Nanda : Pardesiyon Ko Hai Ik Din Jaanaa …..


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MUMBAI – MAHARASHTRA – INDIA           MARCH 30 , 2014           00.30 A.M.

Vintage Nanda as We Know Her

Vintage Nanda as We Know Her

Unfortunately I was not connected to the net when yesteryear heroine Nanda ji died . I read about her death next day in the Times of India . She died on March 25 , 2014 at the age of 75 . One more icon of my Allahabad days is gone . One more reigning queen of my young years has left this world forever . I am feeling so helpless , so desperate , so forlorn , that I am unable to express myself properly . Several luminaries of cinema , who ruled the tinsel world during my adolescent days , are leaving this ephemeral world one by one . Several beautiful faces have vanished from this terra firma leaving me with this sinking feeling .

Baby Nanda On The Threshold of Youth in "Toofan Aur Diya"

Baby Nanda On The Threshold of Youth in “Toofan Aur Diya”

Nanda started working in films in 1948 as child artiste . She played heroine’s role for the first time in Bandish (1955) . After doing one more film Shatranj (1956) , she attained prominence with Toofan Aur Diya (1956) . This Rajendra Kumar starrer was directed by legendary V. Shantaram . He was Nanda’s paternal uncle .

From Bandish (1955) to Raj Kapoor’s  Prem Rog (1983) , she worked in almost 66 films as lead heroine / character artiste in a career spanning 28 years . She worked in 5 films as child artiste also . Thus Nanda worked in 71 films in a career spanning 35 years . Out of 71 films of Nanda ji , I have watched almost 25 films .

Nanda , during her hey – days , was an epitome of Indianness . Nanda had her own distinct class , beauty and charm . Nanda exuded ethnic oomph and native charm . Nanda was simple , yet she played a glamorous role with perfection and Elan . Nanda was a unique combination of traditional and modern woman . First film of Nanda , which I watched , was a super hit ” Jab Jab Phool Khile ” [ 1965 ] . Nanda played stellar role in the film with Shashi Kapoor .

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I can never forget the film and its heroine Nanda in Jab Jab Phool Khile (1965) . All the songs of the film are still fresh in my memory and still reverberate in my ears . ” Pardesiyon Se Na Ankhiyaan Milaanaa …….. ” , ” Ye Samaa Samaa Hai Ye Pyaar Ka …………….. ” , ” Ek Tha Gul Aur Ek Thi Bulbul ……………. ” , ” Na Na Karte Pyaar Tumhi Se Kar Baithe …………. ” and the soulful and melancholic ” Yahan Main Ajnabi Hoon …………. “ are still part of my life , even after so many years .

With Shashi Kapoor in "Jab Jab Phool Khile"

With Shashi Kapoor in “Jab Jab Phool Khile”

In "Jab Jab Phool Khile"

In “Jab Jab Phool Khile”

Yeh Samaa , Samaa Hai Ye Pyaar Kaa  in "Jab Jab Phool Khile"

Yeh Samaa , Samaa Hai Ye Pyaar Kaa in “Jab Jab Phool Khile”

After Jab Jab Phool Khile (1965) , I watched several of her films . One film which I fondly remember even today is Dev Anand starrer Hum Dono (1961) , which I watched much later. I watched it in Palace talkies of Allahabad .

With Dev Anand in "Hum Dono"

With Dev Anand in “Hum Dono”

She was one of the few old era heroines , who modelled for Lux . I still remember the campaign .

Model for Lux

It is sad that she died a lonely death . Nanda was unmarried till her death . Few months back I watched a photograph of Nanda and her contemporaries . It brought tears in my eyes. All the beautiful reigning Divas of my young age are looking so different now . And alas , one is now gone !

Nanda & Her Close Friends : Waqt Ne Kiya , Kya Haseen Sitam

Nanda with Her Close Friends – Waheeda Rehman , Helen & Sadhana : Waqt Ne Kiya , Kya Haseen Sitam

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Filmography

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On behalf of all the students and staff of VIDUR Acting Institute , I offer my condolences to the family of Nanda ji and to all the near and dear ones .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre also pray for the departed soul .

May you REST IN PEACE Nanda ji ! I will always miss you . I will always remember you in Jab Jab Phool Khile (1965) and will never forget the image of your’s in a shikara in Kashmir . The beautiful night of Kashmir , the white satin gown caressing your body , gentle breeze playing with your shampooed hair , your amorous face with bewitching smile and the sonorous Lata Mangeshkar song “…………… Ye Samaa , Samaa Hai Ye Pyaar Kaa ; Kisi Ke Intezar Ka ……………….. “ will always remain with me till the last breath of my life . Your ephemeral body has left us but the above mentioned image endures perennially .

 

[ I have taken information about the films of Nanda ji from Wikipedia . I have copied the list of her films from Wikipedia and posted it here . I am indebted . ]

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25 Years Without Raj Kapoor


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MUMBAI – MAHARASHTRA – INDIA           SEPTEMBER 29 , 2013           08.40 P.M.

I started writing this blog last month . But I was unable to complete it because of several other pressing matters . It seems so uncanny that I am completing and posting it one day after the birthday of Raj Kapoor’s grandson Ranbir Kapoor .

Last month all the members of Raj Kapoor‘s family assembled to remember him on his 25th Death Anniversary . Even general public and his fans remembered him fondly on that occasion . It is heartening to know that even after 25 years of his demise , mortal Raj Kapoor’s  immortal memory refuses to fade away from public memory .

Raj Kapoor died on June 02 , 1988 . I still remember the day . I was sitting in my house in Deoria , Uttar Pradesh , my native place . In those days when the penetration of television was not much , one had to wait for the daily news papers in the morning . In those days I used to subscribe The Times of India , an English daily and  Janasatta , a Hindi daily . Both the papers carried front page news of his demise with banner headlines .

Remembering Raj Kapoor

Remembering Raj Kapoor (Photo credit: ramesh_lalwani)

Raj Kapoor needs no introduction even today . A Show-Man producer to the hilt , an avant garde director of international repute and a stylized actor of large fan following , Raj Kapoor created history in Indian cinema . He is part of the famous triumvirate of Hindi film industry . Dilip Kumar and Dev Anand being the other members of the famous triumvirate , which ruled the Hindi film world for the longest time .

Raj Kapoor birth place at Dhaki Munawar Shah, ...

Raj Kapoor birth place at Dhaki Munawar Shah, Peshawar, Pakistan (Photo credit: Wikipedia)

Main gate of Raj Kapoor's birth place at Dhaki...

Main gate of Raj Kapoor’s birth place at Dhaki Munawar Shah, Peshawar, Pakistan (Photo credit: Wikipedia)

He , at the age of 24 , became the youngest producer & director with his very first film ” Aag ” [ 1948 ] . Later on he produced 18 films and directed 11 under his own banner R. K. Films .

” Aag ” [ 1948 ] , ” Barsaat ” [ 1949 ] , ” Awaara ” [ 1951 ] , ” Aah ” [ 1953 ] , ” Boot Polish ” [ 1954 ] , ” Shree 420 ” [ 1955 ] , ” Jagte Raho ” [ 1956 ] , ” Ab Dilli Dur Nahin ” [ 1957 ] , ” Jis Desh Men Ganga Behti Hai ” [ 1960 ] , ” Sangam ” [ 1964 ] , “Mera Naam Joker ” [ 1970 ] , ” Kal Aaj Aur Kal ” [ 1971 ] , “Bobby ” [ 1973 ] , ” Dharam Karam ” [ 1975 ] , ” Satyam Shivam Sundaram ” [ 1978 ] , ” Biwi O Biwi ” [ 1981 ] , ” Prem Rog ” [ 1982 ] andRam Teri Ganga Maili ” [ 1985 ] .

I am fortunate that I have seen all the 18 films produced by him . Needless to say that I have also watched all the 11 films , which he directed .

When he died in 1988 , I was in Deoria . One year later , in 1989 , I came to Mumbai . In 1990 I started my career as an acting trainer . Today , as I am writing this blog , I can proudly say that in a way , I am also associated with him . I am very fortunate that I have trained 4 grandchildren of legendary and immortal Raj Kapoor .

In 1999 I started training Kareena Kapoor for Hritik Roshan’s debut film ” Kaho Na … Pyaar Hai ” [ 2000 ] . It is another story that she couldn’t do the film and eventually debuted with Abhishek Bachchan in ” Refugee ” [ 2000 ] . She is daughter of Randhir Kapoor , eldest son of Raj Kapoor .

After Kareena Kapoor , I was called by Neetu Kapoor ji in 2004 to train Ranbir Kapoor , who was about to make his debut with ” Saawariya ” [ 2007 ] . Coincidently I am writing this blog one day after his birthday . He is son of Rishi Kapoor , 2nd son of Raj Kapoor .

In 2012 Raj Kapoor’s youngest daughter Rima Jain ji called me to train her elder son Armaan Jain .  Armaan Jain will make his debut in 2014 with a film being produced by Saif Ali Khan , another student of mine . This untitled film is being directed by Imtiaz Ali’s brother Arif Ali .

Currently , Rima ji’s younger son Aadar Jain is also getting trained by me .

Thus I can say it with great sense of satisfaction that I am fortunate enough to have trained 4 grandchildren of legendary Raj Kapoor .

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On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my homage to Raj Kapoor , the greatest showman of Hindi cinema .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to offer tributes to the legendary film – maker on his 25th death anniversary .

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Dulari Ji Is Gone; Unwept, Unheard , Unsung !


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MUMBAI – MAHARASHTRA – INDIA           MAY 09 , 2013           06.45 P.M.
Dulari In Her Twilight Years

Dulari In Her Twilight Years

On Monday morning I was shocked to read the news of death of Dulari , a veteran yesteryear Hindi film actor . It is so heart-wrenching that she died in January 2013 and the news came in May 2013 , in Monday’s Times of India . If a popular actor dies and the news comes out a full four months later , it shows the callousness of our film industry . How come no one tried to contact her ? How come no one ever called her to say hi ? How come no one inquired about her health and well-being ? I must admit , our film industry is full of cussed , cruel and selfish people .
Today as I am writing this blog , I suddenly remember these lines , which was filmed on her in ” Devdas ” , a Bimal Roy classic .
साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

She left this ephemeral , painful world for her eternal journey . She joined her lover , the God , and became one with him .

A Young Dulari

A Young Dulari

Hindi cinema had many famous and powerful mother figures . Durga Khote , Lalita Pawar , Leela Chitnis , Kamini Kaushal , Achala Sachdev and Sulochna are some of the most famous mothers of Hindi cinema . In recent history Nirupa Roy became an ultimate mother figure . Dulari, though not as famous as her other illustrious peers , was also a popular mother figure of Hindi films .

Dulari - The Poorman's Mother

Dulari – The Poorman’s Mother

She started as a heroine in a couple of films . Immortal hits like  ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ , both from ” Shehnai ” [ 1947 ] were filmed on her .

Dulari

I first noticed her in Bimal Roy’s ” Devdas “ [ 1955 ] . Two songs , written by Sahir Ludhianvi and tuned by Sachin Dev Burman , were filmed on her . ” Aan Milo Aan Milo Shyam Sanware ” and ” Sajan Ki Ho Gayi Gori “ are connoisseurs delight even today .  She played a Vaishnavi Saint with Nana Palsikar as her screen companion . A young Paro , played by Baby Naaz , was sitting on a branch of a mango tree and was remembering Devdas , while Nana Palsikar sang the song and danced . Dulari was just sitting calmly and singing the female version sung by Geeta Dutt . Her calm and serene face remained in my memory . In the same film , years later , when Paro grew older [ played by etherial Suchitra Sen ] , she was again sitting and remembering Devdas . Again same Vaishnav saints came and started singing . Now the song was ” Sajan Ki Ho Gayi Gori ” . I am unable to forget these scenes , these two songs , melancholic face of Paro , played by Baby Naaz and Suchitra Sen respectively and of course Nana Palsikar and Dulari .

Then , years later I watched ” Padosan ” [ 1968 ] and ” Gopi ” [ 1973 ] . In both the films she played the maternal aunt of lead actors ; Sunil Dutt and Dilip Kumar . Memory of her earlier starrers ” Shehnai ” [ 1947 ] , and ” Devdas ” [ 1955 ] once again became fresh in my mind . It is not that I have seen only above mentioned 4 films . I have seen innumerable films of her . But these 4 remain in my memory .

Dulari as Mother Figure

Dulari as Mother Figure

A Kanyakubj Brahman from the Awadh region of Uttar Pradesh , she was born and brought up in Maharashtra . She spent her childhood in Nagpur , where she was born on 18th April 1928. Her name was Ambika but she was nick-named Rajdulari and later on only Dulari remained and the world knew her as Dulari .

Dulari ji’s first film was ‘Bombay Talkies’s’ famous movie ” Jhoola ”  [ 1941 ] with Ashok Kumar . Later on she played Jairaj’s younger sister in a Bombay Talkies film Hamari Baat’ . She was also seen as the second lead in  ‘Amar Pictures’ film ‘Adaab Arz’ where her leading man was the famous singer Mukesh . Both the films were made in 1944 .
shayar

Later on she played small roles in films like ” Ghar ” [ 1945 ] , ” Kulkalank ”  [ 1945 ] , ‘Ahinsa’, ‘Black Market’, ‘Namak’, ‘Pati Sewa’, ‘Rangeen Kahani’ [ all 1947 ] . But Dulari got her real due with ‘Filmistan’s super hit film ” Shehnai ” [ 1947 ] . She played Rehana’s elder sister in the movie and her leading man was Mehmood’s father Mumtaz Ali . As I mentioned earlier two immortal songs were picturized on her in this film . ” Aana Meri Jaan Meri Jaan , Sunday Ke Sunday ”  and ” Jawaani Ki Rail Chali Jaaye Re “ .

After ” Shehnai “ she did films like ” Gunsundari ” , ” Mitti Ke Khilone ” , ” Naav’ ” [ all 1948 ] , ” Nanad Bhaujai ” , ” Shayar ”  [ both 1949 ] , ” Apni Chhaya ” , ” Man Ka Meet ”  [ both 1950 ] , ” Albela ”  [ 1951 ], ” Anjaam ” , ” Bhoole Bhatke ” and ” Veer Arjun ”  [ all 1952 ] .
Paapi
Dulari was seen in an important role in the movie ” Paapi ” [ 1953 ] . In this Ranjeet Movietone film Raj Kapoor played his career’s only double role. Nargis and Dulari played his two heroines .  After it she worked in Jeewan Jyoti ” [ 1953 ] , ” Devdas ”  [ 1955 ] , ” Zindagi Ke Mele ”  [ 1956 ] , ” Ek Gaon Ki Kahani ” , ” Johny Walker ” ,  ” Paying Guest ”  [ all 1957 ] ,  ” Kavi Kalidas ”  and ” Santaan ” [ 1959 ] .
Devdas (1955 film)

Devdas (1955 film) (Photo credit: Wikipedia)

JPKSHH

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Padosan

After 1959 , after two years hiatus , she started her second innings from 1961 and for the next 35 years, Dulari played many big and small roles in almost 135 films like ‘Jab Pyar Kisi Se Hota Hai’, ‘Mujhe Jeene Do’, ‘Apne Hue Paraye’, ‘Aap Aaye bahaar Aai’, ‘Aaye Din Bahaar Ke’, Anupama’, ‘Teesri Kasam’, ‘Padosan’, ‘Aradhna’, ‘Aaya Sawan Jhoom Ke’, ‘Chiraagh’, ‘Inteqaam’, ‘Aan Milo Sajna’, ‘Heer Ranjha’, ‘Johny Mera Naam’, ‘Caravan’, ‘Laal Patthar’, ‘Beimaan’, ‘Seeta Aur Geeta’, ‘Raja Rani’, ‘Ameer Gareeb’, ‘Haath Ki Safai’, ‘Deewar’, ‘Do Jasoos’, ‘Aahuti’, ‘Ganga Ki Saugandh’, ‘Biwi O Biwi’, ‘Naseeb’, ‘Prem Rog’, ‘Agar Tum Na Hote and ‘Dharmadhikari’. And then one day she quietly retired from the world of movies.

Later on she did only two films . ” Surya ” [ 1989 ] and ” Ziddi ” [ 1997 ] . Ziddi directed by Guddu Dhanoa is her last film . Thus from ” Jhoola ”  [ 1941 ] to ” Ziddi ” [ 1997 ] , her career span was 56 years .

After a career spanning 56 years and after 171 hindi, 35 Gujarati, 3 Marathi and 1 Rajasthani film , she left Mumbai and went to live with her daughter in Indore . She also acted in a ‘Shri Adhikari Brothers’ serial called ‘Waqt Ki Raftaar’ .

During her final years Dulari ji was suffering from Alzheimer and was admitted to ICU in a hospital in PUNE in the last week of December ’12 where at the age of 85 she breathed her last on 18th January 2013 around 10 a.m. She was cremated on 19th January 2013 in the noon in Pune.

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Few links of songs filmed on Dulari :
1 – aana meri jaan sunday ke sunday /shehnai/1947
2 – jawani ki rail chali jaaye/shehnai/1947
3 – aan milo aan milo shyam sanware/devdas/1955
4 – sajan ki ho gai gori/devdas/1955
5 – madhav bin saara brij soona/sautela bhai/1962
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I offer my condolences on behalf myself and on behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters . May God give eternal peace to Dulari Ji and strength to her daughter and other near and dear ones to bear this loss .

I can visualize a frail ,  85-year-old , lonely lady suffering from Alzheimer , sitting without a friend or companion in an old age home with blank eyes and waiting for some elusive loving one . Long windy nights of winter , dull and dusty days of summer and wet , pouring and dreary evenings of  rainy season must have come and gone  without any trace of succour . It is painful , very painful . Finally , only death could relieve her from her pain .

साजन की हो गयी गोरी ………
अब घर  का आँगन बिदेस लागे  रे  , नैहर का जीवन कलेस लागे  रे …..

साजन की हो गयी गोरी ………

Rest in peace Dulari ji ! A tearful farewell from an ardent fan . I am happy that you left this cruel , selfish , cussed world . May , in next life , you get everything that you have ever desired for you .

[ While writing this blog , I have taken few facts and materials from the article ” Aan Milo Aan Milo Shyam Sanware’-Dulari ” , written by Shri Shishir Krishna Sharma for his ‘Sahara Samay’ column ‘kya bhooloon kya yaad karoon’ . I am indebted . ]

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Aah Shammi Kapoor ……….” Tum Sa Nahi Dekha ” !!


Shammi Kapoor
MUMBAI – MAHARASHTRA – INDIA          NOVEMBER 16 , 2011          08.15 P.M.

When I got the news of Shammi Kapoor‘s sad demise on August 14 , 2011 at the age of 79 , flood of memories engulfed me and inundated me completely . Though , initially , I was not a huge fan of Shammi Kapoor , but later on , as I watched his films and understood his importance in Hindi films , I succumbed to his charm completely.

That golden era  of Hindi films belonged to film industry’s towering triumvirate ; Dilip Kumar , Dev Anand and Raj Kapoor . Like other youngsters of my age , I was very much enamoured by the trio . So naturally for me , Shammi Kapoor was nowhere in the picture . While in school and college , I was intrigued by the fact that whenever any new film of Shammi Kapoor used to hit the cinema halls, class – rooms wore deserted look and seeing the empty class , our irritated teachers used to say few nasty words for Shammi Kapoor because majority of the boys had no quam in bunking the class for the first day , first show of a Shammi Kapoor film . I got intrigued and decided to uncover the persona and unravel the mystique of Shammi Kapoor , the dancing star , the rebel star . I started watching his films and to my amazement , realized that Hindi Cinema doesn’t belong to the above mentioned triumvirate alone but it consists of the quartet ; Dilip Kumar , Dev Anand , Raj Kapoor and Shammi Kapoor . Without these four one cannot even think of Hindi cinema .

I took this picture when he paid a visit last ...

Dilip Kumar

With Dev Anand in His Office

With Dev Anand in His Office

In those days of my asinine childhood and carefree adolescence , Dilip Kumar symbolized romance and pain of the Nehru era , while Raj Kapoor was the face of Nehruvian socialism . Dev Anand represented urbane and educated youth of this nascent nation . Shammi Kapoor was unique because he gave face and voice to the aspirations of the emerging middle class youth . His first hit ” Tum Sa Nahin Dekha “ came in 1957 . It was the year of second general election also . First general election was held in 1952 .  So after testing democracy for five years , youth of India were bubbling with enthusiasm and ” I don’t give a damn ” kind of attitude . Their aspirations , their liking for good clothes and better life – style was palpable and Shammi Kapoor Saheb represented these feelings to the fullest . And naturally he became icon of the liberated youth of the nascent , new and emerging democratic India .It is not for nothing that he is called Rebel Star and Dancing Star of Hindi films .

So obviously , when I heard the news of his demise , an era ended for me . One more chapter of my growing years was lost completely .  I wanted to write the obituary  immediately but I thought that best moment to pay my last respect would be on the occasion of the release of his last film ” Rockstar “ . Ranbir Kapoor starrer ” Rockstar “ got released on November 11 , 2011 and it created history . It became legendary Shammi Kapoor‘s last film. It signals the end of one of the most glorious chapters of Hindi Cinema . It brings curtain down on the memories of legendary Shammi Kapoor . One more icon of my childhood left the world finally and ” Rockstar “  is the cruel reminder of that fact . The journey , which started with ” Jeevan Jyoti ” [ 1953] , ended with ” Rockstar ” [ 2011 ] . It is 58 years long , gigantic and glorious reel journey .

Shammi Kapoor in Teesri Manzil

Shammi Kapoor in Teesri Manzil

Shamsher Raj Kapoor , better known as Shammi Kapoor started his career with ” Jeeva Jyoti ”  [ 1953 ] , a film directed by Mahesh Kaul , who incidentally , years later gave break to Hema Malini inSapno Ka Saudagar ”  , who incidentally was his last romantic lead in ” Andaz ” [ 1971 ]. Chand Usmani was Shammi Kapoor’s first heroine in ” Jeevan Jyoti ” .

” Rail Ka Dibba ” [ 1953 ] , ” Laila Majnu ” [ 1953 ] , ” Shama Parwana ” [ 1954 ]  ,  ” Chor Bazar ” [ 1954 ] , ” Miss Coca Cola ” [ 1955 ] , ” Daku ” [ 1955 ] , ” Mem Sahib ” [ 1956 ] , ” Rangeen Ratein ” [ 1956 ] , ” Mirza Sahiban ” [ 1957 ] , ” Mujrim ” [ 1958 ]  and ” Char Dil Char Rahen ” [ 1959 ]  “ came in quick succession and most of them bombed miserably .

Teesri Manzil

Shammi Kapoor in Teesri Manzil

Very few hits and 18 flops later, Shammi Kapoor became a major star with ” Tumsa Nahi Dekha ” [ 1957 ] , ” Dil Deka Dekho ” [ 1958 ] and ” Ujala ” [ 1959 ] . After this there were blitzkrieg of hugely successful films like ; “College Girl ” [1960 ] , ” Singapore ” [ 1960 ] , ” Boyfriend ” [ 1960 ] , ” Junglee ” [ 1961 ] , ” Dil Tera Diwana ” [ 1962 ] , ” Professor ” [ 1962 ] , ” China Town ” [ 1962 ] , ” Bluff Master ” [ 1963 ] , ” Rajkumar ” [ 1963 ] , ” Kashmir Ki Kali ” [ 1964 ] , ” Janwar ” [ 1965 ] , ” Teesri Manzil ” [ 1966 ] , ” Budtameez ” [ 1966 ] , ” An Evening In Paris ” [ 1967 ] , ” Laat Saheb ” [ 1967 ] , ” Brahmchari ” [ 1968 ] , ” Prince ” [ 1968 ]  , ” Tum Se Accha Kaun Hai ” [ 1969 ] , ” Sachchai ” [ 1969 ] , ” Pagla Kahin Ka ” [ 1970 ] , ” Andaz ” [ 1971 ] , ” Jawan Mohabbat ” [ 1971 ] , and ” Jaane Anjane ” [ 1971 ] . After last mentioned film , he stopped playing romantic lead .

Shammi Kapoor in Kashmir Ki Kaali

Shammi Kapoor in Kashmir Ki Kaali

There after he started playing character roles and created some major milestones as well , ” Zameer ” [ 1974 ] , ” Manoranjan ” [ 1974 ] , ” Bundal Baaz ” [ 1976 ] , ” Parvarish ” [ 1977 ] , ” Shalimar “[ 1978 ] , ” Meera “[ 1989 ] , ” Rocky “[ 1981 ] , “Naseeb “[ 1981 ] , “Prem Rog “[ 1981 ] , ” Vishaata “[ 1982 ] , “Desh Premi “[ 1982 ] , “Hero “[ 1982 ] , ” Betab “[ 1983 ] and finally ” Rockstar “[ 2011 ] .


Among the above mentioned films ; ” Manoranjan ” [ 1974 ] and ” Bundal Baaz ” [ 1976 ] were his directorial ventures .

I consider myself fortunate that of the quartet of Dilip Kumar , Dev Anand , Raj Kapoor and Shammi Kapoor , I Could meet all the three barring Raj Kapoor . In early 90s I had written a serial ” Mitti Ke Diye “ and along with my director , went to Shammi Kapoor Saheb‘s Malabar Hills apartment to narrate the story to him . We reached his Blue Heaven apartment in the morning and were ushered into his room . He was working on his computer . He greeted us warmly , told us to sit down and ordered tea for us .I narrated the story in trembling voice and to my utter shock and dismay he liked the story and agreed to work in the serial immediately .

The serial was not made because of my bad luck . But I still remember his towering personality , his booming voice and benign smile . He made me feel important , though he had achieved gigantic successes and I was a struggling nonentity . After some years I again bumped into him at the marriage reception of grand – daughter of legendary singer Mukesh . After that I could not meet or see him . I followed him on twitter , though . And then came the news of his illness and the death .

I feel blessed to meet you sir . I imbibed your spirit , your love and zest for life . I got your blessings and I know that it will guide me in the slippery world of film industry . Farewell sir ! I will definitely meet you in heaven to learn cinema from you . Till then , rest in peace sir !

There shall never , ever be another Shammi Kapoor .

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