My 25-Year-Long Journey : From Kareena Kapoor to Alia Bhatt


2

 

MUMBAI – MAHARASHTRA – INDIA           AUGUST 08, 2014           08.50 P.M.

 

My fascination with Hindi film heroines started in mid 60s. In the dark environs of Amar Jyoti Talkies, Deoria, my rendezvous with Hindi cinema took place with Rajendra Kumar and B. Saroja Devi starrer Silver Jubilee hit  ” Sasural ” [ 1961 ] . B. Saroja Devi, though not well-known to Hindi cine-goers, was almost alien to me. But after watching the film, I was unable to forget her. Her elegant persona, her well-kept figure, her chiselled face enticed me for weeks and months. She was the first icon of my childhood fancy.

Few years later in 1967, after appearing in High School exams, I watched Dilip Kumar and  Vyjayanthimala, starrer golden jubilee film ” Ganga Jumna “. B. Saroja Devi and  Vyjayanthimala, to my utter surprise, looked almost similar. I was hooked to Vyjayanthimala and my fascination for the film heroines got fortified.

After passing High School, I went to Allahabad for further studies. My true rendezvous with Hindi cinema started in all earnest in Allahabad. I started watching films regularly. I got acquainted with the heroines of early Hindi cinema. I was particularly enamoured by Devika Rani and Kanan Devi. [ Who can forget Devika Rani’s ………. MAIN BAN KI CHIDIA BAN KE BAN-BAN DOLOON RE ……….( ” Achhut Kanya ” – 1936 ) and Kanan Devi’s ………….. YE DUNIYA ,YE DUNIYA TOOFAN MAIL ……… ( Jawaab ” – 1942 ) ? Few years later I watched two earlier films of Kanan Devi; P. C. Barua starrer ” Mukti ” [ 1937 ] and K. L. Sehgal starrer ” Street Singer ” [ 1938 ]. Though they were the heroines of my father’s generation but their etherial beauty, their sweet voice enthralled me and fascinated me during my adolescent and growing up years in Allahabad.

Later on I got acquainted with the works of other highly successful actresses of the bygone era. The list included Nargis, Suraiya, Nalini Jayawant,  Meena Kumari, Madhubala, Nimmi and Geeta Bali. These heroines ruled the golden era of Hindi films. But even they belonged to the earlier era.

My era included highly successful and enchanting heroines like;  Nutan, Vyjayanthimala, Waheeda Rehman , Nanda and Mala Sinha .

I became a die-hard fan of Waheeda Rehman after watching her films Pyaasa (1957) and Kaagaz Ke Phool (1959) . After watching Raj Kapoor‘s Awaara (1951) and of Mehboob Khan‘s Mother India (1957), Nargis, also became one of my all time favourites. Vijay Bhatt‘s Baiju Bawra (1952), made me a fan of  Meena Kumari.  K. Asif‘s Mughal-e-Azam (1960) made Madhubala my eternal favourite.

Then times changed. My journey with cinema matured. In the late 1960s and early 1970s, actresses like Sadhna, Saira Banu, Sharmila Tagore, Mumtaz and Asha Parekh ruled the Hindi film world.

In the early 70s  Amitabh Bachchan, era started in the Hindi film industry. Actresses from this era included Hema Malini, Jaya BachchanRekha,  Zeenat Aman and Dimple Kapadia. I adored these heroines but frankly, I was neither enchanted or enamoured by them. Mysterious quality of the earlier heroines was missing. Or may be I became mature and the mystique slowly evaporated.

In 1975, I completed my studies in Allahabad and returned to my native place, Deoria. A 14-year-long second phase of my life started in Deoria.

In the late 1980s and early 1990s, the pendulum swung back towards family centric romantic musicals with the success of Qayamat Se Qayamat Tak (1988) . Incidentally this was the last film, which I watched in Deoria.

I moved to Bombay [ now Mumbai ] in 1989. This was the year when Maine Pyar Kiya (1989) got released and changed the film-watching experience forever.

Maine Pyar Kiya (1989), Dil (1990), Hum Aapke Hain Kaun (1994) and Dilwale Dulhania Le Jayenge (1995), making stars out of a new generation and actresses such as Sridevi, Madhuri Dixit, Juhi Chawla and Kajol . In that point of time actresses such as Rani Mukerji, Preity Zinta, Aishwarya Rai also arrived on the scene.  Raveena Tandon and Karisma Kapoor too appearing in popular comedy films .

Furthermore, this decade marked the entry of new performers in art house and independent films like Satya (1998), directed by Ram Gopal Varma and written by Anurag Kashyap. Manisha Koirala, Tabu and Urmila Matondkar were the heroines of this generation.

So it was a long association with the silver screen heroines. From Kanan Devi to Kajol and Karisma Kapoor , I watched everyone, got fascinated by them and silently admired their etherial beauty. But never in my wildest dream did I imagine that one day I would train few of the present day ruling Divas of Hindi cinema. After 25 year stay in Mumbai, when I look back, I reminisce my by-gone days with astonishment. I am bewildered with my accomplishment.

In 1994 two heroines trained by me made their debut in Hindi films. They are Sonali Bendre in ” Aag ” [ 1994 ] and Divya Dutta in ” Ishq Mein Jeena Ishq Mein Marna ” [ 1994 ] . It uncanny that 1994 was the year when Devika Rani died. Kanan Devi bid us adieu two years earlier in 1992.

My childhood icons left this world in 1994 and present day icons, trained by me , made their entry in 1994. It is strange. It is quirky. It is really uncanny. After debut of Sonali Bendre and Divya Dutta in 1994, flood-gate of the newcomers got opened and it has now submerged the Hindi film industry. I present a list of some of the epoch-making new era Hindi film Divas, who got trained by me :

Kareena Kapoor : ” Refugee ” [ 2000 ] = DEBUT

Priyanka Chopra : ” The Hero ” [ 2002 ] = DEBUT

SONAM KAPOOR : ” Saawariya ” [ 2007 ] = DEBUT

Anushka Sharma : ” Rab Ne Bana Di Jodi ” [ 2008 ] = DEBUT

Katrina Kaif :  ” Raajneeti ” [ 2010]

ALIA BHATT : ” Student Of The Year ” [ 2012 ] = DEBUT

KALKI KOECHLIN : ” Ye Jawaani Hai Deewani ” [ 2013 ]

URVASHI RAUTELA : ” Singh Saab The Great ” [ 2013 ] = DEBUT

 

In the end I would like to submit that the above mentioned list is almost endless. I have mentioned very famous names only. As I watch Alia Bhatt making rapid strides,and other newcomers trained by me making their entry in the tinsel town, my heart beats fast with pride.

Some of the biggest star sons / daughters are currently being trained by me and they are going to make their debut in 2015.

So the SAGA CONTINUES !! Dust settles down. Sun shines brilliantly. And the World { excluding few egoistic nay-sayers } watches with awe, admiration and amazement.

 

Vidur Acting Institute Logo

FACEBOOK main

On behalf of all the students and staff of VIDUR Acting Institute , VIDUR Editing Studio , VIDUR Club and VIDUR Merchandise , I wish all my above mentioned students all the success and stardom never attained before by anyone and unseen even by the mightiest.

God bless them for making me proud !!

 

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.viduractinginstitute.com

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

google.com/+VidurChaturvedi

60 Years of Screen : A News Paper of Indian Cinema


MUMBAI – MAHARASHTRA – INDIA           January  01 , 2012           01.20 A.M.

Screen weekly completed 60 years in 2011 . I share my birth year with this film weekly . In fact ” Screen “ is few months senior .

Hindi film industry fascinates and lures numerous people from every walk of life . The pull and attraction are so strong that you have to be the Indian or Indian diaspora to believe this .

This syndrome was not different for me also . I was attracted to the film world since my early childhood . I still remember my fascination and that too very vividly .

 

Location of Deoria district in Uttar Pradesh

Location of Deoria in Uttar Pradesh

I started watching films regularly after completing High School . It was in 1967 . Deoria , my home town in Uttar Pradesh had 2 cinema halls ; Amarjyoti and Vijay . After examination , I watched ” Ganga Jumna “ , a Dilip Kumar Film , in the Amarjyoti Talkies and I was hooked . Before that I had watched some films but that was a sporadic , spur of the moment kind of behaviour . I had watched Dev Anand‘s ” Dushman “ , Ashok Kumar’s ” Bahu Beti “ and Rajendra Kumar‘s ” Sasural “ . V. Shantaram‘s ” Mausi “ was also a favourite . In those days of my infancy , every film was my favourite and I became curious and wanted to know more and more about the stars .

I started subscribing various film magazines and one day , while I was searching for a magazine at the news paper stand of Deoria Railway Station , I saw ” Screen “ . It was broad – sheet paper and had several photographs . Its price was 4 annas [ 25 Paise ] . It was published from Bombay [ now Mumbai ] . Though it was in black & white still photographs mesmerized me . I bought the paper , brought it home and read it at one go from top to bottom and from first page to the last page . And thus began a life long association , which still continues . Ali’s Notes , column of Mr. Ali Peter John , was my favourite .

During all these long years ” Screen “ had changed its format several times . From 25 paise in 1967 to INR 10.00 in 2011 , it is now a bit costly . Later on it became partly coloured along with black & white avatar . Then it became fully coloured . From broad – sheet to tabloid , then back to broad – sheet and now again in the form of tabloid , coloured ” Screen “ also changed many times . Style and font of mast – head ” Screen “ also changed couple of times . Though Hindi ” Screen ” was also started , but it was a non – starter from day one .

I think now it has taken final shape in its tabloid avatar .

I used to love its front page photos . Front page photo in ” Screen “ was like a barometer of popularity of a star . They used to feel as if they have arrived if they appeared on the cover of the latest ” Screen ” . It is still the same .The euphoria of being on the cover page of ” Screen “ is undiminished even after 60 long years .

As I have stated that I used to read ” Screen “ when it was a broad – sheet paper and used to be black & white . I know its reputation , which is untarnished even today . Naturally I was very happy when a small news came in ” Screen “ about me . It was about myself and Katrina Kaif , whom I was training at that time  . I am giving the link :

! – First article about me in ” Screen ”  was published in the May 21 , 2010 issue : http://bit.ly/dmi5FN

2 – Second article about me in ” Screen “ was published in the  December 02 – 08 , 2011 issue . http://www.indianexpress.com/news/Actors–Laboratory/875287/

[ This link is about the article in Indian Express . Same was re – printed in Screen .  Screen and Indian Express are sister publications .]

 

The Indian Express

Indian Express

I was so happy that finally , when I am 60 and ” Screen “ is also 60 , a big article about me was published this year . It’s like a culmination of my 44 year-long association with the paper , which started in 1967 .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

ErikaBeyk

This WordPress.com site is about Health and Wellbeing

Arun Shanbhag

Life is Beautiful, Live it the fullest

WordPress.com

WordPress.com is the best place for your personal blog or business site.

The WordPress.com Blog

The latest news on WordPress.com and the WordPress community.

%d bloggers like this: