Remembering Mani Rabadi – Queen of Polka Dots


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 18 , 2013           11.50 P.M.

        Mani Rabadi

        ======================  

A well-known costume designer of 60s and 70s , Mani Rabadi died this month on August 06 , 2013 . She was older sister of yesteryear actress Nargis Rabadi a.k.a. Shammi or Shammi aunty .
   

Much before the advent of Manish Malhotra and Neeta Lulla , long before Anna Singh and Anaita Shroff Adajania and eons ago Niharika Khan , there was Mani Rabadi , who along with Bhanu Athaiya , became couturier to the stars in the Golden Age of Hindi Cinema.

Making her debut in 1967 with the Dev Anand starrer Jewel Thief , she worked all the way in to the 90s ending her career with the mega hit ” Hum Aapke Hain Koun ” .

” Jewel Thief ” [ 1967 ] , ” An Evening In Paris ” [ 1967 ] , ” Farz ” [ 1967 ] , ” Sapnon Ka Saudagar ” [ 1968 ] , ” Aankhen ” [ 1968 ] , ” Duniya ” [ 1968 ] , ” Mahal ” [ 1969 ] , ” Ek Phool Do Mali ” [ 1969 ] , ” Aradhana ” [ 1969 ] , ” Prince [ 1969 ] , ” The Train ” [ 1970 ] , ” Kati Patang ” [ 1970 ] , ” Gambler ” [ 1971 ] , ” Victoria No. 203 ” [ 1972 ] , ” Kachche Dhaage ” [ 1973 ] , ” Jheel Ke Us Paar ” [ 1973 ] , ” Bobby ” [ 1973 ] , ” Trimurti ” [ 1974 ] , ” Aap Ki Kasam ” [ 1974 ] , ” Amir Garib ” [ 1974 ] , ” Kasauti ” [ 1974 ] , ” Sanyasi ” [ 1975 ] , ” Rafoo Chakkar ” [ 1975 ] , ” Bairaag ” [ 1976 ] , ” Hera Pheri ” [ 1976 ] , ” Don ” [ 1978 ] ,  ” Amar Akbar Anthony ” [ 1979 ] , ” Aasha ” [ 1980 ] , ” Kaalia ” [ 1981 ] , ” Mard ” [ 1985 ] , ” Pestonjee ” [ 1987 ] , ” Maine Pyar Kiya ” [ 1989 ] , ” Hum Aapke Hain Koun ! ” [ 1994 ]  are her famous and most successful films .

She also won National Film Award , along with Ramilla Patel , for Best Costume for ” Pestonjee ” [ 1987 ] .


English: Scanned photograph of my grandmother,...

Costume Designer Bhanu Athaiya. (Photo credit: Wikipedia)

Apart from Bhanu Athaiya , she was another one , who was a professional dress designer in the early years of our film industry . She worked for 27 long years in this unpredictable and risk-driven industry . She successfully withered changing times , fluid tastes and all the changing patterns from ” Jewel Thief ” [ 1967 ] till ” Hum Aapke Hain Kaun ” [ 1994 ] .

Jewel Thief

Jewel Thief (Photo credit: Wikipedia)

An Evening in Paris

An Evening in Paris (Photo credit: Wikipedia)

Amar Akbar Anthony

Amar Akbar Anthony (Photo credit: Wikipedia)

Maine Pyar Kiya

Maine Pyar Kiya (Photo credit: Wikipedia)

Hum Aapke Hain Kaun...!

Hum Aapke Hain Kaun…! (Photo credit: Wikipedia)


Born as Mani Rabadi in a family of Parsi priests , she was only a kid when her father died . Her mother made a living by cooking at religious functions. Later on , along with her younger sister Shammi , Mani Rabadi worked in toy factories after school to source their tuition fees. After school time, they worked at offices, ran a magazine and did odd jobs. Mani also worked with the Indian People’s Theatre Association and did some Gujarati films.

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Here is a gallery of her designs from the movies we all love :

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An Evening in Paris (1967)

Sharmila actually plays a dual role in the film. The villainous side incidentally always shows her tummy–just to help the audience keep things straight.

Uhh, what precisely are you looking at Pran?

Cutsy hair clip that’s bigger than my nose? Don’t mind if I do.

Jewel Thief (1967)

I’ve talked a lot about my feelings for Helen in a chicken suit from this film, but this picture definitely deserves one more mention.

Yup, those are cotton balls puffing out of that red sari like polka dots. Just saying, it takes a bold and confident woman to try and pull that off.

Dev Anand poses as a French jewelry importer. Can’t you tell by the beret?

Aradhana (1969)

Who can forget Rajesh Khanna’s tall Nepali hat as he bellows “Mere Sapnon Ki Rani” on a hillside?

Rajesh Khanna in a blue suit with a hot red turtleneck during “Kora Kaagaz Tha” is the epitome of suave.

Unarguably the most famous scene from Aradhana, Sharmila Tagore makes a sari out of a flimsy blanket…and the rest is history.

Bobby (1973)

Youth and freedom must mean a tight leather jacket!

Umm, ok Dimple Kapadia, where did the rest of your shirt go though?

Cute but completely arbitrary villager costume for “Jhoot Bole Kauva Kate.”

Farz (1967)

Nice ascot, Jeetendra.

Oh, those tight white pants that made you who you were. It’s no wonder Jeetendra was nicknamed “Jumping Jack”!

Prince (1969)

Did someone say “hep cat”?!

Helen and Vijayantimala dance off in “Muqabla Humse Na Karo.”

Kati Patang (1970)

Asha briefly portrays a 70s bride before running away from the ceremony.

Bindu makes a spectacle of herself in comparison to Asha’s stark white sari..

Amar Akbar Anthony (1979)

Rishi Kapoor dresses as a qawwal by night.

There actually aren’t really words for this.

Moss green leather jacket with religious bling.

You are wearing a fedora? Clearly, you have become a millionaire.

Don (1978)

Nothing says “bad boy” like a big red bow tie.

Don’t mess with her scarf.

Or his.

Helen rocks an overly slitted dress for “Yeh Mera Dil” in Don (1978)

The bottom line here is , could Jeetendra have seized Bombay by storm without his famous tight white pants ? Could Dimple Kapadia have shot to stardom without costumes that only covered half of the minimum required? Her polka dots top for ” Bobby ” is still remembered . Vyjayantimala’s red saree from ” Jewel Thief ” is still fresh in our memories . Amitabh Bachchan’s tuxedo in the song My name is Anthony Gonsalves from the film ” Amar Akbar Anthony ” or Rishi Kapoor’s costumes from the same film are still there in our memory lane . Polka dot waist – coat of Amitabh Bachchan in ” Don ” is unforgettable . You remember his iconic song Khai ke paan Banaraswalla …… from the film and you will surely remember his polka dot waist-coat . You will never forget any costume of legendary Helen . Mani Rabadi designed innumerable costumes for her in films . They were revealing but not vulgar .

Her work is so diverse, so eye-catching, and so unpredictable . Mani Rabadi is unarguably genius. It is sad that her death is not widely reported in newspapers . Today , when Parsi community is celebrating Navroz [ thier new year ] , I am writing this obituary of Mani Rabadi , one of the prominent member of Parsi community .

FULL EDITNG STUDIO

NEWS LETTER

On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my condolences to the bereaved family and specially Shammi aunty who is left alone to bear this loss at the age of 84 .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to offer heartfelt sympathies at the sad demise of the legendary but almost forgotten dress designer of the golden era of the Hindi films .

[ It is sad that I could know about her death after a week through the latest issue of ” Screen ” weekly . I found material about her in magazines like ” Screen ” , ” Parsi Khabar ” and ” Mid Day ” . For her photographs and her volume of work , I had to refer to online posting of ” Mr. & Mrs. 55 – Classic Bollywood Revisited ” . I express my profound gratitude to all of them . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

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19th Annual Colors Screen Awards 2013


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MUMBAI – MAHARASHTRA – INDIA           JANUARY 13 , 2013           06.30 P.M.
Award season for Hindi films of 2013 has started . Screen Weekly , published by Indian Express group , was the first to announce its prestigious awards in various categories . Screen Awards 2013 was just held in Mumbai on January 12 , 2013 .
Among the winners there are 3 actors , who are my students . Ranbir Kapoor won the Best Actor [ Male ] Award for ” Barfi ! ” . He , along with Priyanka Chopra , also won Best Jodi of the Year Award . And Katrina Kaif won the Most Popular Actor [ Female ] Award for ” Jab Tak Hai Jaan ” and ” Ek Tha Tiger ” .
With Ranbir Kapoor before " Saawariya "

With Ranbir Kapoor before ” Saawariya “

With katrina Kaif In Her Apartment

With katrina Kaif In Her Apartment

19th Colors Screen Awards 2013

Winners

 

Winners 19th Annual Colors Screen Awards 2013

” Barfi! “ has been the movie of the year getting maximum awards .

Priyanka Chopra and Ranbir Kapoor were the best jodi of the year 2012 – 2013.

Salman Khan won the most popular actor (male) award .

Katrina Kaif won the most popular actor (female) award.

Here is the complete winners list :

Best Film

  • Barfi!
  • Paan Singh Tomar

Best Actor (Male)

  • Ranbir Kapoor (Barfi!)
  • Irrfan Khan (Paan Singh Tomar)

Best Actor (Female)

  • Vidya Balan (Kahaani)

Best Actor in a Supporting Role (Male)

  • Nawazuddin Siddiqui (Talaash)

Best Actor in a Supporting Role (Female)

  • Dolly Ahluwalia (Vicky Donor)

Best Background Score

  • Pritam Chakraborty (Barfi!)

Best Editing

  • Namrata Rao (Kahaani)

Popular Choice (Male)

  • Salman Khan (Ek Tha Tiger, Dabangg 2)

Popular Choice (Female)

  • Katrina Kaif (Jab Tak Hai Jaan, Ek Tha Tiger)

Best Sound Design

  • Sanjay Maurya, Allwin Rego (Kahaani)

Best Production Design

  • Kaushik Das, Subrata Barik (Kahaani)

Best Animation

  • Delhi Safari

Best Marketed Film

  • Barfi!

Best Action

  • Shyam Kaushal (Gangs Of Wasseypur)

Best Costume

  • Anaita Shroff Adajania (Cocktail)

Ramnath Goenka Award

  • Gangs Of Wasseypur

Best Actor In A Comic Role (Male/Female)

  • Abhishek Bachchan (Bol Bachchan)
  • Annu Kapoor (Vicky Donor)

Best Lyrics

  • Javed Akhtar – Muskanein Jhoothi Hai (Talaash)

Best Story

  • Sujoy Ghosh, Advaita (Kahaani)

Lifetime Achievement Award

  • Yash Chopra

Best Choreography

  • Prabhu Dheva (Go Govinda, OMG: Oh My God!)

Most promising Newcomer (Male)

  • Ayushmann Khurrana (Vicky Donor)

Most promising Newcomer (Female)

  • Ileana DCruz (Barfi!)

Most promising Debut Director

  • Gauri Shinde (English Vinglish)

Best Screenplay

  • Sanjay Chouhan, Tigmanshu Dhulia (Paan Singh Tomar)

Best Jodi

  • Ranbir Kapoor, Priyanka Chopra (Barfi!)

Best Dialogue

  • Bhavesh Mandalia (OMG: Oh My God!)

Best Music

  • Pritam Chakraborty (Barfi!)

Special Award

  • Amitabh Bachchan

Best Playback Singer (Male)

  • Javed Ali – Ishaqzaade (Ishaqzaade)

Best Playback Singer (Female)

  • Shalmali Kholgade – Pareshaan (Ishaqzaade)

Best Child Artiste

  • Mohammad Samad (Gattu)

Best Actor in a Negative Role (Male)

  • Tigmanshu Dhulia (Gangs Of Wasseypur)

Best Ensemble Cast

  • Gangs Of Wasseypur

I have no audacity to declare my acting academy as the best acting academy of Mumbai or the best acting institute of India . It is definitely not the best acting school of Bollywood . My acting class is one among the many acting classes of Mumbai .

And also I have no time to celebrate the success of 3 /4 years old serials . I don’t have time for remembrances . At Vidur’s Kreating Charakters the Saga still continues . Through this blog I would like to celebrate the success of my students , Ranbir Kapoor , Priyanka Chopra and Katrina Kaif , who got awards in January 2013 and are destined to rule the film industry for many more years to come .

I , on behalf of all the current students and staff of Vidur’s Kreating Charakters  , congratulate all the above mentioned award-winning personalities and my students.

May they shine in their chosen field .

[ I have taken the list of the winners from the blog posting of Nikhil on http://www.bollywoodtadka.com  I express my gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

80 Years of ” Natir Pooja ” , A Rabindranath Tagore Film


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 15 , 2012           11.58 P.M.

” Natir Pooja ” . Does this name ring any familiar bell ?

I know the answer . It will be emphatic NO .

” Natir Pooja “ is a Bengali film . Does it make matter easier now ?

I know the answer even this time . It will again be a NO .

” Natir Pooja “ was produced by B. N. Sircar of New Theatres . What ?

Answer will be unanimous . The film evokes no familiarity .

” Natir Pooja “ was filmed at floor number 1 of NT Studio , Kolkata ? Now !

Even a student of cinema will now scratch his head .

” Natir Pooja “ was released in Chitra Talkies , Kolkata on March 14 , 1932 .

Now even the connoisseurs will look the other way .

Well , now let me untangle the mystery .

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” Natir Pooja “ completed 80th year on March 14 , 2012 . It was released on March 14 , 1932 and it is the only feature film directed by legendary Rabindranath Tagore in 1931 . It was based on a dramatised version of Rabindranath Tagore’s long poem Poojarini . It is 2500 year old story of  a Nati [ danseuse ] , who sacrificed herself because of her devotion of Buddha .

Tagore wrote this all – woman play at the behest of his daughter – in – law . It was first performed in Uttarayan , Shantiniketan on the occasion of Tagore’s 70th birthday . Later on a ticketed performance was staged in New Empire of Kolkata for the aid of Vishwa Bharati . B. N. Sircar of New Theatres saw it there and requested Tagore to make it into a film .

English: Rabindranath Tagore Русский: Тагор, Р...

Rabindranath Tagore (Photo credit: Wikipedia)

Tagore , apart from directing the film , also played role of Upala .

Rabindranath Tagore as an Actor in Natir Pooja

Rabindranath Tagore as an Actor in Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Various Scenes of Natir Pooja

Synopsis of Natir Pooja

Synopsis of Natir Pooja

Nitin Bose was the cinematographer of the film . In his later years same Nitin Bose migrated to Mumbai and made many path – breaking films including Dilip Kumar‘s Technicolor ” Ganga Jumna ” .

It is unfortunate and sad that the prints of the film , the only one ever directed by Rabindranath Tagore , were destroyed in a fire that engulfed New Theatres .

I happened to see an article about ” Natir Pooja “ in Screen and was tempted to share it with the students of my acting academy .

It is well-known that Rabindranath Tagore was India’s first Nobel Laureate and the first Asian to get Nobel Prize for literature . It is in common knowledge that he was a poet , story – writer , song – writer , novelist , dramatist , musician , painter and educationist . But it is not in common knowledge that he directed a feature film in Bengali and also acted in it .

I , on behalf of all the students and staff of Vidur’s Kreating Charakters , remember the 8oth anniversary of the film ” Natir Pooja ” , a directorial venture of Rabindranath Tagore .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

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60 Years of Film ” Baiju Bawra “


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MUMBAI – MAHARASHTRA – INDIA           DECEMBER 06 , 2012           11.30 P.M.

Today sitting in the office of my acting institute in Mumbai , I was going through some old issues of Screen . Suddenly I saw an article and came to know that the iconic filmBaiju Bawra is now 60 years old . It was released in 1952 . It is the same year when I was born .

Baiju Bawra (1952 film)

Baiju Bawra (1952 film) (Photo credit: Wikipedia)

 

When I started following Hindi film songs in 1967 , I heard some of the songs of the film ” Baiju Bawra ” . In 1967 during my High School days , I didn’t know either Meena Kumari or Bharat Bhushan , the protagonists of ” Baiju Bawra ” . I was not even aware of Naushad or Shakeel Badayuni also , who gave music and wrote lyrics of the film respectively . I simply knew Lata Mangeshkar and Mohammad Rafi , the singers of the film .

After passing High School from the Government Inter College , Deoria , I went to Government Inter College , Allahabad for intermediate in July 1967 . It was in Allahabad that I started following films religiously . There I watched ” Baiju Bawra “ and became aware of Meena Kumari and Bharat Bhushan . I became aware of the legendary status of Naushad and about the good work of lyricist Shakeel Badayuni .

Earlier I had heard the songs of ” Baiju Bawra “ but after watching the film , I started appreciating them in a more positive way . Mohammad Rafi’s ” O Duniya Ke Rakhwale ……… ” and ” Man Tadpat Hari Darshan Ko Aaj ……….. “ were my favourites and they still have same sway over me . They are my perennial favourites . ” Tu Ganga Ki Mauj , Main Jamuna Ka Dhara ……….. “ is hugely popular even today .

 

Meena Kumari

Meena Kumari (Photo credit: Wikipedia)

 

Meena Kumari and Bharat Bhushan were not stars when this film was made with them . Naushad , Lata Mangeshkar and Mohammad Rafi were the only known names and they were the only stars of this non – star cast film . Music of the film was hit and is still remembered by all the connoisseurs of Hindi films .

English: Indian musician Naushad

Musician Naushad (Photo credit: Wikipedia)

English: Indian singer Lata Mangeshkar as a yo...

Lata Mangeshkar as a young woman (Photo credit: Wikipedia)

Mohammed Rafi

Mohammed Rafi (Photo credit: Wikipedia)

 

All lyrics written by Shakeel Badayuni, music composed by Naushad.

No. Title Singer(s) Length
1. “Tu Ganga Ki Mauj” (Raga Bhairavi) Mohammad Rafi, Lata Mangeshkar
2. “Aaj Gawat Man Mero Jhoomke” (Raga Desi) Ustad Amir Khan, D. V. Paluskar
3. “O Duniya Ke Rakhwale” (Raga Darbari) Mohammad Rafi
4. “Door Koi Gaye” (Raga Des) Lata Mangeshkar, Shamshad Begum and chorus
5. “Mohe Bhool Gaye Sanwariya” (Raga Bhairav with traces of Raga Kalingda) Lata Mangeshkar
6. “Jhoole Mein Pawan Ki Aai Bahar” (Raga Pilu) Mohammad Rafi, Lata Mangeshkar
7. “Man Tarpat Hari Darsan Ko Aaj” (Raga Malkauns) Mohammad Rafi
8. “Bachpan Ki Muhabbat” (Based on Maand) Lata Mangeshkar
9. “Insaan Bano” (Raga Todi) Mohammad Rafi
10. “Tori Jai Jai Kartar” (Raga Puriya Dhanashree) Ustad Amir Khan
11. “Langar Kankariya Ji Na Maro” (Raga Todi) Ustad Amir Khan, D. V. Paluskar
12. “Ghanana Ghanana Ghana Garjo Re” (Raga Megh) Ustad Amir Khan
13. “Sargam” (Raga Darbari) Ustad Amir Khan

This Vijay Bhatt directed film ran for 100 weeks and created history . It is so heartening to note that ” Baiju Bawra “ is now 60 years old and for a film connoisseur like me its magic refuses to fade away even after so many years .

As an acting trainer , its my job to make my students aware of these iconic films and I do it regularly in my acting class in Mumbai .

I , on behalf of all the students and staff of my acting school Vidur’s Kreating Charakters , express my happiness on this historic day .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

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Vidur’s Film Diary – June 2012


MUMBAI – MAHARASHTRA – INDIA           JULY 01 , 2012           01.00 A.M.

First half of 2012 is over . There are few sterling successes and some significant emerging new trends in the Hindi film industry . Big budget films like ;  Agneepath ” , ” Houseful 2 “ and  Rowdy Rathore  earned mega bucks and entered in the prestigious 100 crore club . Small budget films like ;  ” Ishaqzaade ” , ” Kahaani ” , ” Vicky Donor ” , ” Paan Singh TomarandGangs of Wasseypur won praise and made money also . ” Ishaqzaade ”  marks entry of a fresh face Arjun Kapoor , who is making waves . ” Gangs Of Wasseypur “ heralds emergence of new Hindi cinema .

As usual , re – posting some of the relevant tweets of eminent trade analysts Mr. Komal Nahta and Mr. Taran Adarsh :

Tweets

Straight B-L-O-C-K-B-U-S-T-E-R! That’s what Rowdy Rathore is!! Next 100-crore film? All chances!

RR 1st day 15 crore; 2nd day 14.5 crore; 3rd day 18.5 crore. Total weekend: an astounding 48 crore!

@enter10meAnt Shanghai opens to poor houses. Too Class-appealing, too Confusing, hence not Commercial. Losing venture

Dull opening for Shanghai. Multiplexes around 15-30%. Single-screen cinemas terribly low. Sad!

Opening of Ferrari on lower side. In premium multiplexes, opening is fair

Ferrari Ki Sawaari 1st day about 2.9 to 3 crore. Today should be better than Friday

TMK 1st day: a little over 5 crore. GOW: around 2.75 crore. Both openings below the mark

#Shanghai [Week 2]: Fri 75 lacs, Sat 1 cr, Sun 1.25 cr, Mon 35 lacs, Tue 25 lacs. Total: 21.10 cr nett. Disappointing!

#RowdyRathore opening is fantabulous at single screens, plexes are good, should be great by noon/evening. Trends indicate Rs 15 cr Friday.

#RowdyRathore is @akshaykumar ‘s #Dabangg. His biggest opener!

#RowdyRathore *India* Fri 15.10 cr nett. Biggest non-holiday Friday opener. O-U-T-S-T-A-N-D-I-N-

#RowdyRathore is the third biggest opener ever, after #Agneepath and #Bodyguard. Incidentally, all three films are remakes

#RowdyRathore has biggest non-holiday weekend, collects Rs 48.5 cr + nett http://bit.ly/Mb3dpw

#RowdyRathore has smashed previous records by a big margin. Collects a colossal Rs 48.3 cr + nett in its first 3 days… contd.

#RowdyRathore biz is *better* than this year’s first Blockbuster #Agneepath, if one compares Friday to Sunday numbers… contd.

#RowdyRathore Breakup:- Fri 15.1 cr, Sat 14.7 cr, Sun 18.5 cr +. Total: Rs 48.5 cr + nett. Biggest non-holiday weekend. Fantabulous

#Ishaqzaade Week 4 – Rs 1.46 cr. Total: Rs 47.19 cr nett. Fantastic!

#RowdyRathore smashed previous records in many circuits. Has performed exceptionally well at single screens and plexes… contd

Update: #Shanghai opens to dull response http://bit.ly/Ls3u92

#RowdyRathore has crossed Rs 100 cr nett mark at the end of Weekend 2. Has performed exceptionally well at single screens as well as plexes.

#RowdyRathore joins the Rs 100 crore club: @taran_adarsh on IBN Live http://bit.ly/KyN1KM

#Shanghai started slow, but showed decent growth at hi-end multiplexes on Sat and Sun. However, the overall business is below the mark.

#RowdyRathore is unstoppable. Remains first choice of moviegoers. Collected a humungous Rs 35 cr nett in Week 2. Total: Rs 114.5 cr nett.

Update: #FerrariKiSawaari is decent at select screens, reports positive, should grow over the weekend http://bit.ly/rCkwLY

#RowdyRathore [Week 3]: Fri 2.25 cr, Sat 2.90 cr, Sun 4.50 cr, Mon 1.75 cr, Tue 1.70 cr. Total: 127.6 cr nett. Blockbuster.

#FerrariKiSawaari [Week 1]: Fri 3.04 cr, Sat 4.50 cr, Sun 6.37 cr, Mon 1.75 cr, Tue 1.60 cr. Total: 17.26 cr nett. Steady at plexe

#Shanghai [Week 2]: Fri 75 lacs, Sat 1 cr, Sun 1.25 cr, Mon 35 lacs, Tue 25 lacs. Total: 21.10 cr nett. Disappointing!

Update: Both #TeriMeriKahaani and #GOW are showing an upward trend. At some places, #GOW is leading, at some #TeriMeriKahaani.

#FerrariKiSawaari fared the best in Mumbai-Maharashtra belt and Delhi. Collected Rs 20.96 cr nett in Week 1. Satisfactory numbers!

#RowdyRathore emerges the fourth highest grosser in India, after #3Idiots, #Bodyguard and #Dabangg.

#GOW *actuals* Fri 3.03 cr, Sat 3.60 cr, Sun 4.37 cr, Mon 1.95 cr. Total: Rs 12.95 cr nett. Rock-steady!

#GOW *actuals* Fri 3.03 cr, Sat 3.60 cr, Sun 4.37 cr, Mon 1.95 cr, Tue 1.80 cr. Total: Rs 14.75 cr nett. Excellent on weekdays!

Biz Talk: #GOW floats, #TeriMeriKahaani sinks http://bit.ly/MA6jlo

#FerrariKiSawaari is holding well, despite new releases. Week 2: Fri-Sun – 5.04 cr, Mon – 65 lacs, Tue – 60 lacs. Total: Rs 27 cr + nett.

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Obituary :

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B. K. Karanjia : 

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Renowned film journalist and editor of famous film magazines like ; ” Filmfare ” , ” Screen ” and ” Movie Times “ died in Pune on June 22 , 2012 at the age of 92 .

He was founder of Film Financing Corporation and later on became chairman of the National Film Development Corporation .

I am posting link of the blog , which I wrote about him :

B. K. Karanjia : A Priceless Pen Put To Rest http://wp.me/ptyXI-26i

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New Hindi Film Releases & Me :

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First Week – June 01

———————————

1 – Rowdy Rathore …………………………………………….. Kareena Kapoor [ Guest ]

Second Week – June 08

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1 – Shanghai ……………………………………………………… Emraan Hashmi

………………………………………………………………………. Kalki Koechlin

………………………………………………………………………. Shekhar Ravjiani

Third Week – June 15

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1 – Ferrari Ki Sawaari …………………………………………x

2 – Qasam Se Qasam Se ……………………………………… x

3 – Chakradhaar ………………………………………………. Urvashi Sharma

…………………………………………………………………….. Mrinalini Sharma

Fourth Week  – June 22

———————————–

1 – Gangs of Wasseypore …………………………………… x

2 – Teri Meri Kahaani ……………………………………….. Priyanka Chopra

Fifth Week  – June 29

———————————-

1 – Maximum ………………………………………………….. Sonu Sood

…………………………………………………………………….. Hazel Keech

…………………………………………………………………….. Arya Babbar

…………………………………………………………………….. Amit Sadh

2 – Daal Mein Kuch Kaala Hai …………………………….. x

In total …………… 09 …………….. films got released in June . Out of these ………….. 09 ………… released films ……….. 05 ………… films have …………… 11 ……………. actors , who are my students . Out of …………. 11 ………… students ; Shekhar Ravjiani is music director . So the tally comes to ………. 10 ………. actors and the rest ………. 01 ……….. is from the other field of film – making .


==========================

New Regional Films & Me :

==========================

1 – Telugu : Allu Arjun is playing main lead in ” Julayi ” .

My ………….. 01 ………………. student in ……….. 01 ………….. regional film .

======================

TV Trivia & Me :

======================

1 – Umar Wani is appearing in a reality show ” CRUNCH 2  “ on MTV .

2 – Pawan Shankar is appearing on a TV show ” Kya Huaa Tera Vaada “ on Sony TV .

3 – Nandinii Sen is appearing on a TV show ” Kya Huaa Tera Vaada “ on Sony TV .

4 – Apoorva Agnihotri is appearing on a TV show ” Aasaman Se Aage “ on Life OK .

My ……………. 04 ……….. students in ………… 04 ……………. various shows on several channels .


VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

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B. K. Karanjia : A Priceless Pen Put To Rest


MUMBAI – MAHARASHTRA – INDIA           JUNE 29 , 2012           01.15 A.M.

Another icon of my youth faded into oblivion last week . One more titan of my growing years now ceases to exist . A priceless , mighty pen is put to rest .

Renowned film journalist and former chairman of the National Films Development Corporation [ NFDC ] , Burjor K. Karanjia , popularly known as ‘BK’ ,  passed away at the Jehangir hospital , Pune at 1.15 pm on June 22 , 2012 . He was 92 years old at the time of his death .

He is survived by two daughters ; Routton and Delshad  and a son Yuzud.

From Mumbai , Karanjia had moved to Pune in 2007 . He was staying in a flat at Sopan Baug . He had suffered a hip fracture in 2010 and had undergone a surgery and recovered miraculously.

He was a loner and would prefer to read a lot .

The Karanjia family moved to India from Quetta , Balochistan , Pakistan after Partition . He had named his south Mumbai residence as ” Quetta Terrace ” , which stood a short distance away from the historic Jinnah House.

English: Quetta City

Quetta City (Photo credit: Wikipedia)

Quetta Railway Station, Quetta, Balochistan, P...

Quetta Railway Station, Quetta, Balochistan, Pakistan (Photo credit: Wikipedia)

Karanjia’s elder brother , Russy K. Karanjia , also a well-known journalist , had died five years ago .

Karanjia had qualified for the Indian Civil Services . However , he chose to pursue entertainment and film journalism , while Russy pursued investigative journalism .  After doing stints as a reporter , he went on to become the editor of  ” Filmfare ” , ” Screen ” , ” Cine Voice ” and ” Movie Times ” .

Filmfare magazine February 2006 edition

Filmfare magazine February 2006 edition (Photo credit: Wikipedia)

Karanjia was the founder of the Films Financing Corporation . He later became chairman of the NFDC and set a precedent to finance low-budget movies for new and talented filmmakers .

B. K. Karanjia authored several books on the entertainment industry.

I used to admire his style of writing in Filmfare . I became a regular subscriber of Filmfare only because of him . In my younger days he became synonymous with Filmfare . It is sad that he is no more .
I mourn his demise deeply .

[ I have taken all the information from various articles available on the internet . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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60 Years of Screen : A News Paper of Indian Cinema


MUMBAI – MAHARASHTRA – INDIA           January  01 , 2012           01.20 A.M.

Screen weekly completed 60 years in 2011 . I share my birth year with this film weekly . In fact ” Screen “ is few months senior .

Hindi film industry fascinates and lures numerous people from every walk of life . The pull and attraction are so strong that you have to be the Indian or Indian diaspora to believe this .

This syndrome was not different for me also . I was attracted to the film world since my early childhood . I still remember my fascination and that too very vividly .

 

Location of Deoria district in Uttar Pradesh

Location of Deoria in Uttar Pradesh

I started watching films regularly after completing High School . It was in 1967 . Deoria , my home town in Uttar Pradesh had 2 cinema halls ; Amarjyoti and Vijay . After examination , I watched ” Ganga Jumna “ , a Dilip Kumar Film , in the Amarjyoti Talkies and I was hooked . Before that I had watched some films but that was a sporadic , spur of the moment kind of behaviour . I had watched Dev Anand‘s ” Dushman “ , Ashok Kumar’s ” Bahu Beti “ and Rajendra Kumar‘s ” Sasural “ . V. Shantaram‘s ” Mausi “ was also a favourite . In those days of my infancy , every film was my favourite and I became curious and wanted to know more and more about the stars .

I started subscribing various film magazines and one day , while I was searching for a magazine at the news paper stand of Deoria Railway Station , I saw ” Screen “ . It was broad – sheet paper and had several photographs . Its price was 4 annas [ 25 Paise ] . It was published from Bombay [ now Mumbai ] . Though it was in black & white still photographs mesmerized me . I bought the paper , brought it home and read it at one go from top to bottom and from first page to the last page . And thus began a life long association , which still continues . Ali’s Notes , column of Mr. Ali Peter John , was my favourite .

During all these long years ” Screen “ had changed its format several times . From 25 paise in 1967 to INR 10.00 in 2011 , it is now a bit costly . Later on it became partly coloured along with black & white avatar . Then it became fully coloured . From broad – sheet to tabloid , then back to broad – sheet and now again in the form of tabloid , coloured ” Screen “ also changed many times . Style and font of mast – head ” Screen “ also changed couple of times . Though Hindi ” Screen ” was also started , but it was a non – starter from day one .

I think now it has taken final shape in its tabloid avatar .

I used to love its front page photos . Front page photo in ” Screen “ was like a barometer of popularity of a star . They used to feel as if they have arrived if they appeared on the cover of the latest ” Screen ” . It is still the same .The euphoria of being on the cover page of ” Screen “ is undiminished even after 60 long years .

As I have stated that I used to read ” Screen “ when it was a broad – sheet paper and used to be black & white . I know its reputation , which is untarnished even today . Naturally I was very happy when a small news came in ” Screen “ about me . It was about myself and Katrina Kaif , whom I was training at that time  . I am giving the link :

! – First article about me in ” Screen ”  was published in the May 21 , 2010 issue : http://bit.ly/dmi5FN

2 – Second article about me in ” Screen “ was published in the  December 02 – 08 , 2011 issue . http://www.indianexpress.com/news/Actors–Laboratory/875287/

[ This link is about the article in Indian Express . Same was re – printed in Screen .  Screen and Indian Express are sister publications .]

 

The Indian Express

Indian Express

I was so happy that finally , when I am 60 and ” Screen “ is also 60 , a big article about me was published this year . It’s like a culmination of my 44 year-long association with the paper , which started in 1967 .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

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