100 Years of Lalita Pawar – Hindi Cinema’s Unforgettable Doyenne


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MUMBAI – MAHARASHTRA – INDIA           MAY 15, 2016           08.00 P.M.

 

LALITA PAWAR [ 18 April 1916 - 24 February 1998 ]

LALITA PAWAR [ 18 April 1916 – 24 February 1998 ]

On April 18, 2016, Lalita Pawar would have been 100 years old, had she been alive. There were not much coverage in the media. I read just one article in DNA. That’s it.

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Present day media Mughals don’t know her importance. In a career spanning 68 years, she did 700 plus films. She was the only one in Indian film industry, who could play a scheming mother-in-law and a golden-hearted matriarch with equal finesse. She was always portrayed prominently in the posters of her films, though she was not playing the lead. Apart from Lalita Pawar, Ashok Kumar was the only other character artiste, who used to appear prominently in the poster of his films.

With Dilip Kumar in DAAG

With Dilip Kumar in DAAG

 

Poster of Anari

With Raj Kapoor & Nutan in Anari

Apart from her, there were only 3 other Hindi film actors, who worked more than 6 decades. They, apart from Lalita Pawar, are Dev Anand, Pran and evergreen Ashok Kumar. Only these 4 Hindi Film Artists worked till the last breath of their lives.

Lalita Pawar with Ashok Kumar

Lalita Pawar with Ashok Kumar

Lalita Pawar with Pran

Lalita Pawar with Pran

Lalita Pawar with Dev Anand

Lalita Pawar with Dev Anand

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LALITA PAWAR : 68 Working Years – 700 Films

” Raja Harishchandra “ [ 1928 ] to ” Bhai ” [ 1997 ]

DEV ANAND : 65 Working Years – 113 Films

Hum Ek Hain “ [ 1946 ] to ” Chargesheet ” [ 2011 ]

PRAN : 63 Working Years – 350 Films

” Yamla Jat “ [ 1940 ] to ” Kiska Dosh “ [ 2003 ]

ASHOK KUMAR : 61 Working Years – 301 films .

” Jeevan Naiya ” [ 1936 ] to ” Aankhon Me Tum Ho ” [ 1997 ]

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Among all the 4 history making stars, Lalita Pawar was the senior most. Pran was junior to her by 12 years. And the indomitable Dev Anand was her junior by 18 years. Even grand old man of Hindi cinema, the evergreen Ashok Kumar, was her junior by 8 years. Coincidently their last films came in the same year, 1997. Lalita Pawar’s ” Bhai ” [ 1997 ] & Ashok Kumar’s ” Aankhon Me Tum Ho ” [ 1997 ] were their last film. Two immortal legends ended their glorious film journey in the same year.

My first association with her started somewhere in mid 60s. I don’t remember the film correctly, but either it was ” Sampoorna Ramayan ” or ” Jis Desh Me Ganga Bahti Hai “. Later on I saw several films of her and became an ardent admirer.

I am giving list of some of her unforgettable films, which I have seen and fail to forget even today.

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Ram Shastri [ 1944 ] , Dahej  [ 1950 ] , Daag  [ 1952 ] , Parchhain  [ 1952 ] , Shri 420 [ 1955 ] , Mr & Mrs 55  [ 1955 ] , Nau Do Gyarah  [ 1957 ] , Anari  [ 1959 ] , Sujata  [ 1959 ] , Hum Dono  [ 1961 ] , Sampoorna Ramayana  [ 1961 ] , Professor  [ 1962 ] , Sehra  [ 1963 ] , Grahasti  [ 1963 ] , Ghar Basake Dekho  [ 1963 ] , Khandan  [ 1966 ] , Boond Jo Ban Gayee Moti  [ 1967 ] , Aabroo  [ 1968 ] , Anand  [ 1970 ] , Pushpanjali  [ 1970 ] , Gopi  [ 1970 ] ,  Doosri Sita  [ 1974 ] , Tapasya  [ 1976 ] , Aaina  [ 1977 ] , Yaarana  [ 1080 ] , Kali Ghata  [ 1980 ] , Phir Wohi Raat  [ 1980 ] , Sau Din Saas Ke  [ 1980 ] , Naseeb  [ 1981 ] , Bhai  [ 1997 ] .

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It is pertinent to note that apart from Ram Shastri [ 1944 ] , where she played heroine, she played character roles in all above mentioned films. But no film connoisseur can ever forget her. Who can forget GANGAMAI of  Shri 420 [ 1955 ] or Mrs. D’Sa of  Anari  [ 1959 ] , both with Raj Kapoor?

Amba Laxman Rao Shagun from Yeola, Nashik made her debut in 1929 with ” Raja Harishchandra “. At the age of 16, she co-produced and acted in a silent film ” Kailash ” [ 1932 ]. She played a triple role in that film. A triple role in a silent film !! It was 44 years before DILIP KUMAR’s ” Bairaag ” [ 1976 ] & 51 years before AMITABH BACHCHAN’s ” Mahaan ” [ 1983 ]. Both these legends played triple role much later in their respective careers and when they were very mature. DILIP KUMAR made debut in 1944 and played triple role in 1976. That is 32 years after his debut. AMITABH BACHCHAN made debut in 1969 and played triple role in 1983. That is 19 years after his debut. But LALITA PAWAR played triple role in the beginning of her career. 3 years after her debut and that too in a silent film.

Poster of Silent Film "The Lord of the Jungle"

Poster of Silent Film “The Lord of the Jungle”

Poster of "Himmat-e-Marda" [ 1935 ]

Poster of “Himmat-e-Marda” [ 1935 ]

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film

Lalita Pawar in a Silent Film of 1940

Lalita Pawar in a Silent Film of 1940

1942 was an epoch-making year in Lalita Pawar’s career. As a part of the scene in a film ” Jung-E-Azadi ” , Bhagwan Dada of ” Albela ” fame was to slap her. Being a new-comer, he accidentally slapped her hard. It resulted in facial paralysis and a vein of her left eye got burst. This incident left her with a defective left eye. But the treatment took 3 years. She lost many lead roles and after her treatment was over, she switched to character roles. The defective left eye, which ended her acting career in lead roles, helped her play cruel, wicked and cussed characters with aplomb.

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Lalita Pawar & Bhagwan Dada

Lalita Pawar & Bhagwan Dada

Lalita Pawar has left us. She no longer exist. But she is still present in the form of her films where she played several unforgettable characters. I offer my tribute and regards to the unforgettable doyenne of Hindi cinema.

 

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[ List of Lalita Pawar’s released films,  dates and other information is taken from Wikipedia. I , on behalf of VIDUR Acting Institute ,  express gratitude. ]

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Vidur’s Film Diary – February 2015


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MUMBAI – MAHARASHTRA – INDIA           MARCH 03, 2015           01.30 A.M.

[ DECLARATION : In my film diary, since May 2014, I have started mentioning names of only those students, who are grateful and respect me as their teacher and accept and regard my contribution in their journey of life. All the other students, who worked this month but are not mentioned here are the ones, who refuse to acknowledge me in any way. I am bound to reciprocate their feelings of disrespect. They are free from any obligation from my side. GOD BLESS THEM ! ]

 

For the full understanding of my body of work in 2013 – 2014 / 2014 – 2015, I am posting links of the 05 videos.
1 : ” Jai Ho ” :  http://youtu.be/cZzBa4sHXMQ
2 : ” One By Two ” :  http://youtu.be/0WCMfQiPdGI
3 – ” O Teri ” & ” Main Tera Hero ” : 
4 – ” Khatron Ke Khiladi – 5 ” : 
5 – ARMAAN JAIN : 

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Obituary :

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 Amit Mehra :

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Amit Mehra, son of legendary producer-director Prakash Mehra died on February 28, 2015 in the morning after suffering a cardiac attack. He was just 40.

He, in 2013, re-made Prakash Mehra’s super hit classic cult film ” Zanjeer ” [ 1973 ] . Though Amitabh Bachchan, Pran and Jaya Bachchan starrer original ” Zanjeer “ was a super hit but the Ram Charan, Sanjay Dutt and Priyanka Chopra starrer remake was an astounding flop.

His other siblings are Sumeet and Puneet Mehra.

Ajay Wadhavkar :
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Veteran Hindi and Marathi actor Ajay Wadhavkar, who last played the role of Sushant Singh Rajput’s father in the TV show Pavitra Rishta, passed away in Pune. Ajay, who shot to fame as Ganpat Hawaldar with DD’s Nukkad, was suffering from throat cancer and diabetes and was under treatment at Nanavati hospital in Mumbai.

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New Hindi Film Releases & Me :

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First Week – February 06

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1 – Hum Tum Dushman Dushman ……………………… Sohani Paul

2 – Bachpan Ek Dhokha ………………………………………. X

3 – Jai Jawaan Jai Kisaan …………………………………….. X

4 – Shamitabh ……………………………………………………… X

 

 

Second Week – February 13

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1 – Night ………………………………………………………………. X

2 – Jee Chahta Hai ……………………………………………….. X

3 – My Best Friend ………………………………………………. X

4 – MSG – The Messenger Of God ……………………… Jay Singh Rajpoot

……………………………………………………………………………. Flora Saini

5 – Roy ……………………………………………………………….. Ranbir Kapoor

……………………………………………………………………… Jacqueline Fernandez

……………………………………………………………………… Arjun Rampal

………………………………………………………………………. Kishan Kumar

 

Third Week – Febuary 20
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1 – Koi Aae Na …………………………………………………………………… X

2 – Qissa ……………………………………………………………………………. X

3 – Monsoon ………………………………………………………………………. X

4 – Badlapur ………………………………………………………… Varun Dhawan

…………………………………………………………………………….. Divya Dutta

 

Fourth Week  – February  27
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1 – Dum Laga Ke Haisha ……………………………………………………. X

2 – Ab Tak Chhappan 2 ……………………………………………………… X

 

 

In total …………… 15 …………….. films got released in February . Out of these ………….. 15 ………… released films ……….. 04 ………… films have …………… 09 ……………. artistes , who are trained by me .

Out of these ………. 09 ……… persons , ………. 08 ……… are actors . And the remaining …………. 01 ………… Kishan Kumar is the co-producer of  ” Roy ” .

 

In February 2015 just  09 students appeared in 04 films . Thus this month becomes one of the worst  months of my career.

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I congratulate my above mentioned 09 students .

May God bless them always !

 

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Chacha Choudhary Is No More !


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 13, 2014           11.55 P.M.

 

If I mention that Pran Kumar Sharma died on August 05, 2014, only few will take notice. But if I mention that creator of CHACHA CHOUDHARY died in Gurgaon on August 05, 2014 at the age of 75, thousands will mourn.When I read about the sad demise of creator of CHACHA CHOUDHARY, I felt a personal loss. He was suffering from Colon cancer.

Pran began his career in 1960 as a cartoonist for the Delhi based newspaper Milap with comic strip Daabu. Apart from Daabu, Indian comics scenario was largely based on reprints of The Phantom and Superman. In 1969, Pran sketched Chacha Chaudhary for the Hindi magazine Lotpot, which made him famous. Pran has also created other cartoon characters like Shrimatiji, Pinki, Billoo, Raman, Channi Chachi and others, which are regularly published in Indian magazines. Pran reached lakhs of Kannadigas through his Putti, Raman that were published in Kannada daily Prajavani and Shrimathi which publishes in Kannada magazine Sudha.

He was included in People of the Year 1995 by Limca Book of Records for popularizing comics in India. In 1983, the then Prime Minister of India, Mrs. Indira Gandhi released Pran’s comics “Raman – Ham Ek Hain” which promoted national integration. Pran received a Lifetime Achievement Award 2001, from Indian Institute of Cartoonists. Pran has also given lessons in cartooning at the Pran’s Media Institute, run by his son Nikhil.

Maurice Horn notes that Pran has been given the title of “Walt Disney of India” in The World Encyclopedia of Comics. The Chacha Chaudhary strips find permanent place in International Museum of Cartoon Art, USA.

Pran Kumar Sharma with His Creation CHACHA CHOUDHARY

Pran Kumar Sharma with His Creation CHACHA CHOUDHARY

 

Since my childhood days in Deoria, I was a huge fan of Mandrake The Magician and Phantom. Both the comic strips used to be published daily in a popular Hindi daily of those days ” AAJ “. Mandrake became Mandareek and Phantom became Van Bhairav in Hindi. My day never began unless I read these two syndicated comic strips in ” AAJ “.

 

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Mandrake the Magician is a syndicated newspaper comic strip, created by Lee Falk . Its publication began June 11, 1934. Phil Davis soon took over as the strip’s illustrator, while Falk continued to script. The strip is distributed by King Features Syndicate.

Davis worked on the strip until his death in 1964, when Falk recruited current artist Fred Fredericks. With Falk’s death in 1999, Fredericks became both writer and artist. The Sunday Mandrake strip ended December 29, 2002. The daily strip ended mid-story on July 6, 2013 when Fred Fredericks retired,

 

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After hugely popular Mandrake the MagicianLee Falk , created another adventure comic strip , The Phantom . A popular feature adapted into many media, including television, film and video games, it stars a costumed crime fighter operating from the fictional African country Bangalla.

 

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The Phantom is the 21st in a line of crime fighters that originated in 1536, when the father of British sailor Christopher Walker was killed during a pirate attack. Swearing an oath on the skull of his father’s murderer to fight evil, Christopher started the legacy of the Phantom that would be passed from father to son, leaving people to give the mysterious figure nicknames such as The Ghost Who Walks”, “The Man Who Cannot Die” and “Guardian of the Eastern Dark”, believing him to be immortal.

 

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Unlike many fictional costumed heroes, the Phantom does not have any superpowers, and relies on his strength, intelligence, and fearsome reputation of being an immortal ghost to defeat his foes. The 21st Phantom is married to Diana Palmer, whom he met while studying in the United States; they have two children, Kit and Heloise. Like all previous Phantoms, he lives in the ancient Skull Cave, and has a trained wolf, Devil, and a horse named Hero.

The series began with a daily newspaper strip on February 17, 1936, followed by a color Sunday strip on May 28, 1939; both are still running as of 2014. At the peak of its popularity, the strip was read by over 100 million people each day.

Lee Falk continued work on The Phantom until his death in 1999. Today the comic strip is produced by writer Tony DePaul and artists Paul Ryan (Monday-Saturday) and Terry Beatty (Sunday).

New Phantom stories are published in comic books in different parts of the world, among them by Dynamite Entertainment in the United States, Egmont in Sweden, Norway and Finland, and Frew Publications in Australia.

The Phantom was the first fictional hero to wear the skin-tight costume that has now become a hallmark of comic book superheroes, and was also the first shown wearing a mask with no visible pupils, another superhero standard.

 

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Being a fan of above mentioned two comic strip heroes; Mandrake The Magician and Phantom, I was skeptical , rather dismissive when I read about cartoonist Pran and his Desi Comic strip hero CHACHA CHOUDHARY. What can a mustachioed elderly man do in front of such powerful heroes like Mandrake and Phantom? But I was wrong.

CHACHA CHOUDHARY As We All Know

CHACHA CHOUDHARY As We All Know

When I read adventures of CHACHA CHOUDHARY in Diamond Comics , I became a life-long fan.The bond with CHACHA CHOUDHARY, BINNI CHACHI and SABU is unbreakable. I still remember and will always remember the famous tagline “…….. Chacha Choudhary ka dimag, computer se bhi tez chalta hai ………”.

CHACHA CHOUDHARY and SABU

CHACHA CHOUDHARY and SABU

 

According to a Diamond Comics press release, the Indian kids in the age group 10–13 years ranked Chacha Chaudhary as their most recognizable comic book character.

He has also been featured as a guest in other Diamond Comics series, with Billoo, Pinki and Lucky.

With the sad demise of cartoonist Pran, CHACHA CHOUDHARY wont be same again. May be he will also die soon.One more part of my adolescent , growing years is lost forever.

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On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise, I offer my condolences.

CHACHA CHOUDHARY is a part of my growing years. His memory is firmly etched in my psyche.

[ Information about Mandrake The Magician, Phantom and their creator Lee Falk is taken from Wikipedia. I express my gratitude. ]

 

VIDUR

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Remembering Sudhir


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MUMBAI – MAHARASHTRA – INDIA           JUNE 03, 2014           11.50 P.M.

 

Bhagwandas Mulchand Luthria aka Sudhir

1944 – 12 May 2014

Noted character artiste of yesteryear Bhagwandas Mulchand Luthria or Sudhir as he was lovingly called, passed away after battling through a prolonged lung illness. He died on 12 May 2014 at the age of 70. He had long been suffering from a lung infection.

What is most shocking is the fact nobody in the film industry is even talking about his sad demise. A bachelor throughout his life, he stayed at a bungalow in Lokhandwala, Andheri. A few days post his demise, Shah Rukh Khan took on to twitter and wrote, ”My prayers and may his soul rest in peace. Wonderful co-actor Sudhirji. Feel bad didn’t get to have dinner at his house.”

I know that Sudhir’s name wont ring a bell in the ears of many film lovers. Even keen connoisseurs of Hindi cinema would scratch their heads, might try to figure out or unsuccessfully try to remember and then fail to recognize the persona and identity of an actor called Sudhir. Nothing much is available about his body of work or about his personal life in the print or electronic media. But if  film lovers happen to see some of his pictures, they will immediately recognize him. He was quite popular figure among the movie-goers. Who can fail to recognize him in the pictures posted below?

 


A still from the film ‘Satte Pe Satta’ – His most iconic film


Sudhir’s acting was always complimented with his dramatic outfits.


A still from the film ‘Dharmatma’


A still from the film ‘Dharmatma’


A still from the film ‘Dharmatma’

 

He was best known for his role in the film Satte Pe Satta with Amitabh Bachchan. He acted in over 200 films in a career spanning from 1962 to 2009. He was one of Bollywood’s best known baddies from the 1970s through to the 1990s.

He would usually play the second-in-command sidekick to villains Ajit, Premnath and Pran or the torturous police inspector or a sleazy man. He was most known for his shrill voice, long moustache and sideburns. He starred in at least a dozen Amitabh Bachchan movies, such as Satte Pe Satta and Shaan. His biggest claim to fame was probably in Feroz Khan’s 1974 hit Khote Sikkay, as the handicapped thief in Dev Anand’s Hare Rama Hare Krishna (1971) and in Shah Rukh Khan-starrer Baadshah (1999). His recent and last film appearances were in Jhoom Barabar Jhoom (2007) and Victoria House (2009).

He was also filmmaker Milan Luthria’s paternal uncle.


Few films gave him decent screen time and well-etched characters. Feroz Khan’s superhit Khote Sikkay ” [ 1974 ]  was an exception. Here Sudhir got a chance to show his acting skills. Later, they did sequel of the film Khote Sikkay called ” Kachche Heere “, where Sudhir reprised his earlier role. But the film did not work at the Box Office.

 

Sudhir was also a regular in almost every Navketan Film after 1970s. Sudhir even worked with Ravi Tandon in hit films like ” Muqaddar ” andMajboor “.

 

Though his illness distanced him from everyone in the film fraternity, his contribution to the movies cannot be ignored. It is surely a loss for his fans.

 

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On behalf of all the students and staff of VIDUR Acting Institute , I offer my condolences and prayers to the departed soul.

VIDUR Editing Studio, VIDUR Club and VIDUR Merchandise would also like to express profound grief.

[ For this blog, I have taken materials from Wikipedia and a website called http://www.businessofcinema.com 

All the photos of Sudhir ji have been copied from a website called http://www.ibnlive.in.com

I express my gratitude. ]

 

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No Place For Old People In Young Party of New India


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MUMBAI – MAHARASHTRA – INDIA           MARCH 28 , 2014           11.55 P.M.

 

” Never lose sight of the fact that old age needs so little but needs that little so much . ” – Margaret Willour

” Our society must make it right and possible for old people not to fear the young or be deserted by them , for the test of a civilization is the way that it cares for its helpless members . ” – Pearl S. Buck

” In youth the days are short and the years are long : in old age the years are short and the days are long . ”  – Nikita Ivanovich Panin

” Growing old is mandatory ; growing up is optional . ” – Chili Davis

” Old age is the most unexpected of all the things that happen to a man . ” – Leon Trotsky

” Inside every older person is a young person wondering what happened . ” – Jennifer Yale

 

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Election times are always strange times in India . One can witness many unusual happenings , many bizarre scenario . One such thing is clamour for young blood in politics . There is nothing wrong in the demand per se . In fact young blood is always welcome and it should be more than welcome in the arena of politics .

But what would you say when a 76-year-old Mr. Jaswant Singh is replaced by a young ( ? ) candidate Col. Sonaram Choudhary in Rajasthan , who is 71-year-old ? He is a Congress turncoat , and Shri Jaswant Singh is a loyal party worker and old party war – horse , but it becomes insignificant in the young party of new India . What would you say when there is a cacophonous clamour for the retirement of Shri Lal Krishna Advani from public life ? Several crooks are ruling the roost and Shri Advani has unblemished record of service in public life . His only fault is his age . Unfortunately he is 86 . Is old age sin in our country ? Is it a crime to get old or be old in new India ?

Not always . Former Communist Chief Minister of Kerala , Shri V. S. Achuthanandan [ Velikkakathu Sankaran Achuthanandan ] , the grand old patriarch of CPM is 90 and is still active .

M. Karunanidhi [ Muthuvel Karunanidhi ] , the DMK patriarch , also known as Kalaignar , is 89 . Both , far from saying good-bye to public life , are on election trail . Both are going through rigorous and tortuous daily routine during election time in this hot , unbearable Indian summer . They are yet to bid adieu .

Take the case of world leaders . Oldest ruling monarch is 85-year-old King Bhumibol Adulyadej , the King of Thailand . This year he completes 67 years as the King of Thailand .

Queen Elizabeth II of United Kingdom is 87 years old and she is firmly in the saddle . She ascended the throne in 1952 . This year she completes 62 years as the reigning queen . Far from retiring , these two monarchs are still calling the shots and are much respected and revered in their respective countries .

Let us take few examples from the world of cinema .

 

Hollywood Actors :

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1 ) – At 82 , Clint Eastwood is still very much involved in the movie making business. In 2012 he plays an aging baseball scout in “Trouble With The Curve ” [ 2012 ] .

Clint Eastwood  also keeps his plate full directing movies . His most recent films are ; ” Invictus ” [ 2009 ] , ” Hereafter ” [ 2010 ] , ” J. Edgar ” [ 2011 ] and ” Jeresy Boys ” [ 2014 ] . Thus from 1955 to 2014 , its 59 year-long and uninterrupted career .

2 ) – At 90 , Christopher Lee is still acting in Peter Jackson’s ” The Hobbit “ movies .

3 ) – At 96 , Kirk Douglas , the star who starred in ” Spartacus ” [ 1960 ] , worked last in ” Empire State Building Murders ” [ 2008 ] . From 1946 to 2008 , it is 62 year-long career .

4 ) – At 96 , Olivia de Havilland , who enthralled audiences world over in the classic ” Gone With The Wind ” [ 1939 ] , is still working . Her last film ” I Remember Better When I Paint ” [ 2009 ] . It is incredibly 74 year-long career which started in 1935 .

 

Indian Actors :

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1 ) – The ever – green Ashok Kumar’s career spanned for 61 long years . Right from ” Jeevan Naiya ” [ 1936 ]  to ” Aankhon Me Tum Ho ” [ 1997 ] , Dada Muni , as he was fondly called , was working till he was 86 .

2 ) – Pran is another gem in the crown . He was active till the age of  83 . From ” Yamla Jat ” [ 1940 ] to ” Kiska Dosh ” [ 2003 ] , it was 63 year-long career .

3 ) – Dev Anand , another indefatigable legend , worked for 65 years . From ” Hum Ek Hain ” [ 1946 ] to ” Charge Sheet ” [ 2011 ] , it was an awe – inspiring 65 year-long journey of perennial glory and ever – lasting super – stardom . He was 88 when he died . He released his last film ” Charge Sheet ” same year , which was written, produced and directed by him . He also starred in it as the main protagonist . It is unbeatable record in the world of cinema in India .

There are such people in the world of literature also .

Writers :

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1 ) – Khushwant Singh , the age – defying author ; novelist , historian and journalist , died at the age of 99 .  He wrote till he was 97 years old . ” The Mark Of Vishnu and Other Stories ” [ 1950 ] to “Agnostic Khushwant : There Is No God ” [ 2012 ] , he enjoyed 62 unquestioned active years as an author of repute .

2 ) – Maya Angelou , the American writer , poetess and civil rights activist , is writing since 45 years . She is 85 now . Yet to retire , she is widely respected and revered in the U.S.A.

 

So why this clamour for the retirement of Shri Lal Krishna Advani or denial of ticket to Shri Jaswant Singh ? I feel it is not related to age . This is power – struggle . New satraps want to remove old guards unceremoniously and they are taking positions behind the age factor . A person should be respected for his / her age and should not be despised . Age is a boon . When I read comments related to age I am peeved . A person serves his organization from the young age . He gives his life in the service of his party and organization . And suddenly one day a new ascending leader appears on the scene and simply orders the banishment of the old guard . Though the old person in question is not infirm or incapacitated . No one is questioning why Shri Atal Bihari Vajpayee is not given a ticket . Everyone knows that he is bed – ridden and can’t even speak or recognize people . But Shri Lal Krishna Advani is still active and mentally alert .

” A man is not old untill regrets take place of dreams . ” – John Barrymore

No one can stop new leaders or younger people from ascending the firmament . But it does not mean curtain for older leaders , who are still fit and can still serve the country. I feel sad , when I see that contribution of Shri Lal Krishna Advani is being overlooked . Malicious , derogatory and abusive comments are continuously being posted on the various social networking sites , so that he should get dejected and retire . Suggestions are being dished out by so-called party – sympathisers that old people should accept the new order and should not crib or demand any special privilege . It was recently said by the alleged member of the alleged ” Club 160 “ said that old guard should learn to accept ” no ” to their demands and they should accept the dictate of younger dispensation with graceful silence . It was said that they should learn to get adjusted to the new , changed ways of the young party of the new India . It could be argued that it is true to some extent . But the tone and tenor of this statement was contemptuous , smug and full of hubris . It was disrespectful .

” Never lose sight of the fact that old age needs so little but needs that little so much . ” – Margaret Willour

Then what is the solution . In my opinion there should be a fine balance between old and new generation . For every young Arjun , there has to be a sagacious Bhishma Pitamah and an experienced Dronacharya . For every imperious and bellicose Duryodhana , there has to be a sagely Vidur and a stoic Kripacharya . If this fine balance in the time of yore could not save us from a devastating Mahabharata , what will happen , if today we will have only inexperienced Arjuna and imperious , bellicose and belligerent Duryodhana in our mist ?

Think India , think ! And be afraid . Be very afraid !

” There is one more terrifying fact about old people : you are going to be one soon . ” – P. J. O’Rourke

 

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On behalf of all the students and staff of VIDUR Acting Institute , I urge for the respect of elders and pray for the betterment and well – being of my country .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre also pray for our beloved India and out age – old ethos .

 

[ I have taken information about world and Indian leaders from Wikipedia . For Hollywood actors , I have taken information from a website ; http://www.pajiba.com I am indebted ]

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Sunset Boulevard ( 8 ) : ” Lakshmi Talkies : अपना सिनेमा हाल था ये “


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MUMBAI – MAHARASHTRA – INDIA           MARCH 17 , 2014           11.40 P.M.

Today when the Hindus , all over the world , are celebrating Holi and rejoicing in festivity , I am sitting in my study in Mumbai and writing this blog about Lakshmi Talkies , Allahabad with tearful eyes . I am struggling for words . I am unable to form sentences . I am full of emotions . Lakshmi Talkies will not ring a familiar bell for several anonymous people or the lovers of cinema . May be some will be familiar of some Lakshmi Talkies of their own cities . But here I am talking about Lakshmi Talkies of Allahabad , Uttar Pradesh .

Few days back I saw the following post on the facebook time line of Shri Neeraj Sri :

अपना सिनेमा हाल था ये …
Lakshmi Talkies - Katara - Allahabad

Lakshmi Talkies – Katara – Allahabad

When I read the post and saw the photograph , I became numb . I was stunned . I was shaken . I was saddened beyond words . I was emotionally disturbed . I spent a sleepless night .

Even now as I am writing the blog , my heart refuses to believe that this is a reality . I was a regular patron of Lakshmi Talkies during my Ganga Nath Jha hostel days . Lakshmi Talkies of Allahabad was a part of my life . Lakshmi Talkies holds a special place for me because Lakshmi Talkies was an integral part of my Allahabad University days . It’s magnificent structure is still fresh in my memory . So when I saw the above picture of a desolate Lakshmi Talkies with moth – eaten walls , broken window panes and barbed wire fencing , I wanted to cry . I wanted to mourn .

I , after passing High School , left my birth place Deoria in 1967 and went to Allahabad for higher studies . Deoria had two cinema halls at that time but being in a small city like Deoria , they were not grand or magnificent , like cinema halls of bigger cities . Allahabad was much bigger city compared to Deoria , so the cinema halls were also huge and opulent . I landed in Allahabad in July 1967 with glitter in my eyes , hope and dreams in my heart for my better future . I , as a 15-year-old small town boy , was fascinated by Allahabad , the city and its atmosphere . Slowly I started getting acquainted with the city of Allahabad . Being a movie buff , I started looking about cinema halls and thus came to know about Lakshmi Talkies at Katara . Lakshmi Talkies management had this strategy of re – releasing old Hindi films . So for me this was a boon because I could now watch all the old classics which I had missed in Deoria .

” Door Ki Awaaz ”  [ 1964 ] , a film directed and produced by Devendra Goel was the first ever film which I watched in Lakshmi Talkies . The Joy Mukherjee , Saira Banu , Pran , Johny Walker and Om Prakash starrer film has some popular Mohammad Rafi gems like , “Ek Musafir Ko Duniya Men Kya Chahiye ……………………….” , ” Husn Se Chand Bhi Sharmaya Hai , Teri Soorat Ne Ghazab Dhaya Hai ……………..” , ” Muqaddar Aazmana Chahta Hoon , Tujhe Apna Banan Chahta Hoon ……………………………. “ , and a lovely duet of Mohammad Rafi with Asha Bhosle ” Haathon Men Haath Hothon Pe Afsane Pyar Ke ……………………” , and the last but not the least , a song sung by Mohammad Rafi , Manna Dey and Asha Bhosle ” Hum Bhi Agar Bachche Hote Nam Hamara Hota Gabloo , Babloo , Khane Ko Milte Laddoo , Aur Duniya Kehti …………….. Happy Birthday To You …………………” . All these lovely songs were tuned by music director Ravi .

The film , the songs and the whole movie going experience is still fresh in my memory even after 47 long , strife – torn and eventful years of my life .

The last film I watched in Lakshmi Talkies was in 1971 . It was a Hemant Kumar produced and Asit Sen directed ” Khamoshi ” [ 1969 ] . During the same year they also opened a skating ring in the western side of the compound . It was a new experience .

I completed graduation in 1971 and left Allahabad and came to Bombay [ now Mumbai ] . One year after I left Mumbai again and came to Allahabad to complete my post graduation . So I was in Allahabad and staying in the same Ganga Nath Jha Hostel again from 1972 to 1974 before finally bidding adieu to Allahabad in 1975 . During this period I did watch couple of films in Lakshmi talkies but I don’t remember them .

But I do remember a concert of Pandit Ravi Shankar with Alla Rakha Khan , which I was fortunate enough to attend . One evening my friend Pramod Vajpayee came running and informed me about the concert . It was in aid of some NGO . So the ticket rates were low . We went , bought the tickets and took our seat in the packed hall . That evening is still fresh in my memory . It was a life – time experience .

And now 40 years later in March 2014 , I read this posting about the closure of Lakshmi Talkies on the facebook time line of Shri Neeraj Sri and the world of my emotional memory crumbled at one go . A part of my life is gone forever . A silent witness of my many lonely evenings is going to be silent very soon .

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On behalf of all the students and staff of VIDUR Acting Institute , I condole the demise of Lakshmi Talkies .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to express grief and pain .

Farewell Lakshmi Talkies !

Neeraj Sri has rightly said , ” अपना सिनेमा हाल था ये … ”

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Remembering Manna Dey : Tu Pyaar Kaa Saagar Hai


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MUMBAI – MAHARASHTRA – INDIA           NOVEMBER 06 , 2013           08.25 P.M.

Manna Dey

Manna Dey (Photo credit: ramesh_lalwani)

Prabodh Chandra Dey a.k.a. Manna Dey

1 May 1919  −  24 October 2013

The news of Manna Dey’s death was almost a certainty and was expected . Advancing age and failing health had prepared us for such an eventuality . Still when I read about his demise , a pall of gloom engulfed me . He died on October 24 , 2013 in Bengaluru at the age of 94 .

Manna Dey , along with Mohammad Rafi , Mukesh , Kishore Kumar , Talat Mehmood and Hemant Kumar , was the most important play back singer of the golden era of Hindi films and a force to reckon with in singing world . With his demise , the last remnant of the golden era of Hindi film music and a gigantic figure among the male play back singers of Hindi film world is gone forever .

Before proceeding further , I must admit my blasphemy that initially I used to dislike his singing . Today as I can understand the nuances of music , I am ashamed of my blasphemy and I am extremely sorry that during my adolescent years , I was unable to appreciate his mastery of the art and craft . The first song of Manna Dey , which I liked and appreciated was the iconic ” Qasme Waade Pyaar Wafa , Sab Baaten Hain Baaton Kaa Kyaa ………………………………………. ” , the song from Manoj Kumar’s ” Upkar ” [ 1967 ] . I was speechless and stunned while listening the song and watching Pran Saheb on screen . It is uncanny that Pran Saheb and his screen voice in many films , Manna Da , both died in 2013 . Pran Saheb left us on July 12 , 2013 and just 3 months 12 days later , his voice on-screen , Manna Da also left us on October 24 , 2013 .

Later on when I started watching old Hindi films in Allahabad in Sunday morning shows , I watched ” Shri 420 ” [ 1955 ] , I was hooked to his voice . ” Pyaar Hua Iqraar Hua , Phir Pyaar Se Ab Kyon Darta Hai Dil …………………………… ” , ” Dil Ka Haal Sune Dilwaalaa …………………………… ” , ” Mud Mud Ke Na Dekh ………………………. ” and the evergreen ” Ramaiya Vastavaiya ……………… “ are difficult to forget .

After watching ” Chori Chori ” [ 1956 ] , I was mesmerized by his voice . His duets with Lata Mangeshkar are immortal and they are pure gems . ” Aajaa Sanam , Madhur Chandni Men Ham ……………………………….. ” and ” Ye Raat Bheegi Bheegi , Ye Mast Fizayen …………………………………… “ refuse to fade away from my memory even after 57 years .

Who can forget his other immortal melodies like ; ” Ae Mere Pyare Watan …………… ” , ” Ik Chatur Naar Karke Singar ………………………………. ” , ” Poochho Na Kaise Maine Rain Bitayee ………………………………………. ” , ” Aao Twist Karen ………………………………………………. ” , ” Yaari Hai Eemaan Meraa …………………………………….. ” and ” Ye Dosti Ham Nahin Chhodenge ……………………………………. ” ?

Known by his stage name Manna Dey , he debuted in the film ” Tamanna ” [ 1942 ] , and continued to sing till ” Umar ” [ 2006 ] . He went on to record more than 4000 songs during 1942 – 2013 . He , though sang for other heroes occasionally , was the voice of Raj Kapoor , Uttam Kumar , Mehmood and Pran .

Since 1992, Manna Dey withdrew himself from Hindi film music. But he continued to sing in Bengali movies, bhajans and ghazals in different languages and appeared in live performances during 1992 to 2012 . His last live performance was in 2012 in Mumbai. His last recorded song in Hindi films was for the film Umar in 2006 composed by Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which he sang along with Kavita Krishnamoorthy and Sonu Nigam.

He sang duets with singers like Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata, Minu Purushottom, Bhupinder Singh, K.J. Yesudas, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder and Mubarak Begum.

He worked with more than 102 music directors in Hindi film industry from working with Krishna Chandra Dey in ” Tamanna ” [ 1942 ] to music composer Shamir Tandon in ” Umar ” [ 2006 ] . Thus it was an unprecedented 64 years – long – singing – career .

The Government of India honoured him with the Padma Shri in 1971, the Padma Bhushan in 2005 and the Dadasaheb Phalke Award in 2007 . He was presented the Filmfare Life Time Achievement Award in 2011.

Manna Da sang mainly in Hindi and Bengali; he also recorded songs in several other Indian languages .

Music career in other languages

  • He sang around 1262 songs in Bengali : 611 songs in Bengali films and 356 Bengali non-film songs . He also sang 46 Rabindra Sangeet Songs in Bengali , 3 Dwigendra Geet , 84 Shyama Sangeet , 23 songs in Akashvani , 3 title songs for Bengali TV serials , 103 Bengali songs from non-released Bengali films and 33 Bengali songs of other varieties .
  • He sang 35 film songs in Bhojpuri , 2 songs in Magadh and one song in Maithili language .
  • He sang 13 Punjabi film songs and 5 non-film songs .
  • He sang 2 songs in Assamese films and 4 non-film songs in Assamese language .
  • He sang 7 songs in Oriya language and 1 song each in Konkani film and Sindhi film .
  • He sang 85 songs in Gujrathi films.
  • He sang 55 Marathi songs in Marathi films and 15 non-film songs in Marathi .He was good at Marathi natya sangeet too, which is one of the most difficult genres to sing
  • He sang 5 film songs in Kannada .
  • He sang in the Nepali movie ” Maitighar “
  • He sang 2 in Malayalam – “Maanasamaine Varoo” from 1965 film Chemmeen and song “Chemba Chemba” from 1974 film Nellu sung with P Jayachandran both composed by Salil Chowdhary and lyrics by Vayalar.

Insignia of Brand VIDUR

On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my condolences to his family . My heart goes to his daughters and other near and dear ones .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to offer tribute . It is clichéd to say but there will never be another Manna Dey . He bestrode the Hindi film music world like a colossus but unfortunately never got his due .

May his soul rest in peace !

[ Some of the information and the long list of his songs are being quoted from Wikipedia . I express my debt and gratitude . ]

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