come and gone  without any trace of succour . It is painful , very painful . Finally , only death could relieve her from her pain .

साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

Rest in peace Dulari ji ! A tearful farewell from an ardent fan . I am happy that you left this cruel , selfish , cussed world . May , in next life , you get everything that you have ever desired for you .

[ While writing this blog , I have taken few facts and materials from the article ” Aan Milo Aan Milo Shyam Sanware’-Dulari ” , written by Shri Shishir Krishna Sharma for his ‘Sahara Samay’ column ‘kya bhooloon kya yaad karoon’ . I am indebted . ]

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B. M. Vyas Is No More


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MUMBAI – MAHARASHTRA – INDIA           MARCH 15 , 2013           00.50 A.M.

A veteran actor of mythological and some social Hindi films , Shri B. M. Vyas died on March 11 , 2013 at the age of 93 in Mumbai .

B. M. Vyas in His Younger Days

B. M. Vyas in His Younger Days

Famous for his portrayal of Ravan in several mythological films , Shri B. M. Vyas started his career with Chetan Anand’s Neecha Nagar but was noticed with Raj Kapoor’s ” Barsaat ”  in 1949 . He acted in over 300 mythological and social films including films like ” Baiju Bawra ” , ” Do Aankhen Barah Haath and ” Sarawasti Chandra ” . His last big film was Shah Rukh Khan starrerOh Darling Yeh Hai India ” .

As Ravan in " Sampoorn Ramayan "

As Ravan in ” Sampoorn Ramayan “

Some Famous Films of B. M. Vyas As An Actor

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There are some other famous films of Shri B. M. Vyas , which I would like to mention for the benefit of new generation :
Movies of B.M. Vyas
Aladdin Aur Jadui Chirag (1952)
Mahipal, Meena Kumari, B.M. Vyas, S.N. Tripathi, W.M. Khan, Jillo, Babu Raje, Azim, Raja Sandow P.K., Urmila, Vasantrao Pahelwan, Amarnath, M.K. Hasan, Bismillah, Dalpat
Watch Online
Alibaba And 40 Thieves (1966)
Sanjeev Kumar, L. Vijayalakshmi, Indira, Tabassum, B.M. Vyas, David, Veena, S.N. Tripathi
Watch Online
Alibaba and Forty Thieves (1954)
Mahipal, Sharda, B.M. Vyas, S.N. Tripathi, Dalpat, Maruti Rao, Azim, Lalita Kumari, Sardar Mansur
Watch Online
Amber (1952)
Raj Kapoor, Nargis, Agha, Bipin Gupta, Ramesh Sinha, Samson, S.B. Nayampalli, B.M. Vyas, Cuckoo, Tanuja
Watch Online
Awara (1951)
Prithviraj Kapoor, Raj Kapoor, Nargis, K.N. Singh, Shashi Kapoor, B.M. Vyas, Leela Mishra, Leela Chitnis, Om Prakash Mehra, Dewan Basheswarnath Kapoor, Helen
Watch Online
Baghavat (1982)
Dharmendra, Hema Malini, Reena Roy, Amjad Khan, Urmila Bhatt, Birbal, Padma Chavan, Viju Khote, Sujit Kumar, Manmauji, B.M. Vyas, Dinesh Thakur
Watch Online
Baiju Bawra (1952)
Meena Kumari, Bharat Bhushan, Bipin Gupta, B.M. Vyas, Surendra, Kuldip Kaur, Mishra, Kesari, Radhakrishan, Tabassum, Rai Mohan
Watch Online
Barsaat (1949)
Raj Kapoor, Nargis, K.N. Singh, Prem Nath, Cuckoo, Nimmi, B.M. Vyas, Ratan Gaurang, Vishwa Mehra
Watch Online
Bhagwan Samaye Sansar Mein (1976)
Ashish Kumar, Kanan Kaushal, Abhi Bhattacharya, B.M. Vyas, Jayshree T., Mohan Choti, Jeevan, Alankar Joshi, Lalita Kumari, Hansa Lokhande, Sunder, Chand Usmani
Watch Online
Char Dervesh (1964)
Feroz Khan, Sayeeda Khan, Kumari Naaz, Ratnamala, Jeevan Kala, Paul Sharma, B.M. Vyas, Mukri, Sunder, Amarnath, W.M. Khan, Pal Sharma, Sardar Mansur, Nazir Kashmiri, Dalpat
Watch Online
Do Ankhen Barah Haath (1957)
Rajaram Vankudre Shantaram, Sandhya, Ulhas, B.M. Vyas, Paul Sharma, S.K. Singh, Shankarrao Bhosle
Watch Online
Duniya Jhukti Hai (1960)
Sunil Dutt, Shyama, B.M. Vyas, Kumkum, Agha, Wasti, W.M. Khan, Habib, Daisy Irani
Watch Online
Ek Paheli (1971)
Sanjeev Kumar, Feroz Khan, Tanuja, Rajendra Nath, Madan Puri, Jeevan, Aruna Irani, Manohar Deepak, Bipin Gupta, Uma Khosla, B.M. Vyas, Tun Tun
Watch Online
Harishchandra Taramati (1963)
Prithviraj Kapoor, Jaymala, B.M. Vyas, Helen, Ulhas, Ramayan Tiwari, Babu Raje, P. Kailash, Babloo
Watch Online
Hatim Tai (1956)
Jairaj, Shakila, Meenaxi, Naina, Krishna Kumari, Kamal, Menaka, S.N. Tripathi, B.M. Vyas, Sheikh, Dalpat
Watch Online
Hum Panchhi Ek Daal Ke (1957)
Master Romi, Satish Vyas, Daisy Irani, Jagdeep, Mohan Choti, David Abraham, Murad, Maruti Rao, B.M. Vyas, Krishnakant, Achala Sachdev
Watch Online
Jahan Sati Wahan Bhagwan (1965)
Prithviraj, Anita Guha, Sulochana Chatterjee, Mahipal, Krishna Kumari, Mohan Choti, Madhumati, B.M. Vyas, Praveen Paul, Santosh Kumar
Watch Online
Jai Santoshi Maa (1975)
Anita Guha, Bharat Bhushan, Ashish Kumar, Kanan Kaushal, Trilok Kapoor, Rajni Bala, B.M. Vyas, Leela Mishra, Rajan Haksar, Moolchand
Watch Online
Janam Janam Ke Phere: Alias Sati Anapurna (1957)
Nirupa Roy, Manher Desai, B.M. Vyas, S.N. Tripathi, Satish Vyas, Kanta Kumari, Mahipal, Krishna Kumari, Champaklala
Watch Online
Lav-Kush (1967)
Ashim Kumar, Jayshree Gadkar, Babloo, Sushil Kumar, Kanu Roy, Munna, Bela Bose, S.N. Tripathi, Chitra, Dalpat, B.M. Vyas, Hari Shukla, Chandrima Bhaduri, Bhagwan Singh, R.C. Pandey
Watch Online
Maha Pawan Tirth Yatra (1975)
Ashish Kumar, Rajni Bala, Mahipal, Jeevan, Shashi Modak, B.M. Vyas, Anita Guha
Watch Online
Mangalsutra (1981)
Rekha, Anant Nag, Prema Narayan, Madan Puri, Om Shivpuri, B.M. Vyas, Rajendra Nath, Keshto Mukherjee, Asit Sen, Jagdeep
Watch Online
Maya Machhindra (1975)
Abhi Bhattacharya, Kanan Kaushal, B.M. Vyas, Jeevan
Watch Online
Murder In Circus (1971)
Nisar Ahmad Ansari, M.B. Shetty, Sujit, Jaymala, Bela Bose, B.M. Vyas, Sapru
Watch Online
Nag Panchami (1953)
Nirupa Roy, Manohar Desai, B.M. Vyas, Durga Khote, Tiwari
Watch Online
Oh Darling Yeh Hai India (1995)
Shah Rukh Khan, Deepa Sahi, Amrish Puri, Anupam Kher, Javed Jaffrey, Tinnu Anand, Tiku Talsania, Shri Vallabh Vyas, Sadashiv Amrapurkar, Tom Alter, Kader Khan, Shri Vallabh Vyas, Raza Murad, B.M. Vyas, Anil Nagrath, Ranjana Sharma, Ranjeet, Ravi Gossain
Watch Online
Patita (1953)
Dev Anand, Usha Kiran, Agha, Shivraj, Krishnakant, C.S. Dubey, Sonny Abraham, B.M. Vyas, Lalita Pawar
Watch Online
Puja Aur Payal (1980)
Sujit Kumar, Sonali, Madhumati, Ram Mohan, B.M. Vyas, Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Johnny Walker
Watch Online
Rani Rupmati (1957)
Bharat Bhushan, Nalini Chonkar, Ulhas, B.M. Vyas, Nirupa Roy, Babu Raje, Amarnath, Rajrani
Watch Online
Razia Sultan (1983)
Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Vijayendra, Ajit, Jankidas, B.M. Vyas, Mumtaz Begum, Shribhagwan, Heena Kausar, Anu Dhawan, Veena, Sohrab Modi, Sarika, Radha Saluja, Bijoya Jena, Madhu Malini, Gopi Krishna, Shahu Modak, Aarti Chopra
Watch Online
Sampoorna Ramayana (1961)
Mahipal, Anita Guha, Sulochana Latkar, Helen, Lalita Pawar, Achala Sachdev, Krishna Kumari, Raj Kumar, Uma Dutt, B.M. Vyas, Badri Prasad, Paul Sharma
Watch Online
Samrat Prithviraj Chauhan (1959)
Anita Guha, B.M. Vyas, Chand Usmani, Jairaj, Leela Mishra, Prem Adib, Sulochana, Ulhas
Watch Online
Sant Ravidas Ki Amar Kahani (1983)
Ashish Kumar, B.M. Vyas, Mahipal, Rajendra Nath, Tun Tun, Mohan Choti, Shekhar Purohit
Watch Online
Saranga (1960)
Sudesh Kumar, Jayshree Gadkar, Nilofar, B.M. Vyas, Niranjan Sharma, Jankidas, Sadiq, Parsuram, Jaya Devi
Watch Online
Saraswatichandra (1968)
Nutan Behl, Manish, Vijaya Choudhury, Ramesh Deo, Sulochana Latkar, B.M. Vyas, Seema Deo, Jeevan Kala, S.B. Nayampalli, Sulochana Chatterjee, Shivraj
Watch Online
Sati Naari (1965)
Anita Guha, Manohar Desai, Jeevan, Sunder, B.M. Vyas, Ulhas, Ram Singh
Watch Online
Sheikh Chilli (1956)
Shyama, Mahipal, Agha, B.M. Vyas, Bhagwan
Watch Online
Shravan Kumar (1960)
Anant Kumar, Achala Sachdev, B.M. Vyas, Nalini Chonkar, Sunder, Polson
Watch Online
Shree Ram Bharat Milan (1965)
Prithviraj Kapoor, Nirupa Roy, Mahipal, Anita Guha, Sulochana, B.M. Vyas, Niranjan Sharma, Vanamala, Shekhar Purohit, Aruna Irani
Watch Online
Solah Shukrawar (1977)
Rajni Bala, Indira Bansal, Abhi Bhattacharya, Bharat Bhushan, Bela Bose, Sushil Chak, Manek Chaudhary, Ramesh Deo, Ramesh Dubey, Manher Desai, Manik Dutt, Dilip Dutt, L.M. Ganu, Anita Guha, Tarun Ghosh, Anuradha Guha, Ashish Kumar, Meenakshi, Leelavathi, Polson, Prema Narayan, B.M. Vyas
Watch Online
Tarzan Aur Jadui Chirag (1966)
Azad Shaban, Sunita, B.M. Vyas, Dalpat, Tun Tun, Kesari, Sheikh, Shakeela Bano Bhopali, Jani Babu, Kammo
Watch Online
Thief of Baghdad (1969)
Dara Singh, Nishi, Helen, B.M. Vyas, Mohan Sherry, Sheikh, Savita, Rani, Moolchand, Maruti, Ram Kumar, P. Kailash
Watch Online
Toofan (1975)
Vikram, Priyadarshinee, Jeevan, Jagdeep, Roopesh Kumar, P. Jairaj, Trilok Kapoor, Sajjan, B.M. Vyas, Rajan Haksar, Urmila Bhatt, Praveen Paul, Meena T.
Watch Online
Tumsa Nahin Dekha (1957)
Shammi Kapoor, Ameeta, Pran, Raj Mehra, B.M. Vyas, Sheela Vaz, Ram Avtar, Anjali Devi, M.B. Shetty, S.L. Puri
Watch Online
Veer Babruwahan (1950)
Shashi Kapoor, S.N. Tripathi, Jankidas, B.M. Vyas
Watch Online
Yeh Raat Phir Na Aaygi (1966)
Prithviraj Kapoor, Biswajeet, Sharmila Tagore, Sailesh Kumar, Mumtaz, Helen, Madhumati, B.M. Vyas, Asit Sen, Labiby Mady
Watch Online
Zabak (1961)
Mahipal, Shyama, Krishna Kumari, Sahira, B.M. Vyas, Achala Sachdev, Manher Desai, Uma Dutt, Muzaffar Adeeb, W.M. Khan, Babu Raje
Watch Online

I pay respect to Shri B. M. Vyas and pray to God to give him everlasting peace and solitude .

I must admit it was difficult to gather information about Shri Vyas . I rummaged through many websites and gathered information about him and his films . I wanted to put the information about his films and the posters of his films in my blog space so that students of my acting institute , Vidur’s Kreating Charakters  should know at least a little bit about him and his histrionics .

So called best acting schools of Mumbai are silent about him . Self – proclaimed famous acting institutes of India have no time for a veteran like B. M. Vyas . Upstarts of some acting classes of Bollywood are not bothered about this chapter of our film industry . They are busy abusing me on social net – working sites and blowing their own rotten , rickety trumpets .

I pay my respect and will always remember ” Sampoorn Ramayan “ , in which he played Ravan to the hilt . I saw the film during my childhood and loved his portrayal of Ravan .

[ I have taken information and trivia about his films from a website : http://www.fridaycinemas.com/MoviesByCelebrities.aspx?Cname=B.M.%20Vyas

I express my gratitude ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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60 Years of Film ” Anhonee ”


2

MUMBAI – MAHARASHTRA – INDIA           DECEMBER 10 , 2012           11.59 P.M.

In the series of hit films of 1952 , Raj Kapoor and Nargis starrer Anhonee is ranked 5th . After ” Aan ” , ” Baiju Bawra ” , ” Jaal ” and ” Daag ” , it was the 5th highest grosser of the year .

” Anhonee “ will always be remembered in the history of Hindi cinema for the fact that it was the first film where a female protagonist played double role . Nargis played the role of two sisters with elan and finesse which has become rare today . Khwaja Ahmad Abbas was the writer , producer and director of this film .

It had music by Roshan , who is incidentally Hritik Roshan‘s grandfather . Talat Mehmood‘s song  ” Main Dil Hoon Ik Armaan Bhara …………………… “ is still favourite of the connoisseurs . Talat Mehmood’s duet with Lata Mangeshkar ” Mere Dil Ki Dhadkan Kya Bole , Kya Bole , Main Jaanu Aur Tu Jaane …………… “ is also very melodious . Lata Mangeshkar’s mujra song ” Kaha Hai Unhonne Ye Raaz – E – Muhabbat , Kisi Se Na Kehna ……………………… “ and her duet with Rajkumari ” Zindagi Badli Mohabbat Ka Maza Aane Laga …………………. “ were also chart – busters .

Apart from the fact that Nargis played double role for the first time , this film will also be remembered that Talat Mehmood gave play back for Raj Kapoor . It is very rare .

” Anhonee “ name was again used for a Sajeev Kumar and Leena Chandawarkar starrer film in 1973 . It was directed by Ravi Tandon .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai and through my blogs .

logo

In future I resolve to make it a regular feature in Vidur’s Kreating Charakters  , my acting school in Mumbai .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

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100 Years of Sa’adat Hasan Manto


 

 

MUMBAI – MAHARASHTRA – INDIA           August 02 , 2012           00.40 A.M.

This year is the Anniversary Year of so many historical and literary figures and luminaries of our generation . Anniversaries of various historical events are also being celebrated this year . These anniversary celebrations , as I remember , took momentum from 2010 . Or may be , since I was not into blogging , I never realized or became aware of their existence .

In 2010 we celebrated 2 anniversaries . They were ; 100 YEARS OF HISTORIC JUMP OF VEER SAVARKAR , and 150 YEARS OF TAGORE .

In 2011 there were 6 anniversaries . They were as varied as ; 40 YEARS OF VIJAY DIWAS & BIRTH OF BANGLADESH , 50 YEARS OF THE LIBERATION OF GOA , DAMAN & DIU , 100 YEARS OF OUR NATIONAL ANTHEM , 100 YEARS OF NEW DELHI , 150 YEARS OF MAHAMANA MALVIYA and 250YEARS OF THE 3RD BATTLE OF PANIPAT .

This year only half of 2012 is over and we have already celebrated 4 anniversaries . They are ; 60 YEARS OF CORONATION OF QUEEN ELIZABETH II , 150 YEARS OF THE 1ST CHRISTIAN SAINT OF INDIA , 150 YEARS OF SWAMI VIVEKANANDA and 200 YEARS OF CHARLES DICKENS .

Now I am writing about the 5th , 100 YEARS OF SA’ADAT HASAN MANTO .

8 more anniversaries are tempting me to write a blog on them . It comes to total 13 anniversaries in 2012 .

Quite early in my life , I was slowly introduced to Indian literature , then English literature and finally Russian and world literature . In Indian literature my first brush was with Bengali literature . Hindi literature came later and then came Urdu literature . Other Indian literature , translated in Hindi , came much later in my life .

Indian Books 3

Indian Books (Photo credit: Celeste33)

When I talk about Urdu literature , I must make a note that my first introduction was through the poetry . Shairi , as Urdu poetry is known , was my early fascination . HIND POCKET BOOKS came out with Hindi transliteration [ not translation ] of various works of Shairs or poets of Urdu . I bought them and became familiar with Urdu poetry and grew into a life long fan . I still remember many Urdu couplets or Sher by heart .

The phrase Zaban-e Urdu-e Mualla (

The phrase Zaban-e Urdu-e Mualla (“The language of the exalted camp”) written in Nasta’liq script. (Photo credit: Wikipedia)

Urdu prose came much later in my life . Kishan Chandar was the first Urdu novelist , whose works I read and admired . I have heard about Sa’adat Hasan Manto and his works during those days but I didn’t read him as he was despised by large number of people including my teachers and was vehemently criticized by the critics and intelligentsia .

English: manto in his middle age.

Sa’adat Hasan Manto in his middle age. (Photo credit: Wikipedia)

So naturally I avoided reading him . In my mind he was akin to novelists like Kushwaha Kant and Ibn – e – Shafi B.A. Though hugely popular , these two authors are not considered as men of letters . Now I am very much ashamed that once upon a time I thought so low of Manto and degraded him .

My impression about him changed when I read his memoirs about the famous personalities of Hindi film industry . I was impressed with his style of prose writing and lucidity of  language .

Sa’adat Hassan Manto (May 11, 1912 – January 18, 1955)  is best known for his short stories, “Bu” , “Khol Do” , “Thanda Gosht” , and his magnum opus, “Toba Tek Singh“.

Manto was also a film and radio scriptwriter and a journalist . In his short life , he published twenty-two collections of short stories , one novel , five collections of radio plays , three collections of essays , and two collections of personal sketches.

Manto was tried for obscenity six times, thrice before 1947 and thrice after 1947 in Pakistan , but never convicted . Some of his works have been translated in other languages .

Saadat Hasan Manto is often compared with D. H. Lawrence , and like Lawrence he also wrote about the topics considered social taboos in Indo-Pakistani Society . His concerns on the sociopolitical issues , from local to global level are revealed in his series , Letters to Uncle Sam , and those to Pandit Nehru . On his writing he often commented , “If you find my stories dirty , the society you are living in is dirty . With my stories, I only expose the truth .”

After 1936 , he moved to Bombay  [ now Mumbai ] where he stayed for the next 5 years editing Musawwir , a monthly film magazine . He also started writing scripts and dialogues for Hindi films , including ” Kishan Kanhaiya ” [ 1936 ]  and ” Apni Nagariya ” [ 1939 ] . He continued writing for films until he left for Delhi in January 1941 .

Manto accepted the job of writing for Urdu Service of All India Radio in 1941. This proved to be his most productive period as in the next eighteen months he published over four collections of radio plays , Aao , Manto ke Drame , Janaze , and Teen Auraten . He continued to write short stories and his next short story collection Dhuan was soon out followed by Manto ke Afsane and his first collection of topical essays , Manto ke Mazamin . This period culminated with the publication of his mixed collection Afsane aur Drame in 1943 . Meanwhile , due to a quarrel with then director of the All India Radio , poet N. M. Rashid , he left his job and returned to Bombay in July 1942 and again started working with film industry . He entered his best phase in screenwriting giving films like ” Aatth Din ” , ” Chal Chal Re Naujawanand ” Mirza Ghalib ” , which was finally released in 1954 .

Some of his best short stories also came from this phase including  “Kaali Shalwar” ,  “Dhuan”  (1943) and “Bu”, which was published in Qaumi Jang (Bombay) in February 1945 . Another highlight of his second phase in Bombay was the publication of an important collection of his stories , Chugad . He stayed in Bombay until he moved to Pakistan in January 1948 after the partition of India in 1947.

During those days in Pakistan , Manto tried his hand at newspaper column writing . He started off with writing under the title Chashm-e-Rozan for daily Maghribi Pakistan on the insistence of his friends of Bombay days , Ehsan Ba and Murtaza Jillani, who were editing that paper . After a few columns, the space appeared blank under the column saying that due to his indisposition Manto couldn’t write the column. Actually, the owner was not favourably disposed to some of the content .

The only paper that published Manto’s articles regularly for quite some time was Daily Afaq , for which he wrote some of his well-known sketches . These sketches were later collected in his book Ganjay Farishtay . The sketches include those of famous actors and actresses like Ashok Kumar, Shyam, Nargis, Noor Jehan and Naseem (mother of Saira Banu) . He also wrote about some literary figures like Meera Ji , Hashar Kashmiri and Ismat Chughtai . Manto’s sketch of Muhammad Ali Jinnah was also first published in Afaq under the title Mera Sahib.

He , during his later years in Pakistan , embarked on a journey of self-destruction . The substandard alcohol that he consumed destroyed his liver and in the winter of 1955 he fell victim to liver cirrhosis . He was 42 years old at the time of his death. He was survived by his wife Safiyah and three daughters . Born in 1912 in Samrala , Ludhiana district of Indian Punjab , he died in 1955 in Lahore , Pakistani Punjab .

This year in 2012 India and Pakistan , both the countries , are celebrating his anniversary .

Manto collection (Books)

  • Atishparay (Nuggets Of Fire) – 1936
  • Chugaad
  • Manto Ke Afsanay (Stories of Manto) – 1940
  • Dhuan (Smoke) – 1941
  • Afsane Aur Dramay (Fiction and Drama) – 1943
  • Lazzat-e-Sang-1948 (The Taste Of Rock)
  • Siyah Hashiye-1948 (Black Borders)
  • Badshahat Ka Khatimah (The End of Kingship) – 1950
  • Khali Botlein (Empty Bottles) – 1950
  • Loud Speaker
  • Nimrud Ki Khudai (Nimrod The God) – 1950
  • Thanda Gosht (Cold Meat) – 1950
  • Yazid – 1951
  • Pardey Ke Peechhey (Behind The Curtains) – 1953
  • Sarak Ke Kinarey (By the Roadside) – 1953
  • Baghair Unwan Ke (Without a Title) – 1954
  • Baghair Ijazit (Without Permission) – 1955
  • Burquey – 1955
  • Phunduney (Tassles) – 1955
  • Sarkandon Ke Peechhey (Behind The Reeds) -1955
  • Shaiytan (Satan) – 1955
  • Shikari Auratein (Women Of Prey) – 1955
  • Ratti, Masha, Tolah-1956
  • Kaali Shalwar (Black Pants) – 1961
  • Manto Ki Behtareen Kahanian (Best Stories of Manto) – 1963
  • Tahira Se Tahir (From Tahira to Tahir) – 1971

I was re – introduced to him and his literary world , when I started training Dino Morea recently . We read several stories written by Manto and discussed them and thus a new vision about Manto was opened in front of my eyes . I deeply regret that once upon a time I degraded him in my mind and didn’t read his books earlier .

[ List of the works of Manto and some dates and facts of his life is taken from Wikipedia . I express my gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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Vidur’s Film Diary – April 2011


MUMBAI – MAHARASHTRA – INDIA                   MAY 01 , 2011                       00.45 A.M.

This particular edition is the 24th edition of  ”  Vidur’s Film Diaries “ . Two long years , two momentous years and these uninterrupted  notes of the diary about my students and their work in Indian films , TV serials and Theatre productions. A very satisfying  journey indeed. Through the work of my students , I also gauge my own standing in this ever slippery world of entertainment.

April’s first two releases opened as expected. Third release ” Thank You “ also couldn’t cheer the mood. Fate of the other releases were no better.

Twitter handles of trade analysts Mr. Taran Adarsh and Mr. Komal Nahta express the mood , trends and box office results of the month gone by ;

Komal Nahta
KomalNahta Komal Nahta
Game is a weak film with dull chances. Review: http://bit.ly/eL741Y
taran adarsh
taran_adarsh taran adarsh
B.O. update: ‘F.A.L.T.U.’ starts with a bang, ‘Game’ with a whimper http://bit.ly/aQZHc9
Komal Nahta
KomalNahta Komal Nahta
FALTU wins the Friday Game: http://bit.ly/gm1UiT
taran adarsh
taran_adarshtaran adarsh9 am to 11.15 am morning show trends: ‘Game’ opening 3% to 5% to maximum 10%. ‘Faltu‘ opening 50% to 70% to 80%

Komal Nahta
KomalNahta Komal Nahta
Box Office: FALTU scores over Game over the weekend. Faltu Rs. 10.5 crore , Game Rs. 2.8 crore. Full report: http://bit.ly/gmh7jL
taran adarsh
taran_adarsh taran adarsh
Overseas B.O.: ‘Thank You’ is amongst Akshay’s lowest openers http://bit.ly/8YMX4o
Komal Nahta
KomalNahta Komal Nahta
‘Thank You’ makes Rs. 19.2 crore (in all India net collection) over the first weekend. http://bit.ly/fJVCcA
ETC
Box office collection : FALTU Rs 17 Cr , Game Rs 5 Cr
taran adarsh
taran_adarsh taran adarsh
Overseas B.O.: ‘Thank You’ is amongst Akshay’s lowest openers http://bit.ly/8YMX4o
Komal Nahta
KomalNahtaKomal Nahta
3 Thay Bhai is a weak fare which will go down in box-office history as a non-starter. Review: http://bit.ly/ibAuIZ
taran adarsh
taran_adarshtaran adarsh

B.O. update: ‘Teen Thay Bhai’ starts on disastrous note [4% to 7% range] http://bit.ly/aQZHc9
taran adarsh
taran_adarshtaran adarsh

‘3 Thay Bhai’ spoils the party, ‘Thank You’ distributors will lose money, ‘Dum Maaro Dum’ wide release in India, Oseas http://bit.ly/cctlka
Komal Nahta
KomalNahtaKomal Nahta

3 Thay Bhai weekend box-office collections: Rs. 2 crore: http://bit.ly/hO86Z4
taran adarsh
taran_adarshtaran adarsh

B.O. update: ‘Dum Maaro Dum’ opens to dull houses http://bit.ly/aQZHc9
taran adarsh
taran_adarshtaran adarsh

‘Zokkomon’ is an unmitigated disaster in U.S. Punjabi film ‘Dharti’ emerges super-success in U.S.A. & Australia, but not as strong in U.K.


Obituary :

=============

Sachin Bhowmick : Most prolific and one of the most successful and versatile writer of Hindi films , Sachin Bhowmick breathed his last in Mumbai on April 12, 2011 at the age of 80.

He started with Nargis and Balraj Sahni starrer ” Lajwanti ” [ 1958 ]. After this he churned out numerous hits like ; ” Anuradha ” [ 1961 ] , ” Ziddi ” [ 1964 ] , ” Ayee Milan Ki Bela ” [ 1964 ] , ” Majboor ” [ 1964 ] , ” Jaanwar ” [ 1965 ] , ” Love In Tokyo ” [ 1966 ] , ” Aaye Din Bahar Ke ” [ 1966 ] , ” An Evening In Paris ” [ 1967 ]  , ” Brahmchari ” [ 1968 ] , ” Aaya Sawan Jhoom Ke ” [ 1969 ] , ” Aradhana ” [ 1969 ] , ” Aan Milo Sajna ” [ 1970 ] , ” Carvan ” [ 1971 ] , ” Dost ” [ 1974 ] , ” Khel Khel Men ” [ 1975 ] , ” Hum Kisi Se Kam Nahin ” [ 1977 ] , ” Golmaal ” [ 1979 ] , ” Karz ” [ 1980 ] , ” Do Aur Do Paanch ” [ 1980 ] , ” Bemisal ” [ 1982 ] , ” Nastik ” [ 1983 ] , ” Sahab ” [ 1985 ] , ” Karma ” [ 1986 ] , ” Khalnaayak ” [ 1993 ] , ” Main Khiladi Tu Anari ” [ 1994 ] , ” Yeh Dillagi ” [ 1994 ] , ” Karan Arjun ” [ 1995 ] , ” Koyla ” [ 1997 ] , ” Dushman ” [ 1998 ] , ” Soldier ” [ 1998 ] , ” Aa Ab Laut Chalen ” [ 1999 ] , ” Taal ” [ 1999 ] , ” Koi….. Mil Gaya ” [ 2003 ] , ” Kisna ” [ 2006 ] , ” Krrish ” [  2006 ] and ” Yuvvraj ” [ 2008 ].

He also directed, apart from scripting , Rajesh Khanna and Sharmila Tagore starrer ” Raja Rani ” [ 1973 ]. In total he wrote story and screenplay of more than 100  films.

Rami Reddy : A versatile actor and successful villain of Telugu and Hindi cinema died on April 14, 2011 in Hyderabad at the age of 52  . His made his debut in 1990 in Telugu hit ” Ankusam “ . Same year he essayed a successful character in Chiranjeevi and Juhi Chawla starrer ” Pratibandh “ . Later on he worked in Hindi films like : ” Gunda ” , ” Waqt Hamara Hai ” , ” Khuddar ” , ” Jaanwar ” and ” Talash ” .

New Hindi Releases & Me :

========================

First Week – April 01

1 – Game…………………………………………………….Jimmy Sheirgill

2 – F.A.L.T.U……………………………………………….Angad Bedi

Second Week – April 08

1 – Thank You………………………………………………Sonam Kapoor

………………………………………………………………….Rimi Sen

Third Week – April 15

1 – Teen Thay Bhai…………………………………………x

Fourth Week –  April 22

1 – Dum Maaro Dum……………………………………….x

2 – Zokkomon………………………………………………..x

Fifth Week – April 29

1 – Chalo Dilli………………………………………………..Yaana Gupta

2 – I Am……………………………………………………….Sanjay Suri

3 – Naughty @ 40…………………………………………..Sayali Bhagat

4 – Shor In The City…………………………………………x

In total ……….10…………….films got released this month. Out of these ……10………. films …………07……………. students of mine have worked in ………..06………… films.

 Film News This Month :

=====================

1 – Jungfrau Railways in Switzerland recently inaugurated a train named after Mr. Yash Chopra with his signature and name on a signboard. A deluxe suite of the Victoria – Jungfrau Grand Hotel has also been named after Mr. Yash Chpora.


2 – Mr. K. Balachander
gets Dadasaheb Phalke Award for 2010.

New Regional Films & Me :

======================

1 – Tamil : Sameera Reddy and Kelly Dorji are working in a film called ” Aasal ” .

2 – Telugu : Allu Arjuna is playing lead in a film called  ” Badrinaath “.

3 – Malayalam :  Genelia D’Souza is playing lead in a film called ” Urumi “.

4 – Bangla :  Riya Sen is playing lead in Bangla / Hindi bilingual ” Nauka Dubi ” / ” Kashmakash ” .

5 – Nepali :  Monica Bedi is playing lead in a film called ” Parichay “ .

6 – Punjabi : Jimmy Sheirgill is playing lead in a film called ” Dharti “.

In the above mentioned ………..06 ………regional films in ……. …06…………. various languages , there are …………07…………. students of mine working in them.

T. V. Trivia & Me :

=================

1 –  Shaleen Bhanot is appearing in a T V serial ” Bheend Banoonga Ghodi Chadhoonga  ” .

2 – Hritik Roshan is making his debut on T V in a reality show ” Just Dance ” on Star Plus T V .

3 –  Mrunal Jain is appearing in ” Looteri Dulhan ” on Imagine T V . 

4 –  Gurmeet Choudhary is appearing in ” Geet……….Hui Sabse Parayi “ on Star One T V .

5 –  Neil Bhatt is appearing in ” Gulal ” on Star Plus T V .

6 –  Yash Pandit is appearing in ” Tere Mere Sapne ” on Star Plus T V.

7 –  Aamir Ali is appearing in ” F I R “ on SAB T V .

8 – Vikas Bhalla is appearing in ” Sanjaog Se Bani Sangini “ on Zee T V .

9 – Jai Kalra and Eva Grover are appearing in ” Bade Acche Lagte Hai Ye Dharti Ye Nadiya Ye Raina Aur Tum “ on Soni T V.

10-  Smita Bansal and Mia Evonne Uyeda are appearing in ” Khatron Ke Khiladi – 4 ” on Colours T V.


In the above mentioned ………….10………..T V shows on various channels, there are…………….12…………….students of mine working in them. Out of these ……….12………..students, …………….09…………..are working in Serials and …………….03……………. are working in Reality shows.

Theatre & Me :

=============

1 –  Mahabanoo Mody – Kotwal is reviving her play ” Love Is In The Air ” . She produces the play .

2 –  Juhi Babbar is reviving her play ” Ji Jaisi Aapki Marzi ” .   She acts in the play as main lead .

3 –  Pratik Kothari stages his new play ” Mummy Tu Aavi Kevi “. He acts in this Gujarati play apart from hosting it.

In the above mentioned …………….03…………….theatre productions, there are …………….03………………students of mine working in them.

VIDUR

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