100 Years of Lalita Pawar – Hindi Cinema’s Unforgettable Doyenne


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MUMBAI – MAHARASHTRA – INDIA           MAY 15, 2016           08.00 P.M.

 

LALITA PAWAR [ 18 April 1916 - 24 February 1998 ]

LALITA PAWAR [ 18 April 1916 – 24 February 1998 ]

On April 18, 2016, Lalita Pawar would have been 100 years old, had she been alive. There were not much coverage in the media. I read just one article in DNA. That’s it.

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Present day media Mughals don’t know her importance. In a career spanning 68 years, she did 700 plus films. She was the only one in Indian film industry, who could play a scheming mother-in-law and a golden-hearted matriarch with equal finesse. She was always portrayed prominently in the posters of her films, though she was not playing the lead. Apart from Lalita Pawar, Ashok Kumar was the only other character artiste, who used to appear prominently in the poster of his films.

With Dilip Kumar in DAAG

With Dilip Kumar in DAAG

 

Poster of Anari

With Raj Kapoor & Nutan in Anari

Apart from her, there were only 3 other Hindi film actors, who worked more than 6 decades. They, apart from Lalita Pawar, are Dev Anand, Pran and evergreen Ashok Kumar. Only these 4 Hindi Film Artists worked till the last breath of their lives.

Lalita Pawar with Ashok Kumar

Lalita Pawar with Ashok Kumar

Lalita Pawar with Pran

Lalita Pawar with Pran

Lalita Pawar with Dev Anand

Lalita Pawar with Dev Anand

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LALITA PAWAR : 68 Working Years – 700 Films

” Raja Harishchandra “ [ 1928 ] to ” Bhai ” [ 1997 ]

DEV ANAND : 65 Working Years – 113 Films

Hum Ek Hain “ [ 1946 ] to ” Chargesheet ” [ 2011 ]

PRAN : 63 Working Years – 350 Films

” Yamla Jat “ [ 1940 ] to ” Kiska Dosh “ [ 2003 ]

ASHOK KUMAR : 61 Working Years – 301 films .

” Jeevan Naiya ” [ 1936 ] to ” Aankhon Me Tum Ho ” [ 1997 ]

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Among all the 4 history making stars, Lalita Pawar was the senior most. Pran was junior to her by 12 years. And the indomitable Dev Anand was her junior by 18 years. Even grand old man of Hindi cinema, the evergreen Ashok Kumar, was her junior by 8 years. Coincidently their last films came in the same year, 1997. Lalita Pawar’s ” Bhai ” [ 1997 ] & Ashok Kumar’s ” Aankhon Me Tum Ho ” [ 1997 ] were their last film. Two immortal legends ended their glorious film journey in the same year.

My first association with her started somewhere in mid 60s. I don’t remember the film correctly, but either it was ” Sampoorna Ramayan ” or ” Jis Desh Me Ganga Bahti Hai “. Later on I saw several films of her and became an ardent admirer.

I am giving list of some of her unforgettable films, which I have seen and fail to forget even today.

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Ram Shastri [ 1944 ] , Dahej  [ 1950 ] , Daag  [ 1952 ] , Parchhain  [ 1952 ] , Shri 420 [ 1955 ] , Mr & Mrs 55  [ 1955 ] , Nau Do Gyarah  [ 1957 ] , Anari  [ 1959 ] , Sujata  [ 1959 ] , Hum Dono  [ 1961 ] , Sampoorna Ramayana  [ 1961 ] , Professor  [ 1962 ] , Sehra  [ 1963 ] , Grahasti  [ 1963 ] , Ghar Basake Dekho  [ 1963 ] , Khandan  [ 1966 ] , Boond Jo Ban Gayee Moti  [ 1967 ] , Aabroo  [ 1968 ] , Anand  [ 1970 ] , Pushpanjali  [ 1970 ] , Gopi  [ 1970 ] ,  Doosri Sita  [ 1974 ] , Tapasya  [ 1976 ] , Aaina  [ 1977 ] , Yaarana  [ 1080 ] , Kali Ghata  [ 1980 ] , Phir Wohi Raat  [ 1980 ] , Sau Din Saas Ke  [ 1980 ] , Naseeb  [ 1981 ] , Bhai  [ 1997 ] .

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It is pertinent to note that apart from Ram Shastri [ 1944 ] , where she played heroine, she played character roles in all above mentioned films. But no film connoisseur can ever forget her. Who can forget GANGAMAI of  Shri 420 [ 1955 ] or Mrs. D’Sa of  Anari  [ 1959 ] , both with Raj Kapoor?

Amba Laxman Rao Shagun from Yeola, Nashik made her debut in 1929 with ” Raja Harishchandra “. At the age of 16, she co-produced and acted in a silent film ” Kailash ” [ 1932 ]. She played a triple role in that film. A triple role in a silent film !! It was 44 years before DILIP KUMAR’s ” Bairaag ” [ 1976 ] & 51 years before AMITABH BACHCHAN’s ” Mahaan ” [ 1983 ]. Both these legends played triple role much later in their respective careers and when they were very mature. DILIP KUMAR made debut in 1944 and played triple role in 1976. That is 32 years after his debut. AMITABH BACHCHAN made debut in 1969 and played triple role in 1983. That is 19 years after his debut. But LALITA PAWAR played triple role in the beginning of her career. 3 years after her debut and that too in a silent film.

Poster of Silent Film "The Lord of the Jungle"

Poster of Silent Film “The Lord of the Jungle”

Poster of "Himmat-e-Marda" [ 1935 ]

Poster of “Himmat-e-Marda” [ 1935 ]

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film of 1940

Lalita Pawar in a Silent Film of 1940

1942 was an epoch-making year in Lalita Pawar’s career. As a part of the scene in a film ” Jung-E-Azadi ” , Bhagwan Dada of ” Albela ” fame was to slap her. Being a new-comer, he accidentally slapped her hard. It resulted in facial paralysis and a vein of her left eye got burst. This incident left her with a defective left eye. But the treatment took 3 years. She lost many lead roles and after her treatment was over, she switched to character roles. The defective left eye, which ended her acting career in lead roles, helped her play cruel, wicked and cussed characters with aplomb.

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Lalita Pawar & Bhagwan Dada

Lalita Pawar & Bhagwan Dada

Lalita Pawar has left us. She no longer exist. But she is still present in the form of her films where she played several unforgettable characters. I offer my tribute and regards to the unforgettable doyenne of Hindi cinema.

 

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[ List of Lalita Pawar’s released films,  dates and other information is taken from Wikipedia. I , on behalf of VIDUR Acting Institute ,  express gratitude. ]

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……. And Pran !! Never Before ; Never Again


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MUMBAI – MAHARASHTRA – INDIA            JULY 24, 2013           04.45 P.M.

On April 16, 2013 , I wrote a blog about Pran saheb . He was conferred Dada Saheb Phalke Award . And I posted my admiration for the man . I am posting the link of that blog :

 

Phalke Award ……………….. And Pran http://wp.me/ptyXI-2Sa

Little did I know that within 3 months , I would be sitting in my office and writing this obituary . Life is unpredictable and its hidden hands play strange and unfathomable games .

On July 12 , 2013 while I was sitting in my study in the night , I suddenly saw a post on the timeline of my facebook – ” RIP Pran Saheb ” . I was stunned . But I know that sometimes facebook postings are wrong and erroneous . So I approached my twitter-handle and it was flooded with the news of his death . Now there was no doubt . It was confirmed . It was true that Pran Saheb left us for his last journey . He was 93 at the time of his death .

I cannot put my grief in words . My association with the persona of Pran Saheb started with films like ;  ” Khandan ” [ 1965 ] , ” Shaheed ” [ 1965 ] , ” Dil Diya Dard Liya ” [ 1966 ] andRam Aur Shyam ” [ 1967 ] . I saw these films in quick succession in Deoria and Allahabad and started admiring him as an actor . ” Tere Mere Sapne ” [ 1999 ] was the last film of Pran Saheb which I watched in Mumbai . Thus it was a 34-year-long association of a fan with the legend .

Pran - Zanjeer

Pran in Zanjeer (Photo credit: Kaddele)

His stupendous innings started in 1940 . He hit the screen 4 years after Ashok Kumar and exactly 4 years before Dilip Kumar . Generations got changed . Times and fashion changed . Era of stars and super-stars came and went away . From Ashok Kumar to Dilip Kumar , from Dilip Kumar to Rajesh Khanna and from Rajesh Khanna to Amitabh Bachchan , several film stars came , ruled and then either retired or faded into oblivion or simply died . But era of Pran never ebbed , never receded , never ended . He never went away . From Ashok Kumar to Arshad Warsi , and from Suraiya to Sri Devi , he worked with every star worth his name .

In my earlier blog I have given complete list of his 350 films . Here I am giving list of important films of his career . In the list of Pran Saheb’s important films , there are 144 films . In 1940s there were 6 films . In the 50s 14 films , in the 60s 44 films , in the 70s 51 films , in the 80s 24 films , in the 90s 4 films and even in 2000s there was 1 important film . It is incredible . FromYamla Jat ” [ 1940 ] to ” Kiska Dosh ” [ 2003 ] , it was a 63-year-long journey of excellence and stardom , rather super-stardom .

1940s

  • Yamla Jat (1940)
  • Khajanchi (1941)
  • Khandaan (1942)
  • Ziddi (1948)
  • Grahasti (1948)
  • Badi Bahen (1949)

1950s

1960s

1970s

1980s

1990s

2000s

  • Kiska Dosh (2003)
I am fortunate that out of his above mentioned 144 important films , I have seen 120 films . May be I am missing one or two films . But even 120 is a decent number and it shows my admiration for Pran Saheb .
Pran Saheb is now gone . His billing in the titles of films always used to be ………………………………….and Pran . And even in his death it is there . It is uncanny . In 2011 and 2012 several stalwarts of film world left this world for their final and eternal journey . If you go through the list, it is eerie . It is uncanny . The list will be :
Dev Anand , Shammi Kapoor , Navin Nishchol , Bob Christo , Goga Kapoor , Jagjit Singh , Bhupen Hazarika , Srinivas Khale , Pandit Bhimsen Joshi , Mani Kaul , Surinder Kapoor , Tony Walker , M. F. Husain , Shandar Amrohi , Sachin Bhowmick , Kalpana , Joy Mukherjee , Achla Sachdev , Dara Singh , Rajesh Khanna , A. K. Hangal , Jaspal Bhatti , Ravi , Pandit Ravi Shankar , B. R. Ishara , Yash Chopra ……………………… and PRAN
 

FULL EDITNG STUDIO

NEWS LETTER

On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my condolences to the family of Pran Saheb .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to offer prayers for the departed soul .

Rest in peace Sir !

In the world of films there will never be anyone like you . And on the silver screen , I will never see  ………………. and Pran .

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Dulari Ji Is Gone; Unwept, Unheard , Unsung !


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MUMBAI – MAHARASHTRA – INDIA           MAY 09 , 2013           06.45 P.M.
Dulari In Her Twilight Years

Dulari In Her Twilight Years

On Monday morning I was shocked to read the news of death of Dulari , a veteran yesteryear Hindi film actor . It is so heart-wrenching that she died in January 2013 and the news came in May 2013 , in Monday’s Times of India . If a popular actor dies and the news comes out a full four months later , it shows the callousness of our film industry . How come no one tried to contact her ? How come no one ever called her to say hi ? How come no one inquired about her health and well-being ? I must admit , our film industry is full of cussed , cruel and selfish people .
Today as I am writing this blog , I suddenly remember these lines , which was filmed on her in ” Devdas ” , a Bimal Roy classic .
साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

She left this ephemeral , painful world for her eternal journey . She joined her lover , the God , and became one with him .

A Young Dulari

A Young Dulari

Hindi cinema had many famous and powerful mother figures . Durga Khote , Lalita Pawar , Leela Chitnis , Kamini Kaushal , Achala Sachdev and Sulochna are some of the most famous mothers of Hindi cinema . In recent history Nirupa Roy became an ultimate mother figure . Dulari, though not as famous as her other illustrious peers , was also a popular mother figure of Hindi films .

Dulari - The Poorman's Mother

Dulari – The Poorman’s Mother

She started as a heroine in a couple of films . Immortal hits like  ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ , both from ” Shehnai ” [ 1947 ] were filmed on her .

Dulari

I first noticed her in Bimal Roy’s ” Devdas “ [ 1955 ] . Two songs , written by Sahir Ludhianvi and tuned by Sachin Dev Burman , were filmed on her . ” Aan Milo Aan Milo Shyam Sanware ” and ” Sajan Ki Ho Gayi Gori “ are connoisseurs delight even today .  She played a Vaishnavi Saint with Nana Palsikar as her screen companion . A young Paro , played by Baby Naaz , was sitting on a branch of a mango tree and was remembering Devdas , while Nana Palsikar sang the song and danced . Dulari was just sitting calmly and singing the female version sung by Geeta Dutt . Her calm and serene face remained in my memory . In the same film , years later , when Paro grew older [ played by etherial Suchitra Sen ] , she was again sitting and remembering Devdas . Again same Vaishnav saints came and started singing . Now the song was ” Sajan Ki Ho Gayi Gori ” . I am unable to forget these scenes , these two songs , melancholic face of Paro , played by Baby Naaz and Suchitra Sen respectively and of course Nana Palsikar and Dulari .

Then , years later I watched ” Padosan ” [ 1968 ] and ” Gopi ” [ 1973 ] . In both the films she played the maternal aunt of lead actors ; Sunil Dutt and Dilip Kumar . Memory of her earlier starrers ” Shehnai ” [ 1947 ] , and ” Devdas ” [ 1955 ] once again became fresh in my mind . It is not that I have seen only above mentioned 4 films . I have seen innumerable films of her . But these 4 remain in my memory .

Dulari as Mother Figure

Dulari as Mother Figure

A Kanyakubj Brahman from the Awadh region of Uttar Pradesh , she was born and brought up in Maharashtra . She spent her childhood in Nagpur , where she was born on 18th April 1928. Her name was Ambika but she was nick-named Rajdulari and later on only Dulari remained and the world knew her as Dulari .

Dulari ji’s first film was ‘Bombay Talkies’s’ famous movie ” Jhoola ”  [ 1941 ] with Ashok Kumar . Later on she played Jairaj’s younger sister in a Bombay Talkies film Hamari Baat’ . She was also seen as the second lead in  ‘Amar Pictures’ film ‘Adaab Arz’ where her leading man was the famous singer Mukesh . Both the films were made in 1944 .
shayar

Later on she played small roles in films like ” Ghar ” [ 1945 ] , ” Kulkalank ”  [ 1945 ] , ‘Ahinsa’, ‘Black Market’, ‘Namak’, ‘Pati Sewa’, ‘Rangeen Kahani’ [ all 1947 ] . But Dulari got her real due with ‘Filmistan’s super hit film ” Shehnai ” [ 1947 ] . She played Rehana’s elder sister in the movie and her leading man was Mehmood’s father Mumtaz Ali . As I mentioned earlier two immortal songs were picturized on her in this film . ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ .

After ” Shehnai “ she did films like ” Gunsundari ” , ” Mitti Ke Khilone ” , ” Naav’ ” [ all 1948 ] , ” Nanad Bhaujai ” , ” Shayar ”  [ both 1949 ] , ” Apni Chhaya ” , ” Man Ka Meet ”  [ both 1950 ] , ” Albela ”  [ 1951 ], ” Anjaam ” , ” Bhoole Bhatke ” and ” Veer Arjun ”  [ all 1952 ] .
Paapi
Dulari was seen in an important role in the movie ” Paapi ” [ 1953 ] . In this Ranjeet Movietone film Raj Kapoor played his career’s only double role. Nargis and Dulari played his two heroines .  After it she worked in Jeewan Jyoti ” [ 1953 ] , ” Devdas ”  [ 1955 ] , ” Zindagi Ke Mele ”  [ 1956 ] , ” Ek Gaon Ki Kahani ” , ” Johny Walker ” ,  ” Paying Guest ”  [ all 1957 ] ,  ” Kavi Kalidas ”  and ” Santaan ” [ 1959 ] .
Devdas (1955 film)

Devdas (1955 film) (Photo credit: Wikipedia)

JPKSHH

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Padosan

After 1959 , after two years hiatus , she started her second innings from 1961 and for the next 35 years, Dulari played many big and small roles in almost 135 films like ‘Jab Pyar Kisi Se Hota Hai’, ‘Mujhe Jeene Do’, ‘Apne Hue Paraye’, ‘Aap Aaye bahaar Aai’, ‘Aaye Din Bahaar Ke’, Anupama’, ‘Teesri Kasam’, ‘Padosan’, ‘Aradhna’, ‘Aaya Sawan Jhoom Ke’, ‘Chiraagh’, ‘Inteqaam’, ‘Aan Milo Sajna’, ‘Heer Ranjha’, ‘Johny Mera Naam’, ‘Caravan’, ‘Laal Patthar’, ‘Beimaan’, ‘Seeta Aur Geeta’, ‘Raja Rani’, ‘Ameer Gareeb’, ‘Haath Ki Safai’, ‘Deewar’, ‘Do Jasoos’, ‘Aahuti’, ‘Ganga Ki Saugandh’, ‘Biwi O Biwi’, ‘Naseeb’, ‘Prem Rog’, ‘Agar Tum Na Hote and ‘Dharmadhikari’. And then one day she quietly retired from the world of movies.

Later on she did only two films . ” Surya ” [ 1989 ] and ” Ziddi ” [ 1997 ] . Ziddi directed by Guddu Dhanoa is her last film . Thus from ” Jhoola ”  [ 1941 ] to ” Ziddi ” [ 1997 ] , her career span was 56 years .

After a career spanning 56 years and after 171 hindi, 35 Gujarati, 3 Marathi and 1 Rajasthani film , she left Mumbai and went to live with her daughter in Indore . She also acted in a ‘Shri Adhikari Brothers’ serial called ‘Waqt Ki Raftaar’ .

During her final years Dulari ji was suffering from Alzheimer and was admitted to ICU in a hospital in PUNE in the last week of December ’12 where at the age of 85 she breathed her last on 18th January 2013 around 10 a.m. She was cremated on 19th January 2013 in the noon in Pune.

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Few links of songs filmed on Dulari :
1 – aana meri jaan sunday ke sunday /shehnai/1947
2 – jawani ki rail chali jaaye/shehnai/1947
3 – aan milo aan milo shyam sanware/devdas/1955
4 – sajan ki ho gai gori/devdas/1955
5 – madhav bin saara brij soona/sautela bhai/1962
 …………………………………………………………………………………

I offer my condolences on behalf myself and on behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters . May God give eternal peace to Dulari Ji and strength to her daughter and other near and dear ones to bear this loss .

I can visualize a frail ,  85-year-old , lonely lady suffering from Alzheimer , sitting without a friend or companion in an old age home with blank eyes and waiting for some elusive loving one . Long windy nights of winter , dull and dusty days of summer and wet , pouring and dreary evenings of  rainy season must have come and gone  without any trace of succour . It is painful , very painful . Finally , only death could relieve her from her pain .

साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

Rest in peace Dulari ji ! A tearful farewell from an ardent fan . I am happy that you left this cruel , selfish , cussed world . May , in next life , you get everything that you have ever desired for you .

[ While writing this blog , I have taken few facts and materials from the article ” Aan Milo Aan Milo Shyam Sanware’-Dulari ” , written by Shri Shishir Krishna Sharma for his ‘Sahara Samay’ column ‘kya bhooloon kya yaad karoon’ . I am indebted . ]

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Phalke Award ……………….. And Pran


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MUMBAI – MAHARASHTRA – INDIA           APRIL 16 , 2013           00.10 A.M.

I was happy to read the news that Pran Saheb was awarded Dada Saheb Phalke Award 2012 . As a veteran actor , who has worked in more than 400 films , he deserved much better . He should have got the award long back . But Pran Saheb , the gentleman villain of Hindi film industry got it very late . If you count his active years in films , he stands second in the hierarchy . Dev Anand [ Hum Ek Hain – 1946 to Chargesheet – 2011 === 113 films === 65 active years ] . Pran [ Yamla Jat – 1940 to Kiska Dosh – 2003 === 400 films === 63 active years ] . Legendary Ashok Kumar comes third . From [ Jeevan Naiya – 1936 to Aankhon Me Tum Ho – 1997 === 301 films === 61 active years ] . These three are the only Indian actors who can boast of such long and illustrious innings in Hindi films . In seniority he is second and second only to Ashok Kumar . Dilip Kumar , Dev Anand and Raj Kapoor came much later .

I have seen his films and in his films invariably Pran Saheb’s name used to come at the end . He used to be billed as ……………. and Pran . It is uncanny that this happened to him this time also .

Pran

Pran (Photo credit: Kaddele)

In his prolific career , he did more than 400 films . I am fortunate that I have seen more than100 films of Pran Saheb . I am posting names of important films of his career .

1940s

  • Yamla Jat (1940)
  • Chaudhry (1941)
  • Khajanchi (1941)
  • Khandaan (1942)
  • Sahara (1943)
  • Dasi (1944)
  • Kaise Kahun (1945)
  • Ragini (1945)
  • Pardesi Balam (1945)
  • Badnami (1946)
  • Khamosh Nigahen (1946)
  • Paraye Bas Mein (1946)
  • Rehana (1946)
  • Shahi Lutera (194?)
  • Gupt Raj (194?)
  • Do Saudagar (194?)
  • Arsi (1947)
  • Mohini (1947)
  • But Tarash (1947)
  • Barsat Ki Ek Raat (1948)
  • Birhan (1948)
  • Chunaria (1948)
  • Nek Dil (1948)
  • Ziddi (1948)
  • Grahasti (1948)
  • Aparadhi (1949)
  • Badi Bahen (1949)
  • Roshani (1949)
  • Janmapatri (1949)
  • Rakhi (1949)

1950s

  • Biwi (1950)
  • Putli (1950)
  • Lajawab (1950)
  • Sangeeta (1950)
  • Sheesh Mahal (1950)
  • Afsana (1951)
  • Bahar (1951)
  • Daman (1951)
  • Sabz Baag (1951)
  • Pyar ki baaten (1951)
  • Bewafaa (1951)
  • Chham Chhama Chham (1952)
  • Sanskar (1952)
  • Sindbad The Sailor (1952)
  • Zamane Ki Hawa (1952)
  • Moti Mahal (1952)
  • Aah (1953)
  • Alif Laila (1953)
  • Ansoo (1953)
  • Baagi (1953)
  • Farmaish (1953)
  • Malkin (1953)
  • Rahbar (1953)
  • Biraj Bahu (1954)
  • Pehli Jhalak (1954)
  • Pilpili Saheb (1954)
  • Sheeshe Ki Diwar (1954)
  • Angaarey (1954)
  • Lakeeren (1954)
  • Meenar (1954)
  • Toofan (1954)
  • Aab-e-Hayat (1955)
  • Amanat (1955)
  • Azad (1955)
  • Baradari (1955)
  • Chingari (1955)
  • Bahu (1955)
  • Jashan (1955)
  • Kundan (1955)
  • Munimji (1955)
  • Devdas (1956)
  • Aan Baan (1956)
  • Chori Chori (1956)
  • Hum Sab Chor Hain (1956)
  • Hotel (1956)
  • Halaku (1956)
  • Kar Bhala (1956)
  • Inspector* (1956)
  • Naya Andaz (1956)
  • Tankhah (1956)
  • Ek Jhalak (1957)
  • Miss India (1957)
  • Asha (1957)
  • Champakali (1957)
  • Tumsa Nahin Dekha (1957)
  • Mr.X (1957)
  • Chandu (1958)
  • Adalat (1958)
  • Amar Deep (1958)
  • Daughter Of Sindbad (1958)
  • Madhumati (1958)
  • Raj Tilak (1958)
  • Chandan (1958)
  • Bedard Zamana Kya Jaane (1959)
  • Daaka (1959)
  • Do Gunde (1959)
  • Guest House (1959)
  • Madam X.Y.Z. (1959)
  • Pyar Ki Rahen (1959)
  • Jaalsaaz (1959)

1960s

1970s

1980s

  • Aap Ke Deewane (1980)
  • Bombay 405 Miles (1980)
  • Desh Drohi (1980)
  • Dhan Daulat (1980)
  • Dostana (1980)
  • Jwalamukhi (1980)
  • Jal Mahal (1980)
  • Karz (1980)
  • Patthar Se Takkar (1980)
  • Khuda Kasam (1980)
  • Zalim (1980)
  • Kaalia (1981)
  • Khoon Ka Rishta (1981)
  • Krodhi (1981)
  • Ladies’ Tailor (1981)
  • Naseeb (1981)
  • Man Gaye Ustad (1981)
  • Waqt Ki Deewar (1981)
  • Jiyo Aur Jeene Do (1982)
  • Takdir Ka Badshah (1982)
  • Partner (1982)
  • Taaqat (1982)
  • Andha Kanoon (1983)
  • Daulat Ke Dushman (1983)
  • Ek Jaan Hain Hum (1983)
  • Film Hi Film (1983)
  • Janwar (1983)
  • Laalach (1983)
  • Naukar Biwi Ka (1983)
  • Souten (1983)
  • Woh Jo Hasina (1983)
  • Nastik (1983)
  • Bade Dilwala (1984)
  • Insaaf Kaun Karega (1984)
  • Farishta (1984)
  • Haisiyat (1984)
  • Jagir (1984)
  • Laila (1984)
  • Raja Aur Rana (1984)
  • Rajtilak (1984)
  • Duniya (1984)
  • Sohni Mahiwal (1984)
  • Sharaabi (1984)
  • Inquilab (1984)
  • Durga (1985)
  • Hoshiyar (1985)
  • Bewafai (1985)
  • Karamyudh (1985)
  • Maa Kasam (1985)
  • Sarfarosh (1985)
  • Yudh (1985)
  • Paatal Bhairavi (1985)
  • Dosti Dushmani (1986)
  • Dilwala (1986)
  • Dharam Adhikari (1986)
  • Jeeva (1986)
  • Love & God (1986)
  • Ricky (1986)
  • Suhaagan (1986)
  • Dilruba Tangewali (1987)
  • Goraa (1987)
  • Insaf Kaun Karega (1987)
  • Imaandar (1987)
  • Kudrat Ka Kanoon (1987)
  • Hifazat (1986)
  • Muqaddar Ka Faisla (1987)
  • Maa Beti (1987)
  • Sitapur Ki Gita (1987)
  • Dharam Shatru (1988)
  • Paap Ki Duniya (1988)
  • Sherni (1988)
  • Aurat Teri Yahi Kahani (1988)
  • Dharma Yudh (1988)
  • Gunahon Ka Faisla (1988)
  • Kasam (1988)
  • Shahenshah (1988)
  • Mohabbat Ke Dushman (1988)
  • Ram O Rama (1988)
  • Bade Ghar Ki Beti (1989)
  • Chingari (1989)
  • Jaadugar (1989)
  • Mitti Aur Sona (1989)
  • Nigahen (1989)
  • Shukriya (1989)
  • Toofan (1989)
  • Zooni (1989)

1990s

  • Azaad Desh Ke Ghulam (1990)
  • Pyar Ka Toofan (1990)
  • Roti Ki Keemat (1990)
  • Sanam Bewafaa (1990)
  • Lakshman Rekha (1991)
  • Banjaran (1991)
  • Jigarwala (1991)
  • Mashooq (1992)
  • Meera Ka Mohan (1992)
  • Do Hanson Ka Joda (1992)
  • Bewafa Se Wafa (1992)
  • Panah (1992)
  • Isi Ka Naam Zindagi (1992)
  • Chandramukhi (1993)
  • Dosti Ki Saugandh (1993)
  • Gurudev (1993)
  • Kohra (1993)
  • Aaja Meri Jaan (1993)
  • Bhagyawaan (1993)
  • 1942: A Love Story (1994)
  • Hum Hain Bemisal (1994)
  • Saajan Ki Bahon Mein (1995)
  • Vaapsi saajan Ki (1995)
  • Lalchi (1996)
  • Dadagiri (1997)
  • Gudia (1997)
  • Lakha (1997)
  • Luv Kush (1997)
  • Kaun Rokega Mujhe (1997)
  • Mrityudaata (1997)
  • Salma Pe Dil Aa Gaya (1997)
  • Badmash (1998)
  • Tere Mere Sapne (1999)
  • Jai Hind (1999)

2000s

  • Dosh (2002)
  • Ek Hidustani (2002)
  • Mohabbat Pehli Nazar Mein (2002)
  • Suryakant (2002)
  • Tum Jiyo Hazaron Saal (2002)
  • Deewan Tere Pyar ka (2003)
  • Kiska Dosh (2003)

If my memory is not failing me , the first movie of Pran Saheb , which I watched was ” Khandan ” [ 1965 ] . It was in Vijay Talkies , Deoria and perhaps the year was 1966 . Same year I watched ” Dil Diya Dard Liya “ and my admiration for Pran Saheb , in the garb of hate , began . Next year I watched ” Ram Aur Shyam ” [ 1967 ] in Pushparaj Talkies , Allahabad and it fortified my admiration for him and since then I am a die-hard fan of this legendary actor .

I may not be running most famous acting school of Mumbai , or most famous acting institute of India or most famous acting class of bollywood or most famous acting academy of world but I think it is my duty to offer my greetings to the legend .

I congratulate Pran Saheb on behalf of all the students and staff of Vidur Acting Institute , which is known as  Vidur’s Kreating Charakters . May God give long and healthy life to the legend called Pran Krishna Sikand , a.k.a. Pran.

Dada Saheb Phalke Award was instituted in 1969 . Till date 43 luminaries have got this prestigious award . Pran Saheb is 44th .

Devika Rani got it in 1969

…………………….. and  Pran in 2012

[ List of his flms is being re-produced from Wikipedia . I express profound gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

Aah Shammi Kapoor ……….” Tum Sa Nahi Dekha ” !!


Shammi Kapoor
MUMBAI – MAHARASHTRA – INDIA          NOVEMBER 16 , 2011          08.15 P.M.

When I got the news of Shammi Kapoor‘s sad demise on August 14 , 2011 at the age of 79 , flood of memories engulfed me and inundated me completely . Though , initially , I was not a huge fan of Shammi Kapoor , but later on , as I watched his films and understood his importance in Hindi films , I succumbed to his charm completely.

That golden era  of Hindi films belonged to film industry’s towering triumvirate ; Dilip Kumar , Dev Anand and Raj Kapoor . Like other youngsters of my age , I was very much enamoured by the trio . So naturally for me , Shammi Kapoor was nowhere in the picture . While in school and college , I was intrigued by the fact that whenever any new film of Shammi Kapoor used to hit the cinema halls, class – rooms wore deserted look and seeing the empty class , our irritated teachers used to say few nasty words for Shammi Kapoor because majority of the boys had no quam in bunking the class for the first day , first show of a Shammi Kapoor film . I got intrigued and decided to uncover the persona and unravel the mystique of Shammi Kapoor , the dancing star , the rebel star . I started watching his films and to my amazement , realized that Hindi Cinema doesn’t belong to the above mentioned triumvirate alone but it consists of the quartet ; Dilip Kumar , Dev Anand , Raj Kapoor and Shammi Kapoor . Without these four one cannot even think of Hindi cinema .

I took this picture when he paid a visit last ...

Dilip Kumar

With Dev Anand in His Office

With Dev Anand in His Office

In those days of my asinine childhood and carefree adolescence , Dilip Kumar symbolized romance and pain of the Nehru era , while Raj Kapoor was the face of Nehruvian socialism . Dev Anand represented urbane and educated youth of this nascent nation . Shammi Kapoor was unique because he gave face and voice to the aspirations of the emerging middle class youth . His first hit ” Tum Sa Nahin Dekha “ came in 1957 . It was the year of second general election also . First general election was held in 1952 .  So after testing democracy for five years , youth of India were bubbling with enthusiasm and ” I don’t give a damn ” kind of attitude . Their aspirations , their liking for good clothes and better life – style was palpable and Shammi Kapoor Saheb represented these feelings to the fullest . And naturally he became icon of the liberated youth of the nascent , new and emerging democratic India .It is not for nothing that he is called Rebel Star and Dancing Star of Hindi films .

So obviously , when I heard the news of his demise , an era ended for me . One more chapter of my growing years was lost completely .  I wanted to write the obituary  immediately but I thought that best moment to pay my last respect would be on the occasion of the release of his last film ” Rockstar “ . Ranbir Kapoor starrer ” Rockstar “ got released on November 11 , 2011 and it created history . It became legendary Shammi Kapoor‘s last film. It signals the end of one of the most glorious chapters of Hindi Cinema . It brings curtain down on the memories of legendary Shammi Kapoor . One more icon of my childhood left the world finally and ” Rockstar “  is the cruel reminder of that fact . The journey , which started with ” Jeevan Jyoti ” [ 1953] , ended with ” Rockstar ” [ 2011 ] . It is 58 years long , gigantic and glorious reel journey .

Shammi Kapoor in Teesri Manzil

Shammi Kapoor in Teesri Manzil

Shamsher Raj Kapoor , better known as Shammi Kapoor started his career with ” Jeeva Jyoti ”  [ 1953 ] , a film directed by Mahesh Kaul , who incidentally , years later gave break to Hema Malini inSapno Ka Saudagar ”  , who incidentally was his last romantic lead in ” Andaz ” [ 1971 ]. Chand Usmani was Shammi Kapoor’s first heroine in ” Jeevan Jyoti ” .

” Rail Ka Dibba ” [ 1953 ] , ” Laila Majnu ” [ 1953 ] , ” Shama Parwana ” [ 1954 ]  ,  ” Chor Bazar ” [ 1954 ] , ” Miss Coca Cola ” [ 1955 ] , ” Daku ” [ 1955 ] , ” Mem Sahib ” [ 1956 ] , ” Rangeen Ratein ” [ 1956 ] , ” Mirza Sahiban ” [ 1957 ] , ” Mujrim ” [ 1958 ]  and ” Char Dil Char Rahen ” [ 1959 ]  “ came in quick succession and most of them bombed miserably .

Teesri Manzil

Shammi Kapoor in Teesri Manzil

Very few hits and 18 flops later, Shammi Kapoor became a major star with ” Tumsa Nahi Dekha ” [ 1957 ] , ” Dil Deka Dekho ” [ 1958 ] and ” Ujala ” [ 1959 ] . After this there were blitzkrieg of hugely successful films like ; “College Girl ” [1960 ] , ” Singapore ” [ 1960 ] , ” Boyfriend ” [ 1960 ] , ” Junglee ” [ 1961 ] , ” Dil Tera Diwana ” [ 1962 ] , ” Professor ” [ 1962 ] , ” China Town ” [ 1962 ] , ” Bluff Master ” [ 1963 ] , ” Rajkumar ” [ 1963 ] , ” Kashmir Ki Kali ” [ 1964 ] , ” Janwar ” [ 1965 ] , ” Teesri Manzil ” [ 1966 ] , ” Budtameez ” [ 1966 ] , ” An Evening In Paris ” [ 1967 ] , ” Laat Saheb ” [ 1967 ] , ” Brahmchari ” [ 1968 ] , ” Prince ” [ 1968 ]  , ” Tum Se Accha Kaun Hai ” [ 1969 ] , ” Sachchai ” [ 1969 ] , ” Pagla Kahin Ka ” [ 1970 ] , ” Andaz ” [ 1971 ] , ” Jawan Mohabbat ” [ 1971 ] , and ” Jaane Anjane ” [ 1971 ] . After last mentioned film , he stopped playing romantic lead .

Shammi Kapoor in Kashmir Ki Kaali

Shammi Kapoor in Kashmir Ki Kaali

There after he started playing character roles and created some major milestones as well , ” Zameer ” [ 1974 ] , ” Manoranjan ” [ 1974 ] , ” Bundal Baaz ” [ 1976 ] , ” Parvarish ” [ 1977 ] , ” Shalimar “[ 1978 ] , ” Meera “[ 1989 ] , ” Rocky “[ 1981 ] , “Naseeb “[ 1981 ] , “Prem Rog “[ 1981 ] , ” Vishaata “[ 1982 ] , “Desh Premi “[ 1982 ] , “Hero “[ 1982 ] , ” Betab “[ 1983 ] and finally ” Rockstar “[ 2011 ] .


Among the above mentioned films ; ” Manoranjan ” [ 1974 ] and ” Bundal Baaz ” [ 1976 ] were his directorial ventures .

I consider myself fortunate that of the quartet of Dilip Kumar , Dev Anand , Raj Kapoor and Shammi Kapoor , I Could meet all the three barring Raj Kapoor . In early 90s I had written a serial ” Mitti Ke Diye “ and along with my director , went to Shammi Kapoor Saheb‘s Malabar Hills apartment to narrate the story to him . We reached his Blue Heaven apartment in the morning and were ushered into his room . He was working on his computer . He greeted us warmly , told us to sit down and ordered tea for us .I narrated the story in trembling voice and to my utter shock and dismay he liked the story and agreed to work in the serial immediately .

The serial was not made because of my bad luck . But I still remember his towering personality , his booming voice and benign smile . He made me feel important , though he had achieved gigantic successes and I was a struggling nonentity . After some years I again bumped into him at the marriage reception of grand – daughter of legendary singer Mukesh . After that I could not meet or see him . I followed him on twitter , though . And then came the news of his illness and the death .

I feel blessed to meet you sir . I imbibed your spirit , your love and zest for life . I got your blessings and I know that it will guide me in the slippery world of film industry . Farewell sir ! I will definitely meet you in heaven to learn cinema from you . Till then , rest in peace sir !

There shall never , ever be another Shammi Kapoor .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

My Column ” Kal Aur Aaj ” in Bhojpuri City – [ 6 ]


 

MUMBAI – MAHARASHTRA – INDIA            SEPTEMBER 10, 2011                 11 . 55 P. M.

This is the 6th article of my Hindi column ” Kal Aur Aaj ” . It comes in Bhojpuri City , a fortnightly Bhojpuri film trade magazine published from Mumbai .

Though I intend to write one article for my column every fortnight but this time there was a gap of almost two and half months. My last , 5th article was published in the May 1st issue of Bhojpuri City and now this 6th article comes in the September 1st issue. This , regretfully , happened because of my incessant travels and recent illness of my wife.

This article is about the pitiable and woefully pathetic condition of the various famous and legendary film studios of Mumbai.

I am reproducing here the cover page of the current issue of Bhojpuri City and 3 pages of the article. This is my longest article till date .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

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