100 Years of Lalita Pawar – Hindi Cinema’s Unforgettable Doyenne


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MUMBAI – MAHARASHTRA – INDIA           MAY 15, 2016           08.00 P.M.

 

LALITA PAWAR [ 18 April 1916 - 24 February 1998 ]

LALITA PAWAR [ 18 April 1916 – 24 February 1998 ]

On April 18, 2016, Lalita Pawar would have been 100 years old, had she been alive. There were not much coverage in the media. I read just one article in DNA. That’s it.

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Present day media Mughals don’t know her importance. In a career spanning 68 years, she did 700 plus films. She was the only one in Indian film industry, who could play a scheming mother-in-law and a golden-hearted matriarch with equal finesse. She was always portrayed prominently in the posters of her films, though she was not playing the lead. Apart from Lalita Pawar, Ashok Kumar was the only other character artiste, who used to appear prominently in the poster of his films.

With Dilip Kumar in DAAG

With Dilip Kumar in DAAG

 

Poster of Anari

With Raj Kapoor & Nutan in Anari

Apart from her, there were only 3 other Hindi film actors, who worked more than 6 decades. They, apart from Lalita Pawar, are Dev Anand, Pran and evergreen Ashok Kumar. Only these 4 Hindi Film Artists worked till the last breath of their lives.

Lalita Pawar with Ashok Kumar

Lalita Pawar with Ashok Kumar

Lalita Pawar with Pran

Lalita Pawar with Pran

Lalita Pawar with Dev Anand

Lalita Pawar with Dev Anand

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LALITA PAWAR : 68 Working Years – 700 Films

” Raja Harishchandra “ [ 1928 ] to ” Bhai ” [ 1997 ]

DEV ANAND : 65 Working Years – 113 Films

Hum Ek Hain “ [ 1946 ] to ” Chargesheet ” [ 2011 ]

PRAN : 63 Working Years – 350 Films

” Yamla Jat “ [ 1940 ] to ” Kiska Dosh “ [ 2003 ]

ASHOK KUMAR : 61 Working Years – 301 films .

” Jeevan Naiya ” [ 1936 ] to ” Aankhon Me Tum Ho ” [ 1997 ]

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Among all the 4 history making stars, Lalita Pawar was the senior most. Pran was junior to her by 12 years. And the indomitable Dev Anand was her junior by 18 years. Even grand old man of Hindi cinema, the evergreen Ashok Kumar, was her junior by 8 years. Coincidently their last films came in the same year, 1997. Lalita Pawar’s ” Bhai ” [ 1997 ] & Ashok Kumar’s ” Aankhon Me Tum Ho ” [ 1997 ] were their last film. Two immortal legends ended their glorious film journey in the same year.

My first association with her started somewhere in mid 60s. I don’t remember the film correctly, but either it was ” Sampoorna Ramayan ” or ” Jis Desh Me Ganga Bahti Hai “. Later on I saw several films of her and became an ardent admirer.

I am giving list of some of her unforgettable films, which I have seen and fail to forget even today.

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Ram Shastri [ 1944 ] , Dahej  [ 1950 ] , Daag  [ 1952 ] , Parchhain  [ 1952 ] , Shri 420 [ 1955 ] , Mr & Mrs 55  [ 1955 ] , Nau Do Gyarah  [ 1957 ] , Anari  [ 1959 ] , Sujata  [ 1959 ] , Hum Dono  [ 1961 ] , Sampoorna Ramayana  [ 1961 ] , Professor  [ 1962 ] , Sehra  [ 1963 ] , Grahasti  [ 1963 ] , Ghar Basake Dekho  [ 1963 ] , Khandan  [ 1966 ] , Boond Jo Ban Gayee Moti  [ 1967 ] , Aabroo  [ 1968 ] , Anand  [ 1970 ] , Pushpanjali  [ 1970 ] , Gopi  [ 1970 ] ,  Doosri Sita  [ 1974 ] , Tapasya  [ 1976 ] , Aaina  [ 1977 ] , Yaarana  [ 1080 ] , Kali Ghata  [ 1980 ] , Phir Wohi Raat  [ 1980 ] , Sau Din Saas Ke  [ 1980 ] , Naseeb  [ 1981 ] , Bhai  [ 1997 ] .

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It is pertinent to note that apart from Ram Shastri [ 1944 ] , where she played heroine, she played character roles in all above mentioned films. But no film connoisseur can ever forget her. Who can forget GANGAMAI of  Shri 420 [ 1955 ] or Mrs. D’Sa of  Anari  [ 1959 ] , both with Raj Kapoor?

Amba Laxman Rao Shagun from Yeola, Nashik made her debut in 1929 with ” Raja Harishchandra “. At the age of 16, she co-produced and acted in a silent film ” Kailash ” [ 1932 ]. She played a triple role in that film. A triple role in a silent film !! It was 44 years before DILIP KUMAR’s ” Bairaag ” [ 1976 ] & 51 years before AMITABH BACHCHAN’s ” Mahaan ” [ 1983 ]. Both these legends played triple role much later in their respective careers and when they were very mature. DILIP KUMAR made debut in 1944 and played triple role in 1976. That is 32 years after his debut. AMITABH BACHCHAN made debut in 1969 and played triple role in 1983. That is 19 years after his debut. But LALITA PAWAR played triple role in the beginning of her career. 3 years after her debut and that too in a silent film.

Poster of Silent Film "The Lord of the Jungle"

Poster of Silent Film “The Lord of the Jungle”

Poster of "Himmat-e-Marda" [ 1935 ]

Poster of “Himmat-e-Marda” [ 1935 ]

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film of 1940

Lalita Pawar in a Silent Film of 1940

1942 was an epoch-making year in Lalita Pawar’s career. As a part of the scene in a film ” Jung-E-Azadi ” , Bhagwan Dada of ” Albela ” fame was to slap her. Being a new-comer, he accidentally slapped her hard. It resulted in facial paralysis and a vein of her left eye got burst. This incident left her with a defective left eye. But the treatment took 3 years. She lost many lead roles and after her treatment was over, she switched to character roles. The defective left eye, which ended her acting career in lead roles, helped her play cruel, wicked and cussed characters with aplomb.

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Lalita Pawar & Bhagwan Dada

Lalita Pawar & Bhagwan Dada

Lalita Pawar has left us. She no longer exist. But she is still present in the form of her films where she played several unforgettable characters. I offer my tribute and regards to the unforgettable doyenne of Hindi cinema.

 

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[ List of Lalita Pawar’s released films,  dates and other information is taken from Wikipedia. I , on behalf of VIDUR Acting Institute ,  express gratitude. ]

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My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

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B. M. Vyas Is No More


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MUMBAI – MAHARASHTRA – INDIA           MARCH 15 , 2013           00.50 A.M.

A veteran actor of mythological and some social Hindi films , Shri B. M. Vyas died on March 11 , 2013 at the age of 93 in Mumbai .

B. M. Vyas in His Younger Days

B. M. Vyas in His Younger Days

Famous for his portrayal of Ravan in several mythological films , Shri B. M. Vyas started his career with Chetan Anand’s Neecha Nagar but was noticed with Raj Kapoor’s ” Barsaat ”  in 1949 . He acted in over 300 mythological and social films including films like ” Baiju Bawra ” , ” Do Aankhen Barah Haath and ” Sarawasti Chandra ” . His last big film was Shah Rukh Khan starrerOh Darling Yeh Hai India ” .

As Ravan in " Sampoorn Ramayan "

As Ravan in ” Sampoorn Ramayan “

Some Famous Films of B. M. Vyas As An Actor

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There are some other famous films of Shri B. M. Vyas , which I would like to mention for the benefit of new generation :
Movies of B.M. Vyas
Aladdin Aur Jadui Chirag (1952)
Mahipal, Meena Kumari, B.M. Vyas, S.N. Tripathi, W.M. Khan, Jillo, Babu Raje, Azim, Raja Sandow P.K., Urmila, Vasantrao Pahelwan, Amarnath, M.K. Hasan, Bismillah, Dalpat
Watch Online
Alibaba And 40 Thieves (1966)
Sanjeev Kumar, L. Vijayalakshmi, Indira, Tabassum, B.M. Vyas, David, Veena, S.N. Tripathi
Watch Online
Alibaba and Forty Thieves (1954)
Mahipal, Sharda, B.M. Vyas, S.N. Tripathi, Dalpat, Maruti Rao, Azim, Lalita Kumari, Sardar Mansur
Watch Online
Amber (1952)
Raj Kapoor, Nargis, Agha, Bipin Gupta, Ramesh Sinha, Samson, S.B. Nayampalli, B.M. Vyas, Cuckoo, Tanuja
Watch Online
Awara (1951)
Prithviraj Kapoor, Raj Kapoor, Nargis, K.N. Singh, Shashi Kapoor, B.M. Vyas, Leela Mishra, Leela Chitnis, Om Prakash Mehra, Dewan Basheswarnath Kapoor, Helen
Watch Online
Baghavat (1982)
Dharmendra, Hema Malini, Reena Roy, Amjad Khan, Urmila Bhatt, Birbal, Padma Chavan, Viju Khote, Sujit Kumar, Manmauji, B.M. Vyas, Dinesh Thakur
Watch Online
Baiju Bawra (1952)
Meena Kumari, Bharat Bhushan, Bipin Gupta, B.M. Vyas, Surendra, Kuldip Kaur, Mishra, Kesari, Radhakrishan, Tabassum, Rai Mohan
Watch Online
Barsaat (1949)
Raj Kapoor, Nargis, K.N. Singh, Prem Nath, Cuckoo, Nimmi, B.M. Vyas, Ratan Gaurang, Vishwa Mehra
Watch Online
Bhagwan Samaye Sansar Mein (1976)
Ashish Kumar, Kanan Kaushal, Abhi Bhattacharya, B.M. Vyas, Jayshree T., Mohan Choti, Jeevan, Alankar Joshi, Lalita Kumari, Hansa Lokhande, Sunder, Chand Usmani
Watch Online
Char Dervesh (1964)
Feroz Khan, Sayeeda Khan, Kumari Naaz, Ratnamala, Jeevan Kala, Paul Sharma, B.M. Vyas, Mukri, Sunder, Amarnath, W.M. Khan, Pal Sharma, Sardar Mansur, Nazir Kashmiri, Dalpat
Watch Online
Do Ankhen Barah Haath (1957)
Rajaram Vankudre Shantaram, Sandhya, Ulhas, B.M. Vyas, Paul Sharma, S.K. Singh, Shankarrao Bhosle
Watch Online
Duniya Jhukti Hai (1960)
Sunil Dutt, Shyama, B.M. Vyas, Kumkum, Agha, Wasti, W.M. Khan, Habib, Daisy Irani
Watch Online
Ek Paheli (1971)
Sanjeev Kumar, Feroz Khan, Tanuja, Rajendra Nath, Madan Puri, Jeevan, Aruna Irani, Manohar Deepak, Bipin Gupta, Uma Khosla, B.M. Vyas, Tun Tun
Watch Online
Harishchandra Taramati (1963)
Prithviraj Kapoor, Jaymala, B.M. Vyas, Helen, Ulhas, Ramayan Tiwari, Babu Raje, P. Kailash, Babloo
Watch Online
Hatim Tai (1956)
Jairaj, Shakila, Meenaxi, Naina, Krishna Kumari, Kamal, Menaka, S.N. Tripathi, B.M. Vyas, Sheikh, Dalpat
Watch Online
Hum Panchhi Ek Daal Ke (1957)
Master Romi, Satish Vyas, Daisy Irani, Jagdeep, Mohan Choti, David Abraham, Murad, Maruti Rao, B.M. Vyas, Krishnakant, Achala Sachdev
Watch Online
Jahan Sati Wahan Bhagwan (1965)
Prithviraj, Anita Guha, Sulochana Chatterjee, Mahipal, Krishna Kumari, Mohan Choti, Madhumati, B.M. Vyas, Praveen Paul, Santosh Kumar
Watch Online
Jai Santoshi Maa (1975)
Anita Guha, Bharat Bhushan, Ashish Kumar, Kanan Kaushal, Trilok Kapoor, Rajni Bala, B.M. Vyas, Leela Mishra, Rajan Haksar, Moolchand
Watch Online
Janam Janam Ke Phere: Alias Sati Anapurna (1957)
Nirupa Roy, Manher Desai, B.M. Vyas, S.N. Tripathi, Satish Vyas, Kanta Kumari, Mahipal, Krishna Kumari, Champaklala
Watch Online
Lav-Kush (1967)
Ashim Kumar, Jayshree Gadkar, Babloo, Sushil Kumar, Kanu Roy, Munna, Bela Bose, S.N. Tripathi, Chitra, Dalpat, B.M. Vyas, Hari Shukla, Chandrima Bhaduri, Bhagwan Singh, R.C. Pandey
Watch Online
Maha Pawan Tirth Yatra (1975)
Ashish Kumar, Rajni Bala, Mahipal, Jeevan, Shashi Modak, B.M. Vyas, Anita Guha
Watch Online
Mangalsutra (1981)
Rekha, Anant Nag, Prema Narayan, Madan Puri, Om Shivpuri, B.M. Vyas, Rajendra Nath, Keshto Mukherjee, Asit Sen, Jagdeep
Watch Online
Maya Machhindra (1975)
Abhi Bhattacharya, Kanan Kaushal, B.M. Vyas, Jeevan
Watch Online
Murder In Circus (1971)
Nisar Ahmad Ansari, M.B. Shetty, Sujit, Jaymala, Bela Bose, B.M. Vyas, Sapru
Watch Online
Nag Panchami (1953)
Nirupa Roy, Manohar Desai, B.M. Vyas, Durga Khote, Tiwari
Watch Online
Oh Darling Yeh Hai India (1995)
Shah Rukh Khan, Deepa Sahi, Amrish Puri, Anupam Kher, Javed Jaffrey, Tinnu Anand, Tiku Talsania, Shri Vallabh Vyas, Sadashiv Amrapurkar, Tom Alter, Kader Khan, Shri Vallabh Vyas, Raza Murad, B.M. Vyas, Anil Nagrath, Ranjana Sharma, Ranjeet, Ravi Gossain
Watch Online
Patita (1953)
Dev Anand, Usha Kiran, Agha, Shivraj, Krishnakant, C.S. Dubey, Sonny Abraham, B.M. Vyas, Lalita Pawar
Watch Online
Puja Aur Payal (1980)
Sujit Kumar, Sonali, Madhumati, Ram Mohan, B.M. Vyas, Sunil Dutt, Sanjeev Kumar, Jaya Bhaduri, Madan Puri, Johnny Walker
Watch Online
Rani Rupmati (1957)
Bharat Bhushan, Nalini Chonkar, Ulhas, B.M. Vyas, Nirupa Roy, Babu Raje, Amarnath, Rajrani
Watch Online
Razia Sultan (1983)
Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Vijayendra, Ajit, Jankidas, B.M. Vyas, Mumtaz Begum, Shribhagwan, Heena Kausar, Anu Dhawan, Veena, Sohrab Modi, Sarika, Radha Saluja, Bijoya Jena, Madhu Malini, Gopi Krishna, Shahu Modak, Aarti Chopra
Watch Online
Sampoorna Ramayana (1961)
Mahipal, Anita Guha, Sulochana Latkar, Helen, Lalita Pawar, Achala Sachdev, Krishna Kumari, Raj Kumar, Uma Dutt, B.M. Vyas, Badri Prasad, Paul Sharma
Watch Online
Samrat Prithviraj Chauhan (1959)
Anita Guha, B.M. Vyas, Chand Usmani, Jairaj, Leela Mishra, Prem Adib, Sulochana, Ulhas
Watch Online
Sant Ravidas Ki Amar Kahani (1983)
Ashish Kumar, B.M. Vyas, Mahipal, Rajendra Nath, Tun Tun, Mohan Choti, Shekhar Purohit
Watch Online
Saranga (1960)
Sudesh Kumar, Jayshree Gadkar, Nilofar, B.M. Vyas, Niranjan Sharma, Jankidas, Sadiq, Parsuram, Jaya Devi
Watch Online
Saraswatichandra (1968)
Nutan Behl, Manish, Vijaya Choudhury, Ramesh Deo, Sulochana Latkar, B.M. Vyas, Seema Deo, Jeevan Kala, S.B. Nayampalli, Sulochana Chatterjee, Shivraj
Watch Online
Sati Naari (1965)
Anita Guha, Manohar Desai, Jeevan, Sunder, B.M. Vyas, Ulhas, Ram Singh
Watch Online
Sheikh Chilli (1956)
Shyama, Mahipal, Agha, B.M. Vyas, Bhagwan
Watch Online
Shravan Kumar (1960)
Anant Kumar, Achala Sachdev, B.M. Vyas, Nalini Chonkar, Sunder, Polson
Watch Online
Shree Ram Bharat Milan (1965)
Prithviraj Kapoor, Nirupa Roy, Mahipal, Anita Guha, Sulochana, B.M. Vyas, Niranjan Sharma, Vanamala, Shekhar Purohit, Aruna Irani
Watch Online
Solah Shukrawar (1977)
Rajni Bala, Indira Bansal, Abhi Bhattacharya, Bharat Bhushan, Bela Bose, Sushil Chak, Manek Chaudhary, Ramesh Deo, Ramesh Dubey, Manher Desai, Manik Dutt, Dilip Dutt, L.M. Ganu, Anita Guha, Tarun Ghosh, Anuradha Guha, Ashish Kumar, Meenakshi, Leelavathi, Polson, Prema Narayan, B.M. Vyas
Watch Online
Tarzan Aur Jadui Chirag (1966)
Azad Shaban, Sunita, B.M. Vyas, Dalpat, Tun Tun, Kesari, Sheikh, Shakeela Bano Bhopali, Jani Babu, Kammo
Watch Online
Thief of Baghdad (1969)
Dara Singh, Nishi, Helen, B.M. Vyas, Mohan Sherry, Sheikh, Savita, Rani, Moolchand, Maruti, Ram Kumar, P. Kailash
Watch Online
Toofan (1975)
Vikram, Priyadarshinee, Jeevan, Jagdeep, Roopesh Kumar, P. Jairaj, Trilok Kapoor, Sajjan, B.M. Vyas, Rajan Haksar, Urmila Bhatt, Praveen Paul, Meena T.
Watch Online
Tumsa Nahin Dekha (1957)
Shammi Kapoor, Ameeta, Pran, Raj Mehra, B.M. Vyas, Sheela Vaz, Ram Avtar, Anjali Devi, M.B. Shetty, S.L. Puri
Watch Online
Veer Babruwahan (1950)
Shashi Kapoor, S.N. Tripathi, Jankidas, B.M. Vyas
Watch Online
Yeh Raat Phir Na Aaygi (1966)
Prithviraj Kapoor, Biswajeet, Sharmila Tagore, Sailesh Kumar, Mumtaz, Helen, Madhumati, B.M. Vyas, Asit Sen, Labiby Mady
Watch Online
Zabak (1961)
Mahipal, Shyama, Krishna Kumari, Sahira, B.M. Vyas, Achala Sachdev, Manher Desai, Uma Dutt, Muzaffar Adeeb, W.M. Khan, Babu Raje
Watch Online

I pay respect to Shri B. M. Vyas and pray to God to give him everlasting peace and solitude .

I must admit it was difficult to gather information about Shri Vyas . I rummaged through many websites and gathered information about him and his films . I wanted to put the information about his films and the posters of his films in my blog space so that students of my acting institute , Vidur’s Kreating Charakters  should know at least a little bit about him and his histrionics .

So called best acting schools of Mumbai are silent about him . Self – proclaimed famous acting institutes of India have no time for a veteran like B. M. Vyas . Upstarts of some acting classes of Bollywood are not bothered about this chapter of our film industry . They are busy abusing me on social net – working sites and blowing their own rotten , rickety trumpets .

I pay my respect and will always remember ” Sampoorn Ramayan “ , in which he played Ravan to the hilt . I saw the film during my childhood and loved his portrayal of Ravan .

[ I have taken information and trivia about his films from a website : http://www.fridaycinemas.com/MoviesByCelebrities.aspx?Cname=B.M.%20Vyas

I express my gratitude ]

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Adieu Nalini Jaywant !


Yesteryear actor Nalini Jaywant died on December 21, 2010 at her Chembur bungalow at the age of 84. Her body was found 3 days later by BMC people. They wrapped her in a bed-sheet and it was taken away for cremation.

Shobhna Samarth

Image via Wikipedia Shobhana Samarth

She became recluse after the death of her second husband, actor Prabhu Dayal, with whom she worked in many hit films. During her later years she  was confined to her room in her bungalow, not even seen by her neighbours. incidentally she was Nutan and Tanuja‘s aunt. [ She was the first cousin to actress Shobhana Samarth, their mother. Shobhana Samarth’s mother actress Rattan Bai was Nalini Jaywant’s father’s sister. ] So it is wrong to say that she had no relatives in Mumbai or that she had no one, who could have taken care of her.

Sunil Dutt

Image via Wikipedia Sunil Dutt

She was a major star in 40s and 50s . ” Bahen “ [ 1941 ] , directed by Mehboob Khan was her first film. In those traditional times and orthodox era she was bold enough to make her debut in the film, which had incestuous story line. Later on she became a big star and worked with Ashok Kumar in many massive hit and cult films like ” Samadhi “ [ 1950 ] and ” Sangram “ [ 1950 ]. ” Samadhi “ film’s song Gore Gore O Banke Chhore sung by Lata Mangeshkar and Ameerbai Karnataki was immensely popular and is still remembered.  She worked with Dilip Kumar in ” Anokha Pyar ” [ 1948 ], and ” Shikast ” [ 1953 ] and with Dev Anand in  evergreen hits likeMunimji [ 1955 ] and ” Kala Pani ” [ 1958 ] . Songs like, Jeevan Ke Safar Me Rahi of ” Munimji ” and Nazar Lagi Raja Tore Bangale Pe of  ” Kala Pani “ are still popular and are still fresh in the memory of connoisseurs of old Hindi cinema. She also starred in ” Railway Platform “ [ 1955 ], Sunil Dutt’s debut film. Film’s swan song Basti Basti Parbat Parbat Gata Jaye Banjara still haunts me and echoes in the lonely corridors of my heart some times. Amitabh Bachchan starrer ” Nastik “ [ 1983] was her last film.

Amar (1954 film)

Image via Wikipedia Dilip Kumar

She gave numerous hit films. She won Filmfare Best Supporting Actress Award for ” Kaala Pani “ in 1958 and at least her following 4 songs are evergreen and unforgettable hits of Hindi film industry : Gore Gore O Banke Chhore , Jeevan Ke Safar Me Rahi , Nazar Lagi Raja Tore Bangale Pe , and Basti Basti Parbat Parbat Gata Jaye Banjara, but she died this way. She died like a non-entity.

poster for Kalapani

Image via Wikipedia

It is sad and cruel that her death was completely ignored by the electronic media. Print media, though, reported the news but it was insignificant coverage for a star of her stature. All the websites related to film industry were also silent about the death. She died unwept, unheard and unsung. She was cremated by BMC people, though she has relatives like Tanuja and Mohnish Bahel [ Nutan’s son ]. Only Dev Anand , her ” Munimji “ and ” Kaala Pani “ co-star and ex-editor of Screen Bhawana Somaaya tweeted about her death. And that’s it.

Nutan

Image via Wikipedia Nutan

I am saddened. I fail to understand this film industry. Is there no one who could have given her a decent cremation? Cant Nutan and Tanuja’s family be there for the last rights?  Is is improper to attend a relative’s last rights? Cant CINTA [ Trade Body of Cine & TV Artistes ] do something about the aged and lonely members of the fraternity ? Is is sin to be aged and all alone. No one wants to live like that. It is destiny and very cruel destiny indeed. All the younger members of the film fraternity, all the ” Badnam Munnis ” and ” Jawan Sheelas “ are going to be old and helpless and hapless one day. ” Sheela ki jawani “ is not eternal. So for God sake be sympathetic to the older members of the family.

All these questions will be unanswered, I know. I am too small a person to do something in this matter. I can only grieve in silence. And that I will do till my last breath.

Farewell Nalini Jaywant, the enchanting beauty !

May you live in peace in heaven with your husband .

May you never return to this heartless world and this cruel Film Industry.

Vidur

Mumbai – Maharashtra – India

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

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