Lal Krishna Advani & Dilip Kumar


DSC01182

MUMBAI – MAHARASHTRA – INDIA           SEPTEMBER 19 , 2013           11 . 10 P.M.

I wanted to write this blog a week back , when Shri Narendra Modi was anointed as the Prime Ministerial candidate of Bharatiya Janata Party . But I was busy writing an article on Mahamana Madan Mohan Malaviya for a Kenyan magazine , which is published from Nairobi , capital of Kenya . Yesterday I mailed that article to Shri Ram Chandra Pandey , Pracharak of Hindu Swayamsevak Sangh , Kenya . Today , as I am relatively free , I am sitting in my study and writing this blog .

I am a fan of Dilip Kumar . My veneration for him knows no limit . In his career spanning 54 years [ when he was working and was active ] , he has done only 59 films [ including Guest appearances ] . Out of his 59 released films , I have seen 45 . I have seen many of his films several times . Ironically I have not seen his first film Jwaar Bhata ” [ 1944 ] and his last film ” Quila ” [ 1998 ] .

Let us have a look on his career and achievements . He was nominated 18 times for the Filmfare Awards , and won it 8  times . He was awarded Padma Bhushan in 1991 , Dadasaheb Phalke Award in 1994 and was a nominated member of Rajya Sabha also for one term . In 1998 he got Nishan – E – Imtiaz from the government of Pakistan .

His towering and gigantic personality hovered over my horizon from Ganga Jumna ” [ 1961 ] , which I watched in 1967 , till today , when he is recuperating in the ICU of Lilavati hospital .

Thus from 1967 to 2013 , it is a 46 – year – long association full of reverence , veneration and respect . It refuses to ebb .

English: I took this picture when he paid a vi...

Dilip Kumar in MouthShut.com office in 2006 (Photo credit: Wikipedia)

But Dilip Kumar’s benign and all-pervading shadow on my life was disturbed and somewhat eclipsed with the advent of Amitabh Bachchan in 1969 . From Saat Hindustani ” [ 1969 ] to ” Satyagraha ” [ 2013 ] , he has acted in 186 films [ including Guest appearances & Voice overs ] . And out of 186 , I have watched 120 films . ” Anand ” [ 1971 ] was the first film of Amitabh Bachchan , which I watched . Ironically I have not watched his first film ” Saat Hindustani ” [ 1969 ]  and his latest ” Satyagraha ” [ 2013 ] . An uncanny coincidence of my life , which happened in the case of Dilip Kumar also .

The Amitabh Bachchan juggernaut , in real sense of the term , started with ” Zanjeer ” [ 1973 ] . One year later Dilip Kumar came with a critically acclaimed but flop ” Sagina ” [ 1974 ] .

Two years after ” Zanjeer ” [ 1973 ] , Amitabh Bachchan gave two iconic super hits , ” Deewar ” and ” Sholay ” [ 1975 ] . Again one year later Dilip Kumar came with triple role in a much – delayed and moderate hit  ” Bairaag ” [ 1976 ] .

After hiatus of 5 years , Dilip Kumar started his second innings with hugely successful ” Kranti ” [ 1981 ] . But same year Amitabh Bachchan gave 3 super – hits ” Lawaaris ” , ” Yaraana ” and ” Kaalia ” [ 1981 ] and hugely likable ” Silsila ” [ 1981 ] .

They both , a year later , came together in critically acclaimed , highly likable but a box office dud ” Shakti ” [ 1982 ] .

Dilip Kumar last came in ” Quila ” [ 1998 ] and 2 years later Amitabh Bachchan started his second innings  with hugely successful ” Mohabbatein ” [ 2000 ] . And the juggernaut , which started with ” Zanjeer ” [ 1973 ] still continues unabated in 2013 also .

Thus from  ” Anand ” [ 1971 ] to ” Satyagraha ” [ 2013 ] , it is a 42 – year – long association of me with Amitabh Bachchan also .

Let us have a peek in the other achievements of Amitabh Bachchan . He briefly dabbled in politics and was member of the 8th Lok Sabha . He got Padma Shri in 1984 and Padma Bhushan in 2001. His achievements in the film world are no less spectacular compared to Dilip Kumar . He has got 3 National Awards and unbelievable 39 Filmfare nominations in several categories , though Dilip Kumar holds the record of winning 8 Filmfare trophies .

But I must admit with all honesty that despite his unprecedented and unbelievable accomplishments , acceptance of Amitabh Bachchan was not easy for me . Though I watched his films with much admiration and appreciation , and as stated earlier , I have watched 120 films of Amitabh Bachchan but my hero , my idol was always Dilip Kumar .

Amitabh Bachchan

Amitabh Bachchan at IFFA Award 2006 (Photo credit: Wikipedia)

And I think being a fan and admirer of Dilip Kumar does not mean that I don’t accept Amitabh Bachchan’s persona or demean it . They both hovered on my horizon . They both influenced me immensely . I am a fan of both of them but it is also a fact that Dilip Kumar reigns supreme and stands few notches higher .

Coincidently photographs of Dilip Kumar and Amitabh Bachchan , which I have posted here , were clicked in 2006 .

English: cropped photograph of L K Advani with...

L K Advani outside his residence. (Photo credit: Wikipedia)

Same is the case with Shri Lal Krishna Advani . I first heard of him in 1967 when I was in High School . 1967 is the same year when I came to know about Dilip Kumar through his film , a golden jubilee hit ” Ganga Jumna ” . So in an uncanny way my association with Dilip Kumar and Advani ji started in the same year , 1967 .

Advani ji became my political hero during my school , college and university days . I came to know Dilip Kumar when Amitabh Bachchan was yet to make his debut . In the same way when I started admiring Lal Krishna Advani , Shri Narendra Modi was yet to make his debut in politics .

Shri Narendra Modi , just like Amitabh Bachchan , has spectacular achievements to his credit . Shri Narendra Modi , just like Amitabh Bachchan , is hugely popular . Shri Narendra Modi , just like Amitabh Bachchan , is continuing with his unstoppable juggernaut . Shri Narendra Modi , just like Amitabh Bachchan , is the current idol and is liked by the cadre immensely .

English: Narendra Modi in Press Conference

Narendra Modi in Press Conference (Photo credit: Wikipedia)

But as I have said earlier , in my heart Dilip Kumar still reigns supreme . And being a fan of Dilip Kumar is in no way an insult to Amitabh Bachchan . Admiring Dilip Kumar is in no way derogatory to Amitabh Bachchan . In the same way my political hero is Shri Lal Krishna Advani . And being a Lal Krishna Advani admirer is in no way an insult to Shri Narendra Modi .

It is just a question of whom you grow with . Your hero of growing years is going to be your hero till your last breath .

Shri Narendra Modi , just like Amitabh Bachchan , is the current favourite . But it doesn’t mean that Dilip Kumar and Lal Krishna Advani have no relevance or have no achievements to their credit . I like Shri Narendra Modi and Amitabh Bachchan for their achievements , but I idolize Dilip Kumar and Lal Krishna Advani for their glorious innings and immense contribution in their respective fields .

I again assert that being an admirer of Advani ji does not make me an automatic hater of Modi ji . Persons like me who have admired Advani ji all their life , can’t accept a new icon in one night . It is going to be a slow and difficult process . This was the case with Amitabh Bachchan also . But gradually Amitabh Bachchan’s all-pervading shadow inundated me completely . Slowly and eventually same will definitely happen with Modi ji also . But till then Advani ji is my political hero as Dilip Kumar is my screen idol .

FULL EDITNG STUDIO

NEWS LETTER

I told this story to all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  . Today I am expressing it for the followers of my blog and general public , who visit my blog space .

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

Jagdish Raj ; Final Transfer of The Cop


img_8024

MUMBAI – MAHARASHTRA – INDIA           AUGUST 13 , 2013           09.10 P.M.

 

Jagdish Raj - The Quintessential Cop

Jagdish Raj – The Quintessential Cop

Jagdish Raj Khurana

1928 – 28 July 2013

Jagdish Raj , the permanent and quintessential cop of Hindi films , passed away on July 28, 2013 at his Juhu residence following respiratory ailment. He was 85.

He was born in 1928 in the town of Sargodha, now in Pakistan. His daughter Anita Raj was also a Bollywood actress.

Jagdish Raj - World's Most Typecast Actor

Jagdish Raj – World’s Most Typecast Actor

Jagdish Raj - The Quintessential Cop & Occasional Bad Man

Jagdish Raj – The Quintessential Cop & Occasional Bad Man

Jagdish Raj - The Quintessential Cop & Occasional Good Man

Jagdish Raj – The Quintessential Cop & Occasional Good Man

Though Jagdish Raj occasionally played a villain and a couple of times essayed the role of a judge, he was best known for being cast a record 144 times as a police officer.

He holds a Guinness World Record record for being the most type-cast actor. He played  police inspector in 144 films.

Filmography :

=================

Funtoosh  (1954 ) , Kala Bazaar  (1960)  , Hum Dono  (1961)  , Nanak Naam Jahaz Hai  (1969) , Johny Mera Naam  (1970) , Gambler  (1971) , Do Chor  (1972) , Ek Mahal Ho Sapno Ka  (1975) , Deewar  (1975) , Aaina  (1977) , Immaan Dharam  (1977) , Paapi  (1977) , Dream Girl  (1977) , Ram Kasam  (1978) , Besharam  (1978) , Magroor  (1979) , Suhaag  (1979) , Silsila  (1981) , Deedar-E-Yaar (1982) , Sawaal  (1982) , Gopichand Jasoos  (1982) , Dil-E-Nadan (1982) , Agnee Pareeksha  (1982) , Dulha Bikta Hai  (1982) , Mazdoor (1983) , Hum Se Na Jeeta Koi  (1983) , Jeene Nahin Doonga  (1984) , Raj Tilak  (1984) , Mehak  (1985) , Ram Tere Kitne Naam  (1985) , Salma  (1985) , Zulm Ka Badla  (1985) , Ram teri ganga maili  (1985) , Mera Karam Mera Dharam  (1987) , Aag Hi Aag  (1988) , Paap Ka Anth  (1989) , Aasman Se Ooncha  (1989) , Khule Aam  (1992) , Apradhi  (1992) and Deedar  (1992)

Young Jagdish Raj

Young Jagdish Raj

I have seen many films of Jagdish Raj . But I first noticed him in a commercial campaign . It was for CHARMINAR Cigarette . He was playing a press photographer in that campaign and his tag line is still ringing in my mind – ” MEHNAT JAB KARTA HOON , TO TASALLI POORI CHAHTA HOON . ”

I can still describe the scene of his ad for a discerning connoisseur of films . With a camera on his shoulder and sweat on his face , he was running on the roads of Bombay [ now Mumbai ] and clicking photos . He stops at a signal , lights a cigarette and says , ” MEHNAT JAB KARTA HOON , TO TASALLI POORI CHAHTA HOON . ” His sweat-filled face is still fresh in my memory .

I , later on , came to know that he is Jagdish Raj . Gradually I saw many of his films and became acquainted with his body of work .

It sad that he is gone . Though he played his innings well and completed his journey satisfactorily but departure of a known figure of our films is sad .

FULL EDITNG STUDIO

NEWS LETTER

On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my condolences to the bereaved family . My heart goes to Anita Raj .

Anita Raj

Anita Raj

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre also join in expressing profound grief .

May his soul rest in peace !

[ I have taken list of his films from Wikipedia . I express my gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.facebook.com/VidursKreatingCharacters

www.facebook.com/vidur.chaturvedi

www.vidurfilms.com

www.youtube.com/ividur

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

Yash Chopra : ” Waqt ” Stopped ; ” Silsila ” Snapped


English: Yash Chopra at Suzanne Roshan's The C...

Yash Chopra at Suzanne Roshan’s The Charcoal Project Launch (Photo credit: Wikipedia)

MUMBAI – MAHARASHTRA – INDIA           OCTOBER 23, 2012           11.59 P.M.

Yash Chopra , the eternal romantic died on October 21 , 2012 . He was 80 years young at the time of his death .

On Sunday night , I was sitting in my study and was writing blog about Karan Johar’s  film ” Student Of The Year “ , I suddenly checked my twitter handle and was shocked beyond words . There were spate of tweets about the demise of legendary film maker Yash Raj Chopra .

Within moments several posters of his films , many scenes of his all – time classics rushed to the firmament of my memory lane . Though unaware of his greatness then , first Yash Chopra film , which I watched was ” Waqt ” [ 1965 ] . I watched it in Amarjyoti Talkies , Deoria . During my years in Allahabad , I watched many of his films and became aware of his greatness . This ” Silsila ” [ 1981 ] continued till Veer Zaara ” [ 2004 ] .

Waqt (1965 film)

Waqt (1965 film) (Photo credit: Wikipedia)

Kaala Patthar

Kaala Patthar (Photo credit: Wikipedia)

Silsila (film)

Silsila (film) (Photo credit: Wikipedia)

Dil To Pagal Hai

Dil To Pagal Hai (Photo credit: Wikipedia)

Cover of

Cover via Amazon

I have nothing new to say about Yash Chopra . Everything is there in news papers . What I would like to say is , I had honour and privilege to meet Yash ji , as he is fondly called, several times .

Mohabbatein

Mohabbatein (Photo credit: Wikipedia)

I was called by Aditya Chopra to train 6 new – comers of  ” Mohabbatein ” [ 2000 ] . One day when I finished class with Jimmy Sheirgill , Uday Chopra , Jugal Hansraj , Shamita Shetty , Preeti Jhangiani and Kim Sharma and came out of the room , I saw Yash ji sitting there in the outer room . I rushed to greet him . He fondly shook hand with me and said , ” I am hearing great things about you .” I was overwhelmed . ” Mohabbatein “ was my first big film . And Yash Raj Films was my first big banner , I was sure that after the release of this film I would be able to come out of my obscurity . And here was a legend complimenting me about my training , I felt ecstatic .

It was not a compliment by some wannabe . It was from The Legend himself . To understand my feelings and elated state after Yash ji’s compliment just look at his credentials .

FILMS AS DIRECTOR :

” Dhool Ka Phool ” [ 1959 ] , ” Dharmputra ” [ 1961 ] , ” Waqt ” [ 1965 ] , ” Aadmi Aur Insaan ” [ 1969 ] , ” Ittefaq ” [ 1969 ] , ” Daag ” [ 1973 ] , ” Joshila ” [ 1973 ] , ” Deewar ” [ 1975 ] , ” Kabhi Kabhie ” [ 1976 ] , ” Trishul ” [ 1978 ] , ” Kaala Patthar ” [ 1989 ] , ” Silsila “[ 1981 ] , ” Mashaal ” [ 1984 ] , ” Faasle ” [ 1985 ] , ” Vijay ” [ 1988 ] , ” Chandni ” [ 1989 ] , ” Lamhe ” [ 1991 ] , ” Parampara ” [ 1992 ] , ” Darr ” [ 1993 ] , ” Dil To Pagal Hai ” [ 1997 ] , ” Veer – Zaara ” [ 2004 ] and ” Jab Tak Hai Jaan ” [ 2012 ] .

FILMFARE AWARDS :

1965 , Filmfare Best Director Award , ” Waqt “

1969 , Filmfare Best Director Award , ” Ittefaq “

1973 , Filmfare Best Director Award , ” Daag “

1975 , Filmfare Best Director Award , ” Deewar “

1991 , Filmfare Best Movie Award , ” Lamhe “

1975 , Filmfare Best Movie Award , ” Dilwale Dulhania Le Jayenge “

1997 , Filmfare Best Movie Award , ” Dil To Pagal Hai “

2004 , Filmfare Best Movie Award , ” Veer – Zaara “

2006 , Filmfare Power Award

2007 , Filmfare Power Award

2008 , Filmfare Power Award

NATIONAL FILM AWARDS :

1998 , Best Popular Film Providing Wholesome Entertainment , ” Dil To Pagal Hai “

2005 , Best Popular Film Providing Wholesome Entertainment , ” Veer – Zaara “

AWARDS & HONOURS :

2001 , Dadasaheb Phalke Award

2005 , Padma Bhushan

2008 , Officier de la Legion d’Honneur

FILMS AS PRODUCER :

When I was working with Uday Chopra as his private tutor , I used to go to Yash ji’s iconic bungalow in Juhu . I bumped into him several times . He was always gracious , always kind . Though he was a legend and I was not even a spec in the scheme of universe .

Once , years later , I went to meet Uday Chopra at Yash Raj Studio . I came out of his office after meeting him and approached the lift . Yash ji was standing there . Door of lift opened . Yash ji went in . I hesitated to enter and was standing still in front of the door . To my utter surprise Yash ji told me to come in . I went in and was almost numb that I am standing so close to him . I am sharing the space with him . Any other person of his stature would have ignored a non – entity like me . But Yash ji , in spite of being a legend , was kind enough to gesture me to come in . I will never forget that moment .

I am honoured that I got an opportunity to work with his banner . It was an experience to remember . Today as I am writing this blog , I remember several fond memories of the legend , who was so kind , ever smiling and always benevolent .

Apart from Mr. Dev Anand , Mr. Yash Raj Chopra is the most important factor in my life . He , along with Aditya Chopra and Uday Chopra , helped an obscure Acting Trainer and thus made me what I am today .Vidur’s Kreating Charakters ,  as an Acting Institute and Acting Trainer Vidur , as a person owe their existence to Yash ji and his Yash Raj Films .

Thank you sir ! I will always be grateful to you because you never made me feel small in your presence . I always got love from you , though I deserved none . You were always condescending , though I was not worthy of anything . You were always kind , though I was just a pigmy in front of a titan like you .

Rest in peace sir !

[ List of his films have been taken from Wikipedia . I express my gratitude . ]

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.kreatingcharakters.net

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

Wilting Traditions – 1 : Holi & Hindi Cinema


MUMBAI – MAHARASHTRA – INDIA           MARCH 26, 2011                   12. 2O A.M.

We just celebrated Holi. Indian festivals, specially North Indian festivals always played major roles in the Hindi films of yesteryears. Once upon a time Holi , Deewali , Makar Sankranti and  Raksha Bandhan used to be part of the story and were filmed lavishly and portrayed prominently in Hindi films. There used to be hit songs in films celebrating these festivals. And they are still remembered.

When I started watching films, I vividly remember Mehboob Khan‘s films , where Holi was always a part of the story and he used to picturize it lavishly. His first colour film ” Aan ” [ 1951 ] had a memorable Holi song – khelo rang hamare sang aaj din rang rangeela aaya…………..It was filmed on Dilip Kumar , Nimmi and large number of junior artistes.

Mother India

Image via Wikipedia

Mehboob Khan’s another timeless classic in colour was Mother India ” [ 1957 ] . It had immensely popular Holi number – holi aayi re kanhayee rang chhalke suna de jara bansuri………It was filmed on Nargis , Sunil Dutt , Rajendra Kumar , Kumkum and large number of junior artistes. Its canvass was vast and it carried the story forward with the help of intercuts and flash-backs . This song is my personal favourite. Mehboob Khan had earlier made ” Mother India ” in Black & white as ” Aurat ” [ 1940 ] and it too had Holi number filmed on Sardar Akhtar , Surendra and Yakub. Incidently ” Aurat “ also had an artiste named Arun [ father of present day star Govinda ]. So in total Mehboob Khan had 3 memorable Holi songs to his credit in classic films like – ” Aurat ” , ” Aan ” and ” Mother India. ”

After Mehboob Khan’s ” Aan ” [ 1951 ] , Dilip Kumar had another memorable Holi number picturized on him in S. U. Sunny’s ” Kohinoor” [ 196 0 ] . It was – man rang lo ji aaj tan rang lo , khelo umang bhar rang pyar ke le lo…………….During his later years Dilip Kumar did a film Mashaal ”  [ 1984 ] for Yash Chopra and it too had a hit and lovely Holi number – o dekho holi aayi ………….

Cover of

Cover of Mashaal

It is noteworthy that all the above mentioned numbers were composed by Naushad and were written by Shakeel Badayuni. Only ” Aurat ” and ” Mashaal “ numbers are exceptions. ” Aurat ” Holi number was composed by Anil Biswas and ” Mashaal “ was composed by Hriday Nath Mangeshkar and was written by Anand Bakshi.

After Mehboob Khan , Dilip Kumar , Naushad and Shakeel Badayuni another filmmaker who filmed magnificient Holi scenes and songs , was veteran V. Shantaram. His ” Navrang ” [ 1959 ] had a wonderful Holi number – arre ja re arre natkhat………………..

Among the yesteryear filmmakers , strangely , Raj Kapoor never filmed a single Holi song or scene in his directorial ventures. Though in real life , his larger than life Holi celebrations were talk of the film industry and are still envied and remembered by many.

Another curious case is Dev Anand’s. His suave and urbane personality was not fit for such kind of rustic and robust celebrations but he has one memorable exception. His immortal film ” Guide ” [ 1965 ] had a popular dance number – piya tose naina lage re , naina lage re…………….In this particular song there was one para dedicated to Holi. It was – aayi holi aayi , sab rang layi , bin tere holi bhi na bhaye………………….. Though Dev Anand was not shown in the song . It was magnificently picturized on Waheeda Rehman by director Vijay Anand. It was composed by Sachin Dev Burman and was written by Shailendra.

After above mentioned artistes and specially after Dilip Kumar , Amitabh Bachchan had most number of memorable Holi songs to his credit. His immortal classic ” Sisila ” [ 1981 ] had a song – rang barse bheege chunar wali rang barse ………… It is a cult song even today. One of his recent hits ” Baghbaan ” [ 2003 ] had another memorable number – holi khelen raghubeera awadh men holi khelen raghubeera……… .. According to me , Amitabh Bachchan has the dubious distinction of having one of the worst Holi number in the history of Hindi cinema to his credit. His later year hit ” Waqt – Race Against Time ” [ 2005 ] had a number composed by Anu Malik – do me a favour lets play holi……………….. Unfortunately this worst Holi song  is the last Holi number in Hindi films till date.

Yash Chopra , director of ” Silsila ” [ 1981 ] , is the second filmmaker after Mehboob Khan , who has filmed large number of memorable Holi songs in his films. After ” Silsila ” [ 1981 ] , he picturized a melodious Holi song on Dilip Kumar , Anil Kapoor and Waheeda Rehman in ” Mashaal ” [ 1984 ]. The song was – o dekho holi aayi……………..After ” Mashaal “ he made ” Lamhe ” [ 1991 ] and once again gave us a hit song – mohe chhedo na……………His another classic ” Darr ” [ 1993 ] had another lovely song – ang se ang lagaana sajan mohe aise rang lagaana………………….It was picturized on Shah Rukh Khan , Sunny Deol and Juhi Chawla. So Yash Chopra has 4 Holi songs to his credit , while Mehboob Khan has 3.

In between Dilip Kumar and Amitabh Bachchan , for a brief period of time , Rajesh Khanna was the reigning deity. His one of the early successes ” Kati Patang ” [ 1970 ] had a memorable Holi number – aaj na chhodenge bas hamjoli……………It was composed by Rahul Dev Burman and was written by Anand Bakshi. Incidently same composer – lyricist duo gave us another Holi chart-buster in ” Sholay ” [ 1975 ]. It was – holi ke din dil khil jaate hain…………..Though ” Sholay “ was made in the tradition of western cowboy films but it’s Holi song was so wonderfully woven in the story and it was filmed so beautifully that it is remembered even today .

Among today’s stars Aamir Khan had a wonderful song in ” Mangal Pandey  – The Rising [ 2005 ] . It is – dekho aayi holi………….. It is quirk of the matter that worst Holi song of Hindi films , do me a favour , lets play holi……… also came in the same year [ 2005 ] in ” Waqt – Race Against Time ” .

Mangal Pandey: The Rising

Image via Wikipedia

There are some other films also which have some good Holi songs . Rajshri Productions massive hit ” Nadiya Ke Paar ” [ 1982 ] had a catchy number – jogi ji wah jogi ji…………. but it was an exception rather than a rule. After 2005, it is sad that all the recent released films have not portrayed Holi or any other festivals prominently. There are several causes for this scenario.

A – Delhi – UP has ceased to be a prominent territory for Hindi films. Now younger filmmakers make films for metropolitan cities and for overseas markets. So this rustic , robust festival of colours is not finding favours.

B – Younger filmmakers are not familiar with the hinterlands of our country. They seldom go to villages and are unaware of the circumstances of our middle and lower middle class population.

C – Story line of recent films have become city – centric. Rampaging consumerism has changed the scenario beyond recognition and this is being reflected in the recently released films.

D – Rise of television is another root cause for this change. Since films are being made for the overseas territories and for metropolitan centers, so various channels started catering to the rural masses and started beaming village – centric serials. So filmmakers are now not bothered for the masses of hinterlands.

E – Rise of Bhojpuri films are another nail in the coffin. These films specially cater to North Indian public and most of them are still village – centric . So they picturize Holi songs on lavish scale . Recently released hit Bhojpuri film ” Diljale ” [ 2011 ] has a memorable Holi song.

There might be other reasons too, but I am sad that slowly and firmly our festival of colours is coming to a virtual neglect in Hindi films.

It is sad , very sad !

VIDUR

MUMBAI – MAHARASHTRA – INDIA

www.vidur.co.in

www.vidurfilms.com

www.twitter.com/VidurChaturvedi

www.jaibhojpuri.com/profile/VidurChaturvedi

ErikaBeyk

This WordPress.com site is about Health and Wellbeing

Arun Shanbhag

Life is Beautiful, Live it the fullest

WordPress.com

WordPress.com is the best place for your personal blog or business site.

The WordPress.com Blog

The latest news on WordPress.com and the WordPress community.

%d bloggers like this: