Nanda : Pardesiyon Ko Hai Ik Din Jaanaa …..


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MUMBAI – MAHARASHTRA – INDIA           MARCH 30 , 2014           00.30 A.M.

Vintage Nanda as We Know Her

Vintage Nanda as We Know Her

Unfortunately I was not connected to the net when yesteryear heroine Nanda ji died . I read about her death next day in the Times of India . She died on March 25 , 2014 at the age of 75 . One more icon of my Allahabad days is gone . One more reigning queen of my young years has left this world forever . I am feeling so helpless , so desperate , so forlorn , that I am unable to express myself properly . Several luminaries of cinema , who ruled the tinsel world during my adolescent days , are leaving this ephemeral world one by one . Several beautiful faces have vanished from this terra firma leaving me with this sinking feeling .

Baby Nanda On The Threshold of Youth in "Toofan Aur Diya"

Baby Nanda On The Threshold of Youth in “Toofan Aur Diya”

Nanda started working in films in 1948 as child artiste . She played heroine’s role for the first time in Bandish (1955) . After doing one more film Shatranj (1956) , she attained prominence with Toofan Aur Diya (1956) . This Rajendra Kumar starrer was directed by legendary V. Shantaram . He was Nanda’s paternal uncle .

From Bandish (1955) to Raj Kapoor’s  Prem Rog (1983) , she worked in almost 66 films as lead heroine / character artiste in a career spanning 28 years . She worked in 5 films as child artiste also . Thus Nanda worked in 71 films in a career spanning 35 years . Out of 71 films of Nanda ji , I have watched almost 25 films .

Nanda , during her hey – days , was an epitome of Indianness . Nanda had her own distinct class , beauty and charm . Nanda exuded ethnic oomph and native charm . Nanda was simple , yet she played a glamorous role with perfection and Elan . Nanda was a unique combination of traditional and modern woman . First film of Nanda , which I watched , was a super hit ” Jab Jab Phool Khile ” [ 1965 ] . Nanda played stellar role in the film with Shashi Kapoor .

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I can never forget the film and its heroine Nanda in Jab Jab Phool Khile (1965) . All the songs of the film are still fresh in my memory and still reverberate in my ears . ” Pardesiyon Se Na Ankhiyaan Milaanaa …….. ” , ” Ye Samaa Samaa Hai Ye Pyaar Ka …………….. ” , ” Ek Tha Gul Aur Ek Thi Bulbul ……………. ” , ” Na Na Karte Pyaar Tumhi Se Kar Baithe …………. ” and the soulful and melancholic ” Yahan Main Ajnabi Hoon …………. “ are still part of my life , even after so many years .

With Shashi Kapoor in "Jab Jab Phool Khile"

With Shashi Kapoor in “Jab Jab Phool Khile”

In "Jab Jab Phool Khile"

In “Jab Jab Phool Khile”

Yeh Samaa , Samaa Hai Ye Pyaar Kaa  in "Jab Jab Phool Khile"

Yeh Samaa , Samaa Hai Ye Pyaar Kaa in “Jab Jab Phool Khile”

After Jab Jab Phool Khile (1965) , I watched several of her films . One film which I fondly remember even today is Dev Anand starrer Hum Dono (1961) , which I watched much later. I watched it in Palace talkies of Allahabad .

With Dev Anand in "Hum Dono"

With Dev Anand in “Hum Dono”

She was one of the few old era heroines , who modelled for Lux . I still remember the campaign .

Model for Lux

It is sad that she died a lonely death . Nanda was unmarried till her death . Few months back I watched a photograph of Nanda and her contemporaries . It brought tears in my eyes. All the beautiful reigning Divas of my young age are looking so different now . And alas , one is now gone !

Nanda & Her Close Friends : Waqt Ne Kiya , Kya Haseen Sitam

Nanda with Her Close Friends – Waheeda Rehman , Helen & Sadhana : Waqt Ne Kiya , Kya Haseen Sitam

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Filmography

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On behalf of all the students and staff of VIDUR Acting Institute , I offer my condolences to the family of Nanda ji and to all the near and dear ones .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre also pray for the departed soul .

May you REST IN PEACE Nanda ji ! I will always miss you . I will always remember you in Jab Jab Phool Khile (1965) and will never forget the image of your’s in a shikara in Kashmir . The beautiful night of Kashmir , the white satin gown caressing your body , gentle breeze playing with your shampooed hair , your amorous face with bewitching smile and the sonorous Lata Mangeshkar song “…………… Ye Samaa , Samaa Hai Ye Pyaar Kaa ; Kisi Ke Intezar Ka ……………….. “ will always remain with me till the last breath of my life . Your ephemeral body has left us but the above mentioned image endures perennially .

 

[ I have taken information about the films of Nanda ji from Wikipedia . I have copied the list of her films from Wikipedia and posted it here . I am indebted . ]

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Remembering Mani Rabadi – Queen of Polka Dots


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MUMBAI – MAHARASHTRA – INDIA           AUGUST 18 , 2013           11.50 P.M.

        Mani Rabadi

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A well-known costume designer of 60s and 70s , Mani Rabadi died this month on August 06 , 2013 . She was older sister of yesteryear actress Nargis Rabadi a.k.a. Shammi or Shammi aunty .
   

Much before the advent of Manish Malhotra and Neeta Lulla , long before Anna Singh and Anaita Shroff Adajania and eons ago Niharika Khan , there was Mani Rabadi , who along with Bhanu Athaiya , became couturier to the stars in the Golden Age of Hindi Cinema.

Making her debut in 1967 with the Dev Anand starrer Jewel Thief , she worked all the way in to the 90s ending her career with the mega hit ” Hum Aapke Hain Koun ” .

” Jewel Thief ” [ 1967 ] , ” An Evening In Paris ” [ 1967 ] , ” Farz ” [ 1967 ] , ” Sapnon Ka Saudagar ” [ 1968 ] , ” Aankhen ” [ 1968 ] , ” Duniya ” [ 1968 ] , ” Mahal ” [ 1969 ] , ” Ek Phool Do Mali ” [ 1969 ] , ” Aradhana ” [ 1969 ] , ” Prince [ 1969 ] , ” The Train ” [ 1970 ] , ” Kati Patang ” [ 1970 ] , ” Gambler ” [ 1971 ] , ” Victoria No. 203 ” [ 1972 ] , ” Kachche Dhaage ” [ 1973 ] , ” Jheel Ke Us Paar ” [ 1973 ] , ” Bobby ” [ 1973 ] , ” Trimurti ” [ 1974 ] , ” Aap Ki Kasam ” [ 1974 ] , ” Amir Garib ” [ 1974 ] , ” Kasauti ” [ 1974 ] , ” Sanyasi ” [ 1975 ] , ” Rafoo Chakkar ” [ 1975 ] , ” Bairaag ” [ 1976 ] , ” Hera Pheri ” [ 1976 ] , ” Don ” [ 1978 ] ,  ” Amar Akbar Anthony ” [ 1979 ] , ” Aasha ” [ 1980 ] , ” Kaalia ” [ 1981 ] , ” Mard ” [ 1985 ] , ” Pestonjee ” [ 1987 ] , ” Maine Pyar Kiya ” [ 1989 ] , ” Hum Aapke Hain Koun ! ” [ 1994 ]  are her famous and most successful films .

She also won National Film Award , along with Ramilla Patel , for Best Costume for ” Pestonjee ” [ 1987 ] .


English: Scanned photograph of my grandmother,...

Costume Designer Bhanu Athaiya. (Photo credit: Wikipedia)

Apart from Bhanu Athaiya , she was another one , who was a professional dress designer in the early years of our film industry . She worked for 27 long years in this unpredictable and risk-driven industry . She successfully withered changing times , fluid tastes and all the changing patterns from ” Jewel Thief ” [ 1967 ] till ” Hum Aapke Hain Kaun ” [ 1994 ] .

Jewel Thief

Jewel Thief (Photo credit: Wikipedia)

An Evening in Paris

An Evening in Paris (Photo credit: Wikipedia)

Amar Akbar Anthony

Amar Akbar Anthony (Photo credit: Wikipedia)

Maine Pyar Kiya

Maine Pyar Kiya (Photo credit: Wikipedia)

Hum Aapke Hain Kaun...!

Hum Aapke Hain Kaun…! (Photo credit: Wikipedia)


Born as Mani Rabadi in a family of Parsi priests , she was only a kid when her father died . Her mother made a living by cooking at religious functions. Later on , along with her younger sister Shammi , Mani Rabadi worked in toy factories after school to source their tuition fees. After school time, they worked at offices, ran a magazine and did odd jobs. Mani also worked with the Indian People’s Theatre Association and did some Gujarati films.

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Here is a gallery of her designs from the movies we all love :

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An Evening in Paris (1967)

Sharmila actually plays a dual role in the film. The villainous side incidentally always shows her tummy–just to help the audience keep things straight.

Uhh, what precisely are you looking at Pran?

Cutsy hair clip that’s bigger than my nose? Don’t mind if I do.

Jewel Thief (1967)

I’ve talked a lot about my feelings for Helen in a chicken suit from this film, but this picture definitely deserves one more mention.

Yup, those are cotton balls puffing out of that red sari like polka dots. Just saying, it takes a bold and confident woman to try and pull that off.

Dev Anand poses as a French jewelry importer. Can’t you tell by the beret?

Aradhana (1969)

Who can forget Rajesh Khanna’s tall Nepali hat as he bellows “Mere Sapnon Ki Rani” on a hillside?

Rajesh Khanna in a blue suit with a hot red turtleneck during “Kora Kaagaz Tha” is the epitome of suave.

Unarguably the most famous scene from Aradhana, Sharmila Tagore makes a sari out of a flimsy blanket…and the rest is history.

Bobby (1973)

Youth and freedom must mean a tight leather jacket!

Umm, ok Dimple Kapadia, where did the rest of your shirt go though?

Cute but completely arbitrary villager costume for “Jhoot Bole Kauva Kate.”

Farz (1967)

Nice ascot, Jeetendra.

Oh, those tight white pants that made you who you were. It’s no wonder Jeetendra was nicknamed “Jumping Jack”!

Prince (1969)

Did someone say “hep cat”?!

Helen and Vijayantimala dance off in “Muqabla Humse Na Karo.”

Kati Patang (1970)

Asha briefly portrays a 70s bride before running away from the ceremony.

Bindu makes a spectacle of herself in comparison to Asha’s stark white sari..

Amar Akbar Anthony (1979)

Rishi Kapoor dresses as a qawwal by night.

There actually aren’t really words for this.

Moss green leather jacket with religious bling.

You are wearing a fedora? Clearly, you have become a millionaire.

Don (1978)

Nothing says “bad boy” like a big red bow tie.

Don’t mess with her scarf.

Or his.

Helen rocks an overly slitted dress for “Yeh Mera Dil” in Don (1978)

The bottom line here is , could Jeetendra have seized Bombay by storm without his famous tight white pants ? Could Dimple Kapadia have shot to stardom without costumes that only covered half of the minimum required? Her polka dots top for ” Bobby ” is still remembered . Vyjayantimala’s red saree from ” Jewel Thief ” is still fresh in our memories . Amitabh Bachchan’s tuxedo in the song My name is Anthony Gonsalves from the film ” Amar Akbar Anthony ” or Rishi Kapoor’s costumes from the same film are still there in our memory lane . Polka dot waist – coat of Amitabh Bachchan in ” Don ” is unforgettable . You remember his iconic song Khai ke paan Banaraswalla …… from the film and you will surely remember his polka dot waist-coat . You will never forget any costume of legendary Helen . Mani Rabadi designed innumerable costumes for her in films . They were revealing but not vulgar .

Her work is so diverse, so eye-catching, and so unpredictable . Mani Rabadi is unarguably genius. It is sad that her death is not widely reported in newspapers . Today , when Parsi community is celebrating Navroz [ thier new year ] , I am writing this obituary of Mani Rabadi , one of the prominent member of Parsi community .

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On behalf of all the students and staff of VIDUR Acting Institute , which is known as Vidur’s Kreating Charakters  , I offer my condolences to the bereaved family and specially Shammi aunty who is left alone to bear this loss at the age of 84 .

VIDUR Editing Studio , VIDUR Club and VIDUR Theatre would also like to offer heartfelt sympathies at the sad demise of the legendary but almost forgotten dress designer of the golden era of the Hindi films .

[ It is sad that I could know about her death after a week through the latest issue of ” Screen ” weekly . I found material about her in magazines like ” Screen ” , ” Parsi Khabar ” and ” Mid Day ” . For her photographs and her volume of work , I had to refer to online posting of ” Mr. & Mrs. 55 – Classic Bollywood Revisited ” . I express my profound gratitude to all of them . ]

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In Memoriam Rajesh Khanna : Zindagi Kaisi Hai Paheli , Hai!


MUMBAI – MAHARASHTRA – INDIA           JULY 24 , 2012           01.15 A.M.

Dara Singh died on July 12 , 2012 . Within a week another luminary of the Hindi film industry bid adieu to this world . Rajesh Khanna died on July 18 , 2012 .

In Glass Casket

In Glass Casket

Akshay Kumar with the Dead Body In Glass Casket

Akshay Kumar with the Dead Body In Glass Casket

Let me state honestly . I am not his fan . In fact I was never ever a fan or admirer of Rajesh Khanna , the actor or the man . Though I have watched many of his films . I do admire some of his cult films . I definitely remember and hummed many of his iconic songs . I am very much aware of his stupendous super stardom , which , once upon a time , engulfed the film industry like a hurricane or tornado or tsunami . I am witness to those years when every star  was dwarfed in front of him . I am well aware of  those momentous days when everyone or everything became insignificant in his presence . His blitzkrieg darkened all the other objects . His tumultuous rise momentarily eclipsed all the other stars and consigned some of the mightiest stars into the trash bin of history . I am witness to those days . I was living in that era . I am privy to those happenings . In 1972 I was here in Bombay [ now Mumbai ] . I have seen the crowd in front of his bungalow Aashirwaad . I have witnessed the fan adulation . But still , I was not his fan or admirer .

But I was saddened beyond words when I heard the news of his demise . My wife , again not his fan , cried profusely when she watched his funeral procession . So the question arises , what happened to us ? Why we felt for Rajesh Khanna so deeply ? Is it not enigmatic ? Is it not ironical ? No , it is not . Just watch these pictures posted below and notice the horrific changes in his personality down the years and you will fully understand the reason of our empathy .

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From a dashing , charming young superstar to a pale shadow of his own self , these photos tell us a very tragic and pathetic story . For present day generation of movie – goers , his popularity during his heydays is unknown and unimaginable . I am presenting some of the milestones of his life’s journey one by one .

Aakhri Khat

Aakhri Khat (Photo credit: Wikipedia)

1966 : Made debut with ” Aakhri Khat ” .

1967 : Made his mark with ” Raaz ” .

1969 : Attained Super stardom with ” Aaradhana ”

1969 : ” Bandhan ”

1969 : ” Do Raste ”

1969 : ” Doli ”

1969 : ” Khamoshi ”

1969 : ” Ittefaq ”

[ 6 super hits in 1969 ]

1970 : ” Aan Milo Sajna

1970 : ” Safar ”

1970 : ” Kati Patang ”

1970 : ” The Train ”

1970 : ” Sachcha Jhootha ”

[ 5 super hits in 1970 ]

1971 : ” Anand ”

1971 : ” Haathi Mere Saathi

1971 : ” Dushman ”

1971 : ” Mehboob Ki Mehndi

[ 4 super hits in 1971 ]

1972 : ” Amar Prem ”

1972 : ” Apna Desh ”

[ 2 super hits in 1972 ]

Within 3 years of making his debut , he attained unimaginable , unheard of and unprecedented super stardom in 1969 with ” Aradhana “ and gave 15 consecutive super hits till 1972 , a record still unbroken . ” Daag ” [ 1973 ] and  ” Namak Haraam ” [ 1973 ] were also big hits . But 1973 was a watershed moment in his career . He was eclipsed by Amitabh Bachchan in ” Namak Haraam “ . Amitabh Bachchan’s career defining film ” Zanjeer “ also came in 1973 . And thus began the well – known downward slide of mighty Super Star Rajesh Khanna .

Alarmed by his waning popularity , he married much younger Dimple Kapadia and made headlines temporarily.

Though in 1974 he gave 2 super hits like ;Aap Ki Kasamand ” Roti “ but the slide was visible and evident . The era now clearly belonged to Amitabh Bachchan , who once played second fiddle to him in super hit , iconic cult films like ; ” Anand ” and ” Namak Haraam ” .

Poster of Anand

Poster of Anand

Poster of Namak Haraam

Poster of Namak Haraam

Poster of these two films can give you Amitabh Bachchan’s position in the industry in those days vis-a-vis Rajesh Khanna . But alas , the cruel hands of fate had started writing some unknown and inglorious chapters of his life with indelible ink .

In 1975 Amitabh Bachchan gave ” Deewar ” and ” Sholay ” . Rajesh Khanna’s mentor and lucky mascot Shakti Samanta made ” Mehbooba ” [ 1975 ] . ” Deewar ” and ” Sholay “ were super hits and became ageless cult classics . While ” Mehbooba “ was a resounding flop and sealed Rajesh Khanna’s fate finally. After 8 years gap and some insignificant films in between , in 1983 , he again came with 2 mega hits like ; ” Avatar ” and ” Soutan “ but the magic was missing . Even these massive hits could not salvage his lost position in the industry . His turbulent career affected his personal life also . In 1984 came the tragic separation from Dimple Kapadia .

From 1983 [ his last hits ] to 2012 [ his death ] ,  29 years of his eventless , colourless career and lonely personal life proved fatal for him . It is regrettable and cruel irony that a c-grade movie ” Wafaa ” [ 2010 ] is his last film .

In between he dabbled in TV also . In total he worked in 4 TV serials . ” Apne Paraye [ B4U TV – 2001 ] , ” Ittefaq ” [ Zee TV – 2002 ] , ” Bhabhima ” [ 2008 ] andRaghukul Reet Sada Chali Aayi ” [ DD 1 – 2008 ] . But none could touch the popularity of Amitabh Bachchan’s ” Kaun Banega Crorepati ” [ Star Plus – 2000] .

It is a well-known secret that the title superstar was coined for him by his publicists ; Devyani Chaubal and K. Razdan . But the mass hysteria which he generated in those days and that too without the help of internet , twitter and facebook , is unimaginable , unfathomable and still unattainable . It is regrettable that his stardom or superstardom lasted just for 4 years . 15 successive super hits in a row and then 7 consecutive super flops in a row defines Rajesh Khanna’s strange film career . Compare his 4 year tenure with other stars :

DEV ANAND : 65 Years [ 1946 Hum Ek Hain – 2011 Chargesheet ]

ASHOK KUMAR : 61 Years [ 1936 Jeevan Naiya – 1997 Aankhon Me Tum Ho ]

DILIP KUMAR : 54 Years [ 1944 Jwar Bhata – 1998 Qila ]

AMITABH BACHCHAN : 40 Years [ 1973 Zanjeer – 2012 Bol Bachchan ]

Stars of this generation SHAH RUKH KHAN , SALMAN KHAN and AAMIR KHAN are reigning kings even after almost 20 years . HRITIK ROSHAN has 12 years of stardom behind him . Even DARA SINGH survived for 45 years [ 1962 King Kong – 2007 Jab We Met ] . But alas ! Rajesh Khanna vanished from the stardom and was banished from the film industry just after 4 years . Though he did 165 films and played solo lead in 107 films but was forgotten by the masses and ignored by the friends and the same film industry , which once said , ” Upar aaqa ; neeche Kaka .”

It is sad . It is heart – wrenching . People say many things about him . I , myself know many stories about him , which are said to be the cause of his downfall . But I don’t want to write those stories after his death . After all he was human and to err is human . Just re – think about some facts of his life . He debuted when he was 24 . He attained superstardom when he was 27 and lost his empire when he was just 31 . After that , till his death , it was 38 year – long wait for regaining his lost empire . It was 38 year – long wait for The Knock at his door by any producer or director . It was 38 year – long wait for the crowd to assemble again at his doorstep . It was 38 year – long wait for the same mass – hysteria , same mass adulation which was once his right and he thought it was his birth right  .

Mass hysteria , mass adulation did happen again but alas , it happened only after his death . See these pictures of his funeral procession and then watch the  crowd in front of his bungalow Aashirwaad and you will be able to feel the irony of fate . I wish , this attention should have happened a year before ……….. or a week before ……… or even a day before ………… he would have died a happy and contented man . But strange are the ways of destiny.

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Funeral Procession

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

Crowd at Aashirvad on July 22

I agree , he did make some mistakes . He did err like a human and for that mistake , for that error destiny punished him with all its might , with all its ferocity , with all its lethal cruelty . He , for his mistakes , never got same benevolence by destiny , which others easily got for their sins . Fate was condescending to others , not to him .

He was like quintessential Greek tragic hero . You can only feel sorry for him . You can empathise with him . And you could hum his memorable song …. zindagi kaisi hai paheli , hai ; kabhi ye hasaye , kabhi ye rulaye ……. Ek din sapno ka rahi , chala jaye sapno se aage kahan ………..

Phenomenon , known as Rajesh Khanna , regained some of his glory once again but alas , only after his death . He had gone forever and had gone even beyond his dreams .

As I finish my blog , I feel , I must express my admiration and gratitude to his son in  law Akshay Kumar and his long – time friend Anju Mahendru , who took every care to give him comfort during his last days . Though it seems futile , but still , it was because of them that a befitting funeral could be arranged for this forgotten phenomenon , fallen Super Star and a lonely icon , who once ruled supreme . Thank you Mr. Akshay Kumar , thank you Madam Anju Mahendru , I bow my head in gratitude ! May God bless you two !

My heart also goes for Rinke Khanna , my student , who was very close and was very much attached to her father .

If I could feel so much without being his fan or admirer , then you can imagine the pain and pathos of his fans and near and dear ones .

Rest In Peace Sir ! Destiny was cruel to you . Better luck in next life .

VIDUR

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